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Nuvolone was also active as a portrait painter working in the
Lombard style with its penchant for a strikingly detailed portrayal of the sitter's features and garments and a lively depiction of the play of light and shadow. These portraits also show influences from portrait painting in Genoa, which
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His early works showed the influence of the latest developments in
Lombard painting. He had in particular adopted from Giulio Cesare Procaccini the close attention to the handling of light and shadow as well as the careful study of facial expressions. Other early influences include Daniele Crespi
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Carlo
Francesco Nuvolone worked as an easel painter as well as a fresco artist. His subjects were mainly religious and he realised many altarpieces and devotional works. He also left a number of portraits.
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showing him at his easel surrounded by his family, including his father and brother and a few young people playing musical instruments.
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He later worked in Milan and its environs. During the 1650s, Nuvolone painted frescoes for the
Cappella di San Michele in the
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Francesco Frangi. "Nuvolone." Grove Art Online. Oxford Art Online. Oxford
University Press. Web. 7 February 2017
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47:– 1661 or 1662 in Milan) was an Italian painter of religious subjects and portraits who was active mainly in
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in turn was influenced by the
Flemish portrait painters such as van Dyck who had resided there.
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Storia della pittura italiana esposta coi monumenti: Epoca quarta dai
Caracci all' Appiani
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260:(2013) places his birth in 1608 or 1609 and gives his death date as 1 August 1661
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185:(1636, Venegono Inferiore, Seminario Arcivescovile) also shows the influence of
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197:'s work, although it is not clear where he would have seen Murillo's works.
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was a painter of frescoes and altarpieces, in a style still linked to late
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Painters of reality: the legacy of
Leonardo and Caravaggio in Lombardy
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After working with his father, Carlo
Francesco studied at the
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Notizie sui celebri pittori e su altri artisti alessandrini
204:(Pinacoteca di Brera, Milan), demonstrate his interest in
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208:. An outstanding example from this period is
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200:His altarpieces from the 1640s, such as the
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127:and contributed to the decorations of the
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129:sacro monte (hillside shrine) at Varese
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171:Portrait of a Gentleman in Armour
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214:(1645, Museo Civico, Piacenza).
233:portrait of the family Nuvolone
226:Portrait of the family Nuvolone
211:The purification of the Virgin
118:The purification of the Virgin
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410:18th-century Italian painters
395:17th-century Italian painters
87:who also became a painter.
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63:(the Guido of Lombardy).
420:Italian Baroque painters
359:Carlo Francesco Nuvolone
202:Assumption of the Virgin
108:Giulio Cesare Procaccini
96:Giovanni Battista Crespi
61:il Guido della Lombardia
41:Carlo Francesco Nuvolone
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138:Among his pupils were
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361:at Wikimedia Commons
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183:Miracle of St Martha
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133:Sacro Monte di Orta
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357:Media related to
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390:1662 deaths
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380:1609 births
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369:Categories
239:References
57:Guido Reni
187:Morazzone
100:il Cerano
81:Mannerism
85:Giuseppe
53:frescoes
49:Lombardy
18:Nuvolone
195:Murillo
189:. The
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67:Life
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