Knowledge (XXG)

Payada

Source 📝

31: 46: 54: 448: 237:
The work of Bartolomé Hidalgo, born in Montevideo in 1788, who is considered the first gaucho poet, can be found as an antecedent to the appearance of this art in the Río de la Plata. The date of his birth (August 24) was established by law as "Payador's Day" in Uruguay.
136:, they will compete to produce the most eloquent verse, each answering questions posed by the other, often insulting. The durations of these verse duels can be exceedingly long, often many hours, and they end when one 405: 345: 209: 493: 498: 478: 380: 308: 518: 508: 488: 483: 30: 523: 473: 513: 503: 224:, José Betinoti, Carlos Molina, Abel Soria, Julio Gallego, Gabino Sosa Benítez, Cayetano Daglio, among others. 342: 533: 528: 468: 38: 124:", albeit any guitar performer in the region is called by the same name. In performances of two or more 299:
The Garland Handbook of Latin American Music, Volume 1 By Dale Alan Olsen, Daniel Edward Sheeh p. 398
267: 220:
dedicated his most famous poem) is considered "the" payador par excellence, with successors such as
331: 185:, July 23 was established as the "Day of the Payador" in commemoration of the famous payada where 452: 171: 399: 252: 247: 95: 257: 212:. Both in Argentina and Uruguay, the payada is considered part of the "gauchesca" culture. 349: 217: 154: 178:
poet. His birthdate, August 24, was established as the "Day of the Payador" in Uruguay.
88: 462: 221: 190: 228: 197:
in 1884, and Ezeiza was proclaimed the winner with the improvisation of his famous
365: 186: 262: 213: 194: 140:
fails to respond immediately to his opponent. Musical styles often used in the
45: 167: 116: 419: 319: 182: 72: 53: 447: 201:. A recording of this song is the only existing record of Ezeiza's voice. 84: 76: 17: 175: 80: 110: 99: 52: 290:. Ed. Centro de Documentación Musical de Andalucía, 1992, pág. 27 227:
The payada has also been parodied by the comedy-musical group
170:
in 1788) is considered a precedent of this form of art in the
120:
usually accompanied by guitar. The performer is called a "
114:. It is a performance of improvised ten-line verse called 204:
The first registered payador was Simón Méndez (nicknamed
27:
South American tradition of improvised music and poetry
404:: CS1 maint: bot: original URL status unknown ( 420:"vecinet - No. 627 - especial día del payador" 8: 343:"La payada, un arte que cautiva y sorprende" 387:. Archived from the original on 2007-09-22 49:Juan Arroyo, Argentine payador, c. 1870. 44: 29: 279: 166:The work of Bartolomé Hidalgo (born in 397: 7: 332:"Saludo a Paysandú" by Gabino Ezeiza 210:British invasions of the River Plate 71:is a folk music tradition native to 193:contended. This payada was held in 174:. Hidalgo is regarded as the first 25: 446: 208:), a soldier who fought in the 320:"Especial del Día del Payador" 1: 286:R.Fernández Manzano y otros: 370:on Les Luthiers official web 356:(Buenos Aires), 20 Mar 1999 550: 494:Paraguayan styles of music 499:Uruguayan styles of music 479:Argentine styles of music 288:El trovo de la Alpujarra 57:Payador playing in his 62: 50: 42: 56: 48: 33: 455:at Wikimedia Commons 309:Uruguayan Law 16.764 35:Payada in a pulpería 519:Uruguayan folklore 509:Argentine folklore 489:Chilean folk music 484:Culture of Uruguay 348:2015-06-23 at the 233:Payada de la vaca. 63: 51: 43: 451:Media related to 367:Payada de la vaca 268:Guitarrón chileno 248:Gaucho literature 199:Saludo a Paysandú 108:and performed by 16:(Redirected from 541: 524:Chilean folklore 474:Poems in Spanish 450: 434: 433: 431: 430: 416: 410: 409: 403: 395: 393: 392: 377: 371: 363: 357: 340: 334: 329: 323: 317: 311: 306: 300: 297: 291: 284: 216:(to whom writer 21: 549: 548: 544: 543: 542: 540: 539: 538: 514:Uruguayan poems 504:Argentine poems 459: 458: 443: 438: 437: 428: 426: 424:www.chasque.net 418: 417: 413: 396: 390: 388: 379: 378: 374: 364: 360: 350:Wayback Machine 341: 337: 330: 326: 318: 314: 307: 303: 298: 294: 285: 281: 276: 244: 218:Rafael Obligado 172:Río de la Plata 164: 87:as part of the 28: 23: 22: 15: 12: 11: 5: 547: 545: 537: 536: 534:Gaucho culture 531: 529:Chilean poetry 526: 521: 516: 511: 506: 501: 496: 491: 486: 481: 476: 471: 469:Verse contests 461: 460: 457: 456: 442: 441:External links 439: 436: 435: 411: 372: 358: 335: 324: 322:on Chasque.net 312: 301: 292: 278: 277: 275: 272: 271: 270: 265: 260: 255: 253:Olmué Festival 250: 243: 240: 163: 160: 26: 24: 14: 13: 10: 9: 6: 4: 3: 2: 546: 535: 532: 530: 527: 525: 522: 520: 517: 515: 512: 510: 507: 505: 502: 500: 497: 495: 492: 490: 487: 485: 482: 480: 477: 475: 472: 470: 467: 466: 464: 454: 449: 445: 444: 440: 425: 421: 415: 412: 407: 401: 386: 382: 376: 373: 369: 368: 362: 359: 355: 351: 347: 344: 339: 336: 333: 328: 325: 321: 316: 313: 310: 305: 302: 296: 293: 289: 283: 280: 273: 269: 266: 264: 261: 259: 258:Martín Fierro 256: 254: 251: 249: 246: 245: 241: 239: 235: 234: 230: 225: 223: 222:Gabino Ezeiza 219: 215: 211: 207: 202: 200: 196: 192: 191:Gabino Ezeiza 188: 184: 179: 177: 173: 169: 161: 159: 157: 156: 151: 147: 143: 139: 135: 132:"), known as 131: 127: 123: 119: 118: 113: 112: 107: 106: 102:it is called 101: 97: 93: 91: 86: 82: 78: 74: 70: 69: 60: 55: 47: 40: 36: 32: 19: 427:. Retrieved 423: 414: 389:. Retrieved 384: 381:"archive.ph" 375: 366: 361: 353: 338: 327: 315: 304: 295: 287: 282: 236: 232: 229:Les Luthiers 226: 205: 203: 198: 187:Juan de Nava 180: 165: 153: 149: 145: 141: 137: 133: 129: 125: 121: 115: 109: 104: 103: 89: 83:, and south 67: 66: 64: 58: 39:Carlos Morel 34: 263:Santos Vega 214:Santos Vega 134:contrapunto 79:, southern 61:, c. 1890s. 463:Categories 429:2022-11-08 391:2022-11-08 385:archive.ph 274:References 168:Montevideo 96:literature 354:La Nación 231:in their 206:Guasquita 183:Argentina 126:payadores 73:Argentina 400:cite web 346:Archived 242:See also 195:Paysandú 152:and the 144:are the 85:Paraguay 162:History 155:milonga 138:payador 122:payador 117:décimas 92:culture 77:Uruguay 18:Payador 453:Payada 176:gaucho 150:huella 148:, the 142:payada 130:payada 128:(the " 111:huasos 90:Gaucho 81:Brasil 68:payada 59:rancho 146:cifra 100:Chile 98:. In 406:link 189:and 105:paya 94:and 65:The 181:In 158:. 37:by 465:: 422:. 402:}} 398:{{ 383:. 352:, 75:, 432:. 408:) 394:. 41:. 20:)

Index

Payador

Carlos Morel


Argentina
Uruguay
Brasil
Paraguay
Gaucho culture
literature
Chile
huasos
décimas
milonga
Montevideo
Río de la Plata
gaucho
Argentina
Juan de Nava
Gabino Ezeiza
Paysandú
British invasions of the River Plate
Santos Vega
Rafael Obligado
Gabino Ezeiza
Les Luthiers
Gaucho literature
Olmué Festival
Martín Fierro

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.