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is translated as the "prime minister" or "vizier" note. A performer will typically try to emphasize the
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can be crucial in defining the raga at hand, and in some cases two ragas with the same
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is the second-most prominent (though not necessarily second-most played) note of a
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can be distinguished only by the prominence of their sonant and consonant notes.
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along with the vadi when improvising on a certain raga. The
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is often translated as the "king" note of a raga, while the
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49:; the vadi and samavadi are in most cases a
136:Vishnudass Shirali; Uday Shankar (1936).
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43:. The primary note of the raga is the
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112:The Dawn of Indian Music in the West
64:is a note of special significance.
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109:Peter Lavezzoli (24 April 2006).
115:. A&C Black. pp. 22–.
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168:Hindustani music terminology
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173:Carnatic music terminology
139:Hindu music and rhythm
41:Indian classical music
142:. Printed by Studium
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162:Categories
96:References
146:20 April
90:avrohana
82:samavadi
74:samavadi
70:samavadi
62:samavadi
29:samavadi
86:arohana
57:apart.
33:samvadi
18:Samvadi
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51:fourth
55:fifth
148:2013
117:ISBN
88:and
80:and
78:vadi
66:Vadi
46:vadi
37:raga
27:The
53:or
39:in
31:or
164::
60:A
150:.
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20:)
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