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Persona

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435:(1974), which dealt with the relation between the lyrical self of a song's lyrics and its composer. Performance studies scholar Philip Auslander includes further contextual frames, in which musical persona is the primary product of musical performances apart from the original text. Auslander argues that music is a primary social frame as a "principle of organization which govern events." In addition, he categorizes three types of personae transformation: lateral moves within the same frame at a given moment; movements from one frame to another; and within a single frame that changes over time and hypothesizes that personae transformation could only happen when the genre framing changes. As a strategic formation of public identity in communities, musical personae describe how music moves through cultures. Persona maintains stability of performance with the expectation from the audience matching in musical presentation. 238:
friends, at home, etc. Depending on the individual's circumstance, a persona which they consider stronger within their specific social situation can be created because they put a higher emphasis on social interactions. Jung warned about using personas too much, fearing that one might lose their own individuality to their persona. A study has shown that this can be true to an extent; when taking a private self-rating test, there is a high correlation between how a person rates themselves and how they present themselves in public. It is difficult to tell if people are accurately filling out the test or answering what they find desirable.
268: 43: 402: 686:(1998). Cooper play-acted fictitious characters in order to help solve design questions. These personas need to be based on user research and can also be described in narrative form. Creating personas has become synonymous with creating a document, known as persona profile, instead of an "activity of empathetic role-play". 442:, like a pianist and their playing style, although the term is more commonly used to refer to the voice and performance nuances of a vocalist in a studio album or in a live concert. In online spaces where personae are more visible, musical personae can be created through the flexible and fluid virtual bodies of avatars. 378:, any narrative voice that speaks in the first person and appears to define a particular character is often referred to as a persona. It is contrasted with a third-person narrative voice, generally taken to be more objective and impersonal. There are borderline cases, such as the “we” that occurs late in 237:
under various guises. People may choose to wear a social mask or use a persona to make themselves appear more socially desirable. This is used to impress potential partners or to make new friends. People can have multiple personas that they use in various situations; this can include work, being with
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that represents a group or segment of customers so that the company can focus its efforts. For example, online advertising agencies can monitor pictures, browsing history and the ads people surfing the internet generally select or choose to click, and based on that data they tailor their merchandise
211:, when it became apparent that different individuals could assume the same role and that legal attributes such as rights, powers, and duties followed the role. The same individuals as actors could play different roles, each with its own legal attributes, sometimes even in the same court appearance. 166:
Persona studies is an academic field developed by communication and media scholars. The term “persona” has been discussed by sociologists Robert Park and Erving Goffman in the 1950s. It is a tool to become persons by constructing the conception of our role and connecting the inner conception to the
245:, she argues that a person's persona can range in healthiness. The more healthy a persona is, the more socially acceptable and consistent that person remains. However, once a person starts to believe they are their persona, it can have adverse effects on their personality. 1921:
The identification and application of personas improved Development's efficiency and quality during the first development cycle in which they were used. In addition, the use of personas significantly improved corporate cohesiveness, focus and decision making at every
634:") played a key role in the group's international marketability. Spice Girl Melanie C later said the personas were "like a protection mechanism because it was like putting on this armour of being this, this character, rather than it actually being you." 371:. For Pound, the personae were a way of working through a specific poetic problem. In this sense, the persona is a transparent mask, wearing the traits of two poets and responding to two situations, old and new, which are similar and overlapping. 366:
in response to figures in Browning’s dramatic monologues. Whereas Eliot used "masks" to distance himself from aspects of modern life which he found degrading and repulsive, Pound's personae were often poets and could be considered in good part
382:'s poem and functions something like a chorus in a Greek tragedy, but in general any identifiable narrator whose point of view or manner of speaking clearly distinguishes them from the author is considered a literary persona. 449:, though they may also be composers. Many performers make use of a persona. Some artists create various characters, especially if their career is long and they go through many changes over time. For example, 253:
figure. By losing their "ego", their persona becomes their personality in an archetypal form. However, when this occurs, the person becomes unstable and they are unable to act outside their formed persona.
200:). It is the etymology of the word "person," or "parson" in French. Latin etymologists explain that persona comes from "per/sonare" as "the mask through which (per) resounds the voice (of the actor)." 467: 167:
outer world as individuals. Yet, the terminology of identity and personae has been applied loosely and both imply the impressions of self and social performances in their works.
846: 1811: 1656: 1685: 489:, and with his distinctive hair, nasal voice, and clothing. The persona also serves to claim a right or to draw attention to a certain subject. That is the case of 1904: 1364: 847:"Persona and the Performance of Identity Parallel Developments in the Biographical Historiography of Science and Gender, and the Related Uses of Self Narrative" 1969: 340:. These writers understood the term slightly differently and derived its use and meaning from different traditions. Examples of Eliot's personae were " 643: 1956: 1626: 324:, the term generally refers to a character established by an author, one in whose voice all or part of a narrative takes place. Poets such as 1545: 1169: 983: 882: 1888: 1866: 1613: 1591: 1569: 1518: 1340: 1262: 1016: 307: 126: 975:
Analytical Psychology and German Classical Aesthetics: Goethe, Schiller, and Jung, Volume 1: The Development of the Personality
595: 715: 289: 64: 1689: 1839: 524:. According to Beyoncé, Sasha is her wilder side, emerging during high octane stage performances and serving as a sort of 1908: 1670: 2000: 1582: 565: 535: 107: 79: 1161: 1040: 543: 454: 278: 53: 667: 661: 2005: 1054: 379: 285: 86: 60: 31: 431: 1935: 1879: 1857: 1666: 1253: 174:. The usage of the word dates back to the beginnings of Latin civilization. The Latin word derived from the 1982: 675: 591: 363: 1739: 93: 1234: 242: 1661: 520: 220: 1936:"Viewed by Too Many or Viewed Too Little: Using Information Dissemination for Audience Segmentation" 75: 1716: 831: 458: 409: 1011:. Michael Carrithers, Steven Collins, Steven Lukes. Cambridge : Cambridge University Press. 1985. 465:, the personae are independent characters used in the artist's shows and albums (in this example, 1900: 1474: 1417: 1358: 1311: 1303: 1034: 874: 755: 583: 473: 230: 1604: 1884: 1862: 1833: 1781: 1609: 1587: 1565: 1541: 1514: 1466: 1409: 1346: 1336: 1295: 1258: 1208: 1165: 1133: 1022: 1012: 979: 973: 866: 809: 375: 345: 175: 1535: 780:"Making Intellectual Room for Persona Studies: A New Consciousness and a Shifted Perspective" 1506: 1501:
Harvey, Trevor S. (2016). "Avatar Rockstars". In Whiteley, Sheila; Rambarran, Shara (eds.).
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to a targeted audience or better describe a customer segments using a data driven approach.
619: 553: 477:). However, in music, a persona does not always mean a change. Some authors have noted that 337: 160: 1510: 1191:(October 19, 2011). "Personality and persona: personality processes in self presentation". 826: 1816: 1436: 1379: 779: 539: 446: 439: 355: 325: 720: 233:, the persona is also the mask or appearance one presents to the world. It may appear in 1852: 705: 615: 560: 490: 426: 390: 163:. It is also considered "an intermediary between the individual and the institution." 1994: 1478: 1461: 1421: 1404: 1204: 1155: 878: 804: 759: 740: 608:
adopted personas based on nicknames given to them by the British press. According to
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Association for Information Science and Technology Annual Meeting 2017 (ASIST2017)
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Jansen, Bernard; An, Jisun; Kwak, Haewoon; Salminen, Joni; Jung, Soon-gyo (2017).
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Persona of Anime: A Depth Psychological Approach to the Persona and Individuation
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believed that once a person loses their identity to a persona, they become an
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Its meaning in the latter Roman period changed to indicate a "character" of a
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Rambarran, Shara (2021). ""Living in a Fantasy": Performers and Identity.".
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Reading the Beatles: cultural studies, literary criticism, and the Fab Four
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Bob Dylan: performing artist 1986-1990 & beyond : mind out of time
1350: 1212: 481:'s charisma is due largely to his almost stereotyped image, always with a 445:
Usually, the performers assume a role that matches the music they sing on
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The word derives from Latin, where it originally referred to a theatrical
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and in online stories, the personas may especially reflect the authors'
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are strongly associated with such narrative voices, as is the writer
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The Category of the person : anthropology, philosophy, history
631: 587: 400: 234: 552:: she employs multiple personae, ranging from what she calls the 542:
male persona, and is often used in the performance of her song, "
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Frame analysis : an essay on the organization of experience
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Getting from research to personas: harnessing the power of data
518:: the persona of Beyoncé, "Sasha Fierce", appears on the album 1634: 261: 36: 666:
Personas are used in marketing and advertising by creating a
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The Rise and Fall of Ziggy Stardust and the Spiders from Mars
1812:"Melanie C Imagines How The Spice Girls Would Fare In 2020" 647:, including the character Billy Shears "played by" drummer 1564:(Greenwood Publishing Group, 2007), ppp. 39, 51, and 108. 1537:
Virtual Music: Sound, Music, and Image in the Digital Era
1627:"Pop Personae: Why Do Some Women Perform In Character?" 1112:"Introduction: Legal Bodies: Corpus/Persona/Communitas" 438:
The concept of persona can also be used to refer to an
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This article is about the concept. For other uses, see
1712:"Nicki Minaj, the Rapper With a Crush on Meryl Streep" 534:: Jo Calderone, the persona of Gaga, performed at the 1505:. Oxford: Oxford University Press. pp. 171–190. 1435:
Fairchild, Charles; Marshall, P. David (2019-07-11).
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Fairchild, Charles; Marshall, P. David (2019-07-11).
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Poetry Into Song: Performance and Analysis of Lieder
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Horsman, Yasco; Korsten, Frans-Willem (2016-09-01).
425:The concept of personae in music was introduced by 67:. Unsourced material may be challenged and removed. 1880:The Beatles, Sgt. Pepper's Lonely Hearts Club Band 1769: 1686:"Lady Gaga Bends Gender, Minds With VMA Monologue" 184:," with the same meaning, and that from the Greek 778:Marshall, P. David; Barbour, Kim (2015-04-30). 1820:. Archived from the original on March 14, 2021 179: 1983:Personas and the Role of Design Documentation 1771:"Spice Girls: From Wannabes to World Beaters" 1160:. Collected Works of C.G. Jung. Vol. 7. 961:. University of Edinburgh. pp. 152, 160. 8: 453:initially adopted a role as alien messenger 1608:(University Press of America, 2006), p.14. 1503:The Oxford Handbook of Music and Virtuality 1257:(Oxford University Press US, 2010), p.235. 194: 185: 1883:(Cambridge University Press, 1997), p.75. 1768:Barrett, Christopher (November 10, 2007). 1657:"Beyoncé Starts 'Fierce' Atop Album Chart" 1363:: CS1 maint: location missing publisher ( 978:. Taylor & Francis. pp. 157–158. 1491:Deborah Stein and Robert Spillman, p.106. 1460: 1403: 1127: 1099:. Cambridge University Press. p. 14. 959:The Presentation of Self in Everyday Life 944:The Presentation of Self in Everyday Life 803: 308:Learn how and when to remove this message 127:Learn how and when to remove this message 1985:." Boxes and Arrow, February 27th, 2008. 1740:"Nicki Minaj Gets 'Revenge' With Eminem" 1224: 1222: 1055:"The Etruscan Phersu - phersuminiatures" 1183: 1181: 770: 656:In marketing and user experience design 159:that one adopts, or simply a fictional 1831: 1356: 1032: 1655:Jonathan, Cohen (November 26, 2008). 644:Sgt. Pepper's Lonely Hearts Club Band 350:. Pound developed such characters as 7: 1511:10.1093/oxfordhb/9780199321285.013.1 1437:"Music and Persona: An Introduction" 1380:"Music and Persona: An Introduction" 290:adding citations to reliable sources 65:adding citations to reliable sources 1251:Deborah Stein and Robert Spillman, 1157:Two Essays on Analytical Psychology 1562:The words and music of David Bowie 684:The Inmates Are Running the Asylum 25: 682:introduced personas in his book, 27:Public image of one's personality 1972:". Cooper Journal, May 15, 2008. 1959:". Cooper Journal, May 15, 2008. 1205:10.1111/j.1467-6494.2010.00704.x 266: 41: 1810:White, Amelia (April 2, 2020). 1710:Lizzy Goodman (June 20, 2010). 1586:(Omnibus Press, 2004), p.229. 640:: they present a group persona 501:and her interest in sexuality. 421:The concept of musical personae 277:needs additional citations for 52:needs additional citations for 972:Bishop, Paul (July 30, 2007). 845:Bosch, Mineke (January 2013). 835:, Merriam-Webster, Inc., 2020. 716:Dissociative identity disorder 493:and his interest in death and 1: 1453:10.21153/psj2019vol5no1art856 1396:10.21153/psj2019vol5no1art856 1129:10.1080/1535685X.2016.1232924 796:10.21153/ps2015vol1no1art464 863:10.7767/lhomme.2013.24.2.11 566:Pink Friday: Roman Reloaded 536:2011 MTV Video Music Awards 195: 2022: 1905:"The Power of the Persona" 1861:(SUNY Press, 2006), p.21. 1684:Dinh, James (2011-09-28). 1625:Chace, Zoe (12 Aug 2010). 1292:10.1162/dram.2006.50.1.100 1274:Auslander, Philip (2006). 1229:Jackson, Danielle (2017). 1162:Princeton University Press 946:. University of Edinburgh. 678:, known as user personas. 674:Personas are also used in 659: 528:for "unladylike" behavior. 461:. More than just artistic 218: 29: 1838:: CS1 maint: unfit URL ( 1082:Oxford English Dictionary 662:Persona (user experience) 186: 1540:. New York: Bloomsbury. 1335:. New York. p. 10. 1329:Goffman, Erving (1974). 957:Goffman, Erving (1956). 942:Goffman, Erving (1956). 594:" or of a housewife in " 586:: he takes the guise of 380:Edwin Arlington Robinson 32:Persona (disambiguation) 1667:Prometheus Global Media 412:at Maple Leaf Gardens, 180: 1957:The origin of personas 1193:Journal of Personality 1097:Category of the Person 1095:Mouss, Marcel (1985). 1039:: CS1 maint: others ( 676:user experience design 592:Sympathy for the Devil 417: 241:In a study written by 1688:. MTV. Archived from 1462:10536/DRO/DU:30128841 1405:10536/DRO/DU:30128841 927:Park, Robert (1950). 805:10536/DRO/DU:30072974 404: 1673:on January 26, 2010. 1116:Law & Literature 521:I Am... Sasha Fierce 432:The Composer's Voice 286:improve this article 221:Persona (psychology) 61:improve this article 1855:and Todd F. Davis, 1602:Bhesham R. Sharma, 832:Merriam-Webster.com 614:, these personas (" 459:The Thin White Duke 410:The Thin White Duke 2001:Literary criticism 1749:. Vibe Media Group 1692:on 18 October 2011 1276:"Musical Personae" 584:the Rolling Stones 538:. Jo represents a 474:Station to Station 418: 231:Jungian psychology 1738:Dawson, Imani A. 1717:New York magazine 1560:James E. Perone, 1547:978-1-5013-3637-9 1171:978-0-691-09776-3 1152:Jung, Carl Gustav 985:978-0-203-96088-2 908:ojs.deakin.edu.au 904:"Persona Studies" 668:marketing persona 604:: each member of 376:literary analysis 318: 317: 310: 137: 136: 129: 111: 16:(Redirected from 2013: 1986: 1981:Andrew Hinton: " 1979: 1973: 1966: 1960: 1953: 1947: 1946: 1940: 1931: 1925: 1924: 1918: 1916: 1907:. Archived from 1897: 1891: 1877:Allan F. 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Archived from 842: 836: 824: 818: 817: 807: 775: 510:American artists 338:Luigi Pirandello 313: 306: 302: 299: 293: 270: 262: 243:Danielle Jackson 198: 191: 190: 183: 132: 125: 121: 118: 112: 110: 69: 45: 37: 21: 2021: 2020: 2016: 2015: 2014: 2012: 2011: 2010: 2006:Literary theory 1991: 1990: 1989: 1980: 1976: 1967: 1963: 1954: 1950: 1938: 1933: 1932: 1928: 1914: 1912: 1899: 1898: 1894: 1876: 1872: 1851: 1847: 1830: 1823: 1821: 1809: 1808: 1804: 1790: 1788: 1767: 1766: 1762: 1752: 1750: 1737: 1736: 1732: 1722: 1720: 1709: 1708: 1704: 1695: 1693: 1683: 1682: 1678: 1654: 1653: 1649: 1639: 1637: 1624: 1623: 1619: 1601: 1597: 1580:Paul Williams, 1579: 1575: 1559: 1555: 1548: 1533: 1532: 1528: 1521: 1500: 1499: 1495: 1490: 1486: 1441:Persona Studies 1434: 1433: 1429: 1384:Persona Studies 1377: 1376: 1372: 1355: 1343: 1328: 1327: 1323: 1273: 1272: 1268: 1250: 1246: 1228: 1227: 1220: 1187: 1186: 1179: 1172: 1150: 1149: 1145: 1109: 1108: 1104: 1094: 1093: 1089: 1077: 1076: 1072: 1063: 1061: 1053: 1052: 1048: 1031: 1019: 1005: 1004: 1000: 990: 988: 986: 971: 970: 966: 956: 955: 951: 941: 940: 936: 926: 925: 921: 912: 910: 902: 901: 897: 888: 886: 844: 843: 839: 825: 821: 784:Persona Studies 777: 776: 772: 768: 728:, a term for a 692: 664: 658: 576: 574:British artists 512: 507: 457:, and later as 440:instrumentalist 423: 399: 356:Bertran de Born 326:Robert Browning 314: 303: 297: 294: 283: 271: 260: 223: 217: 207:performance or 133: 122: 116: 113: 70: 68: 58: 46: 35: 28: 23: 22: 15: 12: 11: 5: 2019: 2017: 2009: 2008: 2003: 1993: 1992: 1988: 1987: 1974: 1968:Kim Goodwin: " 1961: 1955:Alan Cooper: " 1948: 1926: 1911:on 15 Aug 2009 1892: 1870: 1853:Kenneth Womack 1845: 1802: 1780:. p. 13. 1760: 1730: 1702: 1676: 1647: 1617: 1595: 1573: 1553: 1546: 1526: 1519: 1493: 1484: 1427: 1370: 1341: 1321: 1286:(1): 100–119. 1266: 1244: 1218: 1189:Leary, Mark R. 1177: 1170: 1143: 1122:(3): 277–285. 1102: 1087: 1070: 1046: 1017: 998: 984: 964: 949: 934: 919: 895: 837: 819: 769: 767: 764: 763: 762: 753: 748: 743: 738: 733: 723: 718: 713: 708: 706:Character mask 703: 698: 691: 688: 660:Main article: 657: 654: 653: 652: 635: 599: 575: 572: 571: 570: 561:Roman Zolanski 547: 529: 511: 508: 506: 503: 491:Marilyn Manson 455:Ziggy Stardust 427:Edward T. 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Index

Personae
Persona (disambiguation)

verification
improve this article
adding citations to reliable sources
"Persona"
news
newspapers
books
scholar
JSTOR
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personality
role
character
mask
Etruscan
πρόσωπον
theatrical
court of law
Persona (psychology)
Carl Jung
Jungian psychology
dreams
Danielle Jackson
James Hillman
archetypal

verification

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