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The artist who created the designs on her face and body was likley to have been
Tomanika Vaka Tuku One, who was also a catechist. With geometric stripes on her forehead and a adze-like design on her cheek, Viriamo's body was also decorated. Her back was decorated with the
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visited the island in 1941, she was "the only living person" to have "witnessed the functioning of the ancient culture". As a cultural informant, she shared information about the island's indigenous culture, such as
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The tattoos of the Rapa Nui people were a subject of research by
European colonisers and Viriamo's body art was recorded by several people. It is likley that she is the 'chefess' recorded by
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quarry. She was married three times. Her second husband was Vaka Ariki, with whom she had five children. A son from her thrid marriage was cultural informant
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194:. Tepano told MĂ©traux on his visit that much of his knowledge that he shared came from his mother, who at that time could no longer speak.
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178:(a bird man cult), with visitors. She also shared information about indigenous deities, such as Tare and Rapahango.
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in his writings. Her back tattoos were drawn by J. Linton Palmer in 1853. Photographs of her were published in
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330:"Mechanics, logistics and economics of transporting Easter Island (Rapa Nui) statues."
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with
European visitors; the same knowledge she also shared with her son
98:. She was a cultural informant who shared information about indigenous
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were the only two people on Rapa Nui to have traditional tattoos.
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Howes, Hilary; Jones, Tristen; Spriggs, Matthew (2022-06-21).
378:
Uncovering
Pacific Pasts: Histories of Archaeology in Oceania
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The iconic tattooed man of easter island: an illustrated life
421:"Alfred MĂ©traux: Between Ethnography and Applied Knowledge"
106:, who in turn also functioned as a cultural informant.
425:
Oxford
Research Encyclopedia of Latin American History
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225:. Santa Monica, CA: EISP Foundation Mana Press.
86:(c.1840 - c.1940) was one of the last surviving
250:"SACRED SKIN: EASTER ISLAND INK | LARS KRUTAK"
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73:One of the last tattooed people of Rapa Nui
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405:Splendid Isolation: Art of Easter Island
94:using traditional practices, along with
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433:10.1093/acrefore/9780199366439.013.452
358:Museum, Bernice Pauahi Bishop (1971).
300:"Review of ETHNOLOGY OF EASTER ISLAND"
304:The Journal of the Polynesian Society
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364:. Bishop Museum Press. p. 317.
80:Victoria Veriamo a Huki a Parapara,
131:motif, which symbolised a paddle.
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361:Bernice P. Bishop Museum Bulletin
347:. Georgia Lee. 1993. p. 113.
16:Tattooed woman from Easter Island
419:Bulamah, Rodrigo (2017-07-27),
275:"The Mystery of Easter Island"
221:Kaeppler, Adrienne L. (2018).
186:Viriamo was born close to the
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148:The Mystery of Easter Island
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279:digital.library.upenn.edu
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402:Kjellgren, Eric (2001).
328:Van Tilburg, Jo Anne.
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118:Viriamo, back view by
138:Rapa Nui tattoo tools
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467:Easter Island people
90:people to have been
152:Katherine Routledge
298:A., J. C. (1941).
254:www.larskrutak.com
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442:978-0-19-936643-9
388:978-1-76046-487-5
310:(1(197)): 48–51.
232:978-1-7324952-0-3
162:By 1930, she and
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408:. p. 30.
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282:. Retrieved
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258:. Retrieved
256:. 2012-11-23
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176:tangata manu
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144:Julien Viaud
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192:Juan Tepano
188:Rano Raraku
164:Ana Eva Hei
104:Juan Tepano
96:Ana Eva Hei
461:Categories
448:2024-09-30
284:2024-09-30
260:2024-09-30
198:References
169:When time
62:Occupation
316:0032-4000
92:tattooed
88:Rapa Nui
56:Rapa Nui
44:Rapa Nui
332:(1996).
110:Tattoos
84:Viriamo
23:Viriamo
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158:Legacy
122:, 1911
53:c.1940
41:c.1840
437:ISBN
383:ISBN
312:ISSN
227:ISBN
50:Died
38:Born
429:doi
150:by
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