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118:, to prevent her from continuing to perform under his last name, but he was unsuccessful. At court, Cœuriot won a definitive right to perform as "Madam Ismaël", which had been her stage name since 1852, and Garcin would then be called "Ismaël-Garcin". At the time of the court case (May 1886), both Marie Ismaël-Garcin and his first wife (Cœuriot, also known as Alceste Ismaël) were singing in the same production of
190:
Ismaël had retired definitively from the stage in the early 1880s and spent the last years of his life with Marie at his villa in
Marseille. After his death in 1893, Marie Garcin never remarried and lived in their villa for the rest of her life. She remained active in the musical life of the city,
114:). In 1885, she married Ismaël shortly after his divorce from his first wife from whom he had been separated for many years. The following year, he brought an unsuccessful lawsuit against his first wife,
34:(4 April 1858 - 6 December 1946), was a French opera singer who specialised in light soprano roles and sang leading roles in several French opera houses during the 1880s. She was married to the French
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77:(known by his stage name, Ismaël). She later married him, after which she performed under the surname Ismaël-Garcin.
167:, Marie Ismaël-Garcin had been a singer of great promise and achieved a considerable success there as Dinorah in
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in 1910. She died at her home in 1946 and is buried with her husband in the family tomb at the
399:
Pandectes françaises : nouveau répertoire de doctrine, de législation et de jurisprudence
273:
Pandectes françaises : Nouveau répertoire de doctrine, de législation et de jurisprudence
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159:, amongst other roles. The 1888/1889 seasons saw her singing at the Théâtre Graslin in
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The tomb is situated in "Carré 17 Est - 4e rang - N° 28 - Concession N° 3 479".
191:
giving the occasional concert and helping to produce a benefit performance of
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in
Toulouse—Alceste as Marguerite and Marie as Marguerite's guardian, Marthe.
177:, but by 1889, her voice was already in decline. After a poor performance in
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139:" and appeared there during the 1886/1887 seasons as Cathérine Glover in
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Oeil Sincère (14 January 1884) p. 3; Savarin (28 November 1880) p. 58
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91:
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275:, vol. 2, Paris, Chevalier-Marescq, 1887, p. 6-8, available at
269:« Acteurs : Propriété des noms et pseudonymes »
436:
Gazette anecdotique, littéraire, artistique et bibliographique
356:
Le Théâtre à Nantes: depuis ses origines jusqu'à nos jours
187:in April of that year, she retired from the stage.
131:In 1886, Ismaël-Garcin was given a contract at the
438:, Vol. 1, p. 213. Librairie des bibliophiles
90:and is known to have sung at the Grand Théâtre in
290:Rivière (1887) pp. 6-8; Silvestre (1886) p. 213
163:. According to Étienne Destranges, writing in
401:, Volume 2, pp. 6–8 . Chevalier-Marescq
395:"Acteurs: Propriété des noms et pseudonymes"
8:
253:, the civil court's judgement, available at
211:
94:in 1883, where she achieved success in
23:Marie Ismaël-Garcin in stage costume,
7:
233:, exposé de l’affaire, available at
393:Rivière, Hippolyte-Ferréol (1887).
73:and studied singing in Paris under
14:
365:Gentet (ed.) (17 December 1910).
299:Auditor (8 January 1887) pp 30-31
379:Oeil Sincère (14 January 1884).
317:Gentet (17 December 1910) p. 475
1:
444:Vilrey, J. de (20 June 1886)
308:Destranges (1902) pp. 240-241
80:In 1880, she appeared at the
65:Marie Ismaël-Garcin was born
407:Savarin (28 November 1880).
353:Destranges, Étienne (1902).
267:Hippolyte-Ferréol Rivière,
67:Rose Françoise Marie Garcin
499:
434:), Georges d'Heylli (ed.)
426:"Deux femmes pour un mari"
339:Auditor (8 January 1887).
428:(originally published in
341:"La Vedette au Spectacle"
137:première chanteuse légère
473:Musicians from Marseille
468:French operatic sopranos
446:"Nouvelles artistiques"
409:"La Vedette au théâtre"
146:La jolie fille de Perth
200:Cimetière Saint-Pierre
62:
28:
367:"Le monde e la ville"
174:Le pardon de Ploërmel
53:
22:
165:Le Théâtre à Nantes
126:Théâtre du Capitole
32:Marie Ismaël-Garcin
16:French opera singer
133:Opéra de Marseille
104:(an adaptation of
100:and as Annette in
82:Opéra de Marseille
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58:at their villa in
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422:Silvestre, Armand
75:Jean-Vital Jammes
40:Jean-Vital Jammes
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193:Ferdinand Poise
149:and Ophélie in
116:Alceste Cœuriot
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46:Life and career
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359:. Fischbacher
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202:in Marseille.
111:Der Freischütz
102:Robin des Bois
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450:Lyon s'amuse
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415:(Marseille)
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347:(Marseille)
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231:, 5 mai 1886
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84:in Herold's
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483:1946 deaths
478:1858 births
453:(in French)
440:(in French)
417:(in French)
403:(in French)
389:(in French)
375:(in French)
361:(in French)
349:(in French)
196:Joli Gilles
184:Le roi d'Ys
97:Fra Diavolo
462:Categories
413:La Vedette
385:La Bavarde
371:La Vedette
345:La Vedette
206:References
54:Marie and
169:Meyerbeer
71:Marseille
60:Marseille
431:Gil Blas
424:(1886).
381:"Angers"
249:Le Temps
229:Le Temps
36:baritone
334:Sources
278:Gallica
256:Gallica
236:Gallica
124:at the
27:, 1880s
161:Nantes
156:Hamlet
151:Thomas
92:Angers
56:Ismaël
141:Bizet
121:Faust
106:Weber
87:Zampa
25:Lille
179:Lalo
135:as "
181:'s
171:'s
153:'s
143:'s
108:'s
69:in
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
