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Mixolydian mode

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670: 36: 447:(or "lower Mixolydian") and, like the Mixolydian, was defined in two ways: as the diatonic octave species from D to the D an octave higher, divided at the mode final, G (thus D–E–F–G + G–A–B–C–D); or as a mode with a final of G and an ambitus from C below the final to E above it, in which the note C (the tenor of the corresponding eighth psalm tone) had an important melodic function. 2232: 289: 346: 329: 167: 479: 416:
runs from the F below the final to the G above, with possible extensions "by licence" up to A above and even down to E below, and in which the note D (the tenor of the corresponding seventh psalm tone) had an important melodic function. This medieval theoretical construction led to the modern use of
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came to be applied to one of the eight modes of medieval church music: the seventh mode. This mode does not run from B to B on white notes, as the Greek mode, but was defined in two ways: as the diatonic octave species from G up one octave to the G above, or as a mode whose final was G and whose
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When chant theory was first being formulated in the 9th century, these seven names plus an eighth, Hypermixolydian (later changed to Hypomixolydian), were again re-appropriated in the anonymous treatise
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poet and musician. However, what the ancient Greeks thought of as Mixolydian is very different from the modern interpretation of the mode. The prefix
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Some song examples that are either entirely based in Mixolydian mode or at least have a Mixolydian section include the following: "
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Please help improve this article by looking for better, more reliable sources. Unreliable citations may be challenged and removed.
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Mel Bay's Encyclopedia of Scales, Modes and Melodic Patterns: A Unique Approach to Developing Ear, Mind and Finger Coordination
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As with natural and harmonic minor, Mixolydian is often used with a major seventh degree as a part of the dominant and
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example uses D Mixolydian triads...over the D7 chord, then uses G Mixolydian triads...over the G7 chord, and so on.
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To hear a modern Mixolydian scale, one can play a G-major scale on the piano, but change the F# to F natural.
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of Greek theory. It was appropriated later (along with six other names) by 2nd-century theorist
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The modern diatonic mode is the scale forming the basis of both the rising and falling forms of
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descending). This diatonic genus of the scale is roughly the equivalent of playing all the
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interpreted Ptolemy in Latin, still with the meaning of transposition keys, not scales.
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may refer to one of three things: the name applied to one of the ancient Greek
1966: 1952: 1192: 1086: 1078: 1062: 1008: 768: 616: 580: 255: 467:). That is, it can be constructed by starting on the fifth scale degree (the 1816: 1172: 1166: 1052: 1012: 992: 839: 821: 624: 1665:
Building a Traditional Tune Repertoire: Old Joe Clark (Key of A-Mixolydian)
2231: 2058: 1798: 17: 2247: 1688: 1390: 1232: 1072: 815: 548: 516: 508: 388: 274: 1981:"Express Yourself by Madonna Chords, Melody, and Music Theory Analysis" 1248: 1022: 646: 595:, and rock music. It is often prominently heard in music played on the 559: 520: 376: 211:. The invention of the ancient Greek Mixolydian mode was attributed to 2034:"Born This Way by Lady Gaga Chords, Melody, and Music Theory Analysis" 1790: 1277: 1252: 820:), also called "Paddy's Green Shamrock Shores" – A traditional Irish 212: 192: 1754: 909:"Fughetta super: Dies sind die heilgen zehn Gebot" in G major from 1042: 982: 592: 531:. The order of whole tones and semitones in a Mixolydian scale is 424:
based on and encompassing the natural scale from G to G, with the
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The Mixolydian mode is common in non-classical harmony, such as
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as "Erin Shore" on their album Forgiven Not Forgotten (1995).
234:(the term "mode" is a later Latin term) employs a scale (or " 223:- (μιξο-) means "mixed", referring to its resemblance to the 207:
The idea of a Mixolydian mode comes from the music theory of
2188:"Revelation Song | Official Song Resources on SongSelect®" 2073:"Changing the Mix: Mixolydian Mode in Coldplay's "Clocks"" 1603:(Pacific, Missouri: Mel Bay Publications, 2009): p. 130. 484:
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was originally used to designate one of the traditional
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of a piano from B to B, which is also known as modern
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webzine (February 2007) |(Accessed 2 February 2010).
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webzine (November 2009) (Accessed 2 February 2010).
60:. Unsourced material may be challenged and removed. 2006:"The Mixolydian Mode--The Sound of Rock (at 1:46)" 1534:. Mel Bay Publications, Incorporated. p. 33. 1601:A Guide to Non-Jazz Improvisation: Guitar Edition 191:, the classical music form of southern India, or 1888:by Adriano, English adaptation by David Nelson, 1472:The New Grove Dictionary of Music and Musicians 1434:The New Grove Dictionary of Music and Musicians 1408:The New Grove Dictionary of Music and Musicians 1363:The New Grove Dictionary of Music and Musicians 765: 716: 649:musicians refer to the Mixolydian scale as the 619:is a, "perfect example," while others include " 601: 420:The seventh mode of western church music is an 1645:Guitar Theory For Dummies with Online Practice 1559:Guitar Theory For Dummies with Online Practice 570:. A classic Mixolydian chord progression is I- 199:, the classical music form of northern India. 2263: 1866:"12 Examples Of Songs In The Mixolydian Mode" 828:(Proinsias Ó Maonaigh). Recorded by the band 535:whole, whole, half, whole, whole, half, whole 507:. As a result, the seventh scale degree is a 8: 1732:Houlahan, Michael and Tacka, Philip (2008). 1528:"The Mixolydian Mode/Dominant Seventh Scale" 417:the term for the natural scale from G to G. 399:. A commentary on that treatise, called the 2059:"Why 'Single Ladies' is so cool | Q+A" 1619: 1617: 899:and other dance tunes recorded in the mode. 428:(the D in a G to G scale) as the dominant, 2291: 2270: 2256: 2248: 2143: 2141: 1839:(New York: W. W. Norton, 1941): pp. 29–30. 273:(each being two whole tones followed by a 705:Learn how and when to remove this message 455:The modern Mixolydian scale is the fifth 120:Learn how and when to remove this message 2096: 2094: 2092: 2090: 2088: 2086: 1967:"The Mixolydian Mode--The Sound of Rock" 1859: 1857: 1855: 1853: 1851: 1849: 1847: 1845: 1553: 1551: 1328:(New York: Vintage Books, 2002), p. ix. 519:of the scale is a tritone away from the 1711:Micheal Houlahan, Philip Tacka (2015). 1314: 363:Medieval Mixolydian and Hypomixolydian 313:genera, each tetrachord consists of a 1580:Stuff! Good Piano Players Should Know 1469:and Frans Wiering, "Hypomixolydian", 1419:(London: Macmillan Publishers, 2001). 1344:16 (1136c Steph.), who in turn names 7: 1029:Norwegian Wood (This Bird Has Flown) 266:) followed by two conjunct inverted 58:adding citations to reliable sources 2102:"7 songs featuring Mixolydian mode" 1713:Kodály in the Fifth Grade Classroom 1475:, 2nd edition, 29 vols., edited by 1437:, 2nd edition, 29 vols., edited by 1366:, 2nd edition, 29 vols., edited by 1326:If Not, Winter: Fragments of Sappho 495:This scale has the same series of 246:, this is a scale descending from 25: 1953:"Leonard Bernstein on Rock Music" 1431:and Frans Wiering, "Mixolydian", 718:Hit songs in Mixolydian include " 2230: 1864:Farrant, Dan (24 October 2021). 1795:Heinemann Educational Publishers 1059:Single Ladies (Put a Ring on It) 810:Gleanntáin Ghlas' Ghaoth Dobhair 668: 660:Notable music in Mixolydian mode 230:In Greek theory, the Mixolydian 34: 566:, and the remaining triads are 503:as the major scale, but with a 45:needs additional citations for 1755:"Paddy's Green Shamrock Shore" 736:Don't Stop 'til You Get Enough 734:"..., "Tears of a Clown"..., " 238:") corresponding to the Greek 1: 1526:Berle, Arnie (1 April 1997). 1506:Scales for Jazz Improvisation 1689:Something Old. Something New 952:Surgam et circuibo civitatem 539:In the Mixolydian mode, the 481: 348: 331: 291: 169: 2210:Musical Scales of the World 1757:– via thesession.org. 1599:Dick Weissman and Dan Fox, 254:: in the diatonic genus, a 2642: 2243:Mixolydian scale on guitar 1787:Developing Singing Matters 1280:, the equivalent scale in 1271:, the equivalent scale in 933:Concerto in modo misolidio 847:She Moved Through the Fair 317:plus two semitones, and a 1625:The Songwriter's Workshop 1411:, 2nd edition, edited by 923:Piano Concerto in A minor 2520:descending melodic major 2467:descending melodic minor 2149:Harmonic Colours in Bass 1623:Kachulis, Jimmy (2004). 744:Saturday Night's Alright 732:Only You Know and I Know 387:. Four centuries later, 143:, based on a particular 2495:ascending melodic minor 2433:ascending melodic major 2212:. The Note Tree. 2013. 1627:, p.39. Berklee Press. 1578:Harrison, Mark (2008). 1291:modal chord progression 1231:"Collision Chaos" from 677:Some of this section's 597:Great Highland bagpipes 486:download the audio file 443:eighth mode was termed 379:to designate his seven 353:download the audio file 336:download the audio file 296:download the audio file 174:download the audio file 2506:Lydian augmented (III) 2279:Modes in Western music 1582:, p. 78. Hal Leonard. 1445:, 16:766–767 (London: 793: 764: 762:"..., and many others. 605: 407:, or scales. The name 151:; one of the medieval 2587:Double harmonic scale 2559:Phrygian dominant (V) 2554:Ukrainian Dorian (IV) 2147:Gross, David (1997). 1557:Serena, Desi (2021). 925:, third movement, by 918:Johann Sebastian Bach 405:species of the octave 2600:Hungarian minor (IV) 2526:Half diminished (VI) 2516:Aeolian dominant (V) 2239:at Wikimedia Commons 2061:– via YouTube. 2008:– via YouTube. 1969:– via YouTube. 1955:– via YouTube. 1892:cat. 8.220176 (1986) 1694:4 March 2016 at the 1670:3 March 2016 at the 1643:Serna, Desi (2021). 1485:Macmillan Publishers 1447:Macmillan Publishers 1376:Macmillan Publishers 1247:"This Is A Life" by 838:(1997). Recorded by 781:Fire on the Mountain 728:Reelin' in the Years 54:improve this article 2595:Double harmonic (I) 2192:songselect.ccli.com 2174:steadyprintshop.com 2077:Rebel Music Teacher 1358:Thomas J. Mathiesen 1207:Natasha Bedingfield 1183:If I Needed Someone 1137:Kool & the Gang 969:Sweet Child o' Mine 942:Et resurrexit from 777:Cult of Personality 2577:Harmonic major (I) 2549:Harmonic minor (I) 1932:www.hooktheory.com 1907:www.hooktheory.com 1293:when spelled as I– 1223:Sweet Home Alabama 1143:Freedom Jazz Dance 1117:Christina Aguilera 936:, P 145 (1925) by 726:"..., "Fire"..., " 651:Adonai malakh mode 621:Tangled Up in Blue 385:transposition keys 2613: 2612: 2360: 2359: 2235:Media related to 2208:Hewitt, Michael. 1715:, p.104. Oxford. 1700:Mandolin Sessions 1676:Mandolin Sessions 1609:978-0-7866-0751-8 1561:M, p.168. Wiley. 1541:978-0-7866-1791-3 1514:978-0-89898-705-8 1493:978-1-56159-239-5 1483:, 12:38 (London: 1455:978-1-56159-239-5 1378:, 2001), 10:339. 1348:as his authority. 1334:978-0-375-72451-0 1287:V–IV–I turnaround 1243:Jennie Lee Riddle 1083:When Smokey Sings 989:You Really Got Me 938:Ottorino Respighi 912:Clavier-Übung III 856:Lord of the Dance 819: 715: 714: 707: 517:flattened seventh 490: 451:Modern Mixolydian 357: 340: 300: 242:inverted. In its 178: 130: 129: 122: 104: 69:"Mixolydian mode" 16:(Redirected from 2633: 2292: 2272: 2265: 2258: 2249: 2234: 2196: 2195: 2184: 2178: 2177: 2166: 2160: 2145: 2136: 2135: 2124: 2118: 2117: 2115: 2113: 2098: 2081: 2080: 2069: 2063: 2062: 2055: 2049: 2048: 2046: 2044: 2030: 2024: 2023: 2016: 2010: 2009: 2002: 1996: 1995: 1993: 1991: 1977: 1971: 1970: 1963: 1957: 1956: 1949: 1943: 1942: 1940: 1938: 1924: 1918: 1917: 1915: 1913: 1899: 1893: 1883: 1877: 1876: 1874: 1872: 1861: 1840: 1830: 1821: 1820: 1779: 1773: 1772: 1765: 1759: 1758: 1751: 1745: 1736:, p.56. Oxford. 1730: 1724: 1709: 1703: 1687:Ted Eschliman, " 1685: 1679: 1663:Wendy Anthony, " 1661: 1655: 1641: 1635: 1621: 1612: 1597: 1591: 1576: 1570: 1555: 1546: 1545: 1523: 1517: 1502: 1496: 1467:Harold S. Powers 1464: 1458: 1429:Harold S. Powers 1426: 1420: 1403:Harold S. Powers 1400: 1394: 1355: 1349: 1319: 1303:Backdoor cadence 1298: 1297: 1282:Hindustani music 1019:Express Yourself 813: 789:Get Down Tonight 785:Franklin's Tower 760:Hollywood Nights 724:Manic Depression 720:Paperback Writer 710: 703: 699: 696: 690: 672: 664: 609:perfect cadences 575: 574: 511:, rather than a 325:, respectively. 218: 217:7th-century-B.C. 203:Greek Mixolydian 197:Hindustani music 125: 118: 114: 111: 105: 103: 62: 38: 30: 21: 2641: 2640: 2636: 2635: 2634: 2632: 2631: 2630: 2616: 2615: 2614: 2609: 2581: 2563: 2535: 2477: 2411: 2356: 2323: 2281: 2276: 2237:Mixolydian mode 2227: 2205: 2203:Further reading 2200: 2199: 2186: 2185: 2181: 2168: 2167: 2163: 2146: 2139: 2126: 2125: 2121: 2111: 2109: 2100: 2099: 2084: 2071: 2070: 2066: 2057: 2056: 2052: 2042: 2040: 2032: 2031: 2027: 2018: 2017: 2013: 2004: 2003: 1999: 1989: 1987: 1979: 1978: 1974: 1965: 1964: 1960: 1951: 1950: 1946: 1936: 1934: 1926: 1925: 1921: 1911: 1909: 1901: 1900: 1896: 1884: 1880: 1870: 1868: 1863: 1862: 1843: 1831: 1824: 1809: 1781: 1780: 1776: 1767: 1766: 1762: 1753: 1752: 1748: 1731: 1727: 1710: 1706: 1696:Wayback Machine 1686: 1682: 1672:Wayback Machine 1662: 1658: 1642: 1638: 1622: 1615: 1598: 1594: 1577: 1573: 1556: 1549: 1542: 1525: 1524: 1520: 1503: 1499: 1465: 1461: 1427: 1423: 1401: 1397: 1356: 1352: 1338:Pseudo-Plutarch 1336:. Carson cites 1320: 1316: 1311: 1295: 1294: 1265: 1239:Revelation Song 1127:Thelonious Monk 964: 906: 851:Michael Flatley 798: 711: 700: 694: 691: 688: 673: 662: 572: 571: 527:degree) of the 493: 492: 491: 489: 453: 365: 360: 359: 358: 356: 343: 342: 341: 339: 303: 302: 301: 299: 240:Hypolydian mode 216: 205: 181: 180: 179: 177: 133:Mixolydian mode 126: 115: 109: 106: 63: 61: 51: 39: 28: 23: 22: 15: 12: 11: 5: 2639: 2637: 2629: 2628: 2618: 2617: 2611: 2610: 2608: 2607: 2602: 2597: 2591: 2589: 2583: 2582: 2580: 2579: 2573: 2571: 2569:Harmonic major 2565: 2564: 2562: 2561: 2556: 2551: 2545: 2543: 2541:Harmonic minor 2537: 2536: 2534: 2533: 2528: 2523: 2513: 2508: 2503: 2501:Dorian ♭2 (II) 2498: 2491:Jazz minor (I) 2487: 2485: 2479: 2478: 2476: 2475: 2470: 2456: 2454:Mixolydian (V) 2451: 2446: 2444:Phrygian (III) 2441: 2436: 2421: 2419: 2413: 2412: 2410: 2409: 2404: 2399: 2394: 2389: 2384: 2379: 2374: 2368: 2366: 2362: 2361: 2358: 2357: 2355: 2354: 2352:Hypomixolydian 2349: 2344: 2339: 2333: 2331: 2325: 2324: 2322: 2321: 2316: 2311: 2306: 2300: 2298: 2289: 2283: 2282: 2277: 2275: 2274: 2267: 2260: 2252: 2246: 2245: 2240: 2226: 2225:External links 2223: 2222: 2221: 2218:978-0957547001 2204: 2201: 2198: 2197: 2179: 2161: 2137: 2132:hooktheory.com 2119: 2082: 2064: 2050: 2038:HookTheory.com 2025: 2011: 1997: 1985:HookTheory.com 1972: 1958: 1944: 1919: 1894: 1878: 1841: 1822: 1807: 1783:Allen, Patrick 1774: 1760: 1746: 1725: 1704: 1680: 1656: 1636: 1613: 1592: 1571: 1547: 1540: 1518: 1497: 1459: 1449:, 2001), 767. 1421: 1395: 1350: 1313: 1312: 1310: 1307: 1306: 1305: 1300: 1284: 1275: 1273:Carnatic music 1264: 1261: 1260: 1259: 1245: 1235: 1229: 1227:Lynyrd Skynyrd 1219: 1209: 1199: 1189: 1179: 1169: 1159: 1149: 1139: 1129: 1119: 1109: 1103:Happy Together 1099: 1097:George Michael 1089: 1075: 1065: 1055: 1045: 1035: 1025: 1015: 1005: 995: 985: 975: 963: 960: 959: 958: 949: 947:Missa solemnis 940: 929: 920: 905: 902: 901: 900: 876:And countless 874: 867: 860: 843: 835:Runaway Sunday 826:Francie Mooney 824:, composed by 818:'s Green Glens 806: 797: 794: 740:Norwegian Wood 713: 712: 679:listed sources 676: 674: 667: 661: 658: 537: 536: 483: 480: 478: 477: 473:dominant scale 452: 449: 445:Hypomixolydian 422:authentic mode 401:Nova expositio 364: 361: 350: 347: 345: 344: 333: 330: 328: 327: 293: 290: 288: 287: 252:hypate hypaton 244:diatonic genus 236:octave species 209:ancient Greece 204: 201: 189:Carnatic music 171: 168: 166: 165: 161:diatonic scale 155:; or a modern 145:octave species 128: 127: 42: 40: 33: 26: 24: 14: 13: 10: 9: 6: 4: 3: 2: 2638: 2627: 2626:Modes (music) 2624: 2623: 2621: 2606: 2603: 2601: 2598: 2596: 2593: 2592: 2590: 2588: 2584: 2578: 2575: 2574: 2572: 2570: 2566: 2560: 2557: 2555: 2552: 2550: 2547: 2546: 2544: 2542: 2538: 2532: 2531:Altered (VII) 2529: 2527: 2524: 2521: 2517: 2514: 2512: 2511:Acoustic (IV) 2509: 2507: 2504: 2502: 2499: 2496: 2492: 2489: 2488: 2486: 2484: 2480: 2474: 2473:Locrian (VII) 2471: 2468: 2464: 2463:natural minor 2460: 2457: 2455: 2452: 2450: 2447: 2445: 2442: 2440: 2437: 2434: 2430: 2429:natural major 2426: 2423: 2422: 2420: 2418: 2414: 2408: 2407:Reciting tone 2405: 2403: 2400: 2398: 2395: 2393: 2390: 2388: 2385: 2383: 2380: 2378: 2375: 2373: 2370: 2369: 2367: 2363: 2353: 2350: 2348: 2345: 2343: 2340: 2338: 2335: 2334: 2332: 2330: 2326: 2320: 2317: 2315: 2312: 2310: 2307: 2305: 2302: 2301: 2299: 2297: 2293: 2290: 2288: 2284: 2280: 2273: 2268: 2266: 2261: 2259: 2254: 2253: 2250: 2244: 2241: 2238: 2233: 2229: 2228: 2224: 2219: 2215: 2211: 2207: 2206: 2202: 2193: 2189: 2183: 2180: 2175: 2171: 2165: 2162: 2158: 2157:9781576239353 2154: 2150: 2144: 2142: 2138: 2133: 2129: 2123: 2120: 2107: 2103: 2097: 2095: 2093: 2091: 2089: 2087: 2083: 2078: 2074: 2068: 2065: 2060: 2054: 2051: 2039: 2035: 2029: 2026: 2021: 2015: 2012: 2007: 2001: 1998: 1986: 1982: 1976: 1973: 1968: 1962: 1959: 1954: 1948: 1945: 1933: 1929: 1923: 1920: 1908: 1904: 1898: 1895: 1891: 1890:Naxos Records 1887: 1882: 1879: 1867: 1860: 1858: 1856: 1854: 1852: 1850: 1848: 1846: 1842: 1838: 1834: 1833:Walter Piston 1829: 1827: 1823: 1818: 1814: 1810: 1808:0-435-81018-9 1804: 1800: 1796: 1792: 1788: 1784: 1778: 1775: 1770: 1764: 1761: 1756: 1750: 1747: 1743: 1742:9780198042860 1739: 1735: 1729: 1726: 1722: 1721:9780190236243 1718: 1714: 1708: 1705: 1701: 1697: 1693: 1690: 1684: 1681: 1677: 1673: 1669: 1666: 1660: 1657: 1654: 1653:9781119842972 1650: 1646: 1640: 1637: 1634: 1633:9781476867373 1630: 1626: 1620: 1618: 1614: 1610: 1606: 1602: 1596: 1593: 1589: 1588:9781423427810 1585: 1581: 1575: 1572: 1568: 1567:9781119843177 1564: 1560: 1554: 1552: 1548: 1543: 1537: 1533: 1529: 1522: 1519: 1515: 1511: 1507: 1501: 1498: 1494: 1490: 1486: 1482: 1478: 1477:Stanley Sadie 1474: 1473: 1468: 1463: 1460: 1456: 1452: 1448: 1444: 1440: 1439:Stanley Sadie 1436: 1435: 1430: 1425: 1422: 1418: 1414: 1413:Stanley Sadie 1410: 1409: 1404: 1399: 1396: 1392: 1388: 1385: 1384:1-56159-239-0 1381: 1377: 1373: 1369: 1368:Stanley Sadie 1365: 1364: 1359: 1354: 1351: 1347: 1343: 1339: 1335: 1331: 1327: 1323: 1318: 1315: 1308: 1304: 1301: 1292: 1288: 1285: 1283: 1279: 1276: 1274: 1270: 1267: 1266: 1262: 1258: 1254: 1250: 1246: 1244: 1240: 1236: 1234: 1230: 1228: 1224: 1220: 1218: 1214: 1210: 1208: 1204: 1200: 1198: 1197:Ariana Grande 1194: 1190: 1188: 1184: 1180: 1178: 1174: 1170: 1168: 1164: 1160: 1158: 1157:Grateful Dead 1154: 1150: 1148: 1144: 1140: 1138: 1134: 1130: 1128: 1124: 1120: 1118: 1114: 1110: 1108: 1104: 1100: 1098: 1094: 1090: 1088: 1084: 1080: 1076: 1074: 1070: 1066: 1064: 1060: 1056: 1054: 1050: 1049:Born This Way 1046: 1044: 1040: 1036: 1034: 1030: 1026: 1024: 1020: 1016: 1014: 1010: 1006: 1004: 1000: 996: 994: 990: 986: 984: 980: 979:Thunderstruck 976: 974: 973:Guns N' Roses 970: 966: 965: 961: 957: 953: 950: 948: 945: 941: 939: 935: 934: 930: 928: 924: 921: 919: 915: 913: 908: 907: 903: 898: 894: 890: 887: 883: 879: 875: 872: 868: 865: 864:Wexford Carol 861: 858: 857: 852: 848: 844: 841: 837: 836: 831: 827: 823: 817: 811: 807: 804: 803:Old Joe Clark 800: 799: 795: 792: 790: 786: 782: 778: 774: 773:Cinnamon Girl 770: 763: 761: 757: 753: 749: 748:My Generation 745: 741: 737: 733: 729: 725: 721: 709: 706: 698: 686: 685: 680: 675: 671: 666: 665: 659: 657: 654: 652: 648: 644: 642: 638: 634: 630: 629:Shooting Star 626: 622: 618: 614: 610: 604: 600: 598: 594: 590: 586: 582: 577: 569: 565: 561: 557: 553: 550: 546: 542: 534: 533: 532: 530: 526: 522: 518: 514: 510: 506: 505:minor seventh 502: 498: 487: 476: 474: 470: 466: 462: 458: 450: 448: 446: 442: 437: 435: 431: 430:reciting note 427: 426:perfect fifth 423: 418: 415: 410: 406: 402: 398: 392: 390: 386: 382: 378: 374: 370: 362: 354: 337: 326: 324: 323:quarter tones 320: 316: 312: 308: 297: 286: 284: 280: 276: 272: 269: 265: 261: 257: 253: 249: 245: 241: 237: 233: 228: 226: 222: 214: 210: 202: 200: 198: 194: 190: 186: 175: 164: 162: 158: 154: 150: 146: 142: 138: 134: 124: 121: 113: 102: 99: 95: 92: 88: 85: 81: 78: 74: 71: –  70: 66: 65:Find sources: 59: 55: 49: 48: 43:This article 41: 37: 32: 31: 19: 2605:Oriental (V) 2459:Aeolian (VI) 2453: 2351: 2342:Hypophrygian 2318: 2209: 2191: 2182: 2173: 2164: 2148: 2131: 2122: 2110:. Retrieved 2105: 2076: 2067: 2053: 2041:. Retrieved 2037: 2028: 2014: 2000: 1988:. Retrieved 1984: 1975: 1961: 1947: 1935:. Retrieved 1931: 1922: 1910:. Retrieved 1906: 1897: 1881: 1869:. Retrieved 1836: 1786: 1777: 1763: 1749: 1734:Kodaly Today 1733: 1728: 1712: 1707: 1699: 1683: 1675: 1659: 1644: 1639: 1624: 1600: 1595: 1579: 1574: 1558: 1531: 1521: 1505: 1504:Dan Haerle, 1500: 1481:John Tyrrell 1470: 1462: 1443:John Tyrrell 1432: 1424: 1417:John Tyrrell 1406: 1405:, "Dorian", 1398: 1372:John Tyrrell 1361: 1360:, "Greece", 1353: 1341: 1325: 1317: 1269:Harikambhoji 1213:Marquee Moon 1147:Eddie Harris 1093:Freedom! '90 951: 931: 927:Edvard Grieg 911: 871:Green Bushes 854: 833: 766: 756:Boogie Fever 717: 701: 692: 681: 655: 645: 641:Jimi Hendrix 637:Bold as Love 606: 602: 578: 538: 513:leading-tone 494: 472: 454: 444: 438: 433: 419: 408: 400: 396: 393: 380: 372: 368: 366: 304: 283:Locrian mode 263: 259: 251: 247: 231: 229: 220: 206: 185:Harikambhoji 182: 157:musical mode 153:church modes 140: 136: 132: 131: 116: 110:October 2021 107: 97: 90: 83: 76: 64: 52:Please help 47:verification 44: 27:Musical mode 2449:Lydian (IV) 2439:Dorian (II) 2397:Hypolocrian 2387:Hypoaeolian 2106:Music Tales 1374:, (London: 1346:Aristoxenus 1322:Anne Carson 1289:, a common 1257:David Byrne 1187:the Beatles 1177:Miles Davis 1133:Celebration 1107:the Turtles 1033:the Beatles 1003:the Beatles 999:I Feel Fine 944:Beethoven's 886:Cape Breton 796:Traditional 695:August 2024 682:may not be 633:Bad Company 545:subdominant 525:major-third 465:Ionian mode 461:major scale 397:Alia Musica 319:major third 315:minor third 279:white notes 271:tetrachords 225:Lydian mode 2483:Jazz minor 2425:Ionian (I) 2402:Pentatonic 2377:Hypoionian 2347:Hypolydian 2337:Hypodorian 2319:Mixolydian 2112:31 January 1871:31 January 1797:. p.  1309:References 1217:Television 1163:L.A. Woman 1123:Epistrophy 1079:Be Near Me 1009:Love Shack 956:Palestrina 769:But Anyway 752:Centerfold 617:The Troggs 613:Wild Thing 576:VII-IV-V. 564:diminished 409:Mixolydian 369:Mixolydian 311:enharmonic 256:whole tone 80:newspapers 18:Mixolydian 2296:Authentic 2287:Gregorian 1647:, p.272. 1203:Unwritten 1193:Yes, And? 1173:All Blues 1167:the Doors 1153:Dark Star 1113:Beautiful 1053:Lady Gaga 1013:the B-52s 993:the Kinks 914:, BWV 679 904:Classical 897:highlands 840:The Corrs 822:folk song 814:English: 625:Bob Dylan 501:semitones 373:harmoniai 367:The term 321:plus two 307:chromatic 137:harmoniai 2620:Category 2417:Diatonic 2309:Phrygian 2151:, p.28. 2043:15 April 1990:15 April 1817:42040205 1785:(1999). 1692:Archived 1668:Archived 1487:, 2001) 1391:44391762 1342:On Music 1296:♭ 1263:See also 1233:Sonic CD 1073:Coldplay 882:Scottish 816:Gweedore 684:reliable 573:♭ 554:are all 549:subtonic 509:subtonic 469:dominant 389:Boethius 275:semitone 260:paramese 248:paramese 2392:Locrian 2382:Aeolian 1937:28 June 1912:28 June 1837:Harmony 1324:(ed.), 1249:Son Lux 1081:" and " 1063:Beyoncé 1023:Madonna 962:Popular 859:(1996). 787:"..., " 783:"..., " 779:"..., " 775:"..., " 771:"..., " 758:"..., " 754:"..., " 750:"..., " 742:"..., " 738:"..., " 730:"..., " 722:"..., " 647:Klezmer 635:, and " 560:mediant 521:mediant 459:of the 414:ambitus 377:Ptolemy 305:In the 94:scholar 2372:Ionian 2329:Plagal 2314:Lydian 2304:Dorian 2216:  2155:  2108:. 2020 1815:  1805:  1791:Oxford 1740:  1719:  1651:  1631:  1607:  1586:  1565:  1538:  1512:  1491:  1453:  1389:  1382:  1332:  1299:VII–IV 1278:Khamaj 1255:, and 1253:Mitski 1069:Clocks 1039:Royals 746:..., " 558:, the 552:triads 547:, and 515:. 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Index

Mixolydian

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"Mixolydian mode"
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octave species
scale
church modes
musical mode
diatonic scale
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Harikambhoji
Carnatic music
Khamaj
Hindustani music
ancient Greece
Sappho
Lydian mode
octave species
Hypolydian mode
diatonic genus
whole tone
Lydian

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