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56:, and argued that it had been performed in 1628; however in the mid-1970s, through modern methods of analyzing handwriting, watermarks, and history, Ernst Hintermaier "proved...definitely" that it was not by Benevoli. He also demonstrated that it must have been written for the 1682 commemoration of the 1100th anniversary of the
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on these lines. The four "Flauti" lines require two descant (soprano), treble (alto), and tenor recorders. The "Trombettæ" are natural trumpets in C. The two "Clarini" are soloistic trumpet parts, composed predominantly for the highest
64:, Biber's colleague, and concludes that "... the only possible composer of the Mass and the motet was Heinrich Ignaz Franz Biber... both the sources and the stylistic analysis clearly point to Biber as the author of the works."
268:(the full choir) parts across the sixteen vocal lines. However, several times in the Mass, the composer "collapses" all the voices into simple four part harmony (SATB) and uses some of the instrumental groups, the
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refers to vocal tutti where extra singers join the soloists in the vocal lines. When the cappella choir is employed, the vocal lines are less complex than the solo parts for the voices
591:
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Otto
Schneider Festival Concert Orchestra, St. Anthony Cathedral Choir, Hugo Schmid, organ, directed by Otto Schneider. Musical Heritage Society LP MHS 503 S (1950s)
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123:* (the oboe parts may have been added later; both parts appear to have been simply copied from the Flauto I and Flauto II lines, and there are no oboe
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composition which takes advantage of the multiple organs and various locations available for groups of singers and musicians to perform in
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48:. It has been said to have narrowly escaped being used to wrap vegetables. In the late 19th century, musicologists, notably
517:, Salzburg, (Salzburg : Anton Pustet, 1969). Introduction by Dr. L. Feininger, contains some now obsolete scholarship.
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Walter Gürtelschmied and
Siegfried Gmeinwieser, Entry on Orazio Benevoli, Grove Music Online, accessed December 4, 2015
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The appendix of the score, housed in
Salzburg's Carolino Augusteum Museum, contains the equally scored
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mixup by Ernst
Hintermaier in several Austrian Musicological Journals in the 1970s, (in German).
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256:, probably for the 1682 celebrations marking the 1100th anniversary of the founding of the
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lines are in C clefs and it is unclear whether the composer required instruments from the
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Ernest
Hintermaier, "Missa Salisburgensis," booklet essay to accompany the recording by
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287:. All the instruments have solo sections except the two oboes, which always play in
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Ernst
Hintermaier, "The Missa Salisburgensis," Musical Times cxvi (1975), 965–6
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choir, in particular, to play in unison with the human voices. The work is in
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145:(each of the cornetto parts are almost certainly intended to be played on the
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Free scores of
Heinrich Ignaz Franz von Biber: Missa Salisburgensis 53 vocum
60:. Hintermaier wrote in 2015 that the evidence rules out both Benevoli and
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Free scores of
Heinrich Ignaz Franz von Biber: Plaudite tympana 53 vocum
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directed by Ireneu
Segarra. Deutsche Harmonia Mundi CD RD77050 (1974)
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was rediscovered in the 1870s in the home of a greengrocer in
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throughout – necessitated by the use of ten clarino trumpets
513:, large facsimile of the manuscript in the Library of the
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504:, Vienna: Universal Edition, 1894–1938 Volume 20
295:). The work is stylistically similar to Biber's
419:"Talk covering the attribution to Biber of the
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52:and Franz Xavier Jelinek, attributed it to
735:Compositions by Heinrich Ignaz Franz Biber
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32:that is now universally accepted to be by
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362:Amsterdam Baroque Orchestra & Choir
358:. Archiv Produktion CD 457 611–2 (1998)
20:is perhaps the largest-scale piece of
7:
501:Denkmäler der Tonkunst in Österreich
223:family, i.e. "violas da braccio" or
244:Styles and compositional techniques
475:A Catalog of Music for the Cornett
291:with the first and second flauti (
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207:refers to the vocal soloists and
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507:The King's Music edition (1997).
417:Dr James Clements (2004-08-10).
400:. Alia Vox CD Cat. #9912 (2015)
36:. The manuscript score of this
622:Missa Salisburgensis à 53 voci
368:. Erato CD 3984 25506 2 (1998)
352:Gabrieli Consort & Players
248:The Missa Salisburgensis is a
18:Missa Salisburgensis à 53 voci
1:
394:La Capella Reial de Catalunya
317:, that accompanies the mass.
564:Choral Public Domain Library
554:Choral Public Domain Library
28:, an archetypal work of the
520:There is an account of the
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601:Heinrich Ignaz Franz Biber
301:Te Deum Laudamus à 23 voci
260:. The vocal parts feature
34:Heinrich Ignaz Franz Biber
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515:Museum Carolino Augusteum
258:Archbishopric of Salzburg
72:The work is scored thus:
58:Archbishopric of Salzburg
487:Indiana University Press
745:Polychoral compositions
330:Escolania de Montserrat
390:Le Concert des Nations
187:: 4 Trombettæ, Timpani
50:August Wilhelm Ambros
522:Missa Salisburgensis
511:Missa Salisburgensis
425:Missa Salisburgensis
372:La Stagione Armonica
168:: 2 Violini, 4 Viole
105:: 2 Violini, 4 Viole
344:Musica Antiqua Köln
421:Missa Bruxellensis
380:Amadeus "Speciale"
376:Sergio Balestracci
254:Salzburg Cathedral
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334:Tölzer Knabenchor
297:Vesperæ à 32 voci
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527:Orazio Benevoli
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338:Collegium Aureum
315:Plaudite tympana
30:Colossal Baroque
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229:violas da gamba
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54:Orazio Benevoli
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430:. Retrieved
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398:Jordi Savall
396:directed by
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529:Opera Omnia
366:Ton Koopman
266:in cappella
262:in concerto
213:in concerto
209:in cappella
205:in concerto
161:in cappella
157:in concerto
155:: SSAATTBB
97:in cappella
93:in concerto
729:Categories
655:Scordatura
432:2007-09-10
405:References
321:Recordings
299:, and the
250:polychoral
147:Cornettino
293:recorders
176:Trombettæ
109:Choro III
99:*, Organo
680:Category
274:trombone
270:cornetto
166:Choro VI
143:Tromboni
139:Cornetti
135:Choro IV
103:Choro II
95:* &
42:Salzburg
693:Portals
643:Related
616:Arminio
562:in the
552:in the
278:C major
236:of the
227:, i.e.
185:Loco II
180:Timpani
153:Choro V
121:Clarini
77:Choro I
68:Scoring
46:Austria
24:sacred
493:
289:unison
234:octave
221:violin
191:Organo
172:Loco I
159:&
113:Flauti
22:extant
719:Music
608:Music
489:1996
225:viols
217:viole
201:*Note
125:solos
491:ISBN
481:and
423:and
392:and
312:hymn
272:and
174:: 4
141:, 3
137:: 2
129:Mass
119:, 2
117:Oboi
115:, 2
111:: 4
38:Mass
16:The
533:ed.
477:by
382:173
303:of
282:in
731::
531:,
485:;
388:,
378:.
350:,
336:,
332:,
307:.
240:.
203::
193:e
178:,
90:BB
87:TT
84:AA
81:SS
79::
44:,
695::
634:)
630:(
593:e
586:t
579:v
435:.
427:"
284:C
149:)
131:)
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