231:. She achieved full professorship in 1988 and served in various capacities at the Faculty of Music. During her academic career, Desroches helped establish and foster several research labs and collections. Beginning in 1989 she began accumulating a collection of musical instruments from around the world. At her retirement in 2015 the collection included over 750 items. In 1995 Desroches helped create the World Music Research Laboratory in order to foster new research and scholarship around the discipline. In 2010 she founded the Laboratory of Ethnomusicology and Organology (LEO) as well as administering CARGO, a network of researchers specializing in the Creole-speaking Caribbean and islands in the Indian Ocean.
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in Quebec on March 18, 1948. From 1968 to 1974, Desroches was part of a folk group, "Les
Contretemps" who released two LPs and three 45s and toured in Canada, the United States and Japan.
243:
in sacrificial rituals in the French West Indies and the
Mascarenes as well as the interplay of tourism in Martinique and cultural identity, music, aesthetics and performance.
597:
415:
Monique
Desroches, “Validation empirique de la méthode sémiologique en musique : le cas des indicatifs de tambour dans les cérémonies indiennes en Martinique,"
337:, eds. Jean-Luc Bonniol, Gerry L'Étang, Jean Barnabé and Raphaël Confiant, Ibis Rouge Éditions, GEREC- F/ Presses universitaires créoles, 2000, p. 321-330.
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before turning her attention to the music of the West Indies in 1978. She would continue her study of Tamil music in the Indian Ocean archipelago in the
227:. From 1978 she began work as a research officer at the Caribbean Research Center at the University of Montreal where she managed a research station in
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570:"UdeM:Forum/Les musiques du monde au laboratoire - Monique Desroches parcourt le monde à la recherche de musiciens"
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187:(at the École de music Vincent d'Indy) in 1974 and later completed a Master's and PhD in musicology at the l'
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Monique
Desroches et Jean Benoist, “Tambours de l'Inde à la Martinique. Structure sonore d'un espace sacré”
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438:
183:, Desroches decided to switch her studies back to music. Desroches completed her Bachelor's in Music at l'
323:. Tome I. Pessac: Maison des sciences de l'Homme d'Aquitaine, dir Christian Lerat, 2005, p. 385-392.
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Monique
Desroches et Ghyslaine Guertin, “Regards croisés de l'esthétique et de l'ethnomusicologie,”
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525:(Thesis) (in French). Montreal: Service des archives, Universite de Montreal, Section Microfilm].
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291:, Éditions Bureau du Patrimoine, Conseil régional de la Martinique, Fort-de-France,1989, 87 p.
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139:(born 1948) is a Canadian ethnomusicologist from Quebec who specializes in the music of the
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Monique
Desroches, “Créolisation musicale et identité culturelle aux Antilles françaises”
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in 1977 and 1987, respectively. Her thesis focused on Tamil ritual music on the island of
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Monique
Desroches, “Les pratiques musicales, image de l'histoire, reflet d'un contexte”,
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eds. Monique
Desroches and Ghyslaine Guertin, Paris: L'Harmattan, 2003, p. 207-219.
270:, Matoury, Ibis rouge éditions, Presses universitaires créoles - GEREC-F, 2004, 138 p.
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598:"Collection d'instruments de musique du monde de l'UdeM: Dans la caverne d'Ali Baba"
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Monique
Desroches, “Musique et rituel: significations, identité et société”, dans "
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L'Inde dans les arts de la
Guadeloupe et de la Martinique. Héritages et innovations
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Monique Desroches, “Musique et identité culturelle des tamouls de la Réunion”,
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Structure sonore d'un espace sacre la musique rituelle tamoule a la Martinique
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Construire le savoir musical. Enjeux épistémologiques, esthétiques et sociaux,
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Cahiers d'ethnomusicologie. Anciennement Cahiers de musiques traditionnelles
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647:"Tourisme et patrimonialisation musicale à la Martinique Monique Desroches"
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Monique Desroches et Ghyslaine Guertin, “Musique, authenticité et valeur,”
259:
Monique Desroches, Marie-Hélène Pichette, Claude Dauphin et Gordon Smith, T
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Monique Desroches, “Indo-créolité, mémoire et construction identitaire”
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Tambours des dieux. Musique et sacrifice d'origine tamoule en Martinique
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in Canada from 1974 through to 1977 as part of a research team led by
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623:"équipe | LRMM - Laboratoire de recherche sur les musiques du monde"
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Jean Benoist, Monique Desroches, Gerry L'Étang et Gilbert Ponaman,
314:
Une encyclopédie pour le XXIe siècle. Tome 3. Musiques et cultures
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Monique Desroches, “Musique, rituel et construction du savoir”,
412:, ed. Jean-Luc Bonniol, Adjani Éditions, 1981, p. 491-500.
392:
Revue canadienne des études latino-américaines et caraïbes
471:
Fernando, Nathalie; Desroches, Monique (2009-12-31).
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Tome I. Guadeloupe et Martinique. Des îles aux hommes
673:"Musiques, cultes et société indienne à la Réunion"
343:"Musiques, cultes et société indienne à la Réunion"
263:, Presses de l'Université de Montréal, 2011, 418 p.
256:, Presses de l'université de Montréal, 2014, 385 p.
252:Monique Desroches, Sophie Stévance, Serge Lacasse,
203:studying Tamil musical influences on the island of
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417:Yearbook of the International Folk Music Council,
171:Desroches attended college courses at Montreal's
439:"Monique Desroches | The Canadian Encyclopedia"
303:Musiques. Une encyclopédie pour le XXIe siècle
239:Desroches' scholarship focuses on the role of
387:, vol. 25, no 2, automne 1997, p. 77-83.
316:, dir, Jean-Jacques Nattiez, p. 743-755.
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473:"Une ethnomusicologue à l'écoute du terrain"
549:Faculté de musique - Université de Montréal
277:, 2003, Editions L'Harmattan, Paris, 384 p.
671:Desroches, Monique; Benoist, Jean (1997).
341:Desroches, Monique; Benoist, Jean (1997).
175:in 1969 before studying psychology at the
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289:Les Instruments de musique traditionnelle
399:Études créoles. Culture, langue, société
287:Monique Desroches with Lyne-Rose Beuze,
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401:, vol. V, nos 1–2, 1982, p. 39-58.
394:, vol. 17, no. 34, 1992, p. 41-51.
16:Quebecois ethnomusicologist (born 1948)
724:World Music Research Laboratory (LRMM)
305:", dir. Jean-Jacques Nattiez, Tome 3.
273:Monique Desroches, Ghyslaine Guertin,
321:Le monde caraïbe. défis et dynamiques
284:, Montréal, L'Harmattan, 1996, 180 p.
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296:Book chapters and journal articles
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596:Duff, Rachelle Mc (2010-01-18).
261:erritoires musicaux mis en scène
201:Université of Aix-Marseille III
179:. After attending a lecture by
443:www.thecanadianencyclopedia.ca
437:Galaise, Sophie (2013-12-10).
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419:vol. 12, 1980, p. 67-76.
754:Canadian women musicologists
275:Construire le savoir musical
254:Quand la musique prend corps
235:Scholarship and publications
744:Canadian ethnomusicologists
519:Desroches, Monique (1987).
479:(in French) (22): 239–261.
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677:Anthropologie et Sociétés
347:Anthropologie et Sociétés
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749:Women ethnomusicologists
185:Université de Sherbrooke
97:Université de Sherbrooke
173:College Jean-de-Brebeuf
769:People from Shawinigan
574:www.forum.umontreal.ca
189:Université de Montreal
177:Université de Montréal
159:Desroches was born in
125:Université de Montréal
92:Université de Montréal
199:in London and at the
501:(in Canadian French)
335:Au visiteur lumineux
307:Musiques et cultures
221:Jean-Jacques Nattiez
406:Historial antillais
280:Monique Desroches,
78:Academic background
627:www.lrmm.oicrm.org
309:, p. 538-556.
215:Desroches studied
46:Grand-Mère, Quebec
145:Mascarene Islands
137:Monique Desroches
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738:Categories
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424:References
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225:Mascarenes
193:Martinique
181:Simha Arom
161:Grand-Mère
155:Early life
111:Discipline
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167:Education
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247:Books
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