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Audain Art Museum

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supported by a steel deck, while the roof structure consists of pre-fabricated long-span engineered wood panels. The use of a single concrete core, located at the elbow joint, provides lateral load resistance in the longitudinal direction, while a series of transverse steel frames, equipped with high
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The museum, located at the base of the Whistler Mountain, is suspended one full storey above ground in response to site within the Fitzsimmons Creek floodplain. The 145-meter-long, elbow-shaped structure is suspended upon seven piers as its foundation system. The primary structure's three-dimensional
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The site is moderately forested, consisting of mature spruce and cedar trees. During the initial phase of construction, only one tree was removed in an effort to preserve the site's ecology. The museum's main entrance is accessible by bridge, connecting the site to Blackcomb Way. The intention of the
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The Audain Art Museum displays a Permanent Collection of nearly 200 works of art, visually highlighting a historic journey of art from coastal British Columbia. The works span from the 18th century to the modern era and present day, containing one of the finest preserved collections of Northwest
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John Patkau, Principal of Patkau Architects, describes the museum's design as being shaped by three prominent factors. Firstly, its function as a gallery, housing both the permanent collection of Michael Audain in juxtaposition with temporary exhibits, changing intermittently. Second, the
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ductility connectors are used for the first time in a real-life application, providing transverse load resistance. The use of these complex hybrid steel/concrete structural systems provide sufficient rigidity for the structure to achieve its long interior spans and dramatic cantilevers.
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design was to blend the building into the existing site; Michael Audain explains that the cladding “is an intentionally recessive colour—it recedes into the shadows, and that’s our view of the appropriate relationship between it and the context”.
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challenging site, located within the Fitzsimmons Creek floodplain, poses a flood risk on-site. Lastly, the enormous amount of snowfall that Whistler receives annually, which influenced the structure of the museum.
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The Audain Art Museum is incorporated under the Canada Not-for-profit Corporations Act, effective October 4, 2012, and is a Registered Charity. The Museum's Board of Trustees serves as its governing body.
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Michael Audain enters an agreement with the Resort Municipality of Whistler (RMOW) to build a 25,000-square-foot museum to house a portion of his British Columbia art collection.
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Canadian Architect. "Audain Art Museum a Canadian Winner at 2018 RIBA International Award." Canadian Architect. September 12, 2018. Accessed February 28, 2021.
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https://www.piquenewsmagazine.com/whistler-news/art-collector-michael-audain-signs-memorandum-of-understanding-with-rmow-for-new-art-museum-2492613
700: 661: 423:. In addition to these historical works, the Collection showcases art by internationally renowned contemporary British Columbia artists including 826: 153: 797: 785: 1049: 594:
Canadian Architect. "Governor General's Medal Winner: Audain Art Museum." Canadian Architect. May 02, 2019. Accessed February 28, 2021.
38: 995: 725:"Audain Art Museum Wins a Governor General's Medal in Architecture." The Georgia Straight. May 07, 2018. Accessed February 28, 2021. 85: 726: 687: 251: 233: 175: 117: 52: 713: 699:"Awarding Excellence in Wood Architecture and Design." Canadian Wood Council. January 17, 2018. Accessed February 28, 2021. 686:"2017 AZ Awards Winner: Architecture Over 1,000 Square Metres." Azure Magazine. June 06, 2019. Accessed February 28, 2021. 781: 626: 463:
Since its inception, the Audain Art Museum has hosted numerous temporary exhibitions, displaying a variety of art works.
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AMI: Accessible Media Inc. Performed by Grant Hardy. Audain Art Museum. February 17, 2017. Accessed February 28, 2021.
625:"New Audain Art Museum Finds a Fitting Forest Setting." The Georgia Straight. March 11, 2016. Accessed April 02, 2021. 211: 204: 95: 393:
bridge-like steel frame spans between the piers and is mostly concealed. The floor diaphragms consist primarily of
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https://cwc.ca/wp-content/uploads/2018/01/Press-Release-Awarding-Excellence-in-Wood-Architecture-and-Design.pdf
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https://archinect.com/news/bustler/6240/feast-your-eyes-on-the-2017-wood-design-building-award-winning-projects
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https://vancouversun.com/news/staff-blogs/audain-art-museum-designed-to-be-a-supportive-environment-for-art
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and opened to the public in 2016, it holds a comprehensive permanent collection of British Columbian art.
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https://www.cbc.ca/news/canada/british-columbia/whistlers-audain-art-museum-opens-to-the-public-1.3475154
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https://www.piquenewsmagazine.com/whistler-news/audain-art-museum-doubles-in-size-in-new-proposal-2493641
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Griffin, Kevin. "Audain Art Museum in Whistler Designed to Be a Supportive Environment for Art."
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https://www.straight.com/arts/1071336/audain-art-museum-wins-governor-generals-medal-architecture
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https://www.azuremagazine.com/article/2017-az-awards-winner-architecture-over-1000-square-metres/
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The Audain Art Museum prioritizes the accessibility of art to all, with all public areas being
765:"Art Collector Michael Audain signs Memorandum of Understanding with RMOW for new art museum" 714:
https://www.canadianarchitect.com/audain-museum-canadian-winner-2018-riba-international-prize/
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https://www.piquenewsmagazine.com/local-arts/audain-museum-plans-double-in-size-2493606
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https://www.straight.com/arts/652236/new-audain-art-museum-finds-fitting-forest-setting
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Karsh, J.E. & I. Danzig (2017). "The Audain Art Museum in Whistler, BC, Canada."
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Michael Audain announces his decision to expand the art museum to 56,000-square-feet.
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Ancestral Modern: Australian Aboriginal Art from the Kaplan & Levi Collection.
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Baker, R. "Whistler's Audain Museum Opens to the Public" CBC News. 3 March 2016.
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The references used may be made clearer with a different or consistent style of
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Artistry Revealed: Peter Whyte, Catharine Robb Whyte and Their Contemporaries.
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https://www.reminetwork.com/articles/audain-art-museum-wins-2018-aia-award/
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Riopelle: The Call of Northern Landscapes and Indigenous Cultures.
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AIBC Lieutenant Governor of British Columbia Medal in Architecture
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Riopelle: The Call of Northern Landscapes and Indigenous Cultures
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Construction begins on site at 4350 Blackcomb Way, Whistler, BC.
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Emily Carr: Fresh Seeing – French Modernism and the West Coast.
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accessible for members of the public with limited mobility.
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The Extended Moment: Fifty Years of Collecting Photographs.
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Coast First Nations masks; a large collection of works by
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https://awards.aibc.ca/award-recipients/2017-recipients/
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https://www.canadianarchitect.com/audain-art-museum/
268:is a 56,000-square-foot private museum located in 359:Michael Audain visits Whistler to choose a site. 80:, potentially preventing the article from being 825:. April 07, 2016. Accessed February 28, 2021. 1035:Art museums and galleries in British Columbia 962: 960: 871:https://audainartmuseum.com/past-exhibitions/ 519:Tales of an Empty Cabin: Somebody Nobody Was… 8: 1040:Buildings and structures in British Columbia 272:, that houses the private art collection of 858:https://www.youtube.com/watch?v=h3wu5MzdWPE 53:Learn how and when to remove these messages 383:The Audain Art Museum opens to the public. 100:reliable, independent, third-party sources 845:https://audainartmuseum.com/collection/#/ 649:https://audainartmuseum.com/architecture/ 252:Learn how and when to remove this message 234:Learn how and when to remove this message 176:Learn how and when to remove this message 152:Please review their use according to the 118:Learn how and when to remove this message 335:Governor General's Medal in Architecture 94:by replacing them with more appropriate 968:https://audainartmuseum.com/governance/ 587: 329:RIBA Award for International Excellence 77:too closely associated with the subject 551:Itee Pootoogook: Hymns to the Silence. 922:Itee Pootoogook: Hymns to the Silence 839: 837: 835: 7: 810:Structural Engineering International 643: 641: 639: 637: 635: 621: 619: 617: 556:October 23, 2021 – February 21, 2022 479:Edward Burtynsky: The Scarred Earth. 924:. Fredericton: Goose Lane Editions. 609:https://audainartmuseum.com/vision/ 323:Canadian Wood Council Design Award 14: 34:This article has multiple issues. 1045:Modernist architecture in Canada 495:Beau Dick: Revolutionary Spirit. 192: 134: 75:may rely excessively on sources 64: 23: 888:Beau Dick: Revolutionary Spirit 567:Wolves: The Art of Dempsey Bob. 532:September 21 – January 20, 2020 42:or discuss these issues on the 1: 952:Dempsey Bob: In His Own Voice 540:February 8 – October 18, 2020 753:"Vision | Whistler, BC" 508:October 6 – January 28, 2019 500:June 30 – September 17, 2018 145:may contain improper use of 548:June 10 – September 6, 2021 487:Shawn Hunt: Transformation. 1066: 1050:Whistler, British Columbia 476:June 10 – October 16, 2017 270:Whistler, British Columbia 16:Art museum in Whistler, BC 950:Milroy, S. (ed.) (2022). 564:April 2 – August 14, 2022 516:February 16 – May 6, 2019 471:Fred Herzog: Shadowlands. 468:January 21 – May 22, 2017 905:Emily Carr: Fresh Seeing 524:May 18 – August 26, 2019 492:March 30 – June 11, 2018 341:AIA Award - Architecture 484:March 9 – April 9, 2018 305:Wood Design Honor Award 954:. Vancouver: Figure 1. 941:. Milan: 5 Continents. 907:. Vancouver: Figure 1. 890:. Vancouver: Figure 1. 1011:50.1179°N 122.9531°W 769:. 19 December 2012. 402:Permanent collection 1007: /  395:reinforced concrete 357:September 21, 2012: 1016:50.1179; -122.9531 767:Pique Newsmagazine 433:Marianne Nicolson 363:December 9, 2012: 278:Patkau Architects 266:Audain Art Museum 262: 261: 254: 244: 243: 236: 186: 185: 178: 128: 127: 120: 57: 1057: 1022: 1021: 1019: 1018: 1017: 1012: 1008: 1005: 1004: 1003: 1000: 989: 988: 986:Official website 971: 964: 955: 948: 942: 931: 925: 914: 908: 897: 891: 880: 874: 867: 861: 854: 848: 841: 830: 819: 813: 806: 800: 794: 788: 779: 773: 763: 757: 756: 749: 743: 736: 730: 723: 717: 710: 704: 697: 691: 684: 678: 671: 665: 658: 652: 645: 630: 623: 612: 605: 599: 592: 459:Past exhibitions 443:, among others. 257: 250: 239: 232: 228: 225: 219: 196: 195: 188: 181: 174: 170: 167: 161: 138: 137: 130: 123: 116: 112: 109: 103: 68: 60: 49: 27: 26: 19: 1065: 1064: 1060: 1059: 1058: 1056: 1055: 1054: 1025: 1024: 1015: 1013: 1009: 1006: 1001: 998: 996: 994: 993: 984: 983: 980: 975: 974: 965: 958: 949: 945: 932: 928: 915: 911: 898: 894: 881: 877: 868: 864: 855: 851: 842: 833: 820: 816: 807: 803: 795: 791: 780: 776: 764: 760: 751: 750: 746: 737: 733: 724: 720: 711: 707: 698: 694: 685: 681: 672: 668: 659: 655: 646: 633: 624: 615: 606: 602: 593: 589: 584: 575: 461: 449: 404: 390: 381:March 12, 2016: 369:April 30, 2013: 353: 348: 299: 286: 258: 247: 246: 245: 240: 229: 223: 220: 209: 203:has an unclear 197: 193: 182: 171: 165: 162: 151: 139: 135: 124: 113: 107: 104: 89: 69: 28: 24: 17: 12: 11: 5: 1063: 1061: 1053: 1052: 1047: 1042: 1037: 1027: 1026: 991: 990: 979: 978:External links 976: 973: 972: 956: 943: 926: 909: 892: 875: 862: 849: 831: 814: 801: 789: 774: 758: 744: 731: 718: 705: 692: 679: 666: 653: 631: 613: 600: 586: 585: 583: 580: 574: 571: 570: 569: 561: 553: 545: 537: 529: 521: 513: 505: 497: 489: 481: 473: 460: 457: 448: 445: 403: 400: 389: 386: 385: 384: 378: 372: 366: 360: 352: 349: 347: 344: 343: 342: 336: 330: 324: 318: 317:Azure AZ Award 312: 306: 298: 295: 285: 282: 276:. Designed by 274:Michael Audain 260: 259: 242: 241: 205:citation style 200: 198: 191: 184: 183: 142: 140: 133: 126: 125: 72: 70: 63: 58: 32: 31: 29: 22: 15: 13: 10: 9: 6: 4: 3: 2: 1062: 1051: 1048: 1046: 1043: 1041: 1038: 1036: 1033: 1032: 1030: 1023: 1020: 987: 982: 981: 977: 969: 963: 961: 957: 953: 947: 944: 940: 936: 930: 927: 923: 919: 916:Campbell, N. 913: 910: 906: 902: 899:Watanabe, K. 896: 893: 889: 885: 879: 876: 872: 866: 863: 859: 853: 850: 846: 840: 838: 836: 832: 828: 824: 823:Vancouver Sun 818: 815: 811: 805: 802: 799: 793: 790: 787: 783: 778: 775: 772: 768: 762: 759: 754: 748: 745: 741: 735: 732: 728: 722: 719: 715: 709: 706: 702: 696: 693: 689: 683: 680: 676: 670: 667: 663: 657: 654: 650: 644: 642: 640: 638: 636: 632: 628: 622: 620: 618: 614: 610: 604: 601: 597: 591: 588: 581: 579: 572: 568: 565: 562: 560: 557: 554: 552: 549: 546: 544: 541: 538: 536: 533: 530: 528: 525: 522: 520: 517: 514: 512: 509: 506: 504: 501: 498: 496: 493: 490: 488: 485: 482: 480: 477: 474: 472: 469: 466: 465: 464: 458: 456: 454: 447:Accessibility 446: 444: 442: 438: 437:Rodney Graham 434: 430: 426: 422: 421:Jack Shadbolt 418: 414: 410: 401: 399: 396: 387: 382: 379: 376: 375:August, 2013: 373: 370: 367: 364: 361: 358: 355: 354: 350: 345: 340: 337: 334: 331: 328: 325: 322: 319: 316: 313: 310: 307: 304: 301: 300: 296: 294: 290: 283: 281: 279: 275: 271: 267: 256: 253: 238: 235: 227: 217: 213: 207: 206: 201:This article 199: 190: 189: 180: 177: 169: 159: 155: 150: 148: 143:This article 141: 132: 131: 122: 119: 111: 101: 97: 93: 87: 83: 79: 78: 73:This article 71: 67: 62: 61: 56: 54: 47: 46: 41: 40: 35: 30: 21: 20: 992: 951: 946: 938: 934: 929: 921: 917: 912: 904: 900: 895: 887: 883: 878: 865: 852: 822: 817: 812:27:1, 59-62. 809: 804: 792: 777: 766: 761: 747: 734: 721: 708: 695: 682: 669: 656: 603: 590: 576: 566: 563: 558: 555: 550: 547: 542: 539: 534: 531: 526: 523: 518: 515: 510: 507: 502: 499: 494: 491: 486: 483: 478: 475: 470: 467: 462: 450: 441:Stan Douglas 429:Dana Claxton 417:Gordon Smith 405: 391: 380: 374: 368: 362: 356: 346:Construction 338: 332: 326: 320: 314: 308: 302: 291: 287: 265: 263: 248: 230: 221: 202: 172: 163: 144: 114: 105: 90:Please help 74: 50: 43: 37: 36:Please help 33: 1014: / 1002:122°57′11″W 882:Barsky, J. 413:E.J. Hughes 1029:Categories 999:50°07′04″N 937:. (2020). 920:. (2019). 903:. (2019). 886:. (2018). 582:References 573:Governance 453:wheelchair 409:Emily Carr 216:footnoting 158:guidelines 92:improve it 82:verifiable 39:improve it 425:Jeff Wall 388:Structure 297:Accolades 149:material. 96:citations 45:talk page 933:Roy, A. 351:Timeline 224:May 2021 212:citation 166:May 2021 154:criteria 147:non-free 108:May 2021 86:neutral 284:Design 935:et al 918:et al 901:et al 884:et al 503:POP. 439:and 419:and 339:2018 333:2018 327:2018 321:2017 315:2017 309:2017 303:2017 264:The 214:and 156:and 84:and 98:to 1031:: 959:^ 834:^ 784:; 634:^ 616:^ 435:, 431:, 427:, 415:, 48:. 970:. 873:. 860:. 847:. 829:. 755:. 742:. 729:. 716:. 703:. 690:. 677:. 664:. 651:. 629:. 611:. 598:. 255:) 249:( 237:) 231:( 226:) 222:( 218:. 208:. 179:) 173:( 168:) 164:( 160:. 121:) 115:( 110:) 106:( 102:. 88:. 55:) 51:(

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Whistler, British Columbia
Michael Audain
Patkau Architects
reinforced concrete
Emily Carr
E.J. Hughes
Gordon Smith
Jack Shadbolt
Jeff Wall
Dana Claxton

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