308:
382:, the solid-state version introduced by Neumann in 1969, was less appreciated as a vocal microphone but became ubiquitous in studios as a bass drum microphone. Used on the outside of the bass drum, in conjunction with a primary bass drum microphone (which would usually be placed on the inside, or close to the inside of a bass drum or a bass drum head), it would make a complete bass drum sound.
31:
227:(the suffix "M" indicates a low noise valve, suitable for use in microphones) and the GN8/BV8 transformer for export to the American market, the GN8 transformer was replaced in the late 1950s with the GN8b which featured lower output. According to the German expert Andreas Grosser, at least five different output transformers were used within the U 47.
116:
is regarded as one of several all-time preferred tube recording microphones ("The Big Five"). Its desirability is based primarily on the synergy of its three sound-shaping components: capsule, tube, transformer. The U47 was especially popular in US studios.
145:
also used it. According to the microphone manufacturer John Peluso, "it's hard to find an album recorded in the 1950s or 1960s that didn't have a U 47 on it; the
Beatles used the mic’ for almost every track they sang from 1962 through 1970".
105:, being able to handle high-pressure levels, became popular among recording engineers as a bass drum microphone, and it is also appreciated as a brass, double bass, and guitar amp microphone. Neumann manufactured the
171:) in 1947 as a prototype; the first documented commercial sale of the microphone (with serial number 72), according to Klaus Heyne of German Masterworks, occurred in December 1949.
662:
599:
54:. It is one of the most famous studio microphones and was Neumann's first microphone after the Second World War. The original series, manufactured by
495:
638:
284:). This functionality was achieved by disabling the polarization voltage to the rear of the diaphragm of the microphone capsule.
714:
207:
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699:
94:
574:
520:
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371:, but ultimately proved to be (particularly in vocal applications) the most popular successor to the
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extensively in the group's recordings at Abbey Road
Studios, London. As a successor to the
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made exclusively by
Telefunken for Neumann from 1946 to 1957; the discontinuation of the
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261:, which required minor power supply modification. There are several aftermarket
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30:
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capsule, which was similar to the capsule developed initially for the
Neumann
71:
505:
250:
tubes. Beginning in 1962, Neumann offered a direct plug-in replacement kit ("
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was caused primarily by the decision by
Telefunken to halt production of the
648:
17:
694:
255:
235:
142:
97:(discrete op-amps). Intended to recreate the sound of the original
306:
29:
690:
338:
instead of cardioid and omnidirectional). The
Beatles' producer
186:
microphone designed in the late 1920s ("Neumann bottle"). Since
521:"Classic Tracks: Frank Sinatra "I've Got You Under My Skin""
314:(left), Neumann's classic of the 1980s and successor of the
265:
emulations that use either tubes or solid-state circuits.
70:
from 1958. Units produced before 1950 were distributed by
330:, introduced by Neumann late 1957, was identical to the
190:
membranes deteriorate and dry out with age, in 1958 the
334:
except for the available polar patterns (cardioid and
58:
between 1949 and 1965, employed a tube design; early
549:"Couple's Custom Microphones Carry Colorful Past"
246:, and Neumann eventually depleting its stock of
101:, it enjoyed only limited success; however, the
109:between 1969 and 1986 and reissued it in 2014.
202:) which had a similar acoustic design as the
85:was discontinued in 1965 and followed by the
8:
206:but used membranes made of age-resistant
437:Press release reported on Sound on Sound
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89:in 1969; it employed the same capsule (
367:, which was a direct successor to the
77:Since Telefunken ceased production of
93:) and a similar head grille but used
34:The original tube edition of Neumann
7:
402:
400:
398:
396:
394:
25:
519:Buskin, Richard (December 2012).
575:"RV-14m design and construction"
490:. Milwaukee, Wis.: Hal Leonard.
159:According to Oliver Archut, the
631:Neumann: the microphone company
488:The vintage microphone handbook
361:In 1967 Neumann introduced the
547:Lyden, Jacki (20 April 2008).
217:'s circuitry was based on the
198:(sometimes referred to as the
74:and bear the Telefunken logo.
66:capsule, then replaced by the
1:
700:Detailed photos and schematic
458:Robjohns, Hugh (July 2015).
194:capsule was replaced by the
208:biaxially oriented PET film
163:was first presented at the
731:
633:. Bergkirchen: PPVMedien.
254:") for the featuring the
629:Roessler, Anselm (2003).
433:"Neumann reissue U47 FET"
350:, Neumann introduced the
272:was the first switchable
354:(employing a Telefunken
169:Berliner Funkausstellung
323:
276:condenser microphone (
38:
715:Condenser microphones
486:Heyne, Klaus (2009).
310:
95:solid-state circuitry
50:is a large-diaphragm
33:
579:www.saturn-sound.com
52:condenser microphone
81:tubes in 1957, the
689:Official website:
667:recordinghacks.com
610:on 15 January 2016
573:Styles, Ashley C.
412:recordinghacks.com
324:
318:, with the modern
56:Georg Neumann GmbH
39:
604:en-de.neumann.com
497:978-1-4234-5447-2
460:"Neumann U47 FET"
439:. 10 October 2014
165:Berlin Radio Show
16:(Redirected from
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358:tube) in 1960.
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336:figure of eight
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282:omnidirectional
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155:Original series
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131:Louis Armstrong
127:Ella Fitzgerald
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684:External links
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663:"Neumann U 67"
654:
639:
621:
591:
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526:Sound on Sound
511:
496:
478:
465:Sound on Sound
450:
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408:"Neumann U 47"
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156:
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121:owned his own
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14:
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340:George Martin
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268:The original
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174:The original
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132:
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120:
119:Frank Sinatra
110:
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75:
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53:
49:
41:
32:
19:
670:. Retrieved
666:
657:
630:
624:
612:. Retrieved
608:the original
603:
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582:. Retrieved
578:
568:
556:. Retrieved
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530:. Retrieved
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487:
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469:. Retrieved
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441:. Retrieved
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415:. Retrieved
411:
377:
360:
325:
288:Successors:
267:
229:
212:
173:
168:
158:
139:Tony Bennett
112:The Neumann
111:
76:
44:
42:
40:
225:vacuum tube
135:Bing Crosby
18:Neumann U47
672:30 October
614:30 October
584:30 October
558:30 October
417:30 October
386:References
219:Telefunken
72:Telefunken
27:Microphone
600:"History"
506:258094223
342:used the
178:used the
62:used the
709:Category
695:U 47 FET
649:56072213
532:31 March
471:31 March
443:31 March
380:U 47 FET
322:(right).
320:U 47 FET
302:U 47 FET
278:cardioid
256:Nuvistor
141:and the
107:U 47 FET
103:U 47 FET
87:U 47 FET
45:Neumann
553:NPR.org
274:pattern
259:13 CW 4
236:pentode
222:VF 14 M
200:K 47/49
150:History
143:Beatles
647:
637:
504:
494:
300:, and
234:was a
356:EF 86
263:VF 14
252:AR 47
248:VF 14
244:VF 14
232:VF 14
184:CMV 3
79:VF 14
60:U 47s
693:and
691:U 47
674:2020
645:OCLC
635:ISBN
616:2020
586:2020
560:2020
534:2020
502:OCLC
492:ISBN
473:2020
445:2020
419:2020
378:The
373:U 47
369:U 67
364:U 87
352:U 67
348:U 47
344:U 48
332:U 47
328:U 48
326:The
316:U 67
312:U 87
298:U 87
294:U 67
290:U 48
270:U 47
240:U 47
230:The
215:U 47
213:The
196:K 47
176:U 47
161:U 47
123:U 47
114:U 47
99:U 47
91:K 47
83:U 47
68:K 47
47:U 47
43:The
36:U 47
280:or
204:M 7
192:M 7
188:PVC
180:M 7
64:M 7
711::
665:.
643:.
602:.
577:.
551:.
523:.
500:.
462:.
435:.
410:.
393:^
375:.
296:,
292:,
210:.
137:,
133:,
129:,
125:;
676:.
651:.
618:.
588:.
562:.
536:.
508:.
475:.
447:.
421:.
167:(
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
