348:
38:
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that early
Christians stayed close to contemporary Jewish traditions. For example, Acts 2:46–47 states that "with one accord in the Temple, and breaking bread from house to house did eat their meat with gladness and singleness of heart, praising God, and having favour with all the people".
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747:
The
Annotated Book of Common Prayer: Being an Historical, Ritual, and Theological Commentary on the Devotional System of the Church of England
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886:
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believed to have entered the monasteries of Syria and
Palestine in the 4th century from the Jewish communities such as the one in
2268:
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881:
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397:. More recently they have found a place in primary liturgical documents throughout the Anglican Communion, including the
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A.C. Zenos, ed., 'The
Ecclesiastical History of Socrates Scholasticus,' book VI, chapter VIII, vol 2, p 144. In
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763:
514:
463:
454:. This style, with its variations as it spread across Europe after 1600, helped to define the beginning of the
187:
by alternating groups of performers. The term "antiphony" can also refer to a choir-book containing antiphons.
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623:, Second Series, P. Schaff and H. Wace, eds (Grand Rapids: W. B. Eerdmans Publishing Company, 1957).
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224:(died 107) after he saw a vision of two choirs of angels. Antiphonal singing was an element of
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A Treasury of Early Music: Masterworks of the Middle Ages, the
Renaissance and the Baroque Era
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When two or more groups of singers sing in alternation, the style of music can also be called
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The chant of early
Christianity through to the end of the 5th century had its root in the
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is that performed by two choirs in interaction, often singing alternate musical phrases.
199:, whence early Christians borrowed the traditions of the chanting of psalms, singing of
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and other work songs, and songs and worship in
African and African-American culture.
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474:. There are examples from the 19th and 20th centuries, from composers as diverse as
2172:
1979:
1942:
1901:
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periods. Polychoral techniques are a definitive characteristic of the music of the
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are indicated by number and ending pitch, and the pitches for the ending of the
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259:', collections of works suitable for antiphon, which are still used in the
621:
A Select
Library of Nicene and Post-Nicene Fathers of the Christian Church
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emerged in
England in the 14th century as settings of texts honouring the
17:
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1974:
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1165:
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or
Scripture, but may also be freely composed. Their form was favored by
54:
450:. The Venetian polychoral style was an important innovation of the late
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Singing the Gospel: Lutheran Hymns and the Success of the Reformation
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they have traditionally been used as antiphons to the Magnificat at
318:
musical tradition: the singers often face each other, placed in the
308:. The largest collection of such antiphons is the late-15th-century
589:
New Oxford History of Music Vol II: Early Medieval Music up to 1300
430:. Specifically, this term is usually applied to music of the late
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Antiphons have remained an integral part of the worship in the
358:
The Greater Advent or O Antiphons are antiphons used at daily
45:, showing on the right-hand page the antiphons for the first
314:. As a result, antiphony remains particularly common in the
30:
This article is about the musical term. For other uses, see
682:
Historical Dictionary of Late Medieval England, 1272–1485
152:(usually sung by the congregation), a refrain is needed.
75:ἀντίφωνον, ἀντί "opposite" and φωνή "voice") is a short
462:
in the Renaissance; it was also popular in France with
377:, one of his attributes mentioned in Scripture. In the
418:, and they continue to be sung in Lutheran churches.
90:. The texts of antiphons are usually taken from the
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808:Antiphon "O Sapientia quae ex ore Altissimi..."
106:as well. They may be used during Mass, for the
850:
381:tradition, they are sung as antiphons to the
8:
706:R. Bray, 'England i, 1485–1600' in J. Haar,
530:Latin church music by George Frideric Handel
779:(Courier Dover Publications, 2000), p. 138.
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821:Antiphon O Adonai II Great Advent Antiphon
410:. Use of the O Antiphons was preserved in
243:. The practice did not become part of the
581:
579:
458:era. Polychoral music was not limited to
216:wrote that antiphony was introduced into
789:Grove Dictionary of Music and Musicians,
389:from December 17 to December 23. In the
1395:List of Galician-Portuguese troubadours
661:The Oxford History of Christian Worship
545:
373:traditions. Each antiphon is a name of
293:. Towards the end of the 15th century,
732:A. Nocent and M. J. O'Connell (1977),
300:produced expanded settings up to nine
281:, which were sung separately from the
697:(Ashgate, Aldershot, 2003), pp. 48–9.
247:until more than two centuries later.
144:When a chant consists of alternating
7:
680:R. H. Fritze and W. Baxter Robison,
645:. New York: Robert Appleton Company.
362:in the evenings of the last days of
1221:Other troubadours and trobairitz...
636:"Antiphon (in Greek Liturgy)"
567:Music in early Christian literature
554:Worship music: a concise dictionary
446:: this music is often known as the
25:
723:(Liturgical Press, 1977), p. 162.
695:John Taverner: His Life and Music
633:Herbermann, Charles, ed. (1913).
304:, with increasing complexity and
133:They should not be confused with
2231:
2222:
2221:
556:(Liturgical Press, 2000), p. 18.
98:and they feature prominently in
719:A. Nocent and M. J. O'Connell,
148:(usually sung by a cantor) and
118:. They may also be used in the
27:Short chant in Christian ritual
442:, exemplified by the works of
207:. There is some evidence from
163:style of singing, such as the
102:, but they are used widely in
57:are indicated by the mnemonic
1:
1216:William IX, Duke of Aquitaine
49:of Christmas. The associated
466:(37 settings H.16–H.52), in
887:List of musical instruments
592:. Oxford University Press.
267:Polyphonic votive antiphons
2310:
749:(Rivingtons, 1866), p. 76.
684:(Greenwood, 2002), p. 363.
571:Cambridge University Press
340:
214:Socrates of Constantinople
159:is generally used for any
29:
2289:16th-century music genres
2203:
1749:Matheus de Sancto Johanne
1744:Johannes Symonis Hasprois
1675:
1487:
1414:
1390:Galician-Portuguese lyric
1335:Jehan le Cuvelier d'Arras
1250:Andrieu Contredit d'Arras
1022:
872:
708:European Music, 1520–1640
448:Venetian polychoral style
32:Antiphon (disambiguation)
1779:Antonio Zacara da Teramo
791:Oxford University Press.
764:Harvard University Press
710:(Boydell, 2006), p. 498.
534:includes three antiphons
464:Marc-Antoine Charpentier
337:Greater Advent antiphons
2269:Polychoral compositions
1305:Gillebert de Berneville
882:List of music theorists
666:Oxford University Press
525:Polychoral compositions
1578:Gherardello da Firenze
1265:Le Chastelain de Couci
1058:Philippe le Chancelier
586:Wellesz, Egon (1954).
552:E. Foley and M. Paul,
355:
183:or musical playing of
139:processional antiphons
64:
2284:Medieval music genres
1887:Johannes de Garlandia
1201:Raimbaut de Vaqueiras
642:Catholic Encyclopedia
488:Karlheinz Stockhausen
350:
40:
2208:Also music theorist*
1892:Johannes de Grocheio
1709:Conradus de Pistoria
1696:Philippus de Caserta
1645:Philippus de Caserta
1614:Antonello da Caserta
1563:Andreas de Florentia
1454:Guillaume de Machaut
1115:Bernart de Ventadorn
1100:Aimeric de Peguilhan
1043:Albertus Parisiensis
993:Adam of Saint Victor
953:Saint Martial school
910:Notker the Stammerer
422:Polychoral antiphony
209:Acts of the Apostles
120:Liturgy of the Hours
43:Liber responsorialis
1819:Contenance angloise
1609:Bartolino da Padova
1508:Marchetto da Padova
1439:Magister Franciscus
1315:Guillaume le Vinier
1310:Gontier de Soignies
1255:Audefroi le Bastart
1141:Folquet de Marselha
998:Wulfstan the Cantor
988:Hildegard of Bingen
958:Adémar de Chabannes
943:Fulbert of Chartres
905:Abbey of Saint Gall
897:Early (before 1150)
721:The Liturgical Year
658:, K. B. W. Tucker.
222:Ignatius of Antioch
177:Antiphonal psalmody
2279:Polyphonic singing
2264:Musical techniques
2147:Neo-Medieval music
2137:Medieval folk rock
1917:Berno of Reichenau
1897:Iacobus de Ispania
1739:Petrus de Goscalch
1640:Niccolò da Perugia
1635:Grazioso da Padova
1583:Lorenzo da Firenze
1543:Vincenzo da Rimini
1528:Giovanni da Cascia
1360:Other trouvères...
1345:Perrin d'Angicourt
1295:Gautier de Dargies
1270:Chrétien de Troyes
1206:Raimon de Miravalh
1196:Raimbaut d'Aurenga
520:Polyphonic singing
416:German Reformation
356:
65:
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2214:Renaissance music
1922:Aurelian of RĂ©Ă´me
1907:Johannes de Muris
1877:Franco of Cologne
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1854:
1837:Arnold de Lantins
1796:
1795:
1792:
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1630:Giovanni Mazzuoli
1625:Matteo da Perugia
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1533:Jacopo da Bologna
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1449:Jehan de Lescurel
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1300:Gautier d'Espinal
1290:Gautier de Coincy
1231:
1230:
1151:Giraut de Bornelh
1130:CerverĂ de Girona
1110:Arnaut de Mareuil
1080:
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1038:Notre-Dame school
948:Heriger of Lobbes
877:List of composers
599:978-0-19-316310-2
444:Giovanni Gabrieli
399:Church of England
391:Church of England
253:Gregory the Great
161:call and response
16:(Redirected from
2301:
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2031:Liturgical drama
1798:
1705:
1702:Johannes Ciconia
1677:
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1619:Johannes Ciconia
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1589:Paolo da Firenze
1568:Donato da Cascia
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1407:Late (1300–1400)
1350:Philippe de RĂ©mi
1280:Conon de BĂ©thune
1260:Blondel de Nesle
1245:Adam de la Halle
1233:
1171:Peire d'Alvernha
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1015:High (1150–1300)
1004:Wipo of Burgundy
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275:Marian antiphons
173:Antiphonal music
155:The looser term
135:Marian antiphons
122:, typically for
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2007:Gregorian chant
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1912:Walter Odington
1872:Guido of Arezzo
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1808:Johannes Alanus
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1700:
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573:, 1989), p. 10.
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515:Polyphonic form
500:Marian antiphon
496:
480:Igor Stravinsky
440:Venetian school
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261:Catholic Church
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104:Gregorian chant
100:Ambrosian chant
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476:Hector Berlioz
423:
420:
404:Common Worship
395:Evening Prayer
379:Roman Catholic
341:Main article:
338:
335:
311:Eton Choirbook
289:, often after
268:
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226:Jewish liturgy
192:
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2259:Musical forms
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1105:Arnaut Daniel
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986:
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983:Peter Abelard
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966:Odo of Arezzo
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769:
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761:
758:C. B. Brown,
755:
752:
748:
745:J. H. Blunt,
742:
739:
736:, pp. 163-80.
735:
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656:G. Wainwright
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629:
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565:J. McKinnon,
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257:antiphonaries
254:
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241:Armenian Rite
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33:
19:
2294:Church music
2212:
2178:Architecture
2050:
2002:Geisslerlied
1980:Formes fixes
1937:
1902:Notker Labeo
1867:Anonymous IV
1842:Leonel Power
1827:Thomas Fabri
1817:
1680:
1501:Predecessors
1419:
1325:Jehan Bretel
1161:Jaufre Rudel
1027:
936:Odo of Cluny
788:
784:
776:
775:C. Parrish,
771:
759:
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746:
741:
733:
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689:
681:
659:
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628:
620:
615:
603:. Retrieved
588:
566:
561:
553:
548:
533:
427:
425:
402:
357:
353:Annunciation
328:
322:
309:
270:
245:Latin Church
234:
205:cantillation
194:
176:
172:
156:
154:
143:
132:
86:, sung as a
68:
66:
58:
47:night office
42:
2168:Middle Ages
2163:Early music
2125:Derivations
1958:Chansonnier
1330:Jehan Erart
1275:Colin Muset
1181:Peire Vidal
1029:Ars antiqua
693:H. Benham,
484:BĂ©la BartĂłk
452:Renaissance
432:Renaissance
412:Lutheranism
366:in various
343:O Antiphons
306:vocal range
279:Virgin Mary
220:worship by
51:psalm tones
2253:Categories
2193:Philosophy
2188:Literature
2156:Background
2062:Traditions
1429:F. Andrieu
1285:Gace Brulé
1125:Castelloza
1091:Trobairitz
1086:Troubadour
978:St. Godric
541:References
434:and early
428:polychoral
383:Magnificat
368:liturgical
272:Polyphonic
169:sea shanty
96:St Ambrose
18:Polychoral
2106:Lithuania
1970:Conductus
1860:Theorists
1832:Roy Henry
1759:Rodericus
1650:Sant Omer
1385:Minnesang
510:Polyphony
371:Christian
298:composers
237:Byzantine
218:Christian
197:Synagogue
157:antiphony
150:responses
116:Communion
112:Offertory
81:Christian
2227:Category
2132:Bardcore
2111:Portugal
2079:Scotland
2052:Planctus
2036:Madrigal
1975:Estampie
1938:Antiphon
1493:Trecento
1421:Ars nova
1380:Goliards
1237:Trouvère
1211:Sordello
1191:Perdigon
1166:Marcabru
605:9 August
494:See also
330:Cantoris
316:Anglican
291:Compline
69:antiphon
55:doxology
2096:Germany
2074:England
2046:Organum
2024:Tydorel
1995:Virelai
1990:Rondeau
1985:Ballade
1953:Chanson
1729:Egidius
1724:Egardus
1444:Grimace
1375:Casella
1053:PĂ©rotin
928:Hucbald
915:Tuotilo
472:Germany
456:Baroque
436:Baroque
414:at the
408:liturgy
387:Vespers
320:quire's
295:English
263:today.
249:Ambrose
230:Antioch
191:Origins
181:singing
179:is the
167:or the
128:Vespers
114:or the
108:Introit
88:refrain
2237:Portal
2183:Poetry
2091:France
2086:Cyprus
1801:Others
1784:Trebor
1769:Solage
1691:Borlet
1186:Peirol
1089:&
1048:LĂ©onin
596:
505:Anthem
486:, and
375:Christ
364:Advent
360:prayer
324:Decani
287:office
185:psalms
165:kirtan
146:verses
110:, the
92:Psalms
84:ritual
60:Euouae
2116:Spain
2101:Italy
2041:Motet
1965:Chant
1948:Carol
1943:Canso
468:Spain
460:Italy
302:parts
201:hymns
124:Lauds
77:chant
73:Greek
607:2019
594:ISBN
470:and
351:The
327:and
285:and
283:mass
251:and
239:and
203:and
41:The
2173:Art
2019:Lai
401:'s
385:in
137:or
126:or
79:in
67:An
2255::
673:^
639:.
578:^
532:—
490:.
482:,
478:,
333:.
232:.
141:.
130:.
2217:→
1704:*
1621:*
1585:*
1472:*
1137:*
1093:*
1068:*
1006:?
1000:?
968:*
938:*
930:*
858:e
851:t
844:v
762:(
664:(
609:.
569:(
536:.
71:(
63:.
34:.
20:)
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