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was founded in 1327 and ceased to exist in 1840. The relief of the
Adoration of the Three Kings was put on show every Christmas at the Church of St Nicholas. It was later the property of the family of municipal scribe Illing, passing on to his daughter and then to his granddaughter. It was from his
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and was a member of the České Budějovice guild of goldsmiths, painters and sculptors. The conception and modelling of the relief, the genre motif of the restless child and the typology of the figures, have a close affinity to the stylistic circle of the
Viennese followers of
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is standing behind Mary; with a gesture of his arm, he guards the mother and leans over the child. The restless child, whom Mary cradles in her lap, holds his mother’s veil with his right hand and holds out his left hand to the cup held by the kneeling
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165:. The strongly ornamental stylisation of the hair, whiskers and crumpled folds of the clothes is typical of his work. Jesus’s and Balthazar’s fluttering drapery could have its source of inspiration in the early work of
350:
Aleš Mudra, Milada Ottová, Monogramista AI – Alexander
Obenstein (?): Klanění tří králů z českých Budějovic, in: Jindra P, Ottová M, (ed.), Obrazy krásy a spásy, Gotika v jihozápadních Čechách, s.341-345, Arbor Vitae,
73:
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Against the relief’s background, comprising an indicated wall made up of cube-shaped stones, there are five almost separate figures centred around the focus of the composition – the figure of the
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It is a high relief in lime wood with partly preserved original polychromy. It measures 73 x 98 x 22 cm. It was restored by Jiří Blažej (1953-1954) and
Ludmila Slánská (Prague, 1965).
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is characterised by a celebratory style free of pathos as well as by precise carving that features details observed from reality (the wrinkles and the suppleness of the child’s body).
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granddaughter that the relief was purchased in 1910 by the Town Museum, from where it was transferred to the collection of the Aleš South
Bohemian Gallery in Hluboká nad Vltavou.
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and announced hope throughout the world. According to medieval ideas, they could hope for early salvation. Sculpture signatures also appear on the scenes of the
138:. The king has placed his crown on the ground and looks up at the faces of Mary and Joseph. Behind the kneeling oldest Wise Man there stands the middle figure,
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from the workshops of other sculptors. It can be assumed that, with the depiction of this scene, the sculptor identifies with the harbingers of the Gospel.
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175:, who are portrayed as representatives of the three continents that were known at that time (Europe, Asia and Africa) were first-hand witnesses to the
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356:
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190:, stands out from regional sculpture production. It could have been made by Master Alexander, who most probably came to Bohemia from the
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54:
395:
Jiří Kropáček, in: Katalog plastiky, Jihočeská pozdní gotika 1450-1530, s. 210-212, Alšova jihočeská galerie, Hluboká nad
Vltavou 1965
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97:(Alexandr Schniczer). The relief is on show at the permanent collection of the Aleš South Bohemian Gallery in Hluboká nad Vltavou.
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448:
427:
369:
Hynek Rulíšek, Gotické umění jižních Čech, Průvodce, sv. 3, Alšova jihočeská galerie v Hluboké nad
Vltavou 1989,
340:
Hynek Látal, Petra Lexová, Martin Vaněk, Meziprůzkumy, Sbírka AJG 1300-2016, č. 29, AJG Hluboká nad
Vltavou 2016,
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86:
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Adoration of the Three Kings from České Budějovice, Aleš South
Bohemian Gallery in Hluboká nad Vltavou
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146:, who is clearly holding a vessel filled with incense. The hem of his cloak is inscribed with the
35:
417:
389:
Jaroslav Kadlec, Špitál sv. Václava v Českých Budějovicích. Acta regionalia. 1970—1971, s. 65—76.
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Jaroslav Kadlec, Špitál sv. Václava v Českých Budějovicích. Acta regionalia. 1970—1971, p 65—76
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Hynek Rulíšek, Gotické umění v jižních Čechách, Národní galerie v Praze 1989,
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Encyklopaedia of České Budějovice, Master of the
Lamentation from Žebrák (cs)
191:
44:
24:
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Albert Kutal, K výstavě jihočeská pozdní gotika 1450-1530, Umění XIV, 1966
89:. It was carved between 1500 and 1510, most likely in the workshop of the
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Encyklopaedia of České Budějovice, Hospital Church of St Wenceslaus (cs)
161:, and the style of its carving is formally connected with that of the
142:, who bears a small decorated chest of gold. Behind him there stands
18:
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This work, which was ascribed in earlier literature to the
129:, there is an open shed with the heads of a donkey and ox.
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came from the defunct hospital Church of St Wenceslaus in
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81:This late Gothic relief with a scene showing the
153:The overall composition is based on a print by
8:
105:The Hospital and Church of St Wenceslaus in
412:Adoration of the Magi (Gentile da Fabriano)
444:Adoration of the Magi (Botticelli, 1475)
72:
509:Wooden sculptures in the Czech Republic
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209:
406:Adoration of the Magi (Lorenzo Monaco)
455:Adoration of the Magi (Bosch, Madrid)
188:Master of the Lamentation from Žebrák
7:
359:a Západočeská galerie v Plzni 2013,
163:Master of the Kefermarkt Altarpiece
199:. In contrast to the works of the
14:
449:Adoration of the Magi (Leonardo)
428:Adoration of the Magi (Mantegna)
230:
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201:Master of the Žebrák Lamentation
23:
289:Mudra A, Ottová M, 2013, p. 342
271:Mudra A, Ottová M, 2013, p. 344
262:Mudra A, Ottová M, 2013, p. 341
114:Description and classification
1:
461:Adoration of the Magi (Dürer)
93:who is often identified with
197:Nicolaus Gerhaert van Leyden
83:Adoration of the Three Kings
337:Inv. no. P-284, AJG Hluboká
525:
494:Bohemian Gothic sculptures
325:Kutal A, 1966, pp. 226-227
298:Rulíšek H, NG, 1989, p. 31
504:Nativity of Jesus in art
316:Kropáček J, 1965, p. 210
280:Kropáček J, 1965, s. 211
167:Lucas Cranach the Elder
38:, as no other articles
16:Religious Gothic relief
400:Adoration in paintings
78:
307:Látal H, 2016, no. 29
125:. Left of the seated
76:
203:, the relief of the
434:Monforte Altarpiece
418:Dombild Altarpiece
79:
57:for suggestions.
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123:Infant Jesus
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457:, 1485-1500
408:, 1420-1422
155:Master E.S.
148:monogram AI
136:King Caspar
127:Virgin Mary
488:Categories
240:References
53:; try the
40:link to it
205:Adoration
181:Adoration
144:Balthazar
62:June 2024
43:. Please
177:Epiphany
140:Melchior
440:), 1470
424:), 1440
332:Sources
101:History
463:, 1504
451:, 1481
414:, 1423
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131:Joseph
36:orphan
34:is an
430:1462
381:ISBN
371:ISBN
361:ISBN
353:ISBN
342:ISBN
157:and
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