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202:, fresco-secco paintings are less durable. The colors may flake off the painting as time goes by, but this technique has the advantages of a longer working time and retouchability. In Italy, the fresco technique was reintroduced around 1300 and led to an increase in the general quality of mural painting. This technological change coincided with the realistic turn in Western art and the changing liturgical use of murals.
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are pointed out in the text as pure colors. Different shades were also prepared from these original colors. Five types of brushes with various shapes and sizes (flat, long, medium, etc.) made of animal hair and grass fibre are also recommended. Specialist painters and decorators still use this
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EwaGlos. European
Illustrated Glossary Of Conservation Terms For Wall Paintings And Architectural Surfaces. English Definitions with translations into Bulgarian, Croatian, French, German, Hungarian, Italian, Polish, Romanian, Spanish and
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Weyer, Angela; Roig Picazo, Pilar; Pop, Daniel; Cassar, JoAnn; Özköse, Aysun; Jean-Marc, Vallet; Srša, Ivan (Ed.) (2015). Weyer, Angela; Roig Picazo, Pilar; Pop, Daniel; Cassar, JoAnn; Özköse, Aysun; Vallet, Jean-Marc; Srša, Ivan (eds.).
213:(8th century) gives an account of the fresco-secco painting technology in detail. According to this text, a picture should be painted with appropriate colours, along with proper forms and sentiments (
191:. If the pigments are mixed with lime water or lime milk and applied to a dry plaster the technique is called lime secco painting. The secco technique contrasts with the
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technique to great effect in the world of interior design e.g. faux marble.
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technique, where the painting is executed on a layer of wet plaster.
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technique where pigments mixed with an organic binder and/or
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Because the pigments do not become part of the wall, as in
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A fresco-secco by Beohar
Rammanohar Sinha on the walls of
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