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In
Nuremberg, where the master singers flourished particularly, the special festivals were opened with free singing, in which anybody might sing, though not belonging to the corporation. In this the choice of the subjects was left comparatively uncontrolled. Then followed the chief singing, when only
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dealt with three matters: (1) The kinds of poems and the parts of a meistergesang; (2) permissible rhymes; (3) mistakes to be avoided, including errors of delivery, of melody, of structure and of opinion and, especially, errors of rhyme, word choice, or meter. Poetry was to them a mechanical art that
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Meistersinger poetry played a large part in German town life of the 15th and 16th century. The tradition often reinforced German burgher values; as such, it was middle-class popular art rather than high art. The
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those who belonged to the corporation were allowed to sing, and only on scriptural subjects. The judges sat behind a curtain. There were four: one watched whether the song was according to the text of the
273:(Flowery paradise melody), etc. More attention was paid to fitting the syllables to the melody than to the text's meaning, sentiment, or message. The various songs were divided into three
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Their songs cover a variety of strophic forms corresponding to the many new tunes which the
Meistersingers invented and gave complicated names such as
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was correct; the third criticized the rhymes; the fourth the tunes. Every fault was marked, and he who had fewest received the prize.
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of the 14th, 15th and 16th centuries. The
Meistersingers were drawn from middle class males for the most part.
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could be learned through diligent study, not something dependent on divine inspiration.
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district, then spread elsewhere. In the 14th century schools operated at Mainz,
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revolves around the guild of
Meistersingers and their singing contest.
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Each guild had various classes of members, ranging from beginners, or
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This article incorporates text from a publication now in the
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Guild of middle class poets and singers in the 14-16th
Centuries
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This article incorporates text from a publication now in the
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This article incorporates text from a publication now in the
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maintained and developed the traditions of the medieval
63:(German for "master singer") was a member of a German
361:, which lay open before him; the second whether the
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The rules of the art were set down in the so-called
323:The meetings took place either in the town hall (
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384:dissolved in 1839; the last school died out at
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47:Hans Sachs, leader of a famous 16th-century
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478:; Peck, H. T.; Colby, F. M., eds. (1905).
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249:(Little striped saffron flower melody),
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490:(1st ed.). New York: Dodd, Mead.
158:. Nuremberg, under the leadership of
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300:Die Kunstausdrücke der Meistersinger
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500:Rines, George Edwin, ed. (1920).
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487:New International Encyclopedia
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403:Die Meistersinger von Nürnberg
233:or law-book of the guild. The
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245:Gestreiftsafranblumleinweis
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532:Collier's New Encyclopedia
38:MeisterSinger (watchmaker)
36:. For the watchmaker, see
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265:(Melody of eating much),
185:(corresponding to trade
32:For Wagner's opera, see
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503:"Meistersingers"
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351:Tabulatur
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550:Singing
535:. 1921.
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392:Legacy
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331:Easter
285:and a
211:Gesetz
201:), to
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146:, and
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118:, and
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410:Notes
359:Bible
225:Rules
128:Rhine
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219:Weis
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