Knowledge (XXG)

Nebiolo Printech

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1559: 136:, Italy, in 1852. In 1908 the company merged with the Urania Company and operated under the name Augustea and began to buy out many smaller foundries. In 1916 it was again renamed SocietĂ  Nebiolo. In 1976 in occasion of the renovation of the Company that naturally would have come to an end that year, 152:
a Cast Iron Foundry employing 270 people and covering an area of about 18,400 square metres (198,000 sq ft), producing high quality meehanite castings, constantly controlled by a scientifically equipped laboratory. Its output fulfilled the requirements of Nebiolo press manufacture, besides
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In 1890 Nebiolo began manufacturing printing presses, at first letterpress, but today the company produces the Colora line of sheet-fed offset presses, the Target line of web offset presses, a line of
191:
In 1976 Fiat entered into the Foundry with the aim to run exclusively the Industrial part: the Studio Artistico was then closed and its fonts got under various trade agreements to selected partners:
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entered into the press manufacturing business and the Studio Artistico was closed up. In 1992 it became Nebiolo Printech S.p.A. and continues to manufacture presses under that name today.
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was a manufacturer of printing presses and paper and formerly a type foundry. Nebiolo & Co. was created in 1878 when Giovanni Nebiolo bought out the type foundry of G. Narizzano in
1613: 188:
as commercial partner in the distribution of its fonts as dry transfers and as exclusive distributor for the Italian Market of the typesetting machines of the Compugrahic Society
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May 2001 Nebiolo acquired the Arbatax papermill, which produces 20% of Italy’s paper, with a yearly production of 130.000 tons of recycled paper for newsprint.
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In the 60’s attempting to satisfy the changing of the print market the Fonderia Nebiolo established several different commercial collaborations: with
162:
The Fonderia Nebiolo was originally founded in Turin in 1852 by a craftsman as a private concern, it was made into a Limited Company in 1880.
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owns the larger authentic fonts collection of The Nebiolo Foundry in the world, based exclusively on the original drawings.
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an Industrial Plant which employed 900 people and had a floor area of about 25,000 square metres (270,000 sq ft).
1513: 1608: 1398: 1360: 1544: 613: 1124: 770: 1528: 1345: 1016: 953: 658: 581: 257: 1603: 169:, an internal Studio Artistico (Artistic Study) made of experts in type designing. It was run originally by 973: 696: 319: 1448: 948: 943: 856: 843: 676: 148:
The Fonderia Nebiolo (Nebiolo Type Foundry) was part of a larger manufacturing organisation including:
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The reason why the Fonderia Nebiolo could be considered so unique is that in 1933 it was created, by
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Forma (1966-7, Novarese, Grignani, Iliprandi, Munari, Negri, Neuberg, Oriani, and Tovaglia)
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supplying substantial quantities of castings to important Italian and foreign concerns;
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Typography: an Encyclopedic Survey of Type Design and Techniques Throughout History.
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packaging presses, and the Nebiolo Orient, a newspaper web-press.
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Italian printing press manufacturer and former type foundry
364:(1962, Novarese), basically Microgramma with a lower case. 299:
Landi (1939–43, Butti and Novarese), variations on Welt.
468:. Viterbo: Stampa Alternativa/Graffiti. pp. 62–63. 238:
Tanagra (published 1924, design 1910 by Natale Varetti)
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Jaspert, W. Pincus, W. Turner Berry and A.F. Johnson.
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Jaspert, W. Pincus, W. Turner Berry and A.F. Johnson.
506:. Viterbo: Stampa Alternativa/ Graffiti. p. 63. 1537: 1469: 1422: 1376: 1316: 1199: 1139: 1097: 1074: 1042: 1002: 991: 936: 890: 842: 794: 726: 717: 667: 604: 108: 87: 77: 63: 55: 44: 34: 24: 185: 521:. Anno 55 – 1/2 gennaio/ febbraio 1974: 1. 1974. 192: 489:A B C notes on the Nebiolo Type Foundry – Turin 1614:1852 establishments in the Kingdom of Sardinia 1519:Intellectual property protection of typefaces 582: 292:Welt (1931, Hans Wagner), originally cast by 8: 1061: 491:. Torino: Fonderia Nebiolo. 1965. p. 3. 442:Black Dog & Levinthal Publishers: 1998. 181:, the Italian most important type designer. 19: 1594:Manufacturing companies established in 1852 343:Garaldus (1956–60, Novarese), a version of 225:Torino (1908), also known as Romano Moderno 999: 723: 589: 575: 567: 18: 1545:Punctuation and other typographic symbols 322:(1951, Butti and Novarese), capitals only 456: 307:Normandia (1946–49, Butti and Novarese) 1599:Manufacturing companies based in Turin 1619:Italian companies established in 1852 502:Rattin Ricci, Manuela Matteo (1997). 464:Rattin Ricci, Manuela Matteo (1997). 7: 304:Athenaeum (1945, Butti and Novarese) 313:Augustea (1951, Butti and Novarese) 535:Blandford Press Lts.: 1953, 1983, 427:Blandford Press Lts.: 1953, 1983. 14: 1558: 1557: 517:"Nebiolo è anche Compugraphic". 533:The Encyclopedia of Type Faces. 478:Friedl, Ott, and Stein, p. 404. 425:The Encyclopedia of Type Faces. 1: 1514:History of Western typography 1589:Printing press manufacturers 1361:traditional point-size names 68:Via Bologna 47, Turin, 10152 614:Canons of page construction 1645: 1584:Letterpress font foundries 385:Dattilo (1972/74 Novarese) 334:Egizio (1955–58, Novarese) 328:Fontanesi (1954, Novarese) 286:Resolut (1937, H. BrĂĽnnel) 241:Sinibaldi (1926, Bertieri) 1553: 771:Subscript and superscript 376:Metropol (1967, Novarese) 367:Magister (1966, Novarese) 355:Recta (1958–61, Novarese) 1624:Metal companies of Italy 1529:Vox-ATypI classification 659:Intentionally blank page 438:Friedl, Ott, and Stein, 331:Etrusco (1955, Novarese) 562:Nebiolo History Project 337:Juliet (1955, Novarese) 254:Iliade (1930, Bertieri) 1062: 504:Questioni di carattere 466:Questioni di carattere 379:Elite (1968, Novarese) 370:Oscar (1966, Novarese) 358:Estro (1961, Novarese) 340:Ritmo (1955, Novarese) 325:Cigno (1954, Novarese) 289:Quirinus (1939, Butti) 269:Ruano (1933, Bertieri) 382:Stop (1970, Novarese) 316:Fluidum (1951, Butti) 310:Rondine (1948, Butti) 1399:Typographic features 557:The story of Nebiolo 1609:Henokiens companies 1524:Technical lettering 1423:Typography in other 1164:Hanging punctuation 21: 1487:Handwriting script 1414:Desktop publishing 1384:Character encoding 1377:Digital typography 891:Horizontal aspects 844:Visual distinction 702:Widows and orphans 294:Ludwig & Mayer 230:Raffaello Bertieri 228:Inkunabula (1911, 167:Raffaello Bertieri 95:Raffaello Bertieri 93:Giovanni Nebiolo, 1571: 1570: 1318:Typographic units 1236:For position only 1135: 1134: 987: 986: 279:Razionale (1935, 177:and from 1952 by 126: 125: 1636: 1561: 1560: 1538:Related template 1470:Related articles 1271:Phototypesetting 1125:reverse-contrast 1110:Display typeface 1067: 1044:Blackletter type 1000: 937:Vertical aspects 918:Sentence spacing 728:Typeface anatomy 724: 591: 584: 577: 568: 544: 529: 523: 522: 514: 508: 507: 499: 493: 492: 485: 479: 476: 470: 469: 461: 397:Printing presses 352:(1957, Novarese) 251:Ottocento (1930) 246:Alessandro Butti 244:Paganini (1928, 211: 210: 206: 175:Alessandro Butti 171:Giulio Da Milano 130:Fonderia Nebiolo 113:Printing presses 99:Alessandro Butti 59:Giovanni Nebiolo 22: 20:Fonderia Nebiolo 1644: 1643: 1639: 1638: 1637: 1635: 1634: 1633: 1574: 1573: 1572: 1567: 1549: 1533: 1465: 1425:writing systems 1424: 1418: 1372: 1312: 1256:Microtypography 1195: 1131: 1093: 1070: 1038: 995:classifications 994: 983: 932: 886: 852:Blackboard bold 838: 790: 713: 663: 654:Recto and verso 600: 595: 553: 548: 547: 530: 526: 516: 515: 511: 501: 500: 496: 487: 486: 482: 477: 473: 463: 462: 458: 453: 419: 411: 399: 394: 388:Cigogna (Butti) 222:Egiziano (1905) 212: 208: 204: 202: 201: 146: 90: 80: 73: 69: 17: 12: 11: 5: 1642: 1640: 1632: 1631: 1626: 1621: 1616: 1611: 1606: 1604:Italian brands 1601: 1596: 1591: 1586: 1576: 1575: 1569: 1568: 1566: 1565: 1554: 1551: 1550: 1548: 1547: 1541: 1539: 1535: 1534: 1532: 1531: 1526: 1521: 1516: 1511: 1506: 1501: 1496: 1495: 1494: 1489: 1484: 1473: 1471: 1467: 1466: 1464: 1463: 1462: 1461: 1459:National Fonts 1451: 1446: 1445: 1444: 1434: 1428: 1426: 1420: 1419: 1417: 1416: 1411: 1406: 1404:Web typography 1401: 1396: 1391: 1386: 1380: 1378: 1374: 1373: 1371: 1370: 1365: 1364: 1363: 1353: 1348: 1343: 1338: 1333: 1328: 1322: 1320: 1314: 1313: 1311: 1310: 1309: 1308: 1298: 1293: 1288: 1283: 1281:Reversing type 1278: 1273: 1268: 1263: 1258: 1253: 1248: 1243: 1238: 1233: 1228: 1227: 1226: 1221: 1211: 1205: 1203: 1197: 1196: 1194: 1193: 1188: 1183: 1178: 1177: 1176: 1166: 1161: 1156: 1150: 1148: 1137: 1136: 1133: 1132: 1130: 1129: 1128: 1127: 1122: 1117: 1107: 1101: 1099: 1095: 1094: 1092: 1091: 1086: 1080: 1078: 1072: 1071: 1069: 1068: 1059: 1054: 1048: 1046: 1040: 1039: 1037: 1036: 1031: 1030: 1029: 1024: 1019: 1008: 1006: 997: 989: 988: 985: 984: 982: 981: 976: 971: 966: 961: 956: 951: 946: 940: 938: 934: 933: 931: 930: 925: 920: 915: 910: 908:Letter-spacing 905: 900: 894: 892: 888: 887: 885: 884: 879: 874: 869: 864: 862:Color printing 859: 854: 848: 846: 840: 839: 837: 836: 831: 826: 821: 816: 811: 806: 800: 798: 796:Capitalization 792: 791: 789: 788: 783: 778: 773: 768: 763: 758: 753: 748: 743: 738: 732: 730: 721: 715: 714: 712: 711: 710: 709: 699: 694: 689: 684: 679: 673: 671: 665: 664: 662: 661: 656: 651: 646: 641: 636: 634:Page numbering 631: 626: 621: 616: 610: 608: 602: 601: 596: 594: 593: 586: 579: 571: 565: 564: 559: 552: 551:External links 549: 546: 545: 524: 509: 494: 480: 471: 455: 454: 452: 451: 436: 420: 418: 415: 410: 407: 398: 395: 393: 392: 389: 386: 383: 380: 377: 374: 371: 368: 365: 359: 356: 353: 347: 341: 338: 335: 332: 329: 326: 323: 317: 314: 311: 308: 305: 302: 301: 300: 290: 287: 284: 277: 270: 267: 264: 261: 260:(c. 1928–1931) 255: 252: 249: 242: 239: 236: 233: 226: 223: 220: 217: 213: 200: 197: 160: 159: 155: 154: 145: 142: 124: 123: 110: 106: 105: 91: 88: 85: 84: 81: 78: 75: 74: 71: 67: 65: 61: 60: 57: 53: 52: 51:, Italy (1878) 46: 42: 41: 36: 32: 31: 26: 15: 13: 10: 9: 6: 4: 3: 2: 1641: 1630: 1627: 1625: 1622: 1620: 1617: 1615: 1612: 1610: 1607: 1605: 1602: 1600: 1597: 1595: 1592: 1590: 1587: 1585: 1582: 1581: 1579: 1564: 1556: 1555: 1552: 1546: 1543: 1542: 1540: 1536: 1530: 1527: 1525: 1522: 1520: 1517: 1515: 1512: 1510: 1507: 1505: 1502: 1500: 1497: 1493: 1490: 1488: 1485: 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534: 528: 525: 520: 513: 510: 505: 498: 495: 490: 484: 481: 475: 472: 467: 460: 457: 449: 448:1-57912-023-7 445: 441: 437: 434: 433:0-7137-1347-X 430: 426: 422: 421: 416: 414: 408: 406: 404: 396: 390: 387: 384: 381: 378: 375: 372: 369: 366: 363: 360: 357: 354: 351: 348: 346: 342: 339: 336: 333: 330: 327: 324: 321: 318: 315: 312: 309: 306: 303: 298: 297: 295: 291: 288: 285: 282: 278: 275: 271: 268: 265: 263:Veltro (1931) 262: 259: 256: 253: 250: 248:and Bertieri) 247: 243: 240: 237: 235:Bodoni (1913) 234: 231: 227: 224: 221: 218: 215: 214: 207: 198: 196: 194: 189: 187: 182: 180: 179:Aldo Novarese 176: 172: 168: 163: 157: 156: 151: 150: 149: 143: 141: 139: 135: 131: 122: 118: 114: 111: 107: 104: 103:Aldo Novarese 100: 96: 92: 86: 82: 76: 66: 62: 58: 54: 50: 47: 43: 40: 37: 33: 30: 27: 23: 1509:Type foundry 1346:Metric units 1276:Punchcutting 1261:Movable type 1231:Font catalog 1191:Vertical bar 928:Word spacing 898:Figure space 781:Text figures 624:Even working 532: 527: 518: 512: 503: 497: 488: 483: 474: 465: 459: 439: 424: 412: 400: 281:G. da Milano 274:G. da Milano 272:Neon (1935, 190: 183: 164: 161: 147: 144:Type foundry 129: 127: 121:foundry type 64:Headquarters 39:Graphic Arts 25:Company type 1504:Type design 1499:Style guide 1492:Calligraphy 1482:Handwriting 1296:Type design 1246:Lorem ipsum 1241:Letterpress 1201:Typesetting 1141:Punctuation 1105:Record type 1076:Gaelic type 1064:Schwabacher 954:Body height 819:Letter case 687:Line length 320:Microgramma 79:Area served 1629:Typography 1578:Categories 1477:Penmanship 1449:East Asian 1291:Type color 1224:monospaced 1181:Interpunct 1174:minus sign 1098:Specialist 1034:Sans-serif 1027:slab serif 1004:Roman type 959:Cap height 923:Thin space 882:Whitespace 834:Title case 829:Snake case 824:Small caps 809:Camel case 741:Diacritics 649:Pull quote 644:Pagination 639:Paper size 598:Typography 417:References 258:SemplicitĂ  199:Type faces 173:, then by 89:Key people 974:Overshoot 969:Mean line 964:Descender 877:Underline 719:Character 697:Runaround 677:Alignment 669:Paragraph 519:Graphicus 362:Eurostile 193:Reber R41 186:Reber R41 83:Worldwide 1563:Category 1442:PT Fonts 1437:Cyrillic 1301:Typeface 1219:computer 1120:fat face 993:Typeface 979:x-height 949:Baseline 944:Ascender 804:All caps 766:Rotation 761:Ligature 756:Ink trap 391:Atalanta 345:Garamond 109:Products 35:Industry 1389:Hinting 1266:Pangram 1084:Insular 1057:Rotunda 1052:Fraktur 1017:Antiqua 903:Kerning 872:Oblique 867:Italics 814:Initial 746:Dingbat 736:Counter 682:Leading 216:Hastile 56:Founder 45:Founded 1432:Arabic 1331:Cicero 1169:Hyphen 1154:Bullet 1115:script 1089:Uncial 1022:Didone 786:Tittle 629:Margin 619:Column 539:  446:  431:  350:Slogan 266:Gotico 203:": --> 29:Public 1356:Point 1326:Agate 1186:Space 1012:Serif 913:Pitch 776:Swash 751:Glyph 692:River 409:Paper 403:flexo 219:Lapis 134:Turin 117:paper 72:Italy 49:Turin 1454:Thai 1368:Twip 1351:Pica 1306:list 1286:Sort 1214:Font 1159:Dash 1145:List 857:Bold 707:runt 606:Page 537:ISBN 444:ISBN 429:ISBN 205:edit 138:Fiat 128:The 1580:: 1341:En 1336:Em 296:. 119:, 115:, 101:, 97:, 70:, 1147:) 1143:( 590:e 583:t 576:v 543:. 450:. 435:. 283:) 276:) 232:) 209:]

Index

Public
Graphic Arts
Turin
Raffaello Bertieri
Alessandro Butti
Aldo Novarese
Printing presses
paper
foundry type
Turin
Fiat
Raffaello Bertieri
Giulio Da Milano
Alessandro Butti
Aldo Novarese
Reber R41
Reber R41
Raffaello Bertieri
Alessandro Butti
SemplicitĂ 
G. da Milano
G. da Milano
Ludwig & Mayer
Microgramma
Garamond
Slogan
Eurostile
flexo
ISBN
0-7137-1347-X

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