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files and systematic analyses for each work. This scientific rigor makes it possible to establish a comparative calibration, which is further refined by the integration of new technologies. For example, Restellini is the first to use a comparative pigment analysis protocol for a painting's catalogue. Other techniques, such as the systematic use of infra-red plates, or digital processes of "fake colors", complete this corpus to achieve a degree of precision of analysis really innovative in this field.
572:"Modigliani, "l'Ange au Visage grave": Resurrecting the Œuvre and Questions of Authenticity" p. 11-16, "Modigliani: Avant-Garde Artist or "Schizophrenic Painter"?" p.17-32, "Paul Alexandre and the Delta Adventure" p. 94-100, "Modigliani and Paul Guillaume" p. 167-172, and "The Unusual Case of Léopold Zborowski" p. 273-282, in the exhibition catalogue "Modigliani, the Melancholy Angel", Paris, Musée du Luxembourg-Skira, 23 October 2002 – 2 March 2003
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accessible to wide audiences in Asia and Europe. These included exhibitions at the Tobu Museum in Tokyo and in the
Municipal Museum in Osaka with the productions Kiki, Reine de Montparnasse (1998), Georges Rouault (1998), From Fra Angelico to Bonnard, The Artpieces of Dr Raw's private Collection (1999) which then travelled internationally, Sisley (2000) and Redon (2001).
563:"Zborowski, le marchand-poète", p. 9-16 et « La carrière d’un nouvel artiste dans un nouveau monde de l’art (de Paul Alexandre à Léopold Zborowski) », in the exhibition catalogue "Zborowski's painters, Modigliani, Utrillo, Soutine and their friends", Lausanne, Fondation de l’Hermitage, 24 June-23 October 1994, p. 21-32
566:« Zborowski, il mercante-poeta », p. 19-26 and « La carriera di un nuovo artista in un nuovo mondo dell’arte, da Paul Alexandre a Léopold Zborowski », in the exhibition catalogue "Modigliani, Soutine, Utrillo e i pittori di Zborowski", Florence, Palazzo Vecchio, 19 November 1994 – 5 March 1995, p. 31-41
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Restellini curated international art exhibitions; Zborowski's painters exhibition inaugurated at the
Fondation de l'Hermitage in Lausanne for its tenth Anniversary (1994), Georges Rouault's (1997) and Modigliani's retrospectives (1999) at the Modern Art Museum of Lugano in Switzerland, and Picasso's
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Restellini also puts technological and scientific advances at the service of
Modigliani's work. In 1997, at the invitation of the art dealer Daniel Wildenstein, he began Amedeo Modigliani's catalogue raisonné, based on scientific standards Modigliani's catalogue raisonné is based on 600 scientific
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In 1992, Restellini organized Tobu Art Museum's opening exhibition in Tokyo, the first significant exhibition of
Modigliani's masterpieces ever shown in Japan. Through more than 10 years, he developed a system for roving exhibitions that enabled the production of ambitious projects, while remaining
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Born in 1964 in Saint-Omer, in Pas-de-Calais, his grandfather was the painter Issac
Antcher. Restellini earned a degree in history, then a DEA in art history at the Université Panthéon-Sorbonne, where he later became a lecturer from 1988 to 1993. His thesis at the Sorbonne focused on the painters
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The museum closed suddenly in April 2016 after barely a year in business, citing weak attendance. As a result, the company managing the
Pinacothèque, Art Heritage Singapore, of which KOP Group, Alain Vandenborre and Yves Bouvier were stakeholders, was sued for $ 900,000 in damages incurred by
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His solo shows (Soutine and
Utrillo-Valadon), his themes (Pollock and Shamanism, Giacometti and the Etruscans), as well as his showcasing of unusual pieces (Chinese and Mexican national treasures) ensured the success of the Pinacothèque de Paris.
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in Paris from June 2000 to June 2003, Marc
Restellini curated exhibitions such as Raphaël's retrospective in 2001 and Modigliani's retrospective in 2002 showcasing 110 art pieces that both hit record numbers of visitors.
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Francis
Berthier et Marc Restellini, "The Great Collectors of Modigliani in 1920", in the exhibition catalogue "Modigliani, the Melancholy Angel", Paris, Musée du Luxembourg-Skira, 23 October 2002 – 2 March 2003,
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In
January 2015, after sixteen years of collaboration, Restellini and the Wildenstein Institute decided to separate. Restellini continues to work on a Modigliani catalogue raisonné with the Restellini Institute.
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in 2015, modelled after the Paris Pinacothèque. The museum was a joint project between Restellini and two partners at the time, Singapore Diamond Exchange chairman Alain Vandenborre, Swiss art dealer and
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1993: "Renoir" retrospective for Mainichi press group at the Tobu museum and at the Main Osaka museum. The same year, he is general commissioner of the turning exhibition "Modigliani and his friends" in
569:"Il clima artistico di Parigi tra il 1910 e il 1925. Modigliani nel cuore degli anni folli", in the exhibition catalogue "Amedeo Modigliani", Lugano (Switzerland), 28 March-27 June 1999, p. 55-86
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exhibition at the National Museum of Bogota (2000) inaugurated in the presence of M. Jacques Chirac and the French Embassy. As the Art Director and Project Manager of the Modern Art Department of the
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342:, of which Restellini was the main organizer and curator. Public authorities seek to verify whether the tax-free payment of €1.25 million from Livorno municipality to an account in
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in art history. By combining scientific methods with traditional stylistic and historical analysis, the Restellini Institute has in particular vocation the publication of
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1989: curator of "Portraits and Landscapes at Zborowski’s" exhibition at the Town hall of the 6th arrondissement of Paris. With works of Modigliani, Soutine, Antcher...
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Le Silence éternel : Modigliani - Hébuterne 1916-1919", including the Catalogue Raisonné of painting and drawings of Jeanne Hébuterne, Pinacothèque de Paris, 2008
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In addition to his activity as museum director, Restellini developed an institute that implements scientific techniques to support the expertise of the paintings: the
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during his studies. He has originated some of the most important exhibitions dedicated to the artist. Among these, the exhibition at the Musée du Luxembourg,
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1994: exhibition on "The Merchant Zborowski" at the Fondation de l’Hermitage in Lausanne (Switzerland) and at the Palazzo Vecchio in Florence (Italy).
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to finance the exhibition was unlawful. At the same time, other aspects of the contract between Livorno and Restellini are under investigation.
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96:(born 24 June 1964) is a French art historian, museum director, founder of the Pinacothèque de Paris, and a specialist on Amedeo Modigliani.
557:"Modigliani, ses mécènes, ses marchands, ses collectionneurs", in the Catalogue de l’exposition Modigliani au Japon, 1992–93, p. 46-51
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with an exhibition of Picasso's artworks. It was originally located in the 10th district of Paris upon its founding, but relocated to
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2002-2003: "Modigliani, The Melancholy Angel", at the Musée du Luxembourg in Paris and later at the Palazzo Reale in Milan (Italy).
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The Pinacothèque de Paris closed in 2016, citing dwindling visitor numbers and inability to compete against state-owned museums.
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in the chique 8th district in 2007. Following the success of several exhibitions, Restellini opened a second collection in 2010.
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at the National Art Center in Tokyo in 2008,and is still invited for his expertise on Modigliani at the international level.
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Marc Restellini, "Modigliani, Soutine e gli artisti maledetti - La Collezione Netter", 2013, 24 Ore Cultura editore,
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1998: In charge of the exhibition for the centenary of "Eugène Boudin" at the National Museum of Colombia in Bogotá.
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1999: Traveling exhibition of the "Masterpieces from Dr. Rau's collection" in Japan, in the US and in Europe.
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1992: general commissioner of a retrospective dedicated to Modigliani for the Tobu museum in Tokyo (Japan).
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as one of the art experts referenced by Bouvier to justify the high prices of the artworks sold to
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1073:"El historiador francés Marc Restellini hablará sobre Modigliani en el Museo San Carlos - Proceso"
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684:"Dossier. Marc Restellini, le trublion de l'art. Dossier. Marc Restellini, le trublion de l'art"
112:(Portraits and Landscapes of Zborowski) in 1989 at the City Hall of the 6th district in Paris.
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1997: "Georges Rouault" retrospective at the Museum of Modern Art of Lugano (Switzerland).
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opened an investigation into the financing of the Amedeo Modigliani exhibition in
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2003-2016 : all the exhibitions of the Pinacothèque de Paris among which:
387:. Contentious material about living people that is unsourced or poorly sourced
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Pressionism: the Masterpieces of Graffiti on Canvas - from Basquiat to Bando
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560:"Zborowski, merchant and poet", in L’Œil, July–August 1994, p. 52-59
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The Netter Collection: Modigliani, Soutine and the Montparnasse Adventure
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742:"Marc Restellini: quand l'Histoire de l'Art se raconte - Culture Minute"
926:"Paris Pinacotheque Museum closes as visitor numbers drop post attacks"
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1022:"Firm behind Singapore Pinacotheque de Paris faces two more lawsuits"
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Restellini opened another museum in the historical building of the
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1047:"Modigliani Expert Promises New Catalogue Raisonné | artnet News"
717:"Carrefour Vavin. Paris - Organisation - Resources from the BnF"
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1991: curator of "Flaure" exhibition at the Musée du Luxembourg.
1230:"Livorno celebra Modigliani ad alto prezzo e con molti omissis"
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945:"La Pinacothèque de Paris placée en redressement judiciaire"
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Director of museum and Founder of the Pinacothèque de Paris
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Le Paris de Marc Restellini, Pinacothèque de Paris - 09/06
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Georges Rouault: Masterpieces from the Idemitsu collection
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In 2003, Restellini decided to launch his own museum, the
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Van Gogh: Dreams of Japan - Hiroshige: the Art of Travel
637:"A Gênes, soupçons de faux sur l'exposition Modigliani"
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995:"The Singapore Pinacotheque de Paris closes its doors"
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Modigliani, Soutine and other legends of Montparnasse
848:"Pinacothèque de Paris : Naissance d'un musée"
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Jackson Pollock and Shamanism: A New Interpretation
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507:The Dutch Golden Age - From Rembrandt to Vermeer
245:, potentially preventing the article from being
540:at Fabergé Museum in Saint-Petersburg (Russia).
105:represented by art dealer Leopold Zborowski.
8:
1149:"Catalogues raisonnés - Institut Restellini"
1174:"The Bouvier Affair: The Art of Deception?"
1257:
610:"CritikArt.Net - fiche de Marc Restellini"
528:In the Time of Klimt, the Vienna Secession
498:The Xi'an warriors: "Soldiers of Eternity"
265:reliable, independent, third-party sources
31:
451:Learn how and when to remove this message
283:Learn how and when to remove this message
259:by replacing them with more appropriate
181:, as well as investment firm KOP Group.
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334:In late 2019, the Court of Auditors in
242:too closely associated with the subject
874:"Marc Restellini, l'art et la manière"
772:(in French), BFM BUSINESS, 9 June 2015
536:2017 : Curator of the exhibition
323:Marc Restellini was implicated in the
207:Amedeo Modigliani’s Catalogue raisonné
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1124:"The Institute - Institut Restellini"
1079:(in Mexican Spanish). 29 October 2016
900:"Marc Restellini, le musée autrement"
513:The Incas gold: Origins and Mysteries
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943:Gignoux, Sabine (23 November 2015).
185:businesses attached to the project.
110:Portraits et paysages chez Zborowski
670:"Isaac Antcher | Jacob Samuel"
816:Lanez, Emilie (29 November 2009).
791:"The Pinacotheque de Paris Closes"
635:Gautheret, JĂ©rĂ´me (13 June 2017).
108:He organized his first exhibition
25:
1202:Gasperetti, Marco (2 July 2020).
525:Chu Teh-Chun: Ways to Abstraction
510:Edvard Munch or the "Anti-Scream"
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240:may rely excessively on sources
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29:French art historian (born 1964)
690:(in French). 25 February 2010.
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748:(in French). 15 November 2016
1099:"Home - Institut Restellini"
906:(in French). 4 November 2014
854:(in French). 20 January 2011
516:Giacometti and the Etruscans
369:biography of a living person
295:Restellini began to work on
1153:www.institut-restellini.com
1128:www.institut-restellini.com
1103:www.institut-restellini.com
824:(in French). Archived from
389:must be removed immediately
71:Expert on Amedeo Modigliani
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305:Modigliani and Primitivism
1020:hermes (15 April 2016).
818:"Archives - Le Point.fr"
166:Fort Canning Arts Centre
590:- Catalogo della mostra
878:magazine-decideurs.com
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383:Please help by adding
301:L’Ange au Visage grave
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216:Jeanne HĂ©buterne, 1918
160:Singapore Pinacothèque
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143:Pinacothèque de Paris
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129:Pinacothèque de Paris
852:Tout Pour Les Femmes
203:catalogues raisonnés
199:documentary research
1270:Institut Restellini
1208:Corriere della Sera
971:"The Straits Times"
195:Institut Restellini
189:Institut Restellini
122:Musée du Luxembourg
1236:. 6 November 2019.
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797:. 16 February 2016
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367:This section of a
303:in 2002–2003, and
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58:Saint-Omer, France
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614:www.critikart.net
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