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129:. This type of work is likely indicative for a side-line he pursued during the three decades he spent in Lier after his return from Italy. The work is an Italianate landscape set among Roman buildings and populated with many figures and animals. The scene is reminiscent of the work of the group of genre painters active in Rome known as the
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As cited in the
National Inventory of Continental European paintings record, the work is attributed to Adriaen de Bie in: Wright, C., Old Master Paintings in Britain: An Index of Continental Old Master Paintings executed before c.1800 in Public Collections in the United Kingdom, London, 1976 , p. 17;
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Very few of
Adriaen de Bie's works have survived. He painted in Rome small cabinet pieces, a type of painting for which there was a great demand in Rome at the beginning of the 17th century. It is possible that Adriaen de Bie's choice of support and size was influenced by
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painter, who is known for portraits, biblical scenes for churches and
Italianate landscapes. In his youth he travelled to Paris and resided for a long period in Italy. He trained in Antwerp and was the father of the poet and artist biographer
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The
National Inventory of Continental European paintings records that there is an inscription on the front lower left of the painting reading 'ED · BIE - 1643', which is similar to the known signature of another Flemish painter called
74:. He then spent three years visiting important Italian cities. His patrons included Cardinals, for whom he made paintings on panel as well as on precious metals such as gold and silver plates and on porphyry and jasper.
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Sloman, S., Victoria Art
Gallery: Concise Catalogue of Paintings and Drawings, Bath, 1991, p. 10; J. De Maere and M. Wabbes, Illustrated Dictionary of Flemish Painters, Brussels, 1994, p. 52.
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Ch. Schuckman, "Did
Hendrick ter Brugghen revisit Italy? Notes from an unknown manuscript by Cornelis de Bie." in: Hoogsteder-Naumann Mercury, 4 (1986), 7–22
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From Paris he continued in 1614 on to Rome where he stayed for six years. It is possible that around 1620 he shared in Rome lodgings with the Dutch painter
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who was successful in Rome with small cabinet pieces. De Bie was a painter of portraits, biblical scenes for churches and
Italianate landscapes.
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De Bie was born in Lier. His son
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He returned to Lier in 1623. He painted portraits and decorations for the
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42:(3 October 1593 – 20 October 1668) was a
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329:Artists from Antwerp Province
118:View of Campo Vaccino in Rome
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258:Adriaen de Bie (1593–1668),
214:Erasmus de Bie (1593–1668),
100:'View of Campo Vaccino, Rome
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165:Adriaen de Bie (1593–1668)
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