2633:/ Sarastro. ... Hr. Gerl. / Tamino. ... Hr. Schack. / Speaker. ... Hr. Winter / {First, Second, Third} priest {...} {Hr. Schikaneder the elder. Hr. Kistler. Hr. Moll.} / Queen of the Night ... Mad. Hofer. / Pamina, her daughter. ... Mlle. Gottlieb. / {First, Second, Third} lady. ... {Mlle. Klöpfer. Mlle. Hofmann. Mad. Schack.} / Papageno. ... Hr. Schikaneder the younger. / An old woman . ... Mad. Gerl. / Monostatos a Moor. ... Hr. Nouseul. / {First, Second, Third} slave. ... {Hr. Gieseke. Hr. Frasel. Hr. Starke.} / Priests, slaves, retinue. / The music is by Herr Wolfgang Amade Mozart, Kapellmeister, an actual I and R Chamber Composer. Herr Mozart, out of respect for a gracious and honourable public, and from friendship for the author of this piece, will today direct the orchestra in person. / The book of the opera, furnished with two copper-plates, on which is engraved Herr Schikaneder in the costume he wears for the role of Papageno, may be had at the box office for 30 kr. / Herr Gayl, theatre painter, and Herr Nesslthaler as designer, flatter themselves that they have worked with the utmost artistic zeal according to the prescribed plan of the piece. / Prices of admission are as usual. / To begin at 7 o'clock. (According to English translation from
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1141:" / This path leads you to your goal). Tamino approaches the right-hand entrance (the Temple of Reason) and is denied access by voices from within. The same happens when he goes to the entrance on the left (the Temple of Nature). But from the entrance in the middle (the Temple of Wisdom), a senior priest appears. (The priest is referred to as "The Speaker" in the libretto, but his role is sung.) He tells Tamino that Sarastro is benevolent, not evil, and that he should not trust the Queen of the Night. With a hidden male chorus, he promises that Tamino's confusion will be lifted when he approaches the temple in a spirit of friendship, and that Pamina is alive. Tamino plays his magic flute. Animals appear and dance, enraptured, to his music. Tamino hears Papageno's pipes sounding offstage, and hurries off to find him (aria: "
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1380:" / All feel the joys of love) He is about to kiss her, when the Queen of the Night appears. Monostatos hides. Waking, Pamina tells her that Tamino is joining Sarastro's brotherhood and that she is thinking of accompanying him. The Queen is not pleased. She explains that her husband, the previous owner of the temple, on his deathbed gave the ownership to Sarastro instead of to her, rendering the Queen powerless (this is in the original libretto, but is usually omitted from modern productions). She gives Pamina a dagger, ordering her to kill Sarastro with it and threatening to disown her if she does not. (Aria: "
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1537:" / Papagena! Papagena! Papagena! Dear woman, dear dove, my beauty) He hesitates, counting to three, but more and more slowly. The three boys appear and stop him. They remind him he can play his magic bells to summon Papagena. She appears and, united, the happy couple stutter in astonishment and make bird-like courting sounds at each other. They plan their future and dream of the many children they will have together (Duet: "Pa... pa... pa..."). The scenes change without a break, leading into scene 9.
1091:/ You will go to free her). The Queen and the ladies leave and Papageno can only hum to bemoan the padlock on his mouth. (Quintet: "Hm! Hm! Hm! Hm!"). The ladies return and remove the padlock with a warning not to lie any more. They give Tamino a magic flute which has the power to change sorrow into joy, and Papageno magic bells for protection, telling him to go with Tamino. The ladies tell of three boys who will guide Tamino and Papageno to Sarastro's temple. Together Tamino and Papageno set forth.
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1061:" / The birdcatcher am I indeed). Tamino introduces himself to Papageno, thinking Papageno killed the serpent. Papageno happily takes the credit â claiming he strangled it with his bare hands. The three ladies suddenly reappear and instead of giving Papageno wine, cake and figs, they give him water and a stone, and padlock his mouth closed as a warning not to lie. They give Tamino a portrait of the Queen of the Night's daughter Pamina, with whom Tamino falls instantly in love (aria:
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1121:" / Just come in, you fine little dove!). Monostatos and Papageno are each terrified by the other's strange appearance and both flee, each thinking the other is the devil. Papageno returns and announces to Pamina that her mother has sent Tamino to save her. Pamina rejoices to hear that Tamino is in love with her. She offers sympathy and hope to Papageno, who longs for a wife. Together they reflect on the joys and sacred value of marital love (duet: "
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1458:" / A girl or a woman). The elderly woman reappears and warns him that unless he immediately promises to marry her, he will be imprisoned forever. When Papageno promises to love her faithfully (muttering that he will only do this until something better comes along), she is transformed into the young and pretty Papagena. Papageno rushes to embrace her, but the priests drive him back, telling him that he is not yet worthy of her.
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2608:, sat to his right, diligently turning the pages of the score." The description implies that Mozart was seated at a keyboard instrument, playing along with the orchestra, rather than standing on a podium with a baton; this was fairly standard practice for conductors in Mozart's time. Mozart conducted only the first two performances, whereupon direction was taken over by the regular leader of the orchestra,
1180:" / Long live Sarastro!) Pamina falls at Sarastro's feet and confesses that she tried to escape because Monostatos had forced his attentions on her. Sarastro receives her kindly and assures her that he wishes only for her happiness, but he refuses to return her to her mother, whom he describes as a proud, headstrong woman, and a bad influence on those around her. Pamina, he says, must be guided by a man.
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1517:" / Oh God, look down from heaven). Tamino declares that he is ready to be tested. Pamina calls to him from offstage. The men in armour assure him that the trial by silence is over and he is free to speak with her. Pamina enters and declares her intention to undergo the remaining trials with him. She hands him the magic flute to help them through the trials ("
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1014:" / Die, monster, by our might!). He faints, and three ladies, attendants of the Queen of the Night, appear and kill the serpent. They find the unconscious prince extremely attractive, and each of them tries to persuade the other two to leave her alone with him. After arguing, they reluctantly decide to leave together.
1366:" / How, how, how) Papageno cannot resist answering the ladies, but Tamino remains aloof, angrily instructing Papageno not to listen to the ladies' threats and to keep quiet. Seeing that Tamino will not speak to them, the ladies withdraw in confusion. The Speaker and a priest return and lead Tamino and Papageno away.
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1388:" / Hell's vengeance boils in my heart). She leaves. Monostatos returns and tries to force Pamina's love by threatening to reveal the Queen's plot, but Sarastro enters and drives him off. Pamina begs Sarastro to forgive her mother and he reassures her that revenge and cruelty have no place in his domain (Aria: "
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Monostatos brings in Tamino. The two lovers see one another for the first time and embrace, causing indignation among
Sarastro's followers. Monostatos tells Sarastro that he caught Papageno and Pamina trying to escape, and demands a reward. Sarastro ironically "rewards" Monostatos with a beating and
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has the greatest variety of orchestral color that the eighteenth century was to know; the very lavishness, however, is paradoxically also an economy as each effect is a concentrated one, each oneâPapageno's whistle, the Queen of the Night's coloratura, the bells, Sarastro's trombones, even the
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Tamino and
Papageno are led in by priests, who remind them that they must remain silent. Papageno complains of thirst. An old woman enters and offers Papageno a cup of water. He drinks and teasingly asks whether she has a boyfriend. She replies that she does and that his name is Papageno. She
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and concerns the initiation of Prince Tamino. Enlisted by the Queen of the Night to rescue her daughter Pamina from the high priest
Sarastro, Tamino comes to admire the high ideals of Sarastro. He and Pamina both join Sarastro's community, while the Queen and her allies are vanquished.
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Der
Zauberflöte zweyter Theil unter dem Titel: Das Labyrinth oder der Kampf mit den Elementen. Eine groĂe heroisch-komische Oper in zwey AufzĂŒgen von Emanuel Schikaneder. In Musik gesetzt von Herrn Peter Winter, Kapellmeister in Churpfalz-bayrischen Diensten. VollstĂ€ndiges Textbuch.
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The ladies return and tell Tamino that Pamina has been captured by
Sarastro, whom they describe as a powerful, evil demon. Tamino vows to rescue Pamina. The Queen of the Night appears and promises Tamino that Pamina will be his if he rescues her from Sarastro (Recitative:
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The opera was the culmination of a period of increasing involvement by Mozart with
Schikaneder's theatrical troupe, which since 1789 had been the resident company at the Theater auf der Wieden. Mozart was a close friend of one of the singer-composers of the troupe, tenor
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1523:/ Oh, what luck, my Tamino!"). Protected by the music of the magic flute, they pass unscathed through fire and water. Offstage, the priests hail their triumph and invite the couple to enter the temple. The scene changes without a break, leading into scene 8.
1174:" / That sounds so splendid). Papageno and Pamina hear the sound of Sarastro's retinue approaching. Papageno is frightened and asks Pamina what they should say. She answers that they must tell the truth. Sarastro enters, with a crowd of followers. (chorus: "
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1409:" / We welcome you a second time). Tamino begins to play the flute, which summons Pamina. She tries to speak with him, but Tamino, bound by his vow of silence, cannot answer her, and Pamina begins to believe that he no longer loves her. (Aria: "
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1440:" / O Isis and Osiris). Pamina is brought in and Sarastro instructs Pamina and Tamino to bid each other farewell before the greater trials ahead, alarming them by describing it as their "final farewell". (Trio: Sarastro, Pamina, Tamino â "
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The opera celebrated its 100th performance in
November 1792, though Mozart did not have the pleasure of witnessing this milestone, as he had died on 5 December 1791. The opera was first performed outside Vienna (21 September 1792) in
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The overture, composed after the other parts of the opera were complete, begins with a solemn three-chord sequence from the brass, associated with the
Priests of the Temple of Wisdom. (The number three is highly significant in
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1551:" / Just quiet, quiet) and the Queen confirms her promise to give Pamina to Monostatos, but suddenly, with thunder and lightning, they are cast out into eternal night. The scene changes without a break, leading into scene 10.
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Although there were no reviews of the first performances, it was immediately evident that Mozart and
Schikaneder had achieved a great success, the opera drawing immense crowds and reaching hundreds of performances during the
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1168:" / Swift steps, ready courage). They are recaptured by Monostatos and his slaves. Papageno plays his magic bells, causing Monostatos and his slaves to dance off the stage, mesmerised by the beauty of the music (chorus: "
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1446:" / Shall I see you no more, dear one? â Note: In order to preserve the continuity of Pamina's suicidal feelings, this trio is sometimes performed earlier in act 2, preceding or immediately following the chorus "
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Tamino wakes up, and is surprised to find himself still alive and the serpent dead. Papageno enters dressed as a bird. He describes his life as a bird-catcher, complaining he has no wife or girlfriend (aria:
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254:(the first Tamino), and had contributed to the compositions of the troupe, which were often collaboratively written. Mozart's participation increased with his contributions to the 1790 collaborative opera
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This is known from testimony by Ignaz von
Seyfried (1776â1841), a composer who later (1798) became the musical director at the same theatre. According to Seyfried's memories (which he published in the
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Tamino and Papageno are led in by two priests for the first trial. The two priests advise Tamino and Papageno of the dangers ahead of them, warn them of women's wiles and swear them to silence (Duet: "
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The three boys hail the dawn. They observe Pamina, who is contemplating suicide because she believes Tamino has abandoned her. The boys restrain her and reassure her of Tamino's love. (Quartet: "
400:. "I have this moment returned from the opera, which was as full as ever", he wrote on 7 October, listing the numbers that had to be encored. "But what always gives me the most pleasure is the
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Lemberg, today the Ukrainian city of Lviv, was at the time a provincial center of the Austrian Empire. The Lviv performance was brought to the attention of musical scholarship only recently by
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sends him away. He announces that Tamino and Pamina must both undergo trials to be purified. The priests declare that virtue and righteousness will sanctify life and make mortals like gods ("
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Sarastro announces the sun's triumph over the night and the fraudulent power of hypocrites. The chorus hails the newly consecrated Tamino and Pamina, and gives thanks to Isis and Osiris.
1360:" / Keep yourselves from women's tricks). The three ladies appear and remind Tamino and Papageno of what the Queen has said about Sarastro, trying to tempt them into speaking. (Quintet: "
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I & R priv Wieden Theatre / Today, Friday 30 September 1791. / The actors of the Imperial and Royal privileged Theatre on the Wieden will have the honour to perform /
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The Queen is sometimes referred to by the name "Astrifiammante", an Italian translation of the German adjective "sternflammende" ("star-blazing") in the original libretto
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1492:(One mountain has a waterfall, the other emits fire.) Two men in armor lead Tamino in. They promise enlightenment to those who successfully overcome the fear of death ("
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in E-flat major. Halfway through, there is a false ending. After another three-chord brass sequence, the fugue resumes in E-flat minor, returning to E-flat major.
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The three boys lead Tamino to Sarastro's temple, promising that if he remains patient, wise and steadfast, he will succeed in rescuing Pamina (Quartet: "
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306:. The libretto is also a natural continuation of a series of fairy tale operas produced at the time by Schikaneder's troupe, including an adaptation of
884:(instrument of steel) to perform Papageno's magic bells. This instrument has since been lost to history, though modern day scholars believe it to be a
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and chief of the slaves, orders them to chain her and leave her alone with him. Papageno, sent ahead by Tamino to help find Pamina, enters (Trio: "
809:(at right), which does not give full names; "Hr." = Herr, Mr.; "Mme." = Madame, Mrs.; "Mlle." = Mademoiselle, Miss.
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also echoes Salieri's music in that Papageno's whistle is based on a motif borrowed from Salieri's Concerto for Clavicembalo in B-flat major.
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404:! You can see how this opera is becoming more and more esteemed." ... He went to hear his opera almost every night, taking along relatives.
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For instance, in the videotaped performance from the Bayerisches Staatsoper, Munich, 19 September 1983, available from Deutsche Grammophon
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disappears as Papageno asks for her name, and the three boys bring in food, the magic flute, and the bells, sent from Sarastro (Trio: "
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1452:".) They exit and Papageno enters. The priests grant his request for a glass of wine and he expresses his desire for a wife. (Aria: "
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3147:, 4 vols. (London and New York, 1992), Volume 4, pp. 1215â1218, and in "Mozart" in volume III of the same dictionary, pp. 489â503.
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2562:(A grand opera). Mozart entered the work in his personal catalog as a "German opera", and the first printed libretto called it a
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published this text in the first full-score edition (Bonn, 1814), claiming that it was "in accordance with Mozart's own wishes" (
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elements, although some scholars hold that the Masonic influence is exaggerated. Schikaneder and Mozart were Freemasons, as was
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On 28 December 1791, three and a half weeks after Mozart's death, his widow Constanze offered to send a manuscript score of
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The priests celebrate Tamino's successes so far, and pray that he will succeed and become worthy of their order (Chorus: "
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in Vienna, just two months before the composer's death. It was the last opera that Mozart composed. Still a staple of the
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The Magic Flute unveiled: esoteric symbolism in Mozart's masonic opera. An interpretation of the libretto and the music
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documents, the earlier performances were often of highly altered, sometimes even mutilated, versions of the opera (see
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was a fairy-tale opera and can be considered a kind of precursor; it employed much the same cast in similar roles.
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The Opera Goers' Complete Guide: Comprising Two Hundred and Sixty-Eight Opera Plots with Musical Numbers and Casts
344:. Both are centred around musical-textual playfulness with humorous bird-like utterances of pseudo-Italian words.
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appearing as Papageno. He wears his pipes and carries his magic bells; both instruments are essential to the plot.
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512:, who banned Freemasonry from Austria. Still others see the Roman Catholic Church itself, which was and still is
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Tamino, a handsome prince lost in a distant land, is pursued by a serpent and asks the gods to save him (aria: "
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1158:. Pamina appears at left, Papageno at right. In the background are the temples of Wisdom, Reason, and Nature.
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Pamina (Tiffany Speight) and Papageno (Richard Burkhard) sing "Bei MĂ€nnern, welche Liebe fĂŒhlen" in a 2006
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Monostatos appears with the Queen of the Night and her three ladies. They plot to destroy the temple ("
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1484:" / To herald the morning, soon will shine). The scene changes without a break, leading into scene 7.
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The genre of the work is hard to specify. The programme at the premiere performance announced it as
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As Mozart's letters show, he was very pleased to have achieved such a success. Solomon continues:
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Mozart and Others: Representing the Image of the Other and Its Meaning in Mozart's Comic Operas
338:. The first is that the PapagenoâPapagena duet is similar to the Cucuzze cavatina in Salieri's
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tradition of the Viennese popular theatre. Many scholars also acknowledge an influence of
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2517:, was completed in 1938. Both of these historic recordings have been reissued on LP and
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3608:"Mozart, Kirnberger, and the idea of musical purity: Revisiting two sketches from 1782"
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The Authentic Magic Flute Libretto: Mozart's Autograph or the First Full Score Edition?
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Roles, voice types as originally written and contemporary classification, premiere cast
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Papageno despairs at having lost Papagena and decides to hang himself (Aria/Quartet: "
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Mozart ve'Acherim: Hatsagat Dmut Ha'acher 'Umashma'uta Ba'operot Hakomiot shel Mozart
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2783:(1997). "Mozart and the Theater auf der Wieden: New attributions and perspectives1".
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1. Introduction: "Zu Hilfe! Zu Hilfe! Sonst bin ich verloren" â Tamino, Three Ladies
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3677:"Wolfgang Amadeus Mozart (composer) â Discography of American Historical Recordings"
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The Magic Flute â Wolfgang Amadeus Mozart, Emanuel Schikaneder, Carl Ludwig Giesecke
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farewell in scene 1 for clarinets and pizzicato stringsâa single dramatic stroke."
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19. Terzet: "Soll ich dich, Teurer, nicht mehr seh'n?" â Pamina, Tamino, Sarastro
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12. Quintet: "Wie? Ihr an diesem Schreckensort?" â Three Ladies, Tamino, Papageno
65:
4213:
4104:
4048:
3998:
3950:
3891:
3855:
3831:
3807:
2899:(2005). "Three Posthumous Reports Concerning Mozart in His Late Viennese Years".
2445:
2427:
2409:
2391:
2373:
2355:
2300:
2270:
2240:
2195:
2165:
2135:
2105:
2071:
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2011:
1981:
1951:
1917:
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1306:
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1261:
1233:
1209:
1111:
Pamina is dragged in by Sarastro's slaves, having tried to escape. Monostatos, a
1028:
940:
5006:
3758:
3079:
2989:
2942:
2325:"Tamino mein! ... Triumph, Triumph! du edles Paar! Besieget hast du die Gefahr!"
1471:
1112:
970:
876:
for several numbers (notably the finales of each act). Mozart also called for a
845:
817:
489:
325:
2521:. Since then there have been many recordings, in both audio and video formats.
1293:
Josef Greindl, RIAS-Symphonie-Orchester, RIAS Kammerchor, Ferenc Fricsay (1953)
4244:
3937:
3624:
3607:
2912:
2796:
960:
813:
561:
549:
496:, engraver and printer of the first libretto. The opera is also influenced by
4107:
Erstveröffentlichung nach den zeitgenössischen Quellen und mit einem Nachwort
4068:
3647:
3116:
2920:
2804:
2735:
1317:(soprano), Orchester des Deutschen Opernhauses, Berlin, conducted in 1938 by
5194:
4218:
3861:
1773:
6. Terzet: "Du feines TĂ€ubchen, nur herein!" â Monostatos, Pamina, Papageno
1154:
Arrival of Sarastro on a chariot pulled by lions, from a 1793 production in
973:
and recurs as the number of ladies, boys and temples.) It transitions in an
321:
173:
4471:
3176:
2629:: / Die Zauberflöte. / A grand opera in 2 acts, by Emanuel Schikaneder. /
504:. The Queen of the Night is seen by some to represent a dangerous form of
5056:
2682:
861:
841:
592:
518:
164:
4201:
3280:
2720:. Black Dog & Leventhal Pub. : Distributed by Workman Pub. Co.
396:, who with her sister Sophie was spending the second week of October in
17:
2605:
2340:"Die Strahlen der Sonne vertreiben die Nacht ... Es siegte die StÀrke"
949:
889:
865:
857:
849:
833:
607:
364:
The opera was premiered in Vienna on 30 September 1791 at the suburban
5362:
3220:
3366:
3316:
2659:
but also sometimes by mature women, particularly in studio recordings
2285:
20. Aria: "Ein MĂ€dchen oder Weibchen" (A girl or a woman) â Papageno
1337:
1996:
11. Duet: "Bewahret euch vor WeibertĂŒcken" â Second Priest, Speaker
392:
Mozart's delight is reflected in his last three letters, written to
222:
3212:
2838:
Shaked, Guy (2015). "Mozart's Competition with Antonio Salieri and
5046:
2947:"1 October 1791: The earliest published report on the premiere of
1803:
7. Duet: "Bei MĂ€nnern, welche Liebe fĂŒhlen" â Pamina and Papageno
1465:
1422:
1149:
1098:
993:
978:
873:
829:
572:
529:
355:
284:
236:
221:
156:
53:
4077:. Translated by Richard Salinger. New York: Dodd, Mead & Co.
3872:(2nd ed.). Stanford, California: Stanford University Press.
3765:. Translated by Stewart Spencer. New Haven: Yale University Press
320:. Especially for the role of Papageno, the libretto draws on the
1510:
1333:
1155:
837:
449:
410:
4890:
4475:
4275:
2330:"Papagena! Weibchen, TÀubchen, meine Schöne ... Pa-Pa-Pa-Pa-Pa"
1498:" / He who walks this path weighed down with cares â sung to a
194:
oder Der Kampf mit den Elementen. Der Zauberflöte zweyter Theil
2150:
16. Terzet: "Seid uns zum zweitenmal willkommen" â Three Boys
1534:
Papagena! Papagena! Papagena! Weibchen, TÀubchen, meine Schöne
1374:
Pamina is asleep. Monostatos creeps in and ogles her. (Aria: "
812:
While the female roles in the opera are assigned to different
4103:(1992). JahrmÀrker, Manuela; Waidelich, Till Gerrit (eds.).
922:
1470:
Tamino and Pamina undergo their final trial; watercolor by
805:
The names of the performers at the premiere are taken from
2180:
17. Aria: "Ach, ich fĂŒhl's, es ist verschwunden" â Pamina
2970:
2968:
898:
has remarked on the character of Mozart's orchestration:
185:, its popularity was reflected by two immediate sequels,
1843:"Schnelle FĂŒĂe, rascher Mut ... Das klinget so herrlich"
1162:
Papageno and Pamina enter, searching for Tamino (trio: "
2056:
13. Aria: "Alles fĂŒhlt der Liebe Freuden" â Monostatos
1743:
5 Quintet: "Hm Hm Hm" â Tamino, Papageno, Three Ladies
1572:
Overture. The overture is frequently played on its own.
302:, and the essay "On the mysteries of the Egyptians" by
209:
The allegorical plot was influenced by Schikaneder and
4053:. Rochester, Vermont: Inner Traditions International.
1415:" / Oh, I feel it, it is gone) She leaves in despair.
436:
is among the most frequently performed of all operas.
5351:
2655:
The three child-spirits are often portrayed by young
1966:
10. Aria with chorus: "O Isis und Osiris" â Sarastro
2320:"Der, welcher wandert diese StraĂe voll Beschwerden"
2315:
21. Finale 2: "Bald prangt, den Morgen zu verkĂŒnden"
1541:
Scene 9: A rocky landscape outside the temple; night
70:
The arrival of the Queen of the Night. Stage set by
5324:
5268:
5158:
4925:
4830:
4794:
4697:
4663:
4590:
4509:
4432:
4413:
4370:
4352:
4315:
1495:
Der, welcher wandert diese Strasse voll Beschwerden
97:
89:
79:
41:
3949:
3915:
2120:15. Aria: "In diesen heil'gen Hallen" â Sarastro
1645:2. Aria: "Der VogelfĂ€nger bin ich ja" â Papageno
1272:, RIAS-Symphonie-Orchester, Ferenc Fricsay (1953)
4461:Introduction and Variations on a Theme by Mozart
508:, by others to represent Roman Catholic Empress
4246:Animated score, full performance (2hrs 35 mins)
390:
381:
334:appears to have two references to the music of
3767:; with supplementary footnotes by Cliff Eisen.
1833:8. Finale 1: "Zum Ziele fĂŒhrt dich diese Bahn"
1350:Scene 2: The courtyard of the Temple of Ordeal
375:On the reception of the opera, Mozart scholar
4902:
4487:
4287:
4000:Which Craft?: W.A. Mozart and The Magic Flute
3918:The Classical Style: Haydn, Mozart, Beethoven
2486:and played by the Victor Grand Concert Band.
1131:Finale. Scene 3: A grove in front of a temple
878:
500:philosophy and can be regarded as advocating
8:
3893:Mozart, Haydn and early Beethoven, 1781â1802
3481:"The otherworldly feeling of Mozart's magic"
2557:
1546:
1532:
1518:
1493:
1479:
1453:
1447:
1441:
1435:
1427:Papageno and Papagena; from a production at
1410:
1404:
1389:
1381:
1375:
1361:
1355:
1341:
1227:"O Isis und Osiris", and subsequent dialogue
1185:
1175:
1169:
1163:
1142:
1136:
1122:
1116:
1086:
1085:/ Oh, tremble not, my dear son! â and aria:
1076:
1071:/ This portrait is enchantingly beautiful).
1062:
1056:
1009:
1003:
42:
3193:(January 1992). "Fairy-Tale Literature and
1203:"March of the Priests" (beginning of act 2)
360:Libretto cover design by Peter Hoffer, 1959
4909:
4895:
4887:
4660:
4494:
4480:
4472:
4294:
4280:
4272:
4214:Frontispiece of the first edition libretto
3618:(2). Cambridge University Press: 235â252.
3517:"Mozart's Magic Flute, Magick and Masonry"
3456:
3426:
3031:
3018:
3013:For extensive discussion of the spread of
3001:
2825:
2576:
2482:s overture was issued around 1903, by the
695:; Anselm Handelgruber; Franz Anton Maurer
64:
38:
4191:International Music Score Library Project
3623:
3045:"Top 10 Most Popular Operas in the world"
807:a preserved playbill for this performance
3980:Batley, E. M. (1967). "Textual Unity in
3836:. New York: Cambridge University Press.
3726:The Metropolitan Guide to Recorded Opera
1566:
1220:, 2006, conducted by Trisdee na Patalung
537:
5358:
4027:, Masonic Opera, and Other Fairy Tales"
3468:
3239:, Masonic Opera, and Other Fairy Tales"
3080:"First full-score edition (Bonn, 1814)"
2974:
2708:
2634:
2575:For detailed discussion of sources see
2549:
1443:Soll ich dich, Teurer, nicht mehr sehn?
1398:Scene 4: A hall in the Temple of Ordeal
1088:"Du, Du, Du wirst sie zu befreien gehen
662:M Klöpfer, M Hofmann, Elisabeth Schack
5177:Der Hölle Rache kocht in meinem Herzen
4343:Der Hölle Rache kocht in meinem Herzen
4003:. Berkeley, California: Regent Press.
3593:
3545:Kennedy Center for the Performing Arts
3515:DuQuette, Lon Milo (30 January 2013).
3323:from the original on 11 December 2021.
2850:(2). National Opera Association: 3â20.
2493:was of a live performance at the 1937
2088:Der Hölle Rache kocht in meinem Herzen
1384:Der Hölle Rache kocht in meinem Herzen
958:
798:Priests, women, people, slaves, chorus
3498:
3063:"The 20 greatest operas ever written"
2883:
2716:Foil, David; Berger, William (2007).
2613:
1255:"Der Hölle Rache", Queen of the Night
1011:Stirb, Ungeheuer, durch uns're Macht!
718:
196:(1798) and a fragmentary libretto by
138:
27:1791 opera by Wolfgang Amadeus Mozart
7:
3017:and its performance traditions, see
1838:"Wie stark ist nicht dein Zauberton"
1481:Bald prangt, den Morgen zu verkĂŒnden
1412:Ach, ich fĂŒhl's, es ist verschwunden
1095:Scene 2: A room in Sarastro's palace
3809:Guide to Operatic Roles & Arias
1488:Scene 7: At the Mountains of Ordeal
1406:Seid uns zum zweiten Mal willkommen
1147:" / How strong is thy magic tone).
1008:" / Help! Help!, segued into trio "
888:, which is usually replaced with a
4937:Die Schuldigkeit des ersten Gebots
3573:. University of California Press.
3302:Joshua Borths (22 November 2016).
1144:Wie stark ist nicht dein Zauberton
25:
5429:Operas set in mythological places
5424:Operas by Wolfgang Amadeus Mozart
5186:Dies Bildnis ist bezaubernd schön
4336:Dies Bildnis ist bezaubernd schön
4221:from 2006 Opera Gold production,
3606:Rathey, Markus (September 2016).
3365:Stark, Jonathan (31 March 2022).
3157:Macpherson, Jay (October 2007). "
3140:The New Grove Dictionary of Opera
3030:For discussion and examples, see
2693:For the origin of this duet, see
1677:Dies Bildnis ist bezaubernd schön
1583:
1429:Texas A&M UniversityâCommerce
1066:Dies Bildnis ist bezaubernd schön
990:Scene 1: A rough, rocky landscape
5361:
5249:O zittre nicht, mein lieber Sohn
4871:
4870:
4731:Maria Anna Thekla Mozart (BĂ€sle)
4329:O zittre nicht, mein lieber Sohn
4223:Goldsmiths, University of London
4208:Libretto and English translation
4198:, synopsis, libretto, highlights
2489:The first complete recording of
2443:
2425:
2407:
2389:
2371:
2353:
2298:
2268:
2238:
2193:
2163:
2133:
2103:
2069:
2039:
2009:
1979:
1949:
1915:
1897:
1879:
1861:
1816:
1786:
1756:
1726:
1711:O zittre nicht, mein lieber Sohn
1692:
1658:
1628:
1594:
1515:Ach Gott, vom Himmel sieh darein
1394:" / Within these sacred halls).
1304:
1300:"Ach, ich fĂŒhl's", Pamina, act 2
1283:
1259:
1231:
1207:
1080:O zittre nicht, mein lieber Sohn
1026:
959:Problems playing this file? See
938:
559:Premiere cast, 30 September 1791
211:Mozart's interest in Freemasonry
32:The Magic Flute (disambiguation)
4848:BeethovenâHaydnâMozart Memorial
4180:Facsimile of Mozart's autograph
3857:Mozart: a documentary biography
3728:. London: Thames & Hudson.
3164:University of Toronto Quarterly
3082:. Eda Kuhn Loeb Music Library,
2945:; David Black (16 March 2015).
1893:"Schnelle FĂŒĂe ... Das klinget"
1555:Scene 10: The Temple of the Sun
1520:Tamino mein, o welch ein GlĂŒck!
1138:Zum Ziele fĂŒhrt dich diese Bahn
1124:Bei MĂ€nnern welche Liebe fĂŒhlen
1118:Du feines TĂ€ubchen, nur herein!
872:. It also requires a four-part
459:Allgemeine musikalische Zeitung
366:Freihaus-Theater auf der Wieden
341:Prima la musica e poi le parole
179:Freihaus-Theater auf der Wieden
171:. The work is in the form of a
5222:Madamina, il catalogo Ăš questo
2484:Victor Talking Machine Company
1357:Bewahret euch von WeibertĂŒcken
1:
5394:1791 in the Holy Roman Empire
5389:1791 in the Habsburg monarchy
5287:Die EntfĂŒhrung aus dem Serail
5067:Die EntfĂŒhrung aus dem Serail
3547:. Retrieved 2 February 2016.
2475:The first known recording of
1527:Scene 8: A garden with a tree
1377:Alles fĂŒhlt der Liebe Freuden
1187:Wenn Tugend und Gerechtigkeit
5240:O, wie will ich triumphieren
4757:(paternal great-grandfather)
4600:Concert arias, songs, canons
4230:with Nick Reveles: Mozart's
3956:. New York: Harper Collins.
3786:. p. 41. Archived from
3341:The Wordsworth Book of Opera
2439:"Die Strahlen ... Es siegte"
1654:"Der VogelfÀnger bin ich ja"
1244:, RIAS-Symphonie-Orchester,
1190:" / If virtue and justice).
1127:" / In men, who feel love).
892:in modern-day performances.
689:treble, alto, mezzo-soprano
5434:Operas set in ancient Egypt
4737:Franz Xaver Wolfgang Mozart
4719:Maria Anna Mozart (Nannerl)
4259:Drottningholm Court Theatre
3440:"Synopsis: Die Zauberflöte"
2861:Litai-Jacoby, Ruth (2008).
2677:The hymn was translated by
2582:Libretto of The Magic Flute
2403:"Papagena! ... Pa-Pa-Pa..."
2385:"Tamino mein! ... Triumph!"
2294:"Ein MĂ€dchen oder Weibchen"
2129:"In diesen heil'gen Hallen"
2090:" â The Queen of the Night
1713:" â The Queen of the Night
1279:"In diesen heil'gen Hallen"
1218:Siam Philharmonic Orchestra
828:The work is scored for two
792:, Herr Frasel, Herr Starke
488:is noted for its prominent
140:[diËËtsaÊbÉËflĂžËtÉ]
102:30 September 1791
5455:
3922:. New York: W. W. Norton.
3896:. New York: W. W. Norton.
3724:Gruber, Paul, ed. (1993).
3541:"The Magic Flute Overture"
2955:, no. 158, 7 October 1791"
2597:Neue Zeitschrift fĂŒr Musik
2465:
2159:"Seid uns zum zweiten Mal"
1332:The council of priests of
1165:Schnelle FĂŒĂe, rascher Mut
1058:Der VogelfÀnger bin ich ja
1022:Der VogelfÀnger bin ich ja
998:Tamino charms the animals.
950:Musopen Symphony Orchestra
564:: Wolfgang Amadeus Mozart
478:
469:
448:to the electoral court in
198:Johann Wolfgang von Goethe
29:
5419:Operas adapted into films
4866:
4843:Mozart in popular culture
4655:Relationship with G minor
3806:Boldrey, Richard (1994).
3771:Anon. (25 October 2014).
3625:10.1017/S1478570616000063
3583:– via Google Books.
3486:The Sydney Morning Herald
3354:– via Google Books.
3097:Freyhan, Michael (2009).
2913:10.1017/S147857060500028X
2797:10.1017/S0954586700004808
1709:4. Recitative and aria: "
1547:
1533:
1519:
1494:
1480:
1462:Finale. Scene 6: A garden
1455:Ein MĂ€dchen oder Weibchen
1454:
1448:
1442:
1436:
1411:
1405:
1391:In diesen heil'gen Hallen
1390:
1382:
1376:
1362:
1356:
1342:
1328:Scene 1: A grove of palms
1186:
1176:
1170:
1164:
1143:
1137:
1123:
1117:
1087:
1077:
1063:
1057:
1010:
1004:
864:(alto, tenor, and bass),
796:
769:
761:
753:
734:
721:
639:
606:
571:
534:Playbill for the premiere
63:
52:
4572:Appearance and character
3997:Besack, Michael (2002).
3640:RIAS Symphonie-Orchester
3612:Eighteenth-Century Music
3483:by Louise Schwartzkoff,
3414:Encyclopaedia Britannica
3305:The secrets of Mozart's
3243:(PDF download available)
3069:, 19 July 2022. Number 7
2901:Eighteenth-Century Music
2610:Johann Baptist Henneberg
1936:9. March of the Priests
1041:RIAS-Symphonie-Orchester
1037:Dietrich Fischer-Dieskau
203:The Magic Flute Part Two
4919:Wolfgang Amadeus Mozart
4858:Mozart Monument, Vienna
4503:Wolfgang Amadeus Mozart
4303:Wolfgang Amadeus Mozart
3344:. Wordsworth Editions.
2785:Cambridge Opera Journal
1346:/ O Isis and Osiris").
1319:Hans Schmidt-Isserstedt
1248:, Ferenc Fricsay (1953)
1171:Das klinget so herrlich
722:Johann Michael Kistler
619:The Queen of the Night
262:The Philosopher's Stone
161:Wolfgang Amadeus Mozart
74:for an 1815 production.
72:Karl Friedrich Schinkel
5409:German-language operas
5399:18th century in Vienna
5314:The Marriage of Figaro
5107:The Marriage of Figaro
5097:Der Schauspieldirektor
4977:Mitridate, re di Ponto
4751:(paternal grandfather)
4456:Mozart and Freemasonry
3646:; et al. (1955).
3551:6 October 2016 at the
3367:"Tamino, Who Are You?"
2558:
2367:"Der, welcher wandert"
1475:
1431:
1159:
1108:
1094:
999:
927:
908:
879:
700:Speaker of the temple
535:
502:enlightened absolutism
481:Mozart and Freemasonry
462:, 13 September 1815).
427:Ludwig Wenzel Lachnith
406:
386:
361:
352:Premiere and reception
246:
234:
129:
113:Theater auf der Wieden
43:
5037:Thamos, King of Egypt
4957:Bastien und Bastienne
4261:Orchestra, 1992; see
4219:Brief programme notes
3652:, complete recording"
3570:Mozart and His Operas
3258:mozart2051.tripod.com
3177:10.3138/utq.76.4.1072
2959:Mozart: New Documents
2264:Soll ich dich, Teurer
1469:
1426:
1419:Scene 5: The pyramids
1153:
1102:
997:
926:
900:
677:Johann Joseph Nouseul
533:
514:strongly anti-Masonic
359:
240:
225:
5168:Canzonetta sull'aria
5017:La finta giardiniera
4997:Il sogno di Scipione
4947:Apollo et Hyacinthus
4650:Compositional method
4630:Works for solo piano
4228:San Diego OperaTalk!
4097:Schikaneder, Emanuel
3681:adp.library.ucsb.edu
3273:"Brother Mozart and
3051:. 14 September 2016.
2540:Notes and references
1945:March of the Priests
1782:"Du feines TĂ€ubchen"
790:Karl Ludwig Giesecke
759:Second armoured man
318:Der Stein der Weisen
270:Der Stein der Weisen
257:Der Stein der Weisen
30:For other uses, see
5213:LĂ ci darem la mano
5137:La clemenza di Tito
4749:Johann Georg Mozart
4684:Neue Mozart-Ausgabe
4677:Alte Mozart-Ausgabe
4395:Magic Flute Diaries
4210:, Aria-Database.com
4204:, soundfiles (MIDI)
4202:Opera in a nutshell
4170:diplomatic editions
4156:Neue Mozart-Ausgabe
3852:Deutsch, Otto Erich
3812:. Dallas: Pst Inc.
3793:on 25 November 2015
3459:, pp. 145â151.
3396:Neue Mozart-Ausgabe
3338:(21 October 1996).
3129:See, for instance,
3101:. Scarecrow Press.
2871:Bar-Ilan University
2695:Emanuel Schikaneder
2637:, pp. 407â408)
2515:Berlin Philharmonic
2503:Vienna Philharmonic
1975:"O Isis und Osiris"
1848:"Es lebe Sarastro"
1568:
1005:Zu Hilfe! Zu Hilfe!
880:stromento d'acciaio
727:First armoured man
598:Emanuel Schikaneder
542:
227:Emanuel Schikaneder
169:Emanuel Schikaneder
84:Emanuel Schikaneder
4743:Karl Thomas Mozart
4448:Works inspired by
3784:Metropolitan Opera
3705:. Presto Classical
3567:(1 January 2006).
3444:opera.stanford.edu
3371:starkconductor.com
3161:and Freemasonry".
2752:(19 August 2011).
2627:For the first time
2531:Works inspired by
2507:Vienna State Opera
1688:"Dies Bildnis ..."
1567:
1548:Nur stille, stille
1476:
1432:
1315:Aulikki Rautawaara
1160:
1109:
1000:
928:
886:keyed glockenspiel
626:coloratura soprano
538:
536:
362:
290:Chrétien de Troyes
247:
235:
5349:
5348:
4967:La finta semplice
4884:
4883:
4713:Anna Maria Mozart
4693:
4692:
4469:
4468:
4414:Other adaptations
4166:critical editions
4101:von Winter, Peter
4045:Chailley, Jacques
4032:Acta Musicologica
3903:978-0-393-06634-0
3828:Branscombe, Peter
3782:(Program notes).
3410:"The Magic Flute"
3283:on 14 August 2003
3271:Condee, Newcomb.
3200:Acta Musicologica
2844:The Opera Journal
2681:in 1524 from the
2495:Salzburg Festival
2459:
2458:
2448:
2430:
2412:
2394:
2376:
2358:
2303:
2273:
2243:
2234:O Isis und Osiris
2212:O Isis und Osiris
2198:
2189:"Ach, ich fĂŒhl's"
2168:
2138:
2108:
2099:"Der Hölle Rache"
2074:
2044:
2014:
1984:
1954:
1920:
1911:"Es lebe Sarasto"
1902:
1884:
1866:
1821:
1791:
1761:
1731:
1697:
1663:
1633:
1599:
1449:O Isis und Osiris
1437:O Isis und Osiris
1370:Scene 3: A garden
1343:O Isis und Osiris
1309:
1288:
1264:
1236:
1212:
1177:Es lebe Sarastro!
1105:New Zealand Opera
1031:
943:
832:(one doubling on
803:
802:
739:Urban Schikaneder
440:First publication
155: 620, is an
121:
120:
16:(Redirected from
5446:
5366:
5365:
5357:
5342:
5335:
5317:
5308:
5299:
5290:
5281:
5261:
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4991:
4981:
4971:
4961:
4951:
4941:
4911:
4904:
4897:
4888:
4874:
4873:
4763:(brother-in-law)
4725:Constanze Mozart
4671:Köchel catalogue
4661:
4645:Violin concertos
4496:
4489:
4482:
4473:
4296:
4289:
4282:
4273:
4247:
4189:: Scores at the
4152:
4121:
4092:
4089:Internet Archive
4064:
4040:
4014:
3993:
3986:The Music Review
3967:
3955:
3946:Solomon, Maynard
3941:
3921:
3907:
3883:
3866:Peter Branscombe
3860:. Translated by
3847:
3823:
3802:
3800:
3798:
3792:
3781:
3766:
3740:
3739:
3721:
3715:
3714:
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3691:
3685:
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3673:
3667:
3666:
3663:Internet Archive
3660:
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3405:
3399:
3388:
3382:
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3362:
3356:
3355:
3334:Jacobs, Arthur;
3331:
3325:
3324:
3299:
3293:
3292:
3290:
3288:
3279:. Archived from
3268:
3262:
3261:
3250:
3244:
3242:
3231:
3225:
3224:
3187:
3181:
3180:
3171:(4): 1080â1083.
3154:
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3094:
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3035:
3028:
3022:
3011:
3005:
2999:
2993:
2984:
2978:
2972:
2963:
2962:
2953:MĂŒnchner Zeitung
2939:
2933:
2932:
2893:
2887:
2881:
2875:
2874:
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2777:
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2768:
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2713:
2697:
2691:
2685:
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2660:
2653:
2647:
2644:
2638:
2623:
2617:
2592:
2586:
2573:
2567:
2561:
2559:Eine grosse oper
2554:
2499:Arturo Toscanini
2481:
2450:
2449:
2432:
2431:
2414:
2413:
2396:
2395:
2378:
2377:
2360:
2359:
2339:
2334:
2329:
2324:
2319:
2305:
2304:
2275:
2274:
2245:
2244:
2224:
2200:
2199:
2170:
2169:
2140:
2139:
2110:
2109:
2076:
2075:
2046:
2045:
2016:
2015:
1986:
1985:
1956:
1955:
1922:
1921:
1904:
1903:
1886:
1885:
1868:
1867:
1847:
1842:
1837:
1823:
1822:
1793:
1792:
1763:
1762:
1733:
1732:
1722:"O zittre nicht"
1699:
1698:
1665:
1664:
1635:
1634:
1601:
1600:
1590:
1586:
1569:
1550:
1549:
1536:
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1522:
1521:
1497:
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1125:
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1069:
1060:
1059:
1033:
1032:
1013:
1012:
1007:
1006:
945:
944:
925:
882:
693:Anna Schikaneder
644:Franz Xaver Gerl
543:
541:
454:Nikolaus Simrock
229:, librettist of
150:
149:
148:
142:
137:
109:
107:
68:
46:
39:
21:
5454:
5453:
5449:
5448:
5447:
5445:
5444:
5443:
5384:The Magic Flute
5374:
5373:
5372:
5360:
5352:
5350:
5345:
5338:
5333:Da Ponte operas
5331:
5320:
5311:
5305:The Magic Flute
5302:
5293:
5284:
5275:
5264:
5258:Se vuol ballare
5255:
5246:
5237:
5228:
5219:
5210:
5201:
5192:
5183:
5174:
5165:
5154:
5147:The Magic Flute
5144:
5134:
5124:
5114:
5104:
5094:
5087:Lo sposo deluso
5084:
5077:L'oca del Cairo
5074:
5064:
5054:
5044:
5034:
5024:
5014:
5004:
4994:
4987:Ascanio in Alba
4984:
4974:
4964:
4954:
4944:
4934:
4921:
4915:
4885:
4880:
4862:
4826:
4807:Catholic Church
4790:
4787:(sister-in-law)
4781:(sister-in-law)
4775:(sister-in-law)
4769:(mother-in-law)
4689:
4659:
4625:Piano concertos
4586:
4505:
4500:
4470:
4465:
4450:The Magic Flute
4442:The Magic Flute
4428:
4422:The Magic Flute
4409:
4403:The Magic Flute
4387:The Magic Flute
4379:The Magic Flute
4366:
4348:
4311:
4308:The Magic Flute
4300:
4264:The Magic Flute
4257:conducting the
4245:
4240:San Diego Opera
4232:The Magic Flute
4186:Die Zauberflöte
4176:Die Zauberflöte
4150:
4148:critical report
4140:Die Zauberflöte
4135:
4130:
4118:
4095:
4085:
4067:
4061:
4043:
4025:Die Zauberflöte
4017:
4011:
3996:
3982:Die Zauberflöte
3979:
3975:
3973:Further reading
3970:
3964:
3944:
3930:
3910:
3904:
3886:
3880:
3850:
3844:
3833:Die Zauberflöte
3826:
3820:
3805:
3796:
3794:
3790:
3779:
3775:Die Zauberflöte
3770:
3753:
3749:
3744:
3743:
3736:
3723:
3722:
3718:
3708:
3706:
3701:The Magic Flute
3697:Die Zauberflöte
3693:
3692:
3688:
3675:
3674:
3670:
3656:
3654:
3650:Die Zauberflöte
3638:
3637:
3633:
3605:
3604:
3600:
3592:
3588:
3581:
3563:
3562:
3558:
3553:Wayback Machine
3539:
3535:
3525:
3523:
3521:Life Force Arts
3514:
3513:
3509:
3497:
3493:
3479:
3475:
3467:
3463:
3457:Branscombe 1991
3455:
3451:
3438:
3437:
3433:
3427:Branscombe 1991
3425:
3421:
3408:Betsy Schwarm.
3407:
3406:
3402:
3389:
3385:
3375:
3373:
3364:
3363:
3359:
3352:
3333:
3332:
3328:
3301:
3300:
3296:
3286:
3284:
3275:The Magic Flute
3270:
3269:
3265:
3252:
3251:
3247:
3237:Die Zauberflöte
3233:
3232:
3228:
3195:Die Zauberflöte
3189:
3188:
3184:
3159:The Magic Flute
3156:
3155:
3151:
3135:Die Zauberflöte
3128:
3124:
3109:
3096:
3095:
3091:
3084:Harvard Library
3078:
3077:
3073:
3067:Classic FM (UK)
3061:
3057:
3043:
3042:
3038:
3032:Branscombe 1991
3029:
3025:
3019:Branscombe 1991
3015:The Magic Flute
3012:
3008:
3002:Branscombe 1991
3000:
2996:
2992:and David Black
2985:
2981:
2973:
2966:
2949:Die Zauberflöte
2941:
2940:
2936:
2895:
2894:
2890:
2882:
2878:
2860:
2859:
2855:
2840:The Magic Flute
2837:
2836:
2832:
2826:Branscombe 1991
2824:
2820:
2779:
2778:
2774:
2764:
2762:
2754:"Top 50 operas"
2748:
2747:
2743:
2728:
2715:
2714:
2710:
2705:
2700:
2692:
2688:
2676:
2672:
2667:
2663:
2654:
2650:
2645:
2641:
2624:
2620:
2604:, the faithful
2593:
2589:
2577:Branscombe 1991
2574:
2570:
2555:
2551:
2542:
2533:The Magic Flute
2527:
2513:conducting the
2501:conducting the
2491:The Magic Flute
2479:
2477:The Magic Flute
2473:
2469:The Magic Flute
2464:
2455:
2454:
2453:
2452:
2451:
2444:
2441:
2435:
2434:
2433:
2426:
2423:
2417:
2416:
2415:
2408:
2405:
2399:
2398:
2397:
2390:
2387:
2381:
2380:
2379:
2372:
2369:
2363:
2362:
2361:
2354:
2351:
2337:
2336:
2332:
2331:
2327:
2326:
2322:
2321:
2317:
2316:
2310:
2309:
2308:
2307:
2306:
2299:
2296:
2280:
2279:
2278:
2277:
2276:
2269:
2266:
2250:
2249:
2248:
2247:
2246:
2239:
2236:
2214:
2205:
2204:
2203:
2202:
2201:
2194:
2191:
2175:
2174:
2173:
2172:
2171:
2164:
2161:
2145:
2144:
2143:
2142:
2141:
2134:
2131:
2115:
2114:
2113:
2112:
2111:
2104:
2101:
2081:
2080:
2079:
2078:
2077:
2070:
2067:
2051:
2050:
2049:
2048:
2047:
2040:
2037:
2021:
2020:
2019:
2018:
2017:
2010:
2007:
2005:"Bewahret euch"
1991:
1990:
1989:
1988:
1987:
1980:
1977:
1961:
1960:
1959:
1958:
1957:
1950:
1947:
1935:
1927:
1926:
1925:
1924:
1923:
1916:
1913:
1907:
1906:
1905:
1898:
1895:
1889:
1888:
1887:
1880:
1877:
1875:"Wie stark ..."
1871:
1870:
1869:
1862:
1859:
1857:"Zum Ziele ..."
1845:
1844:
1840:
1839:
1835:
1834:
1828:
1827:
1826:
1825:
1824:
1817:
1814:
1798:
1797:
1796:
1795:
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1787:
1784:
1768:
1767:
1766:
1765:
1764:
1757:
1754:
1738:
1737:
1736:
1735:
1734:
1727:
1724:
1704:
1703:
1702:
1701:
1700:
1693:
1690:
1670:
1669:
1668:
1667:
1666:
1659:
1656:
1640:
1639:
1638:
1637:
1636:
1629:
1626:
1614:
1606:
1605:
1604:
1603:
1602:
1595:
1592:
1588:
1584:
1565:
1563:Musical numbers
1557:
1543:
1529:
1503:chorale prelude
1490:
1464:
1421:
1400:
1372:
1352:
1330:
1325:
1324:
1323:
1322:
1321:
1312:
1305:
1302:
1296:
1295:
1294:
1291:
1284:
1281:
1275:
1274:
1273:
1267:
1260:
1257:
1251:
1250:
1249:
1246:RIAS Kammerchor
1239:
1232:
1229:
1223:
1222:
1221:
1215:
1208:
1205:
1196:
1133:
1097:
1052:
1051:
1050:
1049:
1048:
1034:
1027:
1024:
992:
987:
966:
965:
957:
955:
954:
953:
952:
946:
939:
936:
929:
923:
918:
913:
903:Die Zauberflöte
826:
824:Instrumentation
786:bass, 2 tenors
783:speaking roles
578:Benedikt Schack
560:
556:classification
555:
539:
528:
486:The Magic Flute
483:
477:
474:The Magic Flute
468:
446:The Magic Flute
442:
434:The Magic Flute
402:silent approval
377:Maynard Solomon
354:
346:The Magic Flute
336:Antonio Salieri
332:The Magic Flute
279:The Magic Flute
266:The Magic Flute
252:Benedikt Schack
231:Die Zauberflöte
220:
183:opera repertory
159:in two acts by
145:
144:
143:
135:
131:Die Zauberflöte
125:The Magic Flute
117:
116:
110:
105:
103:
75:
48:The Magic Flute
47:
44:Die Zauberflöte
35:
28:
23:
22:
15:
12:
11:
5:
5452:
5450:
5442:
5441:
5436:
5431:
5426:
5421:
5416:
5411:
5406:
5401:
5396:
5391:
5386:
5376:
5375:
5371:
5370:
5347:
5346:
5344:
5343:
5336:
5328:
5326:
5322:
5321:
5319:
5318:
5309:
5300:
5291:
5282:
5278:CosĂŹ fan tutte
5272:
5270:
5266:
5265:
5263:
5262:
5253:
5244:
5235:
5231:Non piĂč andrai
5226:
5217:
5208:
5199:
5190:
5181:
5172:
5162:
5160:
5156:
5155:
5153:
5152:
5142:
5132:
5127:CosĂŹ fan tutte
5122:
5112:
5102:
5092:
5082:
5072:
5062:
5052:
5042:
5032:
5022:
5012:
5002:
4992:
4982:
4972:
4962:
4952:
4942:
4931:
4929:
4923:
4922:
4916:
4914:
4913:
4906:
4899:
4891:
4882:
4881:
4879:
4878:
4867:
4864:
4863:
4861:
4860:
4855:
4850:
4845:
4840:
4834:
4832:
4828:
4827:
4825:
4824:
4819:
4814:
4809:
4804:
4798:
4796:
4792:
4791:
4789:
4788:
4782:
4776:
4770:
4764:
4758:
4752:
4746:
4740:
4734:
4733:(first cousin)
4728:
4722:
4716:
4710:
4707:Leopold Mozart
4703:
4701:
4695:
4694:
4691:
4690:
4688:
4687:
4680:
4673:
4667:
4665:
4658:
4657:
4652:
4647:
4642:
4637:
4632:
4627:
4622:
4617:
4612:
4610:Horn concertos
4607:
4602:
4596:
4594:
4588:
4587:
4585:
4584:
4579:
4574:
4569:
4564:
4559:
4554:
4549:
4544:
4539:
4534:
4529:
4524:
4519:
4513:
4511:
4507:
4506:
4501:
4499:
4498:
4491:
4484:
4476:
4467:
4466:
4464:
4463:
4458:
4453:
4445:
4436:
4434:
4430:
4429:
4427:
4426:
4417:
4415:
4411:
4410:
4408:
4407:
4399:
4391:
4383:
4374:
4372:
4368:
4367:
4365:
4364:
4356:
4354:
4350:
4349:
4347:
4346:
4339:
4332:
4325:
4319:
4317:
4313:
4312:
4301:
4299:
4298:
4291:
4284:
4276:
4270:
4269:
4242:
4225:
4216:
4211:
4205:
4199:
4193:
4182:
4173:
4159:
4134:
4133:External links
4131:
4129:
4128:
4116:
4093:
4083:
4065:
4059:
4041:
4019:Buch, David J.
4015:
4010:978-1587900136
4009:
3994:
3976:
3974:
3971:
3969:
3968:
3962:
3952:Mozart: A Life
3942:
3928:
3912:Rosen, Charles
3908:
3902:
3888:Heartz, Daniel
3884:
3878:
3848:
3842:
3824:
3819:978-1877761645
3818:
3803:
3768:
3755:Abert, Hermann
3750:
3748:
3745:
3742:
3741:
3734:
3716:
3686:
3668:
3644:Ferenc Fricsay
3631:
3598:
3596:, p. 284.
3586:
3579:
3556:
3533:
3507:
3491:
3489:, 28 July 2009
3473:
3461:
3449:
3431:
3429:, p. 148.
3419:
3400:
3383:
3357:
3350:
3336:Sadie, Stanley
3326:
3294:
3263:
3245:
3226:
3213:10.2307/932991
3191:Buch, David J.
3182:
3149:
3131:Julian Rushton
3122:
3107:
3089:
3071:
3055:
3036:
3023:
3006:
3004:, p. 162.
2994:
2979:
2977:, p. 487.
2964:
2934:
2907:(1): 125â129.
2897:Buch, David J.
2888:
2876:
2873:. p. 247.
2853:
2830:
2818:
2791:(3): 195â232.
2781:Buch, David J.
2772:
2750:Fiona Maddocks
2741:
2726:
2707:
2706:
2704:
2701:
2699:
2698:
2686:
2683:eleventh Psalm
2670:
2661:
2648:
2639:
2618:
2587:
2568:
2548:
2541:
2538:
2537:
2536:
2526:
2523:
2511:Thomas Beecham
2466:Main article:
2463:
2460:
2457:
2456:
2442:
2437:
2436:
2424:
2419:
2418:
2406:
2401:
2400:
2388:
2383:
2382:
2370:
2365:
2364:
2352:
2347:
2346:
2345:
2344:
2343:
2341:
2338:21. Finale 2:
2333:21. Finale 2:
2328:21. Finale 2:
2323:21. Finale 2:
2318:21. Finale 2:
2312:
2311:
2297:
2292:
2291:
2290:
2289:
2288:
2286:
2282:
2281:
2267:
2262:
2261:
2260:
2259:
2258:
2256:
2252:
2251:
2237:
2232:
2231:
2230:
2229:
2228:
2226:
2207:
2206:
2192:
2187:
2186:
2185:
2184:
2183:
2181:
2177:
2176:
2162:
2157:
2156:
2155:
2154:
2153:
2151:
2147:
2146:
2132:
2127:
2126:
2125:
2124:
2123:
2121:
2117:
2116:
2102:
2097:
2096:
2095:
2094:
2093:
2091:
2083:
2082:
2068:
2063:
2062:
2061:
2060:
2059:
2057:
2053:
2052:
2038:
2033:
2032:
2031:
2030:
2029:
2027:
2023:
2022:
2008:
2003:
2002:
2001:
2000:
1999:
1997:
1993:
1992:
1978:
1973:
1972:
1971:
1970:
1969:
1967:
1963:
1962:
1948:
1943:
1942:
1941:
1940:
1939:
1937:
1929:
1928:
1914:
1909:
1908:
1896:
1891:
1890:
1878:
1873:
1872:
1860:
1855:
1854:
1853:
1852:
1851:
1849:
1830:
1829:
1815:
1810:
1809:
1808:
1807:
1806:
1804:
1800:
1799:
1785:
1780:
1779:
1778:
1777:
1776:
1774:
1770:
1769:
1755:
1750:
1749:
1748:
1747:
1746:
1744:
1740:
1739:
1725:
1720:
1719:
1718:
1717:
1716:
1714:
1706:
1705:
1691:
1686:
1685:
1684:
1683:
1682:
1680:
1672:
1671:
1657:
1652:
1651:
1650:
1649:
1648:
1646:
1642:
1641:
1627:
1622:
1621:
1620:
1619:
1618:
1616:
1608:
1607:
1593:
1579:
1578:
1577:
1576:
1575:
1573:
1564:
1561:
1556:
1553:
1542:
1539:
1528:
1525:
1505:, inspired by
1489:
1486:
1463:
1460:
1420:
1417:
1399:
1396:
1371:
1368:
1351:
1348:
1329:
1326:
1313:
1303:
1298:
1297:
1292:
1282:
1277:
1276:
1268:
1258:
1253:
1252:
1240:
1230:
1225:
1224:
1216:
1206:
1201:
1200:
1199:
1198:
1197:
1195:
1192:
1132:
1129:
1096:
1093:
1045:Ferenc Fricsay
1035:
1025:
1020:
1019:
1018:
1017:
1016:
991:
988:
986:
983:
956:
947:
937:
932:
931:
930:
921:
920:
919:
917:
914:
912:
909:
825:
822:
801:
800:
794:
793:
787:
784:
781:
777:
776:
771:
768:
764:
763:
760:
756:
755:
752:
749:
748:speaking role
746:
742:
741:
736:
733:
732:Second Priest
729:
728:
724:
723:
720:
717:
713:
712:
709:
704:
701:
697:
696:
690:
687:
684:
680:
679:
674:
671:
668:
664:
663:
660:
654:
651:
647:
646:
641:
638:
634:
633:
628:
623:
620:
616:
615:
610:
605:
601:
600:
595:
590:
585:
581:
580:
575:
570:
566:
565:
557:
552:
547:
527:
524:
470:Main article:
467:
464:
441:
438:
353:
350:
304:Ignaz von Born
300:Jean Terrasson
295:Life of Sethos
219:
216:
119:
118:
111:
101:
99:
95:
94:
91:
87:
86:
81:
77:
76:
69:
61:
60:
50:
49:
26:
24:
14:
13:
10:
9:
6:
4:
3:
2:
5451:
5440:
5437:
5435:
5432:
5430:
5427:
5425:
5422:
5420:
5417:
5415:
5412:
5410:
5407:
5405:
5402:
5400:
5397:
5395:
5392:
5390:
5387:
5385:
5382:
5381:
5379:
5369:
5364:
5359:
5355:
5341:
5340:Derived works
5337:
5334:
5330:
5329:
5327:
5323:
5316:
5315:
5310:
5307:
5306:
5301:
5298:
5297:
5292:
5289:
5288:
5283:
5280:
5279:
5274:
5273:
5271:
5269:Discographies
5267:
5259:
5254:
5250:
5245:
5241:
5236:
5232:
5227:
5223:
5218:
5214:
5209:
5205:
5204:Il mio tesoro
5200:
5196:
5191:
5187:
5182:
5178:
5173:
5169:
5164:
5163:
5161:
5157:
5149:
5148:
5143:
5139:
5138:
5133:
5129:
5128:
5123:
5119:
5118:
5113:
5109:
5108:
5103:
5099:
5098:
5093:
5089:
5088:
5083:
5079:
5078:
5073:
5069:
5068:
5063:
5059:
5058:
5053:
5049:
5048:
5043:
5039:
5038:
5033:
5029:
5028:
5027:Il re pastore
5023:
5019:
5018:
5013:
5009:
5008:
5003:
4999:
4998:
4993:
4989:
4988:
4983:
4979:
4978:
4973:
4969:
4968:
4963:
4959:
4958:
4953:
4949:
4948:
4943:
4939:
4938:
4933:
4932:
4930:
4928:
4924:
4920:
4912:
4907:
4905:
4900:
4898:
4893:
4892:
4889:
4877:
4869:
4868:
4865:
4859:
4856:
4854:
4853:Mozart effect
4851:
4849:
4846:
4844:
4841:
4839:
4836:
4835:
4833:
4829:
4823:
4820:
4818:
4815:
4813:
4810:
4808:
4805:
4803:
4800:
4799:
4797:
4793:
4786:
4783:
4780:
4779:Aloysia Weber
4777:
4774:
4773:Josepha Weber
4771:
4768:
4767:CĂ€cilia Weber
4765:
4762:
4759:
4756:
4753:
4750:
4747:
4744:
4741:
4738:
4735:
4732:
4729:
4726:
4723:
4720:
4717:
4714:
4711:
4708:
4705:
4704:
4702:
4700:
4696:
4686:
4685:
4681:
4679:
4678:
4674:
4672:
4669:
4668:
4666:
4662:
4656:
4653:
4651:
4648:
4646:
4643:
4641:
4638:
4636:
4633:
4631:
4628:
4626:
4623:
4621:
4618:
4616:
4613:
4611:
4608:
4606:
4603:
4601:
4598:
4597:
4595:
4593:
4589:
4583:
4580:
4578:
4575:
4573:
4570:
4568:
4565:
4563:
4560:
4558:
4555:
4553:
4550:
4548:
4545:
4543:
4540:
4538:
4535:
4533:
4530:
4528:
4525:
4523:
4520:
4518:
4515:
4514:
4512:
4508:
4504:
4497:
4492:
4490:
4485:
4483:
4478:
4477:
4474:
4462:
4459:
4457:
4454:
4452:
4451:
4446:
4444:
4443:
4438:
4437:
4435:
4431:
4424:
4423:
4419:
4418:
4416:
4412:
4405:
4404:
4400:
4397:
4396:
4392:
4389:
4388:
4384:
4381:
4380:
4376:
4375:
4373:
4369:
4363:
4362:
4361:Das Labyrinth
4358:
4357:
4355:
4351:
4344:
4340:
4337:
4333:
4330:
4326:
4324:
4321:
4320:
4318:
4314:
4310:
4309:
4304:
4297:
4292:
4290:
4285:
4283:
4278:
4277:
4274:
4267:
4265:
4260:
4256:
4255:Arnold Ăstman
4252:
4248:
4243:
4241:
4237:
4233:
4229:
4226:
4224:
4220:
4217:
4215:
4212:
4209:
4206:
4203:
4200:
4197:
4194:
4192:
4188:
4187:
4183:
4181:
4177:
4174:
4171:
4167:
4163:
4160:
4158:
4157:
4149:
4145:
4141:
4137:
4136:
4132:
4127:
4126:
4125:Das Labyrinth
4119:
4117:9783795206949
4113:
4110:. Schneider.
4109:
4108:
4102:
4098:
4094:
4090:
4086:
4084:9781297599934
4080:
4076:
4075:
4070:
4066:
4062:
4060:9780892813582
4056:
4052:
4051:
4046:
4042:
4039:(2): 193â219.
4038:
4034:
4033:
4028:
4026:
4020:
4016:
4012:
4006:
4002:
4001:
3995:
3991:
3987:
3983:
3978:
3977:
3972:
3965:
3963:9780060190460
3959:
3954:
3953:
3947:
3943:
3939:
3935:
3931:
3929:0-393-31712-9
3925:
3920:
3919:
3913:
3909:
3905:
3899:
3895:
3894:
3889:
3885:
3881:
3879:9780804702331
3875:
3871:
3867:
3863:
3859:
3858:
3853:
3849:
3845:
3843:9780521319164
3839:
3835:
3834:
3829:
3825:
3821:
3815:
3811:
3810:
3804:
3789:
3785:
3778:
3776:
3769:
3764:
3760:
3756:
3752:
3751:
3746:
3737:
3735:0-500-01599-6
3731:
3727:
3720:
3717:
3704:
3702:
3698:
3690:
3687:
3682:
3678:
3672:
3669:
3664:
3653:
3651:
3645:
3641:
3635:
3632:
3626:
3621:
3617:
3613:
3609:
3602:
3599:
3595:
3590:
3587:
3582:
3580:9780520228986
3576:
3572:
3571:
3566:
3565:Cairns, David
3560:
3557:
3554:
3550:
3546:
3542:
3537:
3534:
3522:
3518:
3511:
3508:
3504:
3500:
3495:
3492:
3488:
3487:
3482:
3477:
3474:
3470:
3465:
3462:
3458:
3453:
3450:
3445:
3441:
3435:
3432:
3428:
3423:
3420:
3415:
3411:
3404:
3401:
3398:
3397:
3392:
3391:Score (roles)
3387:
3384:
3372:
3368:
3361:
3358:
3353:
3351:9781853263705
3347:
3343:
3342:
3337:
3330:
3327:
3322:
3318:
3314:
3310:
3309:
3306:
3298:
3295:
3282:
3278:
3276:
3267:
3264:
3259:
3255:
3249:
3246:
3240:
3238:
3230:
3227:
3222:
3218:
3214:
3210:
3206:
3202:
3201:
3196:
3192:
3186:
3183:
3178:
3174:
3170:
3166:
3165:
3160:
3153:
3150:
3146:
3145:Stanley Sadie
3142:
3141:
3136:
3132:
3126:
3123:
3118:
3114:
3110:
3108:9780810869677
3104:
3100:
3093:
3090:
3085:
3081:
3075:
3072:
3068:
3064:
3059:
3056:
3050:
3046:
3040:
3037:
3033:
3027:
3024:
3020:
3016:
3010:
3007:
3003:
2998:
2995:
2991:
2988:
2983:
2980:
2976:
2971:
2969:
2965:
2960:
2956:
2954:
2950:
2944:
2938:
2935:
2930:
2926:
2922:
2918:
2914:
2910:
2906:
2902:
2898:
2892:
2889:
2885:
2880:
2877:
2872:
2869:] (PhD).
2868:
2864:
2857:
2854:
2849:
2845:
2841:
2834:
2831:
2827:
2822:
2819:
2814:
2810:
2806:
2802:
2798:
2794:
2790:
2786:
2782:
2776:
2773:
2761:
2760:
2755:
2751:
2745:
2742:
2737:
2733:
2729:
2727:9781579127596
2723:
2719:
2712:
2709:
2702:
2696:
2690:
2687:
2684:
2680:
2679:Martin Luther
2674:
2671:
2665:
2662:
2658:
2652:
2649:
2643:
2640:
2636:
2632:
2628:
2622:
2619:
2615:
2611:
2607:
2603:
2599:
2598:
2591:
2588:
2584:
2583:
2579:, as well as
2578:
2572:
2569:
2565:
2560:
2553:
2550:
2547:
2546:
2539:
2535:
2534:
2529:
2528:
2524:
2522:
2520:
2516:
2512:
2508:
2504:
2500:
2496:
2492:
2487:
2485:
2478:
2472:
2470:
2461:
2440:
2422:
2404:
2386:
2368:
2350:
2349:"Bald prangt"
2342:
2314:
2313:
2295:
2287:
2284:
2283:
2265:
2257:
2254:
2253:
2235:
2227:
2222:
2218:
2213:
2210:18. Chorus: "
2209:
2208:
2190:
2182:
2179:
2178:
2160:
2152:
2149:
2148:
2130:
2122:
2119:
2118:
2100:
2092:
2089:
2085:
2084:
2066:
2065:"Alles fĂŒhlt"
2058:
2055:
2054:
2036:
2028:
2025:
2024:
2006:
1998:
1995:
1994:
1976:
1968:
1965:
1964:
1946:
1938:
1934:
1931:
1930:
1912:
1894:
1876:
1858:
1850:
1846:8. Finale 1:
1841:8. Finale 1:
1836:8. Finale 1:
1832:
1831:
1813:
1812:"Bei MĂ€nnern"
1805:
1802:
1801:
1783:
1775:
1772:
1771:
1753:
1745:
1742:
1741:
1723:
1715:
1712:
1708:
1707:
1689:
1681:
1678:
1674:
1673:
1655:
1647:
1644:
1643:
1625:
1617:
1613:
1610:
1609:
1591:
1582:
1574:
1571:
1570:
1562:
1560:
1554:
1552:
1540:
1538:
1526:
1524:
1516:
1512:
1508:
1507:Martin Luther
1504:
1501:
1487:
1485:
1473:
1468:
1461:
1459:
1430:
1425:
1418:
1416:
1397:
1395:
1385:
1369:
1367:
1363:Wie, wie, wie
1349:
1347:
1339:
1335:
1327:
1320:
1316:
1301:
1280:
1271:
1256:
1247:
1243:
1242:Josef Greindl
1228:
1219:
1204:
1193:
1191:
1181:
1157:
1152:
1148:
1130:
1128:
1114:
1106:
1101:
1092:
1081:
1072:
1067:
1046:
1042:
1038:
1023:
1015:
996:
989:
984:
982:
980:
976:
972:
964:
962:
951:
948:Performed by
935:
915:
910:
907:
904:
899:
897:
896:Charles Rosen
893:
891:
887:
883:
881:
875:
871:
867:
863:
859:
855:
851:
847:
843:
839:
835:
831:
823:
821:
820:of the part.
819:
815:
810:
808:
799:
795:
791:
788:
785:
782:
780:Three slaves
779:
778:
775:
772:
766:
765:
758:
757:
750:
747:
745:Third Priest
744:
743:
740:
737:
731:
730:
726:
725:
716:First Priest
715:
714:
710:
708:
707:bass-baritone
705:
702:
699:
698:
694:
691:
688:
685:
682:
681:
678:
675:
672:
669:
666:
665:
661:
659:
658:mezzo-soprano
655:
652:
650:Three ladies
649:
648:
645:
642:
636:
635:
632:
631:Josepha Hofer
629:
627:
624:
621:
618:
617:
614:
613:Anna Gottlieb
611:
609:
603:
602:
599:
596:
594:
591:
589:
586:
583:
582:
579:
576:
574:
568:
567:
563:
558:
553:
551:
548:
545:
544:
532:
525:
523:
521:
520:
515:
511:
510:Maria Theresa
507:
503:
499:
498:Enlightenment
495:
494:Ignaz Alberti
491:
487:
482:
476:
475:
465:
463:
461:
460:
455:
451:
447:
439:
437:
435:
431:
429:
428:
423:
418:
416:
412:
405:
403:
399:
395:
389:
385:
380:
378:
373:
371:
370:Josepha Hofer
367:
358:
351:
349:
347:
343:
342:
337:
333:
329:
327:
323:
319:
315:
314:
310:'s Singspiel
309:
308:Sophie Seyler
305:
301:
297:
296:
291:
287:
286:
281:
280:
277:libretto for
273:
271:
267:
263:
259:
258:
253:
244:
239:
233:, as Papageno
232:
228:
224:
217:
215:
212:
207:
205:
204:
199:
195:
193:
192:Das Labyrinth
188:
184:
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133:
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62:
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45:
40:
37:
33:
19:
5313:
5304:
5296:Don Giovanni
5295:
5286:
5277:
5146:
5145:
5135:
5125:
5117:Don Giovanni
5115:
5105:
5095:
5085:
5075:
5065:
5055:
5045:
5035:
5025:
5015:
5005:
4995:
4985:
4975:
4965:
4955:
4945:
4935:
4838:Georg Nissen
4785:Sophie Weber
4761:Joseph Lange
4755:Franz Mozart
4682:
4675:
4577:Pet starling
4449:
4441:
4440:Libretto of
4420:
4401:
4393:
4385:
4377:
4359:
4307:
4306:
4263:
4231:
4185:
4175:
4154:
4139:
4123:
4105:
4087:– via
4073:
4049:
4036:
4030:
4024:
3999:
3989:
3985:
3981:
3951:
3917:
3892:
3870:Jeremy Noble
3856:
3832:
3808:
3795:. Retrieved
3788:the original
3774:
3763:W. A. Mozart
3762:
3725:
3719:
3707:. Retrieved
3700:
3696:
3689:
3680:
3671:
3661:– via
3655:. Retrieved
3649:
3634:
3615:
3611:
3601:
3589:
3569:
3559:
3536:
3524:. Retrieved
3520:
3510:
3494:
3484:
3476:
3469:Boldrey 1994
3464:
3452:
3443:
3434:
3422:
3413:
3403:
3394:
3386:
3374:. Retrieved
3370:
3360:
3340:
3329:
3312:
3308:
3304:
3297:
3285:. Retrieved
3281:the original
3274:
3266:
3257:
3248:
3236:
3229:
3207:(1): 32â36.
3204:
3198:
3194:
3185:
3168:
3162:
3158:
3152:
3138:
3134:
3125:
3098:
3092:
3074:
3058:
3048:
3039:
3026:
3014:
3009:
2997:
2982:
2975:Solomon 1995
2958:
2952:
2948:
2937:
2904:
2900:
2891:
2879:
2866:
2862:
2856:
2847:
2843:
2839:
2833:
2821:
2788:
2784:
2775:
2763:. Retrieved
2759:The Guardian
2757:
2744:
2717:
2711:
2689:
2673:
2664:
2651:
2642:
2635:Deutsch 1966
2630:
2626:
2621:
2595:
2590:
2580:
2571:
2563:
2552:
2544:
2543:
2532:
2519:compact disc
2490:
2488:
2476:
2474:
2468:
2421:"Nur stille"
2335:"Nur stille"
2225:" â Priests
1932:
1752:"Hm, hm, hm"
1611:
1558:
1544:
1530:
1491:
1477:
1433:
1401:
1373:
1353:
1331:
1270:Rita Streich
1182:
1161:
1134:
1110:
1073:
1053:
1001:
977:to a lively
967:
902:
901:
894:
877:
846:basset horns
827:
811:
804:
797:
774:Barbara Gerl
711:Herr Winter
554:Contemporary
517:
506:obscurantism
485:
484:
473:
472:Libretto of
457:
445:
443:
433:
432:
425:
419:
407:
401:
391:
387:
382:
374:
363:
345:
339:
331:
330:
317:
311:
293:
292:, the novel
283:
278:
274:
269:
265:
261:
255:
248:
243:Markus Werba
230:
208:
201:
190:
187:Peter Winter
172:
163:to a German
130:
124:
123:
122:
58:W. A. Mozart
36:
5404:1791 operas
5007:Lucio Silla
4812:Freemasonry
4537:Nationality
4517:Biographies
4323:Discography
4266:discography
4196:Opera Guide
4151:(in German)
4069:Melitz, Leo
3797:24 November
3759:Cliff Eisen
3709:19 December
3594:Heartz 2009
3307:Magic Flute
3287:18 December
3049:opera sense
2990:Dexter Edge
2943:Dexter Edge
2657:boy singers
2631:Characters.
2471:discography
2215: [
2086:14. Aria: "
1679:" â Tamino
1624:"Zu Hilfe!"
1474:(1868â1932)
1472:Max Slevogt
971:Freemasonry
818:vocal range
814:voice types
683:Three boys
667:Monostatos
653:3 sopranos
522:later on).
326:Freemasonry
316:as well as
218:Composition
5439:Singspiele
5378:Categories
4917:Operas by
4795:Influences
4640:Symphonies
4527:Grand tour
4522:Birthplace
3938:1029266214
3526:5 November
3501:, p.
3499:Rosen 1997
3254:"Libretto"
2884:Anon. 2014
2703:References
2614:Abert 2007
2462:Recordings
1675:3. Aria: "
1113:blackamoor
1107:production
961:media help
844:(doubling
754:Herr Moll
656:sopranos,
550:Voice type
479:See also:
422:Branscombe
413:, then in
136:pronounced
106:1791-09-30
80:Librettist
5195:Dove sono
4802:Beethoven
4547:Scatology
4542:Residence
4510:Biography
4425:(musical)
4122:see also
3862:Eric Blom
3854:(1966) .
3695:"Mozart:
3376:16 August
3117:665842164
3053:Number 3.
2929:162890801
2921:1478-5714
2813:193162027
2805:1474-0621
2736:145431789
2564:Singspiel
862:trombones
842:clarinets
767:Papagena
673:baritone
637:Sarastro
584:Papageno
562:Conductor
394:Constanze
322:Hanswurst
241:Baritone
174:Singspiel
128:(German:
5057:Idomeneo
4876:Category
4721:(sister)
4715:(mother)
4709:(father)
4664:Editions
4552:Smallpox
4162:Libretto
4071:(1913).
4047:(1992).
4021:(2004).
3992:: 81â92.
3948:(1995).
3914:(1997).
3890:(2009).
3830:(1991).
3757:(2007).
3699:, K620 (
3657:10 March
3549:Archived
3321:Archived
3034:, ch. 7.
3021:, ch. 7.
2828:, ch. 2.
2616:, 1246).
2525:See also
1581:Overture
934:Overture
916:Overture
911:Synopsis
860:, three
858:trumpets
850:bassoons
770:soprano
686:soprano
622:soprano
593:baritone
519:Parsifal
379:writes:
165:libretto
115:, Vienna
98:Premiere
90:Language
18:Papageno
5325:Related
4831:Related
4822:Salieri
4635:Sonatas
4433:Related
4251:YouTube
4153:in the
3761:(ed.).
3747:Sources
3313:YouTube
2606:Pylades
2602:SĂŒĂmayr
2497:, with
1500:Baroque
890:celesta
870:strings
866:timpani
848:), two
836:), two
834:piccolo
608:soprano
604:Pamina
569:Tamino
490:Masonic
411:Lemberg
200:titled
104: (
5414:Operas
5354:Portal
5150:(1791)
5140:(1791)
5130:(1790)
5120:(1787)
5110:(1786)
5100:(1786)
5090:(1784)
5080:(1783)
5070:(1782)
5060:(1781)
5050:(1780)
5040:(1779)
5030:(1775)
5020:(1775)
5010:(1772)
5000:(1772)
4990:(1771)
4980:(1770)
4970:(1769)
4960:(1768)
4950:(1767)
4940:(1767)
4927:Operas
4727:(wife)
4699:Family
4620:Operas
4615:Masses
4605:Dances
4567:Prague
4562:Berlin
4406:(2022)
4398:(2008)
4390:(2006)
4382:(1975)
4353:Sequel
4138:
4114:
4081:
4057:
4007:
3960:
3936:
3926:
3900:
3876:
3840:
3816:
3732:
3577:
3348:
3317:TED-Ed
3221:932991
3219:
3143:, ed.
3115:
3105:
2927:
2919:
2811:
2803:
2765:9 June
2734:
2724:
2035:"Wie?"
1338:Osiris
1047:(1953)
975:adagio
874:chorus
856:, two
852:, two
840:, two
830:flutes
719:tenor
670:tenor
466:Themes
415:Prague
384:1790s.
313:Oberon
93:German
5368:Opera
5159:Arias
5047:Zaide
4817:Haydn
4745:(son)
4739:(son)
4592:Music
4582:Death
4557:Italy
4371:Films
4316:Music
4236:UC-TV
4144:Score
3791:(PDF)
3780:(PDF)
3217:JSTOR
3137:" in
2925:S2CID
2865:[
2809:S2CID
2545:Notes
2480:'
2223:]
1933:Act 2
1612:Act 1
1589:]
1585:[
1194:Act 2
985:Act 1
979:fugue
854:horns
838:oboes
762:bass
751:bass
735:bass
703:bass
640:bass
573:tenor
546:Role
526:Roles
398:Baden
285:Yvain
157:opera
54:Opera
4532:Name
4238:and
4146:and
4112:ISBN
4079:ISBN
4055:ISBN
4005:ISBN
3958:ISBN
3934:OCLC
3924:ISBN
3898:ISBN
3874:ISBN
3868:and
3838:ISBN
3814:ISBN
3799:2015
3730:ISBN
3711:2012
3659:2024
3575:ISBN
3528:2023
3378:2022
3346:ISBN
3289:2009
3113:OCLC
3103:ISBN
2917:ISSN
2801:ISSN
2767:2024
2732:OCLC
2722:ISBN
2505:and
1511:hymn
1336:and
1334:Isis
1156:Brno
868:and
588:bass
450:Bonn
275:The
4305:'s
4249:on
3984:".
3620:doi
3503:254
3209:doi
3197:".
3173:doi
3133:, "
2909:doi
2842:".
2793:doi
1509:'s
420:As
298:by
288:by
189:'s
167:by
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