50:, edit or add new elements to existing songs, commonly to express an opinion. According to the Concerned Group for Rights of Derivation Works, "Secondary creations are ubiquitous". Secondary creations are not believed to violate copyright laws, since their theme (and meaning) are obviously different from the original works. Secondary creators do not claim that their works are derived from others, but are original (and, therefore, not plagiarism).
205:
or commentary, it may not be considered copyright infringement. Some believed that the bill would restrict freedom of expression and creation because it would allow a copyright owner to disallow secondary creators from using those exceptions. As this would making a secondary creation ineligible for
169:
Secondary creations have been uploaded to YouTube as political or social commentary and entertainment; most are by non-profit creators. Some secondary creations have attracted attention to the original works. Secondary creations of songs may be considered
206:
copyright exceptions, the copyright owner could file a civil case against any secondary creator who parodied their work. The copyright sector, led by the Hong Kong
Copyright Alliance, hoped the bill would fight piracy on the Internet.
177:
Copyright protects a creator's effort and originality. Secondary creations, based on additions to an original work, may or may not infringe copyright. "New" works might alter the public image of a brand; the
521:
157:《蝗蟲天下》（原曲：富士山下）(2011), the second production of a Cantonese pop song, reflected antipathy towards the behavior of mainland tourists in Hong Kong. Its YouTube video had more than 1,460,000 views by 2016.
145:
has a forum for members to discuss topics related to music, enabling them to publish re-written songs anonymously. Songs collectively re-composed on the channel may be posted on
593:
463:
135:. Internet music channels and musicians re-create songs parodying contemporary political and social issues and entertainment events or translated into
575:
237:
274:
189:
created confusion about secondary creations. If the secondary creation is considered under the exception categories of being a
186:
82:
39:
31:
225:
Periplus Pocket
Cantonese Dictionary: Cantonese-English English-Cantonese (Fully Revised & Expanded, Fully Romanized)
324:
616:
621:
127:
Commercial use of secondary creations of songs continued since the 1980s. With the increasing influence of the
417:
493:
105:
436:
132:
299:
179:
498:
229:
337:
91:
69:
594:"Hong Kong people barking up the wrong tree on copyright bill, insists association policy chief"
539:
270:
260:
233:
223:
150:
503:
17:
449:
349:
326:在版權制度下處理戲仿作品的公眾諮詢 [Public consultation on parody works under the copyright system]
300:"Why is the Government consulting the public on "parody" but not on "secondary creation"?"
74:
63:
Secondary creations of songs in Hong Kong began during the 1960s. Songs were derived from
153:
platform. In 2009, the number of posts to the forum reached 10,000. Rewritten lyrics of
392:
103:
During the 1980s, comedy and variety television shows became popular. The variety show
78:
610:
64:
576:"Explainer: What is legal and what is not under Copyright (Amendment) Bill 2014"
484:
Posner, R. A. (2005). "Intellectual
Property: The Law and Economics Approach".
202:
115:
110:
507:
368:
136:
198:
171:
142:
128:
131:, reproduction of songs switched from television to Internet forums and
161:《失暖王》原：失戀王 (2016) parodied cold Siberian weather in late January 2016.
146:
557:
194:
190:
113:
became well known in the 1990s for rewriting song lyrics in the
109:
included many secondary creations. Comedians Andrew Lam and
269:] (in Chinese). Hong Kong: Red Publish. p. 202.
418:"由虛擬走到真實的網絡文化 : 從高登論 壇看本土主流媒體、流行文化與網絡社 群的互動與衝突"
89:), a parody, was derived from the Cantonese opera
95:and reflected poverty in contemporary Hong Kong.
81:'s 1968 song "Going Out, No Money to Buy Bread" (
8:
479:
477:
267:Primary school students: English language 1
363:
361:
359:
497:
294:
292:
77:, and popular Western or Japanese songs.
214:
445:
434:
345:
335:
7:
486:The Journal of Economic Perspectives
222:Lam, Martha; Ming, Lee Hoi (2019).
182:has been parodied as "Buddhaland".
332:(in Chinese). Legislative Council.
25:
544:Intellectual Property Department
28:Secondary creations in Hong Kong
187:Copyright (Amendment) Bill 2014
558:"迪士尼向謎米香港發律師信 指「香港釋迦牟尼樂園」報導侵權"
86:
43:
35:
1:
48:derivative works in Hong Kong
67:, Disney musicals (such as
18:Music sampling in Hong Kong
638:
159:Champion of Warmth Losses
540:"Copyright in Hong Kong"
508:10.1257/0895330054048704
323:二次創作權關注組 (2013-10-28).
444:Cite journal requires
133:online video platforms
106:Enjoy Yourself Tonight
304:Intellectual Property
580:Hong Kong Free Press
259:Patrick Sir (2015).
180:Hong Kong Disneyland
416:XU, Qirong (2011).
230:Periplus Publishing
155:The World of Locust
40:traditional Chinese
92:Princess Changping
70:The Sound of Music
32:simplified Chinese
522:"黃德源：支持二次創作屬表揚原作"
239:978-1-4629-2035-8
151:social networking
46:), also known as
16:(Redirected from
629:
617:Derivative works
602:
601:
590:
584:
583:
572:
566:
565:
554:
548:
547:
536:
530:
529:
518:
512:
511:
501:
481:
472:
471:
460:
454:
453:
447:
442:
440:
432:
430:
429:
413:
407:
406:
404:
403:
393:"二次創作「有層次」得防着點？"
389:
383:
382:
380:
379:
365:
354:
353:
347:
343:
341:
333:
331:
320:
314:
313:
311:
310:
296:
287:
286:
284:
283:
256:
250:
249:
247:
246:
219:
88:
45:
37:
21:
637:
636:
632:
631:
630:
628:
627:
626:
622:Hong Kong music
607:
606:
605:
592:
591:
587:
574:
573:
569:
556:
555:
551:
538:
537:
533:
520:
519:
515:
499:10.1.1.502.8493
483:
482:
475:
464:"廣而告之 原創的生命延續法"
462:
461:
457:
443:
433:
427:
425:
415:
414:
410:
401:
399:
391:
390:
386:
377:
375:
367:
366:
357:
344:
334:
329:
322:
321:
317:
308:
306:
298:
297:
290:
281:
279:
277:
258:
257:
253:
244:
242:
240:
221:
220:
216:
212:
167:
125:
101:
99:1980s and 1990s
75:classical music
61:
59:1960s and 1970s
56:
23:
22:
15:
12:
11:
5:
635:
633:
625:
624:
619:
609:
608:
604:
603:
585:
567:
549:
531:
513:
473:
468:Capital Weekly
455:
446:|journal=
408:
384:
355:
315:
288:
275:
251:
238:
213:
211:
208:
166:
163:
124:
121:
100:
97:
79:Cheng Gwan-min
60:
57:
55:
52:
24:
14:
13:
10:
9:
6:
4:
3:
2:
634:
623:
620:
618:
615:
614:
612:
600:. 2016-01-31.
599:
595:
589:
586:
582:. 2015-12-12.
581:
577:
571:
568:
563:
559:
553:
550:
545:
541:
535:
532:
527:
523:
517:
514:
509:
505:
500:
495:
491:
487:
480:
478:
474:
469:
465:
459:
456:
451:
438:
423:
419:
412:
409:
398:
394:
388:
385:
374:
370:
364:
362:
360:
356:
351:
339:
328:
327:
319:
316:
305:
301:
295:
293:
289:
278:
276:9789881438928
272:
268:
264:
263:
255:
252:
241:
235:
231:
228:. Singapore:
227:
226:
218:
215:
209:
207:
204:
200:
196:
192:
188:
185:The proposed
183:
181:
175:
173:
164:
162:
160:
156:
152:
148:
144:
140:
138:
134:
130:
122:
120:
118:
117:
112:
108:
107:
98:
96:
94:
93:
84:
80:
76:
72:
71:
66:
65:Chinese opera
58:
53:
51:
49:
41:
33:
29:
19:
597:
588:
579:
570:
561:
552:
543:
534:
525:
516:
492:(2): 57–73.
489:
485:
467:
458:
437:cite journal
426:. Retrieved
421:
411:
400:. Retrieved
396:
387:
376:. Retrieved
372:
325:
318:
307:. Retrieved
303:
280:. Retrieved
266:
261:
254:
243:. Retrieved
224:
217:
184:
176:
168:
158:
154:
141:
126:
114:
104:
102:
90:
68:
62:
47:
27:
26:
346:|work=
149:or another
73:), Western
611:Categories
428:2016-03-24
402:2016-03-24
378:2016-03-24
309:2016-03-24
282:2021-08-07
245:2021-08-07
210:References
203:caricature
123:After 2000
116:mo lei tau
111:Eric Tsang
494:CiteSeerX
348:ignored (
338:cite book
165:Copyright
137:Cantonese
373:Metropop
199:pastiche
172:fair use
143:HKGolden
129:Internet
369:"民間改詞熱"
147:YouTube
119:genre.
87:落街無錢買麵包
83:Chinese
54:History
562:memehk
496:
273:
262:小學雞英語1
236:
195:satire
191:parody
85::
42::
34::
526:樹仁新傳系
330:(PDF)
265:[
598:SCMP
450:help
424:: 18
397:星島日報
350:help
271:ISBN
234:ISBN
44:二次創作
36:二次创作
504:doi
613::
596:.
578:.
560:.
542:.
524:.
502:.
490:19
488:.
476:^
466:.
441::
439:}}
435:{{
422:22
420:.
395:.
371:.
358:^
342::
340:}}
336:{{
302:.
291:^
232:.
201:,
197:,
193:,
174:.
139:.
38:;
564:.
546:.
528:.
510:.
506::
470:.
452:)
448:(
431:.
405:.
381:.
352:)
312:.
285:.
248:.
30:(
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.