379:
449:
523:
476:
489:
562:
429:
228:
603:
511:
546:
584:
407:
395:
97:
39:
448:
378:
835:
271:
109:
475:
246:
has been described as one of the most beautiful compositions of
English Gothic architecture. Even when reduced to a simple passage it was always a highly enriched feature. In the 15th-century churches in England, when the roof over the aisles was comparatively flat, more height being required for the
522:
488:
428:
461:, showing the triforium, with its rounded arches and chevron mouldings, each arch supported by four small arches on columns. This triforium contains an unusual projecting watching-loft. There is also another passage above, at the base of the
561:
152:
not wide enough to walk along. The outer wall of the triforium may itself have windows (glazed or unglazed openings), or it may be solid stone. A narrow triforium may also be called a "blind-storey", and looks like a row of window frames.
406:
545:
602:
337:
were in fact intended for all persons who could not, or did not want to, enter the main body of the church below, including men as well as women, although the sexes were always separated to left and right.
481:
Malmesbury Abbey, showing the location of the triforium. It lies between the lower (aisle) windows and the upper (clerestory) windows, as arrowed. It is shallow, as it is inside the roofspace of the side
193:, where a triforium constituted an upper gallery for conversation and business; in the early Christian basilicas such a passageway was usually reserved for women, and the same applied to those in the
394:
510:
262:
was frankly adopted by the Gothic architect and emphasized by its architectural design as an important feature, other cross-arches were introduced under the roof to strengthen it.
251:
the triforium was often occupied by persons who came to witness various ceremonies, and in early days was probably used by the monks and clergy for work connected with the church.
49:
536:
855:
627:
583:
216:
of the cathedral or church, and being of less height gives more importance to the ground storey or nave arcade. In consequence of its lesser height its
224:, which were again subdivided into two smaller arches and these subdivisions increased the apparent scale of the aisle below and the clerestory above.
793:
760:
850:
777:
748:
818:
212:
or is reduced to a simple passage in the thickness of the walls; in either case it forms an important architectural division in the
148:. Early triforia were often wide and spacious, but later ones tend to be shallow, within the thickness of an inner wall, and may be
83:
341:
In medieval churches, matronea lost their function of accommodation and became purely architectonic elements, placed over the side
879:
894:
590:
665:
227:
904:
899:
682:
65:
677:
359:, the matronea were one of the four elements which constituted the interior walls (arch, matroneum, triforium and
353:
201:
194:
101:
20:
305:) in architecture is a gallery on the interior of a building, originally intended to accommodate women, in
27:
400:
Model of the
Basilica Julia, showing triforium as an upper-story arcade around a full-height central hall
466:
315:
283:
145:
140:
windows, or it may be located as a separate level below the clerestory. Masonry triforia are generally
128:, opening onto the tall central space of a building at an upper level. In a church, it opens onto the
255:
532:
529:
455:
364:
356:
346:
238:
On account of the richness of its mouldings and carved ornament in the sculpture introduced in the
205:
535:
has windows on the outside wall, and is the same width as the innermost side aisle arcade below (
330:
329:. This definition is disputed by Valerio Ascani, professor of the history of medieval art at the
217:
96:
814:
789:
756:
568:
243:
232:
125:
247:
clerestory windows, the triforium was dispensed with altogether. In the great cathedrals and
458:
722:
Peter Kidson et al., A history of
English architecture (Harmondsworth: Penguin, 1965) p. 85
687:
499:
259:
870:
19:
This article is about the architectural term. For the public artwork in Los
Angeles, see
572:
413:
385:
306:
275:
180:
113:
61:
254:
The triforium sometimes served structural functions, as under its roof are arches and
888:
846:
841:
673:
516:
A cross-section of a similar building, with a narrow triforium no wider than the wall
495:
555:
wall, showing (top to bottom) clerestory window, triforium, and side aisle openings.
648:
435:
149:
183:
equivalent is τρίθυρον, which originally referred to a building with three doors.
388:, above left. The arches on both sides of the basilica's triforium were unglazed.
270:
242:, it became the most highly decorated feature of the interior. The triforium at
108:
811:
Il trecento disegnato – Le basi progettuali dell'architettura gotica in Italia
462:
439:
360:
137:
133:
859:. Vol. 27 (11th ed.). Cambridge University Press. pp. 270–271.
875:
594:
575:). The outer wall of this triforium contains large stained-glass windows.
417:
279:
239:
190:
187:
141:
647:
Du Fresne, Carolus; Carpenterius, D.P.; Henschel, G.A.L. (1883–1987).
609:
494:
View of (and from) the circular triforium in the round church of the
420:
would have contained law courts, banking, and a covered marketplace.
384:
The Roman forum; note people looking out from the triforium of the
840:
This article incorporates text from a publication now in the
613:
342:
248:
226:
209:
165:
107:
95:
552:
221:
213:
129:
616:, a public space more similar in purpose to the Roman basilicas
32:
666:
363:), but they grew rare in the succeeding period of full-blown
258:
which carry thrust from the nave to the outer wall. When the
776:
Devonshire Jones, Tom; Murray, Linda; Murray, Peter (2013).
747:
Devonshire Jones, Tom; Murray, Linda; Murray, Peter (2013).
345:
with the structural purpose of containing the thrust of the
786:
The Oxford
Dictionary of Christian Art & Architecture
753:
The Oxford
Dictionary of Christian Art & Architecture
730:
728:
208:
buildings it is either a spacious gallery over the side
57:
438:, with a wide triforium gallery beneath the rows of
320:
186:The earliest examples of triforia are those in the
116:of a Gothic cathedral, with triforium highlighted
349:, and came to consist solely of bays so placed.
46:The examples and perspective in this article
8:
416:, architectural reconstruction. In use, the
628:Cathedral architecture of the Western World
84:Learn how and when to remove this message
734:
710:
698:
653:Glossarium Mediae et Infimae Latinitatis
269:
144:and separated from the central space by
788:(2 ed.). Oxford University Press.
755:(2 ed.). Oxford University Press.
639:
579:
506:
424:
374:
7:
136:; it may occur at the level of the
528:In contrast, the triforium of the
434:Interior of the domed 6th-century
14:
833:
608:Triforium in a shopping mall in
601:
582:
560:
544:
521:
509:
487:
474:
447:
427:
405:
393:
377:
37:
551:Interior view of Notre-Dame's
16:A space inside a tall building
1:
220:was usually divided into two
655:(in Latin). Niort: L. Favre.
651:. In Favre, Leopold (ed.).
321:
60:, discuss the issue on the
921:
667:
25:
18:
809:Valerio, Ascania (1997).
310:
104:triforium gallery, Lisbon
880:how to design a basilica
878:, a Roman architect, on
502:and consecrated in 1185.
498:in London. Built by the
26:Not to be confused with
856:Encyclopædia Britannica
683:A Greek–English Lexicon
442:and upper dome windows.
333:: according to Ascani,
195:Eastern Orthodox Church
21:Triforium (Los Angeles)
895:Architectural elements
591:Kılıç Ali Pasha Mosque
286:
235:
179:'door, entrance'; its
117:
105:
28:Tribune (architecture)
674:Liddell, Henry George
273:
230:
111:
99:
469:, Wiltshire, England
164:is derived from the
66:create a new article
58:improve this article
48:may not represent a
905:Mosque architecture
900:Church architecture
871:Pitt.edu: Triforium
813:. Edizioni Viella.
713:, pp. 270–271.
533:Notre-Dame de Paris
365:Gothic architecture
331:University of Pisa
287:
236:
118:
106:
795:978-0-19-968027-6
762:978-0-19-968027-6
589:Triforium of the
569:Cologne Cathedral
319:
274:The matroneum of
231:The triforium at
94:
93:
86:
68:, as appropriate.
912:
860:
839:
837:
836:
825:
824:
806:
800:
799:
773:
767:
766:
744:
738:
732:
723:
720:
714:
708:
702:
696:
690:
670:
669:
663:
657:
656:
644:
605:
586:
564:
548:
525:
513:
491:
478:
459:Malmesbury Abbey
451:
431:
412:Interior of the
409:
397:
381:
324:
314:
312:
89:
82:
78:
75:
69:
41:
40:
33:
920:
919:
915:
914:
913:
911:
910:
909:
885:
884:
867:
849:, ed. (1911). "
845:
834:
832:
829:
828:
821:
808:
807:
803:
796:
775:
774:
770:
763:
746:
745:
741:
733:
726:
721:
717:
709:
705:
697:
693:
688:Perseus Project
664:
660:
646:
645:
641:
636:
624:
617:
606:
597:
587:
576:
565:
556:
549:
540:
526:
517:
514:
503:
500:Knights Templar
492:
483:
479:
470:
452:
443:
432:
421:
410:
401:
398:
389:
382:
373:
325:, Latinised as
297:; earlier also
268:
260:flying buttress
159:
132:from above the
124:is an interior
90:
79:
73:
70:
55:
42:
38:
31:
24:
17:
12:
11:
5:
918:
916:
908:
907:
902:
897:
887:
886:
883:
882:
873:
866:
865:External links
863:
862:
861:
847:Chisholm, Hugh
827:
826:
819:
801:
794:
768:
761:
739:
737:, p. 271.
724:
715:
703:
701:, p. 270.
691:
658:
638:
637:
635:
632:
631:
630:
623:
620:
619:
618:
607:
600:
598:
588:
581:
578:
577:
573:Gothic Revival
566:
559:
557:
550:
543:
541:
527:
520:
518:
515:
508:
505:
504:
493:
486:
484:
480:
473:
471:
453:
446:
444:
433:
426:
423:
422:
414:Basilica Ulpia
411:
404:
402:
399:
392:
390:
386:Basilica Julia
383:
376:
372:
369:
276:Pisa Cathedral
267:
264:
158:
155:
114:elevation view
92:
91:
52:of the subject
50:worldwide view
45:
43:
36:
15:
13:
10:
9:
6:
4:
3:
2:
917:
906:
903:
901:
898:
896:
893:
892:
890:
881:
877:
874:
872:
869:
868:
864:
858:
857:
852:
848:
843:
842:public domain
831:
830:
822:
820:88-85669-62-X
816:
812:
805:
802:
797:
791:
787:
783:
779:
772:
769:
764:
758:
754:
750:
743:
740:
736:
735:Chisholm 1911
731:
729:
725:
719:
716:
712:
711:Chisholm 1911
707:
704:
700:
699:Chisholm 1911
695:
692:
689:
685:
684:
679:
678:Scott, Robert
675:
671:
662:
659:
654:
650:
643:
640:
633:
629:
626:
625:
621:
615:
611:
604:
599:
596:
592:
585:
580:
574:
570:
567:Triforium in
563:
558:
554:
547:
542:
538:
534:
531:
524:
519:
512:
507:
501:
497:
496:Temple Church
490:
485:
477:
472:
468:
464:
460:
457:
450:
445:
441:
437:
430:
425:
419:
415:
408:
403:
396:
391:
387:
380:
375:
370:
368:
366:
362:
358:
355:
350:
348:
344:
339:
336:
332:
328:
323:
317:
308:
304:
300:
296:
292:
285:
281:
278:protected by
277:
272:
265:
263:
261:
257:
252:
250:
245:
241:
234:
229:
225:
223:
219:
215:
211:
207:
203:
198:
196:
192:
189:
184:
182:
178:
174:
170:
167:
163:
156:
154:
151:
150:blind arcades
147:
143:
139:
135:
131:
127:
123:
115:
110:
103:
98:
88:
85:
77:
67:
63:
59:
53:
51:
44:
35:
34:
29:
22:
854:
810:
804:
785:
781:
771:
752:
742:
718:
706:
694:
681:
661:
652:
642:
530:early Gothic
436:Hagia Sophia
354:Early Gothic
351:
347:central nave
340:
334:
326:
302:
298:
294:
290:
288:
253:
237:
199:
185:
176:
175:'three' and
172:
168:
161:
160:
121:
119:
80:
71:
47:
778:"Matroneum"
749:"matroneum"
649:"Triforium"
134:side aisles
889:Categories
634:References
467:Malmesbury
463:clerestory
440:clerestory
361:clerestory
322:gynaikaion
311:γυναικαίον
299:matronaeum
202:Romanesque
138:clerestory
102:Romanesque
876:Vitruvius
851:Triforium
782:gynecaeum
465:windows.
327:gynecaeum
316:romanized
303:matronaea
301:, plural
293:(plural:
291:matroneum
266:Matroneum
240:spandrels
191:basilicas
162:Triforium
122:triforium
112:Interior
62:talk page
668:τρίθυρον
622:See also
595:Istanbul
418:basilica
357:churches
335:matronea
295:matronea
280:triforia
74:May 2019
56:You may
844::
686:at the
537:details
482:aisles.
371:Gallery
318::
244:Lincoln
233:Lincoln
157:History
146:arcades
142:vaulted
126:gallery
838:
817:
792:
759:
610:Dalian
456:Norman
343:aisles
284:bifora
256:vaults
249:abbeys
222:arches
210:aisles
206:Gothic
614:China
307:Greek
188:pagan
181:Greek
177:foris
166:Latin
64:, or
815:ISBN
790:ISBN
757:ISBN
553:nave
454:The
282:and
214:nave
204:and
173:tria
169:tres
130:nave
853:".
593:in
352:In
218:bay
200:In
891::
784:.
780:.
751:.
727:^
680:;
676:;
672:.
612:,
539:).
367:.
313:,
309::
289:A
197:.
171:,
120:A
100:A
823:.
798:.
765:.
571:(
87:)
81:(
76:)
72:(
54:.
30:.
23:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.