282:, to create a climactic finale. Filming the whole story in Polyvision was impractical as Gance wished for a number of innovative shots, each requiring greater flexibility than was allowed by three interlocked cameras. When the film was severely re-cut by the distributors very early on during exhibition, the new version only retained the center strip in order to allow projection in standard single-projector cinemas. Brownlow's restored version, first seen on 31 August 1979 at the
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275:. Gance was unable to eliminate the problem of the two seams dividing the three panels of film as shown on screen, so he avoided the problem by putting three completely different shots together in some of the Polyvision scenes. When Gance viewed Cinerama many years later, he noticed that the widescreen image was still not seamless, that the problem was not entirely fixed.
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were stacked vertically to shoot the widescreen compositions which would be viewed across all three sections. Gance also used the three strips to create triptych compositions of panels contrasting or simultaneous action, mirrored sides framing the center strip, and perceptual cross-cutting. In this
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with the two side cameras shooting into mirrors; the projectors then used mirrors in an identical configuration in order to properly reverse the side images. This system was only used on a limited number of shots.
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with three simultaneous projectors mean that a true
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camera designer Andre Debrie for several decades afterward, and by 1956, it evolved into a system called
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theme parks which used nine 4:3 35 mm projectors to show an image that completely surrounds the viewer.
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was cut from the film by its distributors after only a few screenings and was not seen again until
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Schrieger, Charles (3 September 1979). "Telluride: High Heaven for
Cineastes".
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The use of three 4:3 monitors to achieve a single 4:1 image was replicated by
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using
Polyvision having been in December 2004 and November 2013 at the
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Polyvision involved the simultaneous projection of three reels of
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This configuration is considered to be a similar precursor to
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compositions as well as in-eye edited experiments such as
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respect, Polyvision can arguably be said to have inspired
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56:. Unsourced material may be challenged and removed.
227:compiled his restorations from the 1970s onwards.
188:arrayed in a horizontal row, making for a total
322:Gance continued to tinker with the system with
278:Polyvision was only used for the final reel of
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295:Difficulties in mounting a full screening of
149:was the name given by the French film critic
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468:"Silent Film Festival to present 'Napoleon'"
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431:. Vol. 1. New York: Alfred A. Knopf.
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292:—the flag of Napoleon's triumphant army.
116:Learn how and when to remove this message
160:devised exclusively for the filming and
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174:, its three-projector format predating
142:(1927), showing its two vertical seams.
372:. This format would later be used by
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54:adding citations to reliable sources
429:Napoleon: Abel Gance's classic film
472:San Francisco Silent Film Festival
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41:needs additional citations for
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334:format. Magirama used three
849:Motion picture film formats
311:, and in March 2012 at the
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597:Un drame au château d'Acre
330:very similar to the later
19:For the manufacturer, see
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709:The Lady of the Camellias
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589:La Folie du Docteur Tube
494:"How we made – Napoleon"
354:, and used in the games
284:Telluride Film Festival
733:Beethoven's Great Love
629:The Torture of Silence
307:, in December 2009 at
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21:PolyVision Corporation
16:Widescreen film format
805:Cyrano and d'Artagnan
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844:Cinematic techniques
398:List of film formats
50:improve this article
502:. November 29, 2013
317:Oakland, California
305:Royal Festival Hall
198:Walt Disney Company
653:The Tenth Symphony
581:The Mask of Horror
369:The Ninja Warriors
309:Cité de la Musique
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202:Circle-Vision 360°
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854:Multi-screen film
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645:The Zone of Death
621:Le droit Ă la vie
454:Los Angeles Times
313:Paramount Theatre
246:A restoration of
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504:. Retrieved
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476:. Retrieved
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65:"Polyvision"
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48:Please help
43:verification
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677:Au Secours!
637:Barberousse
558:Filmography
506:December 1,
348:arcade game
338:cameras at
332:Cinemiracle
267:Mike Figgis
231:Description
204:for use in
186:silent film
179:by 25 years
158:film format
859:Abel Gance
838:Categories
823:Polyvision
797:Austerlitz
549:Abel Gance
404:References
336:35 mm film
206:Disneyland
200:developed
192:of 4:1 (1.
166:Abel Gance
162:projection
155:widescreen
147:Polyvision
106:March 2023
76:newspapers
749:J'accuse!
379:Buggy Boy
363:Darius II
136:scene of
685:Napoléon
661:J'accuse
573:La Digue
478:July 17,
427:(1983).
392:See also
350:company
328:Magirama
301:Napoleon
297:Napoleon
280:Napoleon
272:Timecode
249:Napoléon
221:Napoleon
217:triptych
213:Cinerama
176:Cinerama
171:Napoleon
139:Napoleon
134:triptych
717:Poliche
669:La Roue
90:scholar
808:(1964)
800:(1960)
792:(1955)
784:(1943)
776:(1941)
768:(1940)
760:(1939)
757:Louise
752:(1938)
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357:Darius
256:Three
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374:Atari
352:Taito
324:Parvo
97:JSTOR
83:books
508:2013
480:2011
433:ISBN
385:TX-1
382:and
69:news
315:in
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