36:
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reaching up to the calves, unlike other Hindu divinities β except Surya β who are depicted barefoot. Revanta is depicted seated on a horse and accompanied by a hunting dog. Revanta's attendants are depicted with various hunting weapons like lances and swords. Some of them are shown blowing a
229:, who looked just like Sanjna in her position as Surya's wife. When Surya realised that Chhaya was not the real Sanjna, he searched for Sanjna and finally found her in the forests of Uttar Kuru. There, Surya approached Sanjna disguised as a horse. Their union produced the twin-
344:
In sculpture, Revanta is often depicted with the
Guhyakas, whose chief he is, in scenes of hunting. Apart from the attributes described in texts like the sword, bow; he sometimes also carries a cup of wine in his hand. Revanta is often depicted wearing long
282:
further adds he was assigned the duty as chief of
Guhyakas by Surya and to protect mortals "amid the terrors of forests and other lonely places, of great conflagration, of enemies and robbers." Sometimes, Revanta is depicted as combating robbers in reliefs.
358:
or holding an umbrella over the head of their lord, the umbrella being the symbol of royalty. Also, some of them are depicted as flying or holding wine or water jars. Sometimes, an attendant carries a dead boar in his shoulder or the dog chasing a boar.
367:
Revanta was worshipped as guardian deity of warriors and horses, protector from the dangers of forests and the patron god of hunting. The worship of
Revanta is closely associated with
864:
189:
Images and sculptures of
Revanta often show him as a huntsman on a horse, with a bow and arrow. The worship of Revanta was especially common in medieval Eastern India (
225:
and wife of Surya, unable to take the fervour of the Sun-god, repaired to the forests to engage in devout austerities in the form of a mare. She placed her shadow
450:
439:
857:
598:
416:
and Surya temples. There is a stone inscription that talks about a temple to
Revanta, as the principal deity, in Vikranapur (modern Kotgaph,
35:
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804:
709:
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622:
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324:
describes
Revanta as "holding a sword and bow, clad in an armour, riding on horseback, and carrying arrows and a quiver". The
304:
was mesmerized with the horse and ignored a question asked by Vishnu. Thus, she was cursed by her husband to become a mare.
197:) with many archaeological finds indicating the existence of a cult dedicated to him that began in the 6th century A.D.
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1375:
330:
describes him carrying a sword in right hand and a whip in his left, seated on a white horse. Thus he is called
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Art of Osian
Temples: Socio-Economic and Religious Life in India, 8th-12th Centuries A.D.
292:
has a passing reference to
Revanta. Once when Revanta β riding on the seven headed horse
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The worship of
Revanta was popular in the early-medieval period, particularly in
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Religious
Beliefs and Practices of North India During the Early Mediaeval Period
593:, The Sacred books of the Hindus, vol. 18, Cosmo Publications, p. 32,
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recommend worship of Revanta alongside Surya or according to the rituals of
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by Brijendra Nath Sharma, Published 1975, Abhinav Publications,86 pages,
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on horses. He suggests worship of Raivata to protect horses from ghosts.
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Singh, Nagendra Kumar (1997), "Revanta in Puranic Literature and Art",
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839:, Annali dell'Istituto Orientale di Napoli, vol. 48, fasc. 2 (1988)
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The Myths and Gods of India: The Classic Work on Hindu Polytheism
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259:(Rajni), another wife of Surya. While in another chapter of the
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records Revanta's worship after Surya's, in the Hindu month of
205:
The tale of Revanta's birth is narrated in scriptures like the
263:, he is son of Chhaya and his brothers are the Saturn-god
341:
describes him as accompanied by attendants for hunting.
799:, vol. 44, Anmol Publications, pp. 2605β19,
568:, Inner Traditions / Bear & Company, p. 96,
182:β who are believed to live as forest dwellers in the
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730:by Mary Boyce, Frantz Grenet, Roger Beck pp.485-6
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371:, the sect of Surya. Often, scriptures like the
153:(Sanskrit: ΰ€°ΰ₯ΰ€΅ΰ€¨ΰ₯ΰ€€, lit. "brilliant") is a minor
858:
750:
748:
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163:, Revanta is the youngest son of the sun-god
8:
642:, University of Chicago Press, p. 218,
640:Women, androgynes, and other mythical beasts
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851:
843:
468:Proceedings of the Indian History Congress
316:11th century statue of Revanta from Bengal
34:
542:J. L. Shastri, G. P. Bhatt (1998-01-01).
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221:), the daughter of celestial architect
545:Agni Purana Unabridged English Motilal
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464:"The Cult of Revanta in Eastern India"
18:
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511:. Motilal Banarsidass. p. 259.
440:Monier-Williams Dictionary: Revanta
40:7th century statue of Revanta from
638:Doniger O'Flaherty, Wendy (1980),
451:Monier-Williams Dictionary:Guhyaka
401:, is believed to have written the
14:
700:, Abhinav Publications, pp.
589:A Talaqdar of Oudh (2008), "XI",
255:, the mother of Revanta is named
178:, supernatural beings β like the
1016:
412:. Revanta is mostly depicted in
837:Revanta, an Indian Cavalier God
613:Vibhuti Bhushan Mishra (1973),
505:J. L. Shastri, Editor (1951).
1:
728:A History of Zoroastrianism
462:Jash, Pranabananda (1978).
28:The divine master of horses
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591:The Matsya Puranam: Part I
1338:
1014:
797:Encyclopaedia of Hinduism
337:, one who rides a horse.
33:
26:
1322:Yoga Sutras of Patanjali
508:The Linga-Purana, Part 1
374:Vishnudharmottara Purana
300:'s abode, Vishnu's wife
174:Revanta is chief of the
157:deity. According to the
822:Iconography of Revanta
317:
286:Another tale from the
835:M. L. Carter (1988),
682:, pp. 2611, 2613
617:, BRILL, p. 37,
315:
289:Devi Bhagavata Purana
692:Kalia, Asha (1982),
233:and Revanta. In the
424:king Ratnadeva II.
1386:Horses in Hinduism
781:, pp. 2615β16
742:, pp. 2606β14
527:has generic name (
387:Shabha-kalpa-druma
318:
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600:978-81-307-0532-3
495:, pp. 2605β6
322:Markandeya Purana
280:Markandeya Purana
261:Markandeya Purana
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46:Uttar Pradesh
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1381:Hunting gods
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273:Savarni Manu
260:
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240:Linga Purana
236:Kurma Purana
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1306:Mahabharata
1217:Kuladevatas
996:Vishvakarma
474:: 990β999.
383:Sun worship
354:or beaming
308:Iconography
246:Agni Purana
223:Vishvakarma
53:Affiliation
16:Hindu deity
1371:Hindu gods
1365:Categories
1288:Upanishads
1207:Gandharvas
931:Dattatreya
788:References
779:Singh 1997
767:Singh 1997
755:Singh 1997
740:Singh 1997
680:Singh 1997
668:Singh 1997
493:Singh 1997
296:β went to
44:, Eastern
1227:Rakshasas
1097:Mahavidya
1040:Saraswati
1027:Goddesses
956:Kartikeya
517:cite book
422:Kalachuri
414:Vaishnava
410:Rajasthan
184:Himalayas
87:Genealogy
1343:Hinduism
1299:Ramayana
1241:Yakshini
1147:Shashthi
1107:Matrikas
1092:Mahadevi
894:Trimurti
562:(1991),
480:44139448
377:and the
249:and the
211:and the
176:Guhyakas
160:Rig-Veda
123:Yamaraja
115:Siblings
107:(mother)
101:(father)
64:Himalaya
56:Guhyakas
1293:Puranas
1281:Atharva
1250:Texts (
1237:Yakshas
1232:Vahanas
1202:DikpΔla
1175:Apsaras
1127:Rukmini
1102:Matangi
1050:Parvati
1045:Lakshmi
1035:Tridevi
961:Krishna
941:Hanuman
936:Ganesha
926:Chandra
921:Ashvins
702:119β120
399:Pandava
363:Worship
302:Lakshmi
231:Ashvins
219:Saranyu
201:Legends
180:Yakshas
169:Saranyu
151:Raivata
147:Revanta
119:Ashvins
105:Saranyu
92:Parents
42:Sarnath
22:Revanta
1197:Devata
1190:Danava
1185:Daitya
1180:Asuras
1142:Shakti
1132:Sanjna
1122:Rohini
1082:Shachi
1067:Chhaya
986:Varuna
976:Shasta
966:Kubera
904:Vishnu
899:Brahma
828:
803:
708:
646:
621:
597:
572:
478:
395:Nakula
391:Ashvin
385:. The
334:Vahana
298:Vishnu
269:Tapati
244:, the
238:, the
227:Chhaya
195:Bengal
135:Tapati
69:Weapon
1276:Yajur
1261:Vedas
1112:Radha
1077:Ganga
1072:Durga
1062:Bhumi
1057:Aditi
981:Surya
946:Indra
909:Shiva
878:texts
476:JSTOR
428:Notes
369:Saura
356:drums
352:conch
347:boots
332:Haya-
265:Shani
257:Ratri
191:Bihar
165:Surya
155:Hindu
131:Shani
99:Surya
82:Horse
78:Mount
72:Sword
61:Abode
1329:more
1271:Sama
1252:list
1212:Gana
1158:more
1152:Sita
1137:Sati
1117:Rati
1087:Kali
1007:more
1001:Yama
991:Vayu
971:Rama
951:Kama
916:Agni
886:Gods
876:and
826:ISBN
801:ISBN
706:ISBN
644:ISBN
619:ISBN
595:ISBN
570:ISBN
529:help
320:The
278:The
271:and
193:and
137:and
127:Yami
1266:Rig
186:.
171:.
149:or
1367::
1239:/
747:^
720:^
704:,
658:^
521::
519:}}
515:{{
472:39
470:.
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