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I'm overflowing with music and beautiful melodies now – imagine, since my last letter I've finished another whole notebook of new pieces. I intend to call it
Kreisleriana. You and one of your ideas play the main role in it, and I want to dedicate it to you – yes, to you and nobody else – and then you
570:
Ingo Müller: Die
Rezeption E.T.A. Hoffmanns in der klassischen Musik des 19. bis 21. Jahrhunderts. In: “Unheimlich Fantastisch – E.T.A. Hoffmann 2022”. Begleitbuch zur Ausstellung der Staatsbibliothek Berlin in Zusammenarbeit mit dem Deutschen Romantik-Museum Frankfurt a. M. und der Staatsbibliothek
175:
is a very dramatic work and is viewed by some critics as one of
Schumann's finest compositions. In 1839, soon after publishing it, Schumann called it in a letter "my favourite work," remarking that "The title conveys nothing to any but Germans.
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201:, and recalling Schumann's own "Florestan" and "Eusebius," the two characters Schumann used to indicate his own contrasting impulsive and dreamy sides. Johannes Kreisler appears in several books by Hoffmann, including
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from works of E. T. A. Hoffmann. Like the kaleidoscopic
Kreisler, each number has multiple contrasting sections, resembling the imaginary musician's
184:'s creations, an eccentric, wild, and witty conductor." In 1843, when he had moved from writing for solo piano to much larger works, in particular
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Carey, Norman, "An
Improbable Intertwining: An Analysis of Schumann's Kreisleriana I and II, with Recommendations for Piano Practice,"
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Schumann claimed to have written it in only four days in April 1838 and a revised version appeared in 1850. The work was dedicated to
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Bamberg, hg. von
Benjamin Schlodder, Christina Schmitz, Bettina Wagner und Wolfgang Bunzel, Leipzig 2022, ISBN 3959055730 S. 315-322.
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Fisk, Charles, "Performance, Analysis and
Musical Imagining Part II: Schumann's 'Kreisleriana', No. 2",
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359:(Fast and playful), G minor. Schumann used material from this movement in the fourth movement of his
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Eric
Frederick Jensen states that it was composed between early May and mid-September 1838 –
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383:, Oxford University Press, 2001, p. 168 – but does not cite a reference.
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of the theme by twenty measures in order to repeat it in full.
494:. Translated by Bryant, Hannah. London: J. Murray. pp.
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will smile so sweetly when you discover yourself in it.
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271:. This movement in ABACA form, with its lyrical main
190:, he still listed it as one of his best piano works.
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279:. In his 1850 edition, Schumann extended the first
911:List of solo piano compositions by Robert Schumann
193:The work's title was inspired by the character of
522:Schumann, Robert (2004). Herttrich, Ernst (ed.).
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488:Schumann, Robert (1907). Storck, Karl (ed.).
415:The Indispensable Composers: A Personal Guide
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595:Much more detailed analysis and description
531:(in German). G. Henle Verlag. pp. III.
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959:Music based on works by E. T. A. Hoffmann
588:International Music Score Library Project
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916:List of compositions by Robert Schumann
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261:(Very inwardly and not too quickly),
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979:Composer tributes (classical music)
16:1838 composition by Robert Schumann
593:Piano Society: Kreisleriana op. 16
114:Problems playing these files? See
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936:
215:Fantasiestücke in Callots Manier
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607:Isabella Stewart Gardner Museum
443:, 8 fantasies for piano, Op. 16
964:Piano music by Robert Schumann
737:Variations on the name "Abegg"
510:The Letters of Robert Schumann
491:The Letters of Robert Schumann
144:16, is a composition in eight
1:
512:, London, 1907, pp. 126, 241.
258:Sehr innig und nicht zu rasch
160:Phantasien für das Pianoforte
467:. Hal Leonard. p. 197.
464:Schumann: A Chorus of Voices
969:Compositions for solo piano
599:Performance of Kreisleriana
275:, includes two contrasting
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127:Title page from Schuman's
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855:Faschingsschwank aus Wien
558:, vol. 37 (1997), p. 95.
545:, vol. 32 (2007), p. 23.
418:. Penguin. p. 237.
222:In a letter to his wife
207:and most notably in the
556:College Music Symposium
397:The Romantic Generation
984:Music with dedications
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316:(Very lively), G minor
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250:(Extremely animated),
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219:, published in 1814.
187:Paradise and the Peri
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689:Solo piano music by
356:Schnell und spielend
86:Schnell und spielend
883:Drei Fantasiestücke
862:Album for the Young
543:Theory and Practice
438:James Leonard.
799:Davidsbündlertänze
772:Geistervariationen
508:Stork, Karl, ed.,
410:Tommasini, Anthony
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974:1838 compositions
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897:Gesänge der Frühe
820:Symphonic Studies
459:Tibbetts, John C.
291:(Very agitated),
195:Johannes Kreisler
182:E. T. A. Hoffmann
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834:Kreisleriana
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827:Kinderszenen
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720:Sonata No. 3
715:Sonata No. 2
710:Sonata No. 1
620:Kreisleriana
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583:Kreisleriana
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525:Kreisleriana
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441:Kreisleriana
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321:Sehr langsam
313:Sehr lebhaft
299:Sehr langsam
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228:Kreisleriana
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209:Kreisleriana
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173:Kreisleriana
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157:
156:, subtitled
137:Kreisleriana
136:
135:
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129:Kreisleriana
128:
105:Giorgi Latso
18:
848:Nachtstücke
841:Novelletten
784:collections
758:Blumenstück
634: [
211:section of
953:Categories
869:Waldszenen
782:Suites and
618:Schumann:
368:References
335:Sehr rasch
277:intermezzi
204:Kater Murr
180:is one of
116:media help
792:Papillons
765:Humoreske
605:from the
240:Movements
152:for solo
146:movements
806:Carnaval
751:Arabeske
622:, Op. 16
461:(2010).
447:AllMusic
412:(2018).
399:, p. 284
381:Schumann
347:♭
327:♭
305:♭
266:♭
178:Kreisler
131:, Op. 16
744:Toccata
653:YouTube
627:YouTube
340:C minor
293:G minor
281:reprise
252:D minor
83:No. 8 "
59:No. 3 "
35:No. 1 "
929:Portal
613:format
471:
422:
642:]
529:(PDF)
350:major
330:major
273:theme
269:major
224:Clara
154:piano
469:ISBN
420:ISBN
651:on
625:on
611:MP3
609:in
601:by
496:128
445:at
148:by
142:Op.
955::
640:ru
638:;
636:uk
629:,
395:,
230::
140:,
931::
682:e
675:t
668:v
498:.
477:.
428:.
363:.
344:E
342:/
263:B
163:.
118:.
89:"
65:"
41:"
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
