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444:(now the Ukrainian National Tchaikovsky Academy of Music), to teach the young man composition. His mother brought Glière the score of the quartet, and Glière agreed to teach him. A postcard has survived which reads: “I invite His Excellency Mr. Borys Lyatoshynsky to my first lesson. Professor Glier." Lyatoshynsky's early musical style was influenced by his family, his teachers, and his future wife Margarita Tsarevich—in his letters to her written between 1914 and 1916, his first ideas about writing music are revealed.
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719:, and Lyatoshynsky was evacuated there along with his colleagues, In Saratov, the Ukrainian Taras Shevchenko Radio Station broadcast political speeches and daily concerts of Lyatoshynsky's arrangements of Ukrainian music. He created solo pieces, and works for chamber groups, notably his "Ukrainian Quintet" for piano and strings (1942, 2nd ed. 1945), which was awarded the State Prize in 1943. Other works included the String Quartet No 4 (1943), a
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1204:, but other movements, such as the start of the second movement, have a personal and original lyricism and imaginative orchestration, such as at the end of the work, when a folk song (first heard in the opening movement) returns accompanied by brass and bells. The longest and perhaps his most popular symphony, it is as lyrical-sounding as the First, but less derivative and more assured. According to
1226:, they have become regarded by Ukrainians as the pinnacle of modern Ukrainian musical culture. The Fourth Symphony (1963) has an expressive contemporary character, challenging for the listener because of its atonal aspects, and is more reminiscent of Shostakovich than its predecessors. The slow second movement begins darkly, but is followed by a chorale surrounded by shimmering bells and a
266:. His music was written with a modern European style, and skilfully includes Ukrainian themes. His early musical style was influenced by his family, his teachers (including Glière), and by Margarita Tsarevich. The existence of a Polish side to Lyatoshynsky's family resulted in Polish themes being central for many of his works. He also drew inspiration for his early compositions from
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371:, which bear little resemblance to compositions written later in life. The existence of a Polish side to Lyatoshynsky's family resulted in Polish themes being central for much of his work. Zhytomyr was the cultural and administrative centre of a region long inhabited by ethnic Poles, and his first music teacher was of Polish origin.
708:, the government in Moscow worked to protect the city's main artistic organisations and artists. Theatre groups, orchestras, and composers were evacuated to the interior of the USSR. Whilst helping to develop the culture and art of the republics they were sent to, Ukrainian artists continued to develop their national music.
379:. The pieces, although naïve and unoriginal, revealed his musical talent, and motivated his father to encourage his efforts as a schoolboy composer. In Zlatopol, Lyatoshynsky took piano lessons from a school teacher whom he later remembered with great warmth. In 1914, he first met his future wife Margarita Tsarevich.
475:. Many young composers of the Russian Empire similarly regarded Scriabin's experiments as a turning point in music. Lyatoshynsky's Piano Trio No.1 (1922) for violin, cello, and piano, is a work that attempts to have greater dynamic content and complexity; its sections are more contrasting than in previous works.
834:“The anti-national formalist trend in Ukrainian musical art was manifested primarily in the works of composer B. Lyatoshynsky. This is a disharmonious work, cluttered with unjustified thunderous sounds of the orchestra, which depress the listener, and in terms of melody—the symphony is poor and colourless.”
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His correspondence with his old friend and teacher Glière (edited by
Kopytsia) was published in 2002. On 28 October 2018, the Lutheran Church of St. Catherine in Kyiv hosted a concert of choral works by Lyatoshynsky "Under the Autumn Stars", the first collection of the composer's choral heritage
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The music for the Second
Symphony (1935–1936) can be interpreted as depicting images of the reality of Soviet life, often using atonality. Written in the conventional three-movement form, the symphony is full of contrasting moods and dramatic contrasts. This expansive, romantic symphony was censored
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During the 1960s, Lyatoshynsky, by then a member of the
Composers’ Union of the USSR, was allowed to take ‘cultural’ trips abroad, where he met fellow composers. Accompanied by his wife, he visited Austria, Switzerland, and other countries. He was a member of international competition juries for the
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Lyatoshynsky wrote a variety of works, including five symphonies, symphonic poems, and several shorter orchestral and vocal works, two operas, chamber music, and a number of works for solo piano. He wrote nearly 50 songs. He produced four string quartets, in 1915, 1922, 1928, and 1943. His earliest
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was commissioned in 1933 by the
Organizing Bureau of the Union of Soviet Composers, to be premiered in Moscow along with a number of other works by Ukrainian composers. Lyatoshynsky worked on the symphony for six months during 1934. The work was criticised in the press, even though it had yet to be
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to have been a mazurka, written on 20 January 1910, when he was 15. However, during the 1910s, Lyatoshynsky wrote 31 works of various musical genres—20 of which were discovered in 2017— none of which were known by his previous biographers. The pieces have provided scholars with an indication of the
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was brave enough to perform it to a packed concert hall during a daytime performance. Lyatoshynsky wrote to Glière that "the crowded hall literally gave me a standing ovation". However, the composer was accused of "abstract understanding of the struggle for peace", and told by the authorities that
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In 1909, two years before his retired, Mykola
Lyatoshynsky celebrated 25 years as a teacher, and many of his colleagues, former students, their parents and friends sent him congratulatory telegrams. After his retirement, he gave lectures on local history, and published articles in the local
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The composer's niece, Iya
Sergeyevna Tsarevich, was brought up in the composer's house from the age of five. She recalled when German troops used Lyatoshynsky's Kyiv house on Lenin Street as a headquarters. There was a danger that everything that was in the house could be lost, so
1310:, first staged in 1930, is the most notable example of Ukrainian historical opera during the first half of the 20th century. The music and the libretto blend historical, mythological, and social themes, and Lyatoshynsky's score organically combines contemporary musical expressions (such as
456:, Op. 2 (1918–1919, revised in 1967). According to the musicologists Igor Savchuk and Tatiana Gomon, perhaps the most tragic of his early piano works is "Mourning Prelude", a transitional work and one of his most powerful, which was written on 19 December 1920, the day his father died of
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The styles of
Lyatoshynsky and Silvestrov had features in common: both composers were drawn to composing smaller piano works, and during their early careers, both composers selected techniques and elements that allowed them to form a musical vocabulary that they resorted to in later
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1189:'s Symphony No. 5 was expressed in the symphony. The reflective second movement is balanced by a finale that is, according to the music historian Ferrucio Tammaro, "not only dynamic, but even heroic, in close conformity with the tastes of emerging Soviet symphonism".
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Lyatoshynsky wrote at this time of his despondency over the prohibition of his music by the authorities. After performances of the work were forbidden, Lyatoshynsky wrote to his friend Gliere, "As a composer, I am dead, and I do not know when I will be resurrected."
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Lyatoshynsky is one of the most highly regarded and influential
Ukrainian composers of the 20th century, and a key figure of the modern school in Ukrainian music, whose works consistently demonstrate his mastery of composition and orchestration. According to
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436:. When his piano quartet was performed in public in time for his father's birthday, the local press praised the work, although it was clear to those who heard the piece that the piano part was over-dominant. Lyatoshynsky's family decided to ask the composer
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Lyatoshynsky's symphonies "reflect the stresses of the period of their composition". It has been suggested by the music writer Gregor Tassie that his First
Symphony (1918–1919) is the earliest symphony to be composed in Ukraine after the 18th century composer
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In
September 1943, Lyatoshynsky was invited by the Moscow Conservatory to work there for a year, but on 10 November 1943, after the liberation of Kyiv, he returned on the first flight back to his home city, as part of a delegation that included the poets
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Lyatoshynsky enrolled at the Conservatory as a student. He graduated from the university in 1918. After graduating from the Conservatory the following year, he was employed there as a music composition teacher. During his student years, he composed his
498:('growing roots'), designed to foster indigenous cultures as a way to undermine what was perceived as imperial domination. Korenizatsia produced a cultural climate that encouraged Lyatoshynsky and his contemporaries to be experimental and innovative.
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performed, with one critic writing: "The second symphony, with its external complexity and imposing sound, leaves the impression of an extremely empty, far-fetched work”. Due to the national mourning at the time for the Soviet politician
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During 1931–1932, Lyatoshynsky wrote an orchestral suite for orchestra. From 1932 to 1939, he was a committee member of the Bureau of the Union of Composers of Ukraine. Following the commission from the officials of the
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Lyatoshynsky graduated from the Zhytomyr Gymnasium in 1913. Later in life, he recalled that he "became really interested in music" at school; he mastered the violin, and created his first compositions, which included a
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731:(1944). He established contacts and worked collaboratively with the administrators of the local Concert Hall and Radio Committee. Under his leadership, Ukrainian musical manuscripts were transported away to safety.
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consists of "delicate melodies floating over a gently rocking pulse", is praised by him as being "magical". Impressionistic touches in Lyatoshynsky's smaller-scale works can be seen in the second and fifth of his
319:). His parents were both musical and well-educated, and their son received his primary education at home. The Lyatoshynsky family lived in towns and cities throughout Ukraine during Borys's childhood. His father
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1377:, he is one of the three Ukrainian artists of the first half of the 20th century to have received international recognition, and the most accomplished Ukrainian composer to emerge following the death of
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was erected in Kyiv at the house where he lived from 1944 to 1968 (now 68 B. Khmelnytskoho Street), and in 1977 a street in Kyiv was renamed in his honour. A room is dedicated to Lyatoshynsky in the
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1175:. More tuneful and Scriabinesque in comparison with his four other symphonies, it was written as his graduation composition at a time when he had become influenced by the music of Scriabin and
636:, his first attempt at integrating his own musical style with original folk tunes. In June that year, Glière performed the premiere of Lyatoshynsky's First Symphony in a concert programme.
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was the first example of an orchestrally 'symphonic' work in the history of Ukrainian opera. It appeared at the end of the era of creative experimentalism, which ended with the arrival of
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festivals of contemporary music. In 1957, as a representative of the Union of Composers of the USSR, he travelled to Bulgaria during the centennial celebrations for the death of
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259: (1956). Many of his compositions were rarely or never performed during his lifetime. A 1993 recording of his symphonies first brought his music to worldwide audiences.
1445:, and Silvestrov, who dedicated a symphony to his teacher. Lyatoshynsky 's teaching method was characterised by his desire for his students to learn to think independently.
185:, conductor, and teacher. A leading member of the new generation of 20th century Ukrainian composers, he was awarded a number of accolades, including the honorary title of
2328:
1208:, the Third Symphony "tries hard to be a good Soviet symphony"; the confident-sounding finale of the work was designed to help the work acquire political acceptability.
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Critics have praised smaller-scale works by Lyatoshynsky. They include Intermezzo from the Second String Quartet, op.4 (1922) orchestrated in the early 1960s, and the
1215:, who studied under Lyatoshynsky, recalled that when writing his last two symphonies, Lyatoshynsky "seemed to belong to another planet". According to the musicologist
543:(1925), a cycle of seven pieces for the piano, is one of a small number of works for the instrument; his other piano works are the sonatas (written in 1924 and 1925),
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Despite his music being criticised by the Soviet authorities, who officially banned such compositions as his Second Symphony, Lyatoshynsky never adhered to a style of
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to study folk music and compose a ballet about the life of local people. From 1935 to 1938, and from 1941 to 1944, he taught orchestration at the
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press. In March 1911 he was elected a full member of the Society of Researchers of Volyn. He worked on a history textbook, which was later published.
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in nature than other works composed during this period in the composer's career, Lyatoshynsky included a Russian folk song as the main theme and a song from
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as "a well-crafted, confident score" that "abounds in contrapuntal elaboration and abundant orchestral rhetoric". A vision of the war similar to that in
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666:"A composer whose voice does not reach the people is not even zero, but a negative value. I will strive to make my music close to the people.”
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was once again being attacked, Lyatosynsky's Second Symphony was denounced as being anti-national and formalistic. It was denounced by the
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and history was held in high esteem in the Lyatoshynsky household; Borys read a lot as a boy, especially the historical and romantic works of
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Scientific Notes of Volodymyr Hnatyuk Ternopil National Pedagogical University and the Peter Tchaikovsky National Music Academy of Ukraine
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Tammaro, Ferrucio (2017). "War Symphonies and Peace Symphonies: Sibelius' Fifth". In Krohn, Anna; Howell, Tim; Murtomäki, Veijo (eds.).
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From 1922 to 1925, Lyatoshynsky, then a 25-year-old lecturer and teacher of composition in the Kyiv Conservatory, organised and led the
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The International Student Scientific and Practical Conference: "The European Dimension of the cultural heritage of Borys Lyatoshynshy”
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written in memory of Glière. The orchestrated version of the Intermezzo, which according to the British classical music journalist
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is also named after Lyatoshynsky. In 2020 the Kharkiv Music Festival launched the Borys Lyatoshynsky Young Composers Competition.
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1047:. Lyatoshynsky wrote music with a modern European style and technique, skillfully combining it with Ukrainian themes. In 1940,
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1234:, "a brief but really haunting invention". The symphony's coda contains lyrical string solos and a subdued clashing of bells.
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for the violin and the piano, writing pieces such as his String Quartet No 2, the Trio for piano, violin and cello, and two
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208:. During the 1910s, Lyatoshynsky wrote 31 works of various musical genres. During the 1930s he travelled to
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Oliynyk, Svetlana (2012). "Five preludes for piano by B. Lyatoshynsky: figurative-thematic concept of the cycle".
200: and history was held in high esteem. After completing school in 1913, he entered the Faculty of Law at
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494:. He was appointed as professor of composition in 1935. During the 1920s, the Communists introduced a policy of
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783:, 1949); the Taras Shevchenko Suite (1952); his Slavic Concerto for Piano and Orchestra (1953);
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It was once thought incorrectly that Lyatoshynsky considered his Third Symphony a failure and destroyed it.
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joined with a newly-formed chamber orchestra, and became the B. Lyatoshynsky Classical Music Ensemble. The
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282:. Soviet and Ukrainian composers who studied under Lyatoshynsky, and were influenced by him, include
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2052:(in Ukrainian). Kyiv: Institute of Encyclopedic Research of the National Academy of Sciences of Ukraine.
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During the 1920s Lyatoshynsky composed a series of romances based on the writings of poets that included
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During this early period of Lyatoshynsky's development as a composer, he drew inspiration from works by
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under the pseudonym 'Boris Yaksa Lyatoshynsky', using the name of a Polish knight who had fought in the
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compositions (such as his First Symphony) were greatly influenced by the expressionism of Scriabin and
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The last two symphonies by Lyatoshynsky are completely different from their predecessors—the composer
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Borys Lyatoshynsky with his parents and sister Nina, photographed at the beginning of the 20th century
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235:(1937), the five symphonies, the Overture on Four Ukrainian Folk Themes (1926), the suites
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Soviet and Ukrainian composers who studied under Lyatoshynsky, and were influenced by him, include
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1200:(1951–1954), with its combative first movement, has been compared with Shostakovich's better-known
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628:. The Piano Sonata No.1 was published in Moscow in 1926, the year he composed an overture based on
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342:. Lyatoshynsky's mother Olha Borysovna played the piano and sang. Borys had an older sister, Nina.
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3272:[Five preludes for piano by B. Lyatoshynsky: a figurative-thematic concept of the cycle].
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Musicians' Letters as a Mirror of Supra-Regional Cultural Relations in Central and Eastern Europe
3186:[Creativity of Boris Lyatoshynsky and Valentin Silvestrov: parallels and metamorphoses].
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The Symphony No. 1 was not played again in Lyatoshynsky's lifetime. It was next performed by the
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The Polish state prize – ‘for the strengthening of Russo-Polish friendship’ (1963)
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2804:[Borys Lyatoshynsky and Vorzel] (in Ukrainian). Ukrainian People's Council of Priirpinia
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1074:, the five symphonies, the Overture on Four Ukrainian Folk Themes (1926), the suites
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was a history teacher, who during his career was the head teacher of high schools in Zhytomyr,
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Many faculties of the Moscow Conservatoire, including the music department, were relocated to
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1179:. It was conducted in 1923 by Glière. The First Symphony is described in the 1999 edition of
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2557:"Borys Lyatoshynsky (1895–1968): Symphony No. 2, Op. 26; Symphony No. 3 in B minor, Op. 50"
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Lyatoshynsky's father-in-law used a cart to take all the composer's papers to the family
2329:"Gregor Tassie celebrates the significant contribution to classical music of Ukrainians"
216:. During the war, Lyatoshynsky was evacuated and taught at the Conservatory's branch in
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1322:. Over the next three decades, the opera failed to gain a foothold in the repertoire.
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In 1913, on the advice of his father, Lyatoshynsky entered the Faculty of Law at
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2777:[A CD anthology of choral works by Borys Lyatoshynsky is presented in Kyiv].
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The Third Symphony was not heard by the public for several years. The conductor
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3270:"П'ять прелюдій для фортепіано Б. Лятошинського: образно-тематична концепція циклу"
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During the first half of the decade, Lyatoshynsky concentrated mainly on composing
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3184:"Творчество Бориса Лятошинского и Валентина Сильвестрова: параллели и метаморфозы"
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Op. 70 (1967) for orchestra. He died on 15 April 1968, and was buried in the
3285:[The Transformation of poetry in the piano works of Borys Lyatoshynsky].
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2915:] (in Ukrainian). Edmonton, Alberta: Canadian Institute of Ukrainian Studies.
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for their "high level of craftsmanship" which "pleasantly amazed" him. After the
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2420:(in Ukrainian). Kyiv: Taras Shevchenko National Prize Committee of Ukraine. 2011
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In his Fifth Symphony (the 'Slavonic', in C major, (1965–1966)), which includes
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A monument to Lyatoshynsky was erected in Zhytomyr in honour of the composer. A
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3210:[Yevhen Stankovych: "Borys Lyatoshynsky – Unique Ukrainian Composer"].
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3208:"Євген Станкович: "Борис Лятошинський – Унікальний Український Композитор""
3003:
Lyatoshynsky, Boris; Grisenko, L.; Matusevych, N. I.; Belza, Igor (1986).
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After Glière's death, Lyatoshynsky finished and orchestrated his friend's
1063:, Lyatoshynsky was accused of formalism and creation of degenerative art.
3274:
Contemporary Music in the Modern World: A Collection of Scientific Papers
3194:(33). Vladimir Hnatiuk Ternopil National Pedagogical University: 112–122.
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Contemporary Music in the Modern World: A Collection of Scientific Papers
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312:
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Cherkashina-Gubarenko, Marina Cherkashina-Gubarenko (12 February 2020).
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in Moscow in 1958 and again in 1962, the Belgian Quartet Competition in
3283:"Трансформація поемності у фортепіанній творчості Бориса Лятошинського"
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1765:[People's Artist of the USSR Lyatoshynsky Borys Mykolayovych].
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2775:"У Києві презентують CD-антологію хорових творів Бориса Лятошинського"
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of instruments, transient layers of harmonies, and variable rhythms.
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701:. He was the chairman of the Union of Composers of Ukraine in 1939.
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Cornerstones of the Ukrainian violin repertoire: 1870 – present day
2998:(in Ukrainian). Vol. 6 La-Mi. Institute of History of Ukraine.
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as a secondary theme. Like Gliere's Symphony No. 3, it alludes to
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803:(1955), written for the centenary of the death of the Polish poet
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Samokhvalov, Victor Yakovlevich (1973). Mokritskaya, L.M. (ed.).
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in Kyiv. There he singled out the music of both Lyatoshynsky and
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535:. He also composed songs, some of them set to the lyrics of the
335:
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3006:Воспоминания, письма, материалы в 2-х частях: Письма, материалы
2529:(in Russian). Kiev, Ukrainian SSR: Музична Украiна. p. 39.
811:, about a chieftainess who led her people into war against the
278:. His musical style later developed in a direction favoured by
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Stalin's Music Prize: Soviet Culture and Politics (Appendices)
894:
During the last years of his life, Lyatoshynsky completed the
743:, outside Kyiv, where they were kept for the rest of the war.
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From 1935 to 1938, and from 1941 to 1944, Lyatoshynsky taught
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GS Pshenichny Central State Film and Photo Archive of Ukraine
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1784:
656:
for violin and piano, based on the folk music of the region.
3126:
Ukrainian Musical Culture: from the beginning to the present
1879:
1877:
1875:
1873:
828:
Central Committee of the Communist Party of the Soviet Union
624:
during the conflict in Ukraine that followed the end of the
598:(written in 1929), based on a novel by the Ukrainian writer
2348:
2346:
251: (1953), and the completion and orchestration of
3297:
Music - the Cultural Bridge: Essence, Contexts, References
2756:
2754:
620:(1937), was based on the story of the Ukrainian communist
3276:(in Ukrainian). Zhytomyr State University Library: 29–31.
3146:
Jean Sibelius's Legacy Research: on his 150th Anniversary
2733:
2111:
2109:
2107:
2105:
2103:
2101:
2099:
2097:
2095:
2093:
2012:
2010:
652:
about the life of local people. In 1932, he composed his
3118:
Serdyuk, O.V.; Umanets, O.V.; Slyusarenko, T.O. (2002).
2920:
Greenfield, Edward; March, Ivan; Layton, Robert (1999).
2583:"Boris Ltatoshynsky (1895–1968): Symphony No. 1, Opus 2"
2307:
2305:
936:(1952) – for the music for the 1951 film
364:. His earliest pieces included mazurkas, waltzes, and a
181:, (3 January 1895 – 15 April 1968) was a
3346:
Biographical site of the Lyatoshynsky-Miyakovsky family
3174:
The History of Cities and Villages of the Ukrainian SSR
2441:"Lyatoshynsky Ensemble (Chamber Choir & Orchestra)"
2193:
2191:
2189:
2187:
2185:
2183:
847:
the symphony did not "reveal the true Soviet reality".
602:, describes the struggle of the Ukrainians against the
204:, and as a graduate was employed to teach music at the
3781:
Recipients of the title of People's Artists of Ukraine
2885:Б.Н. Лятошинський : заслужений діяч мистецтв УРСР
2642:"Lyatoshnsky: Symphony No 3, 'Peace Shall Defeat War'"
2248:
2246:
1452:
There is a permanent exhibition about Lyatoshynsky at
440:, then the director and professor of the newly opened
424:
The first work written by Lyatoshynsky was thought by
3121:Українська музична культура: від джерел до сьогодення
3041:(in Ukrainian) (2nd ed.). Kyiv: Musical Ukraine.
3030:. Zhytomyr: Zhytomyr State University Library: 29–31.
2615:
1763:"Народний артист УРСР Лятошинський Борис Миколайович"
1730:
1728:
1726:
1724:
1277:(1939). In 1927 he edited and arranged the score for
879:
in Kyiv in 1965. He was the artistic director of the
795:, 1958); the Third, Fourth and Fifth symphonies, the
1722:
1720:
1718:
1716:
1714:
1712:
1710:
1708:
1706:
1704:
610:
was not considered to adhere to the doctrine of the
3796:
Recipients of the Order of the Red Banner of Labour
3522:
3481:
3454:
3337:
from the Boris Tarakanov Music Archive (in Russian)
3081:"Borys Lyatoshinskiy's early work: semantic aspect"
1691:
1689:
1687:
1685:
1683:
1681:
1679:
1677:
1675:
1673:
1598:"B. N. Lyatoshinsky, Ukrain [sic] Composer"
1449:to be created since Ukraine attained independence.
902:in Kyiv; a bust has since been added to the grave.
158:
134:
117:
102:
79:
60:
34:
2921:
2890:B.N. Lyatoshynsky: Honoured Art Worker of the USSR
2852:
2704:
1363:The Lyatoshynsky museum-room in the Music School,
311:Borys Lyatoshynsky was born on 3 January 1895, in
1193:by the authorities and was not heard until 1964.
196:He received his primary education at home, where
3212:Journal of the National Music Academy of Ukraine
2163:"Piano Sonata No.1, Op.13 (Lyatoshinsky, Boris)"
3169:"Music in the Years of the Great Patriotic War"
1374:The New Grove Dictionary of Music and Musicians
832:
785:
773:
704:When the threat to Kyiv became real during the
664:
3786:Recipients of the Order of the Badge of Honour
2892:] (in Ukrainian). Kyiv: Art Publications.
2404:
1066:Lyatoshynsky's main works are his operas
963:Honored Art Worker of the Ukrainian SSR (1945)
223:Lyatoshynsky's main works are his operas
3591:
3423:
3391:contains a link to her doctoral dissertation
689:Moscow Conservatory and evacuation to Saratov
8:
3303:. Wrocław: Karol Lipiński Academy of Music.
1895:
1864:
1802:
1790:
875:(in 1956, 1959, and 1962) and the
727:(1944), and a suite for a quartet of wooden
3801:Recipients of the Shevchenko National Prize
3776:Communist Party of the Soviet Union members
3013:] (in Russian). Kyiv: Musical Ukraine.
2489:
2352:
1931:
1919:
1907:
1852:
3886:Ukrainian Soviet Socialist Republic people
3598:
3584:
3576:
3430:
3416:
3408:
3087:(in Ukrainian and English) (19): 169–182.
1038:List of compositions by Borys Lyatoshynsky
429:creative potential of the young composer.
49:
31:
3329:International Music Score Library Project
3234:Советская музыка. История и современность
3092:
3054:Boris Lyatoshynsky: Romances of the 1920s
2167:International Music Score Library Project
1969:. Canadian Institute of Ukrainian Studies
547:(1928), a suite (1942), and seven of his
2760:
2745:
2539:
2197:
2115:
1883:
3128:] (in Ukrainian). Kharkiv: Osnova.
3011:Memoirs, Letters, Materials (2 volumes)
2734:Serdyuk, Umanets & Slyusarenko 2002
2669:Kopytsia, Marianna (21 December 2011).
2664:
2662:
2627:
2225:[Symphonies under ... arrest].
2216:
2214:
2212:
2210:
2208:
2206:
2137:["Golden Ring" for the opera].
2084:
2072:
1828:[Let's Remember Lyatoshinsky].
1589:
1515:
1472:
485:Ukrainian Society of Contemporary Music
3771:University of Kyiv, Law faculty alumni
3241:] (in Russian). Moscow: Tutorial.
3079:Savchuk, Igor; Gomon, Tatiana (2019).
3046:Savchuk, Igor Borisovich, ed. (2015).
2996:Encyclopedia of the History of Ukraine
2698:
2696:
2694:
2550:
2548:
2373:
2371:
2369:
2367:
2365:
2363:
2361:
2322:
2320:
2311:
2275:
2273:
2128:
2126:
2124:
2037:
2035:
2033:
2031:
2029:
2027:
2025:
1956:
1954:
1952:
1950:
1948:
1946:
1944:
1942:
1940:
1819:
1817:
1815:
1813:
1811:
1734:
1082: (1955), the symphonic poem
807:, was based on Mickiewicz's poem
506:Lyatoshynsky, Piano Sonata No.2 (1925)
243: (1955), the symphonic poem
3761:Academic staff of Moscow Conservatory
3389:Carissa Klopoushak's official website
2252:
2016:
1757:
1755:
1753:
1751:
1749:
1747:
1745:
1743:
1695:
869:International Tchaikovsky Competition
7:
3294:Pijarowska, Aleksandra, ed. (2021).
2800:Kostura, Danuta (22 February 2018).
2673:[Revival of a masterpiece].
1824:Zinchenko, Natalia (13 April 2011).
1001:Vorzel Museum of History and Culture
958:People's Artist of the Ukrainian SSR
187:People's Artist of the Ukrainian SSR
3756:Academic staff of Kyiv Conservatory
3239:Soviet music: history and modernity
3062:National Academy of Arts of Ukraine
2928:. London; New York: Penguin Books.
2854:"Lyatoshyns′ky, Borys Mykolayovych"
2616:Greenfield, March & Layton 1999
2221:Kopytsia, Marianna (2 March 2012).
1551:State Symphony Orchestra of Ukraine
1230:used to depict the Belgian city of
906:Honours, awards, and commemorations
767:After the war he wrote a number of
2924:The Penguin Guide to Compact Discs
2773:Golynska, Olga (26 October 2018).
1206:The Penguin Guide to Compact Discs
1182:The Penguin Guide to Compact Discs
951:) – for the opera
648:to study folk music and compose a
25:
3816:Ukrainian male classical pianists
3325:Free scores by Borys Lyatoshynsky
3149:. Cambridge Scholars Publishing.
3094:10.31500/2309-8155.19.2019.185990
2992:"Lyatoshynsky Borys Mykolayovych"
2418:"Lyatoshynsky Borys Mykolayovych"
2044:"Lyatoshynsky Borys Mykolayovych"
1990:"The Songs of Borys Lyatoshynsky"
1967:Internet Encyclopaedia of Ukraine
1638:"Ukrainian Composer Passes at 76"
973:Order of the Red Banner of Labour
634:Overture on Four Ukrainian Themes
3791:Recipients of the Order of Lenin
3746:20th-century Ukrainian musicians
3736:20th-century classical composers
2380:"Boris Lyatoshynsky: Symphonies"
1995:. Toccata Classics. pp. 2–6
929:(1946) – for the
914:The monument to Lyatoshynksy in
877:Mykola Lysenko Music Competition
510:
403:
391:
247: (1955), his "Slavic"
164:
3851:Soviet male classical composers
2947:Frolova-Walker, Marina (2016).
2706:"Lyatoshynsky Orchestral Works"
2327:Tassie, Gregor (2 April 2022).
1650:. 16 April 1968. Archived from
1610:. 16 April 1968. Archived from
1536:, and in 1964 he dedicated the
1257:, a legendary Russian warrior.
479:Career at the Kyiv Conservatory
179:Boris Nikolayevich Lyatoshinsky
175:Borys Mykolaiovych Lyatoshynsky
68:22 December 1894] 1895
3871:Ukrainian film score composers
3806:Recipients of the Stalin Prize
2802:"Борис Лятошинський і Ворзель"
2331:. Seen and Heard International
2049:Encyclopedia of Modern Ukraine
1481:Борис Миколайович Лятошинський
1297:(1927) and for Lysenko's
991:(awarded posthumously in 1971)
685:, the premiere was cancelled.
642:Odesa Opera and Ballet Theatre
606:invaders in the 13th century.
520:performed by Andriy Bondarenko
27:Ukrainian composer (1895–1968)
1:
3861:Ukrainian classical composers
3177:(in Ukrainian). Vol. 11.
2466:"Young Composers Competition"
1769:(in Russian). 30 October 2010
1314:) with Ukrainian folk tunes.
1265:Lyatoshynsky wrote the opera
979:Orders of the Badge of Honour
452:No. 1, Op. 1 (1915), and his
3866:Ukrainian classical pianists
2504:"The Artistry of Oleh Krysa"
1603:Central New Jersey Home News
1506:Борис Николаевич Лятошинский
771:and other orchestral works:
723:on Ukrainian folk tunes for
558:, written in 1942 and 1943.
315:, Ukraine (then part of the
3891:Burials at Baikove Cemetery
3846:Soviet film score composers
3741:20th-century male musicians
3547:Suite from Romeo and Juliet
3539:Suite from Taras Shevchenko
3360:Photographs of Lyatoshynsky
3049:Борис Лятошинський: Романси
2284:[Forbidden Music].
2135:""Золотий обруч" для опери"
793:On the Banks of the Vistula
706:German invasion of the USSR
654:Three Songs on Tajik Themes
338:, and—from 1908 to 1911—in
3907:
3531:Suite from The Golden Ring
3344:[Family History].
3268:Oliynyk, Svitlana (2012).
2736:, part ІІ, section 3, 3.3.
2042:Parkhomenko, L.O. (2017).
1035:
678:Second Symphony in B minor
3881:Ukrainian opera composers
3876:Ukrainian music educators
3841:Soviet classical pianists
3836:Soviet conductors (music)
3811:Male film score composers
3615:
3608:Shevchenko National Prize
3445:
2994:. In Smoliy, V.A. (ed.).
2827:Anderson, Martin (1994).
2715:. MA Business and Leisure
2555:Kuchar, Theodore (1993).
2378:Cummings, Robert (2014).
2223:"Симфонії під... арештом"
1505:
1480:
1245:, the music is more post-
1053:Union of Soviet Composers
989:Shevchenko National Prize
945:Shevchenko National Prize
881:Ukraine Philharmonic
786:
774:
163:
151:
110:
48:
41:
3766:Kyiv Conservatory alumni
3231:Nikitina, L. D. (1991).
2905:Dytyniak, Maria (1986).
2703:Oliver, Michael (2022).
2525:Khentova, Sofia (1986).
2265:Lyatoshynsky et al. 1986
1896:Savchuk & Gomon 2019
1865:Savchuk & Gomon 2019
1803:Savchuk & Gomon 2019
1791:Savchuk & Gomon 2019
1051:visited a plenum of the
855:, when it was staged by
465:Pyotr Ilyich Tchaikovsky
42:
3821:Male conductors (music)
3751:Musicians from Zhytomyr
2865:Oxford University Press
2562:. Chandos. pp. 3–4
1826:"Вспомним Лятошинского"
1553:under the direction of
1269:(1937–1938, revised as
1261:Operas and choral works
1125: (1956, with
1102: (1932, with
851:was revived during the
3856:Soviet music educators
3831:Soviet opera composers
3650:Maykhailo Zadniprovsky
3335:Scores by Lyatoshynsky
3085:Art History of Ukraine
3060:(in Ukrainian). Kyiv:
2908:Українські Композитори
1367:
1167:
1078: (1952) and
918:
836:
668:
356:. He signed his early
308:
239: (1952) and
3403:University of Leipzig
3365:21 April 2022 at the
3206:Lunina, A.E. (2014).
3182:Zhaleyko, D. (2015).
2990:Gruzin, D.V. (2009).
2958:Yale University Press
2671:"Відродження шедевра"
2527:Шостакович на Украине
2282:""Заборонена музика""
1963:"Liatoshynsky, Borys"
1405:Alexander Kanershtein
1362:
1355:Reputation and legacy
1306:Lyatoshynsky's opera
1154:The preserved family
1153:
913:
549:series of 10 preludes
306:
299:Family and early life
229:(1929) and
3826:Male opera composers
3675:Yevhenia Marynchenko
3630:Oleksandr Korniychuk
3448:List of compositions
3218:(3). Kyiv: 102–115.
2882:Belza, Igor (1947).
2384:Classical Net Review
1347:, where he uses the
1019:Kharkiv Music School
997:commemorative plaque
630:Ukrainian folk music
614:. His second opera,
398:Lyatoshynsky in 1913
358:musical compositions
64:3 January [
55:The composer in 1920
3380:(text in Ukrainian)
2913:Ukrainian Composers
2581:Rozhok, Volodymyr.
2405:Frolova-Walker 2016
1988:Phillips, Anthony.
1555:Volodymyr Kozhukhar
1303: (1936–1937).
1213:Valentyn Silvestrov
1112: (1951),
1096: (1931),
1049:Dmitri Shostakovich
1045:Sergei Rachmaninoff
699:Moscow Conservatory
683:Sergo Ordzhonikidze
587:Maurice Maeterlinck
321:Mykola Lyatoshynsky
288:Valentyn Sylvestrov
214:Moscow Conservatory
97:, Soviet Union
43:Бори́с Лятошинський
3721:Borys Lyatoshynsky
3690:Boris Lyatoshinsky
3640:Yevhen Ponomarenko
3635:Polina Kumanchenko
3439:Borys Lyatoshynsky
3281:Pastelyak (2004).
3038:Borys Lyatoshynsky
2860:Grove Music Online
2470:Kharkiv Music Fest
2280:Lyubov, Morozova.
1557:in September 1970.
1394:Roman Vereshchagin
1379:Dmitry Bortniansky
1368:
1275:The Solemn Cantata
1241:melodies from the
1187:Nikolai Myaskovsky
1168:
1090:for such films as
1015:Kyiv Chamber Choir
919:
824:formalism in music
715:, a town near the
671:Borys Lyatoshynsky
644:, he travelled to
567:Konstantin Balmont
473:Alexander Scriabin
469:Alexander Glazunov
362:Battle of Grunwald
350:Henryk Sienkiewicz
309:
183:Ukrainian composer
36:Borys Lyatoshynsky
3708:
3707:
3620:Dmitriy Aleksidze
3573:
3572:
3248:978-5-7140-0244-1
3156:978-15275-0-087-7
3135:978-5-7768-0708-4
3071:9-786-17640-176-6
2967:978-03002-0-884-9
2935:978-01404-6-887-8
2874:978-1-56159-263-0
2059:978-966-02-2074-4
2019:, pp. 43–48.
1961:Wytwycky, Wasyl.
1886:, pp. 92–93.
1431:Yevhen Stankovych
1217:Marianna Kopytsia
1173:Maksym Berezovsky
1132:Grigory Skovoroda
931:Ukrainian Quintet
760:, and the artist
515:
442:Kyiv Conservatory
413:, Lyatoshynsky's
346:Polish literature
264:socialist realism
206:Kyiv Conservatory
198:Polish literature
172:
171:
103:Years active
16:(Redirected from
3898:
3670:Oleksandr Levada
3655:Vasyl Kozachenko
3625:Volodymyr Dalsky
3600:
3593:
3586:
3577:
3432:
3425:
3418:
3409:
3379:
3356:
3354:
3352:
3314:
3310:978-836547-323-3
3302:
3290:
3277:
3264:
3262:
3260:
3251:. Archived from
3227:
3214:(in Ukrainian).
3195:
3188:Scientific Notes
3178:
3160:
3139:
3114:
3096:
3075:
3059:
3042:
3031:
3022:
2999:
2986:
2984:
2982:
2977:on 3 August 2016
2976:
2970:. Archived from
2955:
2943:
2940:Internet Archive
2927:
2916:
2901:
2878:
2863:(8th ed.).
2856:
2844:
2814:
2813:
2811:
2809:
2797:
2791:
2790:
2788:
2786:
2770:
2764:
2758:
2749:
2743:
2737:
2731:
2725:
2724:
2722:
2720:
2708:
2700:
2689:
2688:
2686:
2684:
2666:
2657:
2656:
2654:
2652:
2637:
2631:
2625:
2619:
2613:
2598:
2597:
2595:
2593:
2587:
2578:
2572:
2571:
2569:
2567:
2561:
2552:
2543:
2537:
2531:
2530:
2522:
2516:
2515:
2513:
2511:
2506:. Classics Today
2499:
2493:
2490:Samokhvalov 1973
2487:
2481:
2480:
2478:
2476:
2462:
2456:
2455:
2453:
2451:
2436:
2430:
2429:
2427:
2425:
2414:
2408:
2402:
2396:
2395:
2393:
2391:
2375:
2356:
2353:Samokhvalov 1973
2350:
2341:
2340:
2338:
2336:
2324:
2315:
2309:
2300:
2299:
2297:
2295:
2277:
2268:
2262:
2256:
2250:
2241:
2240:
2238:
2236:
2218:
2201:
2195:
2178:
2177:
2175:
2173:
2159:
2153:
2152:
2150:
2148:
2130:
2119:
2113:
2088:
2082:
2076:
2070:
2064:
2063:
2039:
2020:
2014:
2005:
2004:
2002:
2000:
1994:
1985:
1979:
1978:
1976:
1974:
1958:
1935:
1932:Samokhvalov 1973
1929:
1923:
1920:Samokhvalov 1973
1917:
1911:
1908:Samokhvalov 1973
1905:
1899:
1893:
1887:
1881:
1868:
1862:
1856:
1853:Samokhvalov 1973
1850:
1844:
1843:
1841:
1839:
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1800:
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1634:
1628:
1627:
1621:
1619:
1608:Associated Press
1594:
1577:
1573:
1567:
1564:
1558:
1547:
1541:
1530:
1524:
1520:
1508:
1507:
1502:
1496:
1494:
1493:
1492:
1490:
1482:
1477:
1462:
1439:Leonid Hrabovsky
1424:
1413:
1402:
1295:
1283:comic opera
1225:
1140:
1123:
1109:Taras Shevchenko
1080:Romeo and Juliet
1076:Taras Shevchenko
1027:
1009:
938:Taras Shevchenko
926:(second class):
900:Baikove Cemetery
817:Grażyna Bacewicz
789:
788:
787:На берегах Вісли
777:
776:
762:Mykhailo Derehus
729:wind instruments
672:
557:
517:
516:
493:
407:
395:
329:
241:Romeo and Juliet
237:Taras Shevchenko
177:, also known as
168:
86:
74:, Russian Empire
53:
32:
21:
3906:
3905:
3901:
3900:
3899:
3897:
3896:
3895:
3711:
3710:
3709:
3704:
3685:Dmitriy Smolich
3680:Petro Zhylytsky
3660:Timofiy Levchuk
3645:Yulia Tkachenko
3611:
3604:
3574:
3569:
3518:
3477:
3463:The Golden Ring
3450:
3441:
3436:
3373:
3367:Wayback Machine
3350:
3348:
3340:
3321:
3311:
3300:
3293:
3280:
3267:
3258:
3256:
3255:on 18 July 2022
3249:
3230:
3205:
3202:
3200:Further reading
3181:
3163:
3157:
3142:
3136:
3117:
3078:
3072:
3057:
3045:
3034:
3025:
3002:
2989:
2980:
2978:
2974:
2968:
2953:
2946:
2936:
2919:
2904:
2881:
2875:
2847:
2826:
2823:
2818:
2817:
2807:
2805:
2799:
2798:
2794:
2784:
2782:
2772:
2771:
2767:
2759:
2752:
2744:
2740:
2732:
2728:
2718:
2716:
2702:
2701:
2692:
2682:
2680:
2668:
2667:
2660:
2650:
2648:
2639:
2638:
2634:
2626:
2622:
2614:
2601:
2591:
2589:
2585:
2580:
2579:
2575:
2565:
2563:
2559:
2554:
2553:
2546:
2538:
2534:
2524:
2523:
2519:
2509:
2507:
2501:
2500:
2496:
2488:
2484:
2474:
2472:
2464:
2463:
2459:
2449:
2447:
2438:
2437:
2433:
2423:
2421:
2416:
2415:
2411:
2403:
2399:
2389:
2387:
2386:. Classical Net
2377:
2376:
2359:
2351:
2344:
2334:
2332:
2326:
2325:
2318:
2310:
2303:
2293:
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2263:
2259:
2251:
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2234:
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2204:
2196:
2181:
2171:
2169:
2161:
2160:
2156:
2146:
2144:
2132:
2131:
2122:
2114:
2091:
2083:
2079:
2071:
2067:
2060:
2041:
2040:
2023:
2015:
2008:
1998:
1996:
1992:
1987:
1986:
1982:
1972:
1970:
1960:
1959:
1938:
1930:
1926:
1918:
1914:
1906:
1902:
1894:
1890:
1882:
1871:
1863:
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1822:
1809:
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1772:
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1741:
1733:
1702:
1694:
1671:
1657:
1655:
1636:
1635:
1631:
1617:
1615:
1596:
1595:
1591:
1586:
1581:
1580:
1574:
1570:
1565:
1561:
1548:
1544:
1534:violin concerto
1531:
1527:
1521:
1517:
1512:
1511:
1503:
1499:
1488:
1486:
1485:
1484:
1478:
1474:
1469:
1456:
1427:Myroslav Skoryk
1418:
1407:
1396:
1357:
1328:
1316:The Golden Ring
1308:The Golden Ring
1289:
1263:
1243:Orthodox Church
1219:
1148:
1134:
1117:
1068:The Golden Ring
1040:
1034:
1021:
1003:
953:The Golden Ring
908:
896:Solemn Overture
853:Khrushchev Thaw
849:The Golden Ring
805:Adam Mickiewicz
797:Slavic Overture
769:symphonic poems
749:
747:Post-war career
691:
674:
670:
662:
660:Second Symphony
626:First World War
612:Communist Party
608:The Golden Ring
595:The Golden Ring
579:Edgar Allan Poe
551:
539:ancient poets.
525:
524:
523:
522:
521:
518:
511:
508:
487:
481:
438:Reinhold Glière
434:Kyiv University
422:
421:
420:
419:
418:
411:Reinhold Glière
408:
400:
399:
396:
385:
354:Stefan Żeromski
323:
301:
296:
284:Myroslav Skoryk
257:violin concerto
253:Reinhold Glière
226:The Golden Ring
202:Kyiv University
154:
147:
130:
98:
88:
84:
75:
69:
56:
44:
37:
28:
23:
22:
15:
12:
11:
5:
3904:
3902:
3894:
3893:
3888:
3883:
3878:
3873:
3868:
3863:
3858:
3853:
3848:
3843:
3838:
3833:
3828:
3823:
3818:
3813:
3808:
3803:
3798:
3793:
3788:
3783:
3778:
3773:
3768:
3763:
3758:
3753:
3748:
3743:
3738:
3733:
3728:
3723:
3713:
3712:
3706:
3705:
3703:
3702:
3697:
3692:
3687:
3682:
3677:
3672:
3667:
3662:
3657:
3652:
3647:
3642:
3637:
3632:
3627:
3622:
3616:
3613:
3612:
3605:
3603:
3602:
3595:
3588:
3580:
3571:
3570:
3568:
3567:
3563:Slavonic Suite
3559:
3551:
3543:
3535:
3526:
3524:
3520:
3519:
3517:
3516:
3513:Symphony No. 5
3510:
3507:Symphony No. 4
3504:
3501:Symphony No. 3
3498:
3495:Symphony No. 2
3492:
3489:Symphony No. 1
3485:
3483:
3479:
3478:
3476:
3475:
3467:
3458:
3456:
3452:
3451:
3446:
3443:
3442:
3437:
3435:
3434:
3427:
3420:
3412:
3406:
3405:
3396:
3386:
3381:
3357:
3342:"Історія роду"
3338:
3332:
3320:
3319:External links
3317:
3316:
3315:
3309:
3291:
3278:
3265:
3247:
3228:
3201:
3198:
3197:
3196:
3190:(in Russian).
3179:
3167:, ed. (1968).
3161:
3155:
3140:
3134:
3115:
3076:
3070:
3043:
3032:
3023:
3000:
2987:
2966:
2944:
2934:
2917:
2902:
2879:
2873:
2845:
2835:(190): 47–53.
2822:
2819:
2816:
2815:
2792:
2781:(in Ukrainian)
2765:
2763:, p. 114.
2750:
2748:, p. 116.
2738:
2726:
2690:
2679:(in Ukrainian)
2676:The Day (Kyiv)
2658:
2632:
2620:
2618:, p. 802.
2599:
2573:
2544:
2532:
2517:
2502:Carr, Victor.
2494:
2482:
2457:
2431:
2409:
2397:
2357:
2342:
2316:
2314:, p. 437.
2301:
2290:(in Ukrainian)
2287:The Day (Kyiv)
2269:
2257:
2242:
2231:(in Ukrainian)
2228:The Day (Kyiv)
2202:
2179:
2154:
2143:(in Ukrainian)
2140:The Day (Kyiv)
2120:
2089:
2077:
2065:
2058:
2021:
2006:
1980:
1936:
1924:
1912:
1900:
1898:, p. 173.
1888:
1869:
1867:, p. 171.
1857:
1845:
1831:The Day (Kyiv)
1807:
1805:, p. 170.
1795:
1793:, p. 172.
1780:
1739:
1700:
1669:
1664:Newspapers.com
1654:on 21 May 2022
1643:The Sault Star
1629:
1624:Newspapers.com
1614:on 21 May 2022
1588:
1587:
1585:
1582:
1579:
1578:
1568:
1559:
1542:
1540:to his memory.
1525:
1514:
1513:
1510:
1509:
1497:
1471:
1470:
1468:
1465:
1356:
1353:
1340:Michael Oliver
1327:
1324:
1279:Mykola Lysenko
1273:in 1948), and
1262:
1259:
1202:Symphony No. 7
1198:Third Symphony
1196:The bellicose
1177:Richard Wagner
1147:
1144:
1142: (1959).
1127:Mykola Kolessa
1057:Levko Revutsky
1036:Main article:
1033:
1030:
993:
992:
985:
982:
975:
970:
967:Order of Lenin
964:
961:
955:
942:
941:
940:
934:
907:
904:
889:Mikhail Glinka
857:Dmytro Smolych
830:, who stated:
822:In 1948, when
813:Teutonic Order
748:
745:
725:string quartet
690:
687:
663:
661:
658:
622:Mykola Shchors
563:Heinrich Heine
519:
509:
504:
503:
502:
501:
500:
480:
477:
454:Symphony No. 1
450:String Quartet
409:
402:
401:
397:
390:
389:
388:
387:
386:
384:
381:
317:Russian Empire
300:
297:
295:
292:
249:piano concerto
170:
169:
161:
160:
156:
155:
153:Musical artist
152:
149:
148:
146:
145:
142:
138:
136:
132:
131:
129:
128:
125:
121:
119:
115:
114:
112:Musical career
108:
107:
104:
100:
99:
89:
87:(aged 73)
81:
77:
76:
70:
62:
58:
57:
54:
46:
45:
39:
38:
35:
26:
24:
14:
13:
10:
9:
6:
4:
3:
2:
3903:
3892:
3889:
3887:
3884:
3882:
3879:
3877:
3874:
3872:
3869:
3867:
3864:
3862:
3859:
3857:
3854:
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3837:
3834:
3832:
3829:
3827:
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3814:
3812:
3809:
3807:
3804:
3802:
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3698:
3696:
3693:
3691:
3688:
3686:
3683:
3681:
3678:
3676:
3673:
3671:
3668:
3666:
3665:Oleksandr Hai
3663:
3661:
3658:
3656:
3653:
3651:
3648:
3646:
3643:
3641:
3638:
3636:
3633:
3631:
3628:
3626:
3623:
3621:
3618:
3617:
3614:
3609:
3601:
3596:
3594:
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3587:
3582:
3581:
3578:
3565:
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3560:
3557:
3556:
3552:
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3544:
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3540:
3536:
3533:
3532:
3528:
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3525:
3521:
3514:
3511:
3508:
3505:
3502:
3499:
3496:
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3487:
3486:
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3473:
3472:
3468:
3465:
3464:
3460:
3459:
3457:
3453:
3449:
3444:
3440:
3433:
3428:
3426:
3421:
3419:
3414:
3413:
3410:
3404:
3400:
3397:
3394:
3390:
3387:
3385:
3382:
3377:
3372:
3368:
3364:
3361:
3358:
3347:
3343:
3339:
3336:
3333:
3330:
3326:
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3306:
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3292:
3288:
3284:
3279:
3275:
3271:
3266:
3254:
3250:
3244:
3240:
3236:
3235:
3229:
3225:
3221:
3217:
3213:
3209:
3204:
3203:
3199:
3193:
3189:
3185:
3180:
3176:
3175:
3170:
3166:
3165:Tronko, Petro
3162:
3158:
3152:
3148:
3147:
3141:
3137:
3131:
3127:
3123:
3122:
3116:
3112:
3108:
3104:
3100:
3095:
3090:
3086:
3082:
3077:
3073:
3067:
3063:
3055:
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3044:
3040:
3039:
3033:
3029:
3024:
3020:
3016:
3012:
3008:
3007:
3001:
2997:
2993:
2988:
2973:
2969:
2963:
2959:
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2937:
2931:
2926:
2925:
2918:
2914:
2910:
2909:
2903:
2899:
2895:
2891:
2887:
2886:
2880:
2876:
2870:
2866:
2862:
2861:
2855:
2850:
2846:
2842:
2838:
2834:
2830:
2825:
2824:
2820:
2803:
2796:
2793:
2780:
2776:
2769:
2766:
2762:
2761:Zhaleyko 2015
2757:
2755:
2751:
2747:
2746:Zhaleyko 2015
2742:
2739:
2735:
2730:
2727:
2714:
2713:
2707:
2699:
2697:
2695:
2691:
2678:
2677:
2672:
2665:
2663:
2659:
2647:
2643:
2640:Moody, Ivan.
2636:
2633:
2630:, p. 39.
2629:
2624:
2621:
2617:
2612:
2610:
2608:
2606:
2604:
2600:
2584:
2577:
2574:
2558:
2551:
2549:
2545:
2542:, p. 42.
2541:
2540:Khentova 1986
2536:
2533:
2528:
2521:
2518:
2505:
2498:
2495:
2491:
2486:
2483:
2471:
2467:
2461:
2458:
2446:
2445:Bach Cantatas
2442:
2439:Oron, Aryeh.
2435:
2432:
2419:
2413:
2410:
2407:, Appendices.
2406:
2401:
2398:
2385:
2381:
2374:
2372:
2370:
2368:
2366:
2364:
2362:
2358:
2354:
2349:
2347:
2343:
2330:
2323:
2321:
2317:
2313:
2308:
2306:
2302:
2289:
2288:
2283:
2276:
2274:
2270:
2266:
2261:
2258:
2255:, p. 49.
2254:
2249:
2247:
2243:
2230:
2229:
2224:
2217:
2215:
2213:
2211:
2209:
2207:
2203:
2199:
2198:Anderson 1994
2194:
2192:
2190:
2188:
2186:
2184:
2180:
2168:
2164:
2158:
2155:
2142:
2141:
2136:
2129:
2127:
2125:
2121:
2118:, p. 93.
2117:
2116:Dytyniak 1986
2112:
2110:
2108:
2106:
2104:
2102:
2100:
2098:
2096:
2094:
2090:
2087:, p. 11.
2086:
2081:
2078:
2074:
2069:
2066:
2061:
2055:
2051:
2050:
2045:
2038:
2036:
2034:
2032:
2030:
2028:
2026:
2022:
2018:
2013:
2011:
2007:
1991:
1984:
1981:
1968:
1964:
1957:
1955:
1953:
1951:
1949:
1947:
1945:
1943:
1941:
1937:
1934:, p. 15.
1933:
1928:
1925:
1922:, p. 17.
1921:
1916:
1913:
1910:, p. 11.
1909:
1904:
1901:
1897:
1892:
1889:
1885:
1884:Dytyniak 1986
1880:
1878:
1876:
1874:
1870:
1866:
1861:
1858:
1854:
1849:
1846:
1833:
1832:
1827:
1820:
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1808:
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1717:
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1678:
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1674:
1670:
1665:
1653:
1649:
1645:
1644:
1639:
1633:
1630:
1625:
1613:
1609:
1605:
1604:
1599:
1593:
1590:
1583:
1576:compositions.
1572:
1569:
1563:
1560:
1556:
1552:
1546:
1543:
1539:
1535:
1529:
1526:
1519:
1516:
1501:
1498:
1491:
1476:
1473:
1466:
1464:
1463:, in Vorzel.
1460:
1455:
1454:Uvarovy House
1450:
1446:
1444:
1443:Ivan Karabyts
1440:
1436:
1432:
1428:
1422:
1417:
1411:
1406:
1400:
1395:
1391:
1387:
1382:
1380:
1376:
1375:
1366:
1361:
1354:
1352:
1350:
1346:
1341:
1337:
1333:
1325:
1323:
1321:
1317:
1313:
1309:
1304:
1302:
1301:
1296:
1293:
1288:
1284:
1280:
1276:
1272:
1271:The Commander
1268:
1260:
1258:
1256:
1255:Ilya Muromets
1252:
1248:
1244:
1240:
1235:
1233:
1229:
1223:
1218:
1214:
1209:
1207:
1203:
1199:
1194:
1190:
1188:
1184:
1183:
1178:
1174:
1165:
1161:
1157:
1152:
1145:
1143:
1141:
1138:
1133:
1128:
1124:
1121:
1116:
1111:
1110:
1105:
1101:
1100:
1095:
1094:
1089:
1085:
1081:
1077:
1073:
1069:
1064:
1062:
1058:
1054:
1050:
1046:
1039:
1031:
1029:
1025:
1020:
1016:
1011:
1007:
1002:
998:
990:
986:
983:
980:
976:
974:
971:
968:
965:
962:
959:
956:
954:
950:
946:
943:
939:
935:
933:; first class
932:
928:
927:
925:
924:Stalin Prizes
921:
920:
917:
912:
905:
903:
901:
897:
892:
890:
886:
885:Warsaw Autumn
882:
878:
874:
870:
864:
862:
858:
854:
850:
845:
844:Natan Rakhlin
840:
835:
831:
829:
825:
820:
818:
814:
810:
806:
802:
798:
794:
790:
782:
778:
770:
765:
763:
759:
758:Mykola Bazhan
755:
754:Maksym Rylsky
746:
744:
742:
738:
732:
730:
726:
722:
718:
714:
709:
707:
702:
700:
696:
695:orchestration
688:
686:
684:
679:
673:
667:
659:
657:
655:
651:
647:
643:
637:
635:
631:
627:
623:
619:
618:
613:
609:
605:
601:
597:
596:
592:
588:
584:
583:Percy Shelley
580:
576:
572:
571:Paul Verlaine
568:
564:
559:
555:
550:
546:
542:
538:
534:
533:piano sonatas
530:
529:chamber music
507:
499:
497:
496:korenizatsiia
491:
486:
478:
476:
474:
470:
466:
461:
459:
455:
451:
445:
443:
439:
435:
430:
427:
426:musicologists
416:
412:
406:
394:
383:Student years
382:
380:
378:
377:piano quartet
372:
370:
367:
363:
359:
355:
351:
347:
343:
341:
337:
333:
327:
322:
318:
314:
305:
298:
293:
291:
289:
285:
281:
277:
273:
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3695:Yevhen Lysik
3561:
3555:Polish Suite
3553:
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3253:the original
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2884:
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2849:Baley, Virko
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3731:1968 deaths
3726:1895 births
3700:Yuri Lutsiv
3515:(1956/1966)
3374: [
2808:10 November
2312:Tronko 1968
1735:Gruzin 2009
1479:Ukrainian:
1457: [
1419: [
1408: [
1397: [
1386:Igor Boelza
1345:Reflections
1334:(1964), an
1326:Other works
1300:Taras Bulba
1290: [
1247:Nationalist
1220: [
1135: [
1118: [
1115:Ivan Franko
1088:film scores
1022: [
1004: [
600:Ivan Franko
575:Oscar Wilde
552: [
541:Reflections
488: [
415:composition
366:Chopinesque
324: [
274:, and
268:Tchaikovsky
135:Instruments
118:Occupations
3715:Categories
3482:Symphonies
2712:Gramophone
2646:Gramophone
2253:Belza 1947
2017:Belza 1947
1696:Baley 2001
1584:References
1538:Lyric Poem
1390:Ihor Shamo
1332:Lyric Poem
1312:leitmotifs
1251:Yugoslavia
1239:liturgical
1146:Symphonies
949:posthumous
646:Tajikistan
210:Tajikistan
3401:from the
3369:from the
3224:2414-052X
3111:242333813
3103:2309-8155
2588:. Chandos
1504:Russian:
1381:in 1825.
1320:Stalinism
1093:Karmelyuk
1070:and
294:Biography
159:Signature
106:1920–1968
3363:Archived
3351:24 April
3289:: 30–37.
3019:15473433
2981:29 April
2898:13936532
2851:(2001).
2829:"Review"
2651:30 April
2592:30 April
2566:26 April
2510:26 April
2450:27 April
2424:29 April
2335:30 April
2172:29 April
1999:29 April
1773:26 April
1365:Zhytomyr
1281:'s 1910
1106:),
1084:Grazhyna
947:(1971) (
916:Zhytomyr
801:Grazhina
799:(1961).
340:Zlatopil
313:Zhytomyr
276:Scriabin
272:Glazunov
245:Grazhyna
189:and two
124:Composer
72:Zhytomyr
3610:winners
3471:Shchors
3331:(IMSLP)
3327:at the
2821:Sources
1648:Reuters
1228:celesta
1162:, near
1072:Shchors
809:Grażyna
781:Reunion
713:Saratov
697:at the
617:Shchors
545:Ballade
537:Chinese
417:teacher
369:scherzo
332:Nemyriv
270:,
232:Shchors
218:Saratov
127:teacher
3566:(1968)
3558:(1960)
3550:(1956)
3542:(1951)
3534:(1928)
3509:(1963)
3503:(1951)
3497:(1936)
3491:(1919)
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1618:20 May
1489:listen
1287:Aeneid
1267:Schors
1232:Bruges
1160:Vorzel
969:(1960)
960:(1968)
741:Vorzel
650:ballet
604:Mongol
471:, and
458:typhus
141:Violin
3606:1971
3523:Other
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2833:Tempo
2785:2 May
2779:Music
2719:1 May
2683:4 May
2586:(PDF)
2560:(PDF)
2475:3 May
2390:1 May
2294:4 May
2235:4 May
2147:3 May
1993:(PDF)
1973:2 May
1838:3 May
1467:Notes
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717:Volga
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