Alexandru Bogdan-Pitești

44: 1959: 579: 1979:. As T. Vianu writes, such "attitudes of a grand feudal lord" made Bogdan-Pitești into an "indisputably picturesque" person. The account was partly confirmed by Constantin Beldie, who also noted that, during those years, Alexandru Macedonski was "starving" and had to provide for "a house full of children". Zambaccian however cites a contrasting story once told by actor Ion Iancovescu. It suggests that, during the wartime famine, Macedonski asked Bogdan-Pitești to pay him 1 million lei for one of the few surviving copies of 1995:("The Mandarin"), it is included in one of Bogdan-Pitești's albums. That accord degenerated during the late 1910s, to the point where Caragiale, whose diary spoke of Bogdan-Pitești's homosexuality in dismissive terms (calling him "a blusterer of the anti-natural vice"), laid out a plan to loot the Știrbey-Vodă Street villa. According to the same author, Bogdan-Pitești turned to passive homosexuality because he was impotent. Caragiale's diary also sketched a portrait of Domnica Bogdan, questioning her morality in harsh terms. 1911:). A socialist acquaintance and an oral historian, Constantin Bacalbașa was convinced that Bogdan-Pitești was the prototype "inferior degenerate" and, in his political life, a manipulator of "the uncultured minds." Retrospective criticism of Bogdan-Pitești was also voiced by Comarnescu and co-author Ionel Jianu. Although they pay homage to Bogdan-Pitești's artistic qualities, the two speak of his "reproachable faults" and "con artist coups", finding in him "an exhibitionist determined to trick and scandalize", or an " 2047:

fictional Bogdan-Pitești replies: "I have consumed your money, this much is true, but I did not pull one on you! For how is it that you could imagine me, a traitor of my country, not also being a con artist?" According to Beldie, the account has a grain of truth: instead of using money to revive the Germanophile cause, Bogdan-Pitești directed them into his art collection. A somewhat similar version of this urban legend is included in the memoirs of a National Liberal adversary,

2076:("The Lunatics")—Alexandru as Adam Gună, Domnica as wife Iada Gună. Both novels portray the Bogdans' cultural circle, allude to their influence in making young people reject all conventionalism, and show them promoting vice as virtue. This lifestyle has taken its toll on Adam Gună, who is a physical ruin and slowly loses his hold on reality. Vinea's books repeat claims that Bogdan-Pitești was abusing drugs, and that Domnica was originally a prostitute. 2141: 1794:

territory. Despite his apparent triumph over the Ententist lobby, he kept a low profile: according to popular but unverifiable rumors, he was even arrested once the occupation authorities angrily discovered his uselessness for the cause. He was however a free man as of April 12, 1917, the date of his marriage to Domnica Colanoski. One account has it that Bogdan-Pitești proceeded to denounce his

616:

that Bogdan-Pitești was present at Vaillant's public execution and leaned over to kiss Vaillant's mangled body, which both disgusted and alarmed the judicial establishment. Zambaccian suggests that the decision to deport the Romanian provocateur was not politically motivated. He writes that Bogdan-Pitești had exhausted the patience of French authorities by trafficking in stolen bicycles.

1839:, Bogdan-Pitești was in fact fabricating his own myth: "every part of his public image was a removable mask." The art institutions he helped establish were, nevertheless, reputable. According to Paul Cernat, his influential circle was "an excellent medium of transmission for the modern spirit, an informal institution and one of the first coagulant factors for first post-symbolist 722:, spoke of him as "an admirable colorist", a "free spirit", and a purveyor of "revolutionary ideas". He boosted Luchian's self-confidence, urging him to apply his talents to illustrating "an idea", and was entirely adverse to Grigorescu's traditionalist manner. Luchian still used Grigorescu as a source of inspiration in his own work, prompting scholars to argue that Grigorescu's 2055:: "Did you perhaps think that you might buy off some of Romania's honest people? You would be dead wrong, in this land one can only buy off the con artists, only con artists such as myself." Duca concludes: "this reply, with its admirable and atavistic national dignity, tempts me to forget, though not to forgive, the utter turpitude that we call Bogdan-Pitești's life." 351:, and, as art collector and memoirist Krikor Zambaccian recounted, may have been a descendant of the Balotescu boyar clan. Bogdan-Pitești also had a sister, Elena Constanța Bogdan; both she and her mother reportedly survived his death. As one of his eccentricities, Bogdan-Pitești encouraged the—unsustainable—rumor that he was a direct descendant of an ancient 1887:", who "robbed away and gave away." Zambaccian portrayed him as one "created from a mold in which the evil and the good genius were present in equal measure. Cynical and suave, generous on one side, a con artist on the other, Al. Bogdan-Pitești relished the abjection that he served with cynicism". As Teacă notes, both Zambaccian and sculptor 1753:, the world's "most savage, most ignorant and bloodiest oligarchy". By 1915, assessing that Romania's national interest rested with the Habsburgs and the Germans, and arguing that Romanian peasants were worse off than their counterparts in Transylvania, he was urging his countrymen to ponder the benefits of Bessarabia's annexation to Romania. 1543:. According to Zambaccian, it was Bogdan-Pitești who actually dropped a hint that his support for Germany was a lucrative employment. Through various notes in scattered diaries, most of which have been lost, Caragiale reputedly accused Bogdan-Pitești taking Germany's money to promote her interests in Romania, and to assist her foreign 1368:" atmosphere. Galaction backed such interpretations, writing that the salon was also home to "a dozen con artists and prostitutes." The atmosphere was colloquial and free-spirited, to the point of being demeaning: story goes that the artists and writers were sometimes told licentious jokes, or had to endure grotesque farces. 1435: 2325:, the Vlaici building was transformed into a branch for the state-owned producer of agricultural machinery, and, in 2004, belonged to its successor, Agromec (although still largely unused). Beldie recounts that, under communism, the destitute Domnica Bogdan worked as a hygienist at Bucharest Central Hospital. 1028:, both advocated locally by art critic Theodor Cornel), Alexandru Bogdan-Pitești adapted his discourse to the new trends. The art patron, who probably exercised considerable influence over Cornel, publicly complained that, instead of keeping up with the times, his fellow Romanian intellectuals still regarded 1594:. Erzberger asked if the Vlaici landowner could ever help advance the Germanophile cause; the Archbishop, a loyal German subject, replied that Bogdan-Pitești was unreliable. Allegations later surfaced that Bogdan-Pitești was one of the men receiving payoffs from the German spy Albert E. Günther, manager of 1974:

Several anecdotes concerning Bogdan-Pitești's morals and extravagant lifestyle were in circulation from his lifetime. In 1912, Macedonski published an autobiographical Christmas story. It tells how, inspired by Macedonski's desire to feed his family a traditional turkey feast, Bogdan-Pitești sent him

1204:

suggested that the relationship was not entirely harmonious: "Camil Ressu, like other young unknown painters, found a lot of support and encouragement with Bogdan-Pitești. Truth be told, the maecenate was rather thrifty, it profited from the needs of the debuting and impoverished artist. But without

1891:

were among those forever "seduced" by Bogdan-Pitești's duplicity. In 1970, Han wrote: "we cannot judge under common law. He remains an absurdity." While nationalist journalist Pamfil Șeicaru dismissed him as "a scoundrel", Macedonski argued that Bogdan-Pitești was "a wonderful prose writer and an

1882:

The Romanian art environment cherished, then despised, its anarchist patron. In his moments of glory, he received homages from many of his writer friends, as notebooks and albums compiled especially for him. At a later date, all sides of the dispute were united in expressing criticism for at least

615:

Placed under surveillance due to his involvement in revolutionary politics by 1894, Alexandru Bogdan-Pitești was eventually expelled from France, despite Huysmans' intervention in his favor. Reputedly, the deportation document identified him as a "threat to public order". One urban legend recounts

1422:

presence. To other members of the Știrbey-Vodă circle, painter-designer Alexandru Brătășanu was introduced as Bogdan-Pitești's male lover. Theirs was a "degenerate" affair, according to Oscar Han; Han also quotes Bogdan-Pitești's admiration for the male body, including male genitalia, as the only

1793:

was opened. The country suffered heavily, and Bucharest was taken by the Central Powers. Reputedly, the occupation forces picked up Bogdan-Pitești from his cell at Văcărești, where he was still serving time. Like Arghezi, Macedonski, Galaction and Mateiu Caragiale, he remained in German-occupied

1336:

notes that, at least initially, his relationship with Mateiu Caragiale included a financial aspect, since Bogdan-Pitești inviting the destitute poet to dinner and provided him with funds. He was also granting lodging and material to various disadvantaged painters, as reported by his close friend

702:

art columnist Gal wrote: "Bogdan has all the qualities and flaws of a sincere French revolutionary, but one who is not entirely clear and scientific. He has an extraordinary love for all things independent and hates to the point of excess all sectarian people, and all schools." In June 1896, the

2046:

After the World War, according to Beldie, actor Iancovescu introduced impressions of Bogdan-Pitești to his cabaret routine. It showed the convicted Garmanophile and an unnamed German official, who looked into the mislanding of propaganda funds on supporting petty "henchmen". To this charge, the

1049: 1801:

Once Romania recovered possession over its southern areas, Alexandru Bogdan-Pitești was reportedly prosecuted for treason and was again sent to Văcărești. Others however note that this last sentence, passed in 1919, was not in fact related to his wartime dealings, but merely to his fraudulent

1896:, the modernist poet-philosopher, praised Bogdan-Pitești as a man of exquisite taste, concluding that: "He was made of the greatest of joys, in the most purulent of bodies. How many generations of ancient boyars had come to pass, like unworthy dung, for this singular earth to be generated?" 598: 1547:

effort. Such assessments, like Caragiale's allegation that Bogdan-Pitești was not knowledgeable in art, reflected conflicts between the two figures, and their overall reliability remains doubtful. It is however possible that Caragiale himself borrowed, and never returned, some 10,000

884: 1718:. Its opening manifesto called for a large-scale social reform, which it claimed was more important to Romanians than any National Liberal project to recover Transylvania from its Austro-Hungarian overlord. It enlisted contributions, generally less political than those at 306:' side. He was arrested one final time upon the end of the war, by which time he had become the object of public hatred. The enduring mysteries and contradictions of Bogdan-Pitești's career have since drawn interest from several generations of art and literary historians. 414:. Like others in his generation, he may have been driven by a desire for shocking and morbid experiences. According to art historian Theodor Enescu, these ranged from erotic experimentation to the "boisterous shivers of anarchism", and from criminal enterprise to 2107:

notes that this fictional portrait shows: "The dignity in gossip, the boyar carriage, the refinement that the apparent vulgarity cannot bring to ruin, the blasé and cynical lechery ." In one episode in the book, Lăpușneanu simulates agony and receives a Catholic

2123:

dictionary, 1909). However, according to Corina Teacă, the encomium-like and conveniently imprecise entry may have been sent in, or at least approved of, by Bogdan-Pitești. Arghezi also made his sponsor the hero of a small eponymous poem, wherein he is called

1356:. However, Galaction, who was to end his life as an Orthodox priest, recorded that the Știrbey-Vodă circle accommodated people of very diverse backgrounds. At one time, they included, alongside Galaction himself, the Roman Catholic priest Carol Auner, the 959:. His mystical doctrine was received with much skepticism and amusement by the Romanian literary chroniclers. The visit then turned to scandal: Péladan issued a call for all Romanians to embrace Catholicism, and left the country on pain of being deported. 906:'s 1898 visit to Bucharest. It was a much-publicized event, which attracted the attention of high society and received ample coverage in the press; Bogdan-Pitești accompanied Péladan on visits to various Bucharest landmarks, including the Athenaeum, the 2282:

The Colonești manor and its art fund fell victim to neglect. According to T. Vianu, the collection was "blown over by the wind of devastation" even during the interwar years. In 1924, in defiance of its owner's final request, it was subject to a hasty

1163:). It was, beginning in 1908, the center of his activities and home to his sizable art collection, as well as one of the first locations in Romania acting as a summer camp for painters and sculptors. The events he planned were attended by the 966:". He also proposes that the reception, with its "noisy" and "exacerbated" fanfare, shows the "complexes of a provincial culture, confronted with the promiscuous exorbitance of a great culture". This assessment is quoted by literary historian 1813:

T. Vianu notes that Bogdan-Pitești spent his last years "in ignominy", while Cernat describes his definitive fall to the status of "a pariah". The art promoter died four years after the war ended, at his house in Bucharest, having suffered a

1777:

hosted articles by Arghezi, professing Bogdan-Pitești's innocence. In 1916, just before Romania entered the war as an Entente country, Alexandru Bogdan-Pitești was again involved in a legal dispute with the Francophiles Take Ionescu and

2003:. Luchian then upset Bogdan-Pitești by not inviting him over, and was punished with a telegram addressed "To the ugliest tourist in Sinaia" (a pun on Luchian's proverbial bad looks). In the mid-1910s, Luchian had been incapacitated by 2266:. He is also depicted in an affectionate cartoon published in 1914 by Petrescu Găină. Domnica Bogdan herself sat as a model for various artists, and was notably depicted in works by Camil Ressu, Pallady and the Bulgarian-born painter 1205:

it things would've been much worse, since others did not even offer as much". He also argued that, contrary to speculation about his wealth, Bogdan-Pitești "maybe paid up so little because that is all he had to spare". Reputedly, the

1010:. A similar split occurred between Luchian and his patron, sparked when Bogdan-Pitești made some favorable comments on Stăncescu's work, and probably took several years to mend. Over that decade, Bogdan-Pitești had also become one of 2251:("Lica, the Girl with the Orange"). Among the works in the series were two portraits of Bogdan-Pitești: an ink drawing, copies of which were circulated with Bogdan-Pitești's election manifesto of 1899, and a since-lost oil painting. 1818:. According to Cernat, his "grotesque" death was sudden, catching him in the middle of a telephone conversation. Reportedly, Bogdan-Pitești's last wish had been for his collection to pass into state property and be kept as a museum. 829:. The society took up the effort to uproot against academic salons, organizing a large and provocative exhibit in 1898, and, at the height of its popularity, enlisted in its ranks some 300 people. Despite such consolidation, various 2274:

of Domnica. The same year, Dimitrescu painted her an oil-on-cardboard portrait in dominant shades of brown (with touches of red and gray). Artists who illustrated works by Bogdan-Pitești include, in addition to himself,

1005:

only published a few issues before closing down in 1901. Bogdan-Pitești's collaborator Bacalbașa, known by then as a dramatist, also attended, but drifted away from the group in 1900, giving up his position as editor of

1998:

Bogdan-Pitești's other relationships with his other protégés could also fluctuate between extremes. According to an anecdote of the time, he advanced Luchian a large sum of money, which the painter used for a trip to

703:

group of "secessionists" was commissioned to decorate Bragadiru Garden, where Romania's press held its annual fair. The show, attended by Bogdan-Pitești, prominently featured Stăncescu's caricature at the entrance.

1524:), and Bogdan-Pitești was kept on as a simple columnist. Throughout the interval, Bogdan-Pitești was himself an outspoken Germanophile. His circle, which was already hostile to the National Liberal cabinet of 1990:

The relationship between Mateiu Caragiale and his one-time patron has attracted special interest from period historians. Early on, the aspiring poet wrote a special piece in honor of his senior friend—called

1930:(Zambaccian stresses that, unlike Aretino, Bogdan-Pitești never duped his artists). Comarnescu proposed that Bogdan-Pitești and the equally controversial Arghezi were better understood through the logic of 4804: 970:, who also notes Péladan's "rather modest value" should not have allowed such reactions. Cernat concedes that the Péladan visit was important for promoting new cultural trends, specifically the notions of 1575:, another review with a pro-German agenda, and which may itself have been published with discreet assistance from Bogdan-Pitești. Although Bogdan-Pitești, Domnica and Caragiale paid a mysterious visit to 1987:. He writes that the boyar scarcely minded when his fortune was being siphoned away by some members of his retinue, but that he publicly humiliated Galaction, and even Domnica, over random expenses. 1040:

as the models to follow. He was actively seeking to mend his split with Luchian, and, although he called the painter "inconsistent", again stated that he found him to be Romania's best young artist.

4809: 1983:; Bogdan-Pitești bluntly offered him 5 lei—Macedonski gave in, commenting that "he is capable of changing his mind, that con artist!" Bogdan-Pitești's mood swings were also discussed by memoirist 1341:(as well as that of Arghezi himself). Arghezi claimed that such influence and moral support were also "decisive" in at least one other case, that of Luchian. In his memoir of the period, linguist 2058:

Despite their relationship having declined from friendship to hatred, Bogdan-Pitești's style and his mundane interests are occasionally seen as sources of inspiration for Caragiale's only novel,

2119:

Tudor Arghezi dedicated Bogdan-Pitești some of his first poetry writings. As art critics, Arghezi and Theodor Cornel published a comprehensive biographical study on their patron (part of their

2112:

that (he insists) must be read in Latin instead of French; elsewhere, Lăpușneanu's eccentric and adulterous wife Fetița ("Little Girl") shows up on a battlefield, wearing nothing more than a

2299:. As a result of the auction, many works passed into the collections of Zambaccian, Alexandru G. Florescu, Iosif Dona and several others. Of them, Zambaccian attributed the incident to the 395:

in the French capital, but that he was ultimately expelled. Other sources express doubt that the Romanian aristocrat was ever affiliated with any university or college, in either France or

1835:

writes about his seductive "legend", which fused an "imaginative and generous intellectual" with a "con artist" who "lived life as he saw fit". Art historian Corina Teacă notes that, like

792:, and that, despite expectations, the volume failed to impress the French public. He notes the virtually complete lack of press reviews—with the notable exception of a May 1898 article in 1938:, his shady political connections, and his mostly informal channels of influence, Cernat concluded that, "the necessary changes having been made", one could compare Bogdan-Pitești with 1115: 1099:, and therefore a natural champion of land reform. His activity in Olt is credited with having sparked some violent incidents: in at least one account, he instigated the peasants of 523:

Bogdan-Pitești debuted as a writer and political essayist. It was later reported, but not confirmed, that he published his pieces in newspapers and magazines of diverse backgrounds—

962:

Various commentators are entirely dismissive of the visit and its importance. Th. Enescu describes its impact as "amazing", since Péladan was merely an "unusual representative of

43: 2310:, who is believed to have either hesitated in assessing the collection or to have plotted with businessmen who wanted it sold cheaply. Zambaccian was to be the eventual owner of 2038:

was especially upset by Alexandru Bogdan-Pitești's stances, and, in his record of 1916 events (including the Ionescu trial), wrote him off as a "bandit" fed with "German money".

3600: 1456:

Around 1912, Alexandru Bogdan-Pitești's political influence was on the rise. He had begun associating with an inner faction of the Conservative Party, which had as its leader

1863:(1919). Cernat additionally notes that, while the writer Alexandru Bogdan-Pitești was "neglectful and improvident" when it came to preserving his own works, those essays and 1934:("the ancient Indian ethics"): "good and evil are not opposed, but collocated, combined, in a state of confusion". Taking in view Alexandru Bogdan-Pitești's preference for 1485:, who, to Cantacuzino's displeasure, had been co-opted in government by the other mainstream Conservatives. The paper published gossip columns and lampoons having Ionescu, 5039: 1079:, without registering success. There was confusion as to Bogdan-Pitești's political affiliation. He was known as "the peasants' candidate", but both sides of the Romanian 1615:

argues that, even though Bogdan-Pitești was on the German payroll, his switch from the Francophiles could have been a genuine form of conservatism. Boia thus notes that

2155:

By the 1910s, Bogdan-Pitești's art interests gave birth to a collection of as few as 967 or as many as 1,500 individual works, most of them hosted by his estate in

1536:. The artistic clientele was also represented in the Germanophile group at large, but, Cernat's writes, did so for sheer dependency rather than actual convictions. 391: 377:

faith, he converted to Catholicism in his twenties, but was no longer a practicing Catholic by the time of his death. He supposedly attended medical school at the

2064:(completed in 1928). Some have noted that Bogdan-Pitești has a lot in common with at least one of the three protagonists. He and his wife were both characters in 1067:

years. According to some reports, he spent some of his free time touring the countryside, rallying up peasants, inciting them to rebel, and mapping out a radical

858:, was edited by Bacalbașa and illustrated by Luchian. Described by Vianu as a "refined art magazine", it is also considered the first one of its kind in Romania. 1903:, also a modernist, was bitterly opposed to the views of Bogdan-Pitești and most other intellectuals who sided with Germany: in 1922, he published the article 660:("Internal Sensations"). He planned for his art movement to reach outside Romania, and, also in 1896, financed an international exhibition of independent and 4814: 862: 2862: 344: 4874: 4784: 4685: 1132:

Overall, Bogdan-Pitești claimed to have been held in judicial custody for some forty separate incidents, stressing that all these convictions were owed to

1129:, but soon after checked himself into Filantropia Hospital. He averted sentencing when the prosecutors were unable to conclusively prove this involvement. 4899: 1798:

colleague, Petrescu Găină, who had published a set of anti-German cartoons. As a result, the Romanian draftsman spent the war years in German captivity.

1918:

Commentators have been tempted to compare Bogdan-Pitești with some controversial characters in world history, most often the prototype of self-seekers,

1063:

After his return to Romania, Alexandru Bogdan-Pitești was still noted for his political activities, although these shifted to the background during his

641: 4989: 2007:. Bogdan-Pitești was one of the last to visit him before his death in June 1916, recording for posterity Luchian's resigned remark: "I'm going away". 1364:. According to Cernat, Bogdan-Pitești's bohemian society also grouped people believed associated with the illegal activities, and was noted for its " 5014: 2303:

government's unwillingness to accept donations from "a compromised person". He and several other commentators place responsibility for the sales on

3701: 4979: 4919: 1591: 706:

Despite rhetoric, the new art club was not entirely opposed to tradition, and occasionally appealed to it as a basis for cultural reconstruction.

1600:

company. The dossier attesting this was lost, but secondary sources have it that Bogdan-Pitești alone received 840,000 lei from Günther's hands.

4984: 4219: 2300: 1847:

proposed that, like own group, the Știrbey-Vodă Street salon and Macedonski's circle were the only trend-setters active between the decline of

1084: 813:, an association dedicated to supporting innovative artists. Its steering committee was later joined by the intellectual and political figures 3273: 213:

political agitator. A wealthy landowner, he invested his fortune in patronage and art collecting, becoming one of the main local promoters of

4673: 4602: 4547: 4526: 3849: 1683:, who advised Romanians to not to focus on Transylvania, and prioritized action against the Russians. Two distinct voices were those of poet 1140:. In time, the anarchist boyar had also come to be known as an inveterate criminal and jailbird, which attracted him the disparaging moniker 488:

In parallel, he himself became a representative of literary and artistic Symbolism, and supposedly maintained contacts with authors such as

437:

Reports exist that Bogdan-Pitești's politics were already a merger of opposite or hardly compatible doctrines. He respected Catholicism and

389:, studying Law and Letters, but probably withdrew after a short while. Art historian Sanda Miller recounts that Bogdan-Pitești attended the 4964: 4869: 4859: 4789: 4774: 2304: 1352:

sees them as efforts to fabricate a religious alternative to the Orthodox mainstream, included in the larger phenomenon that was Symbolist

1317:. Also in 1908, following Iser's proposal, Bogdan-Pitești sponsored a Bucharest exhibit showcasing works by the renowned European painters 422:(later guillotined for plotting a terrorist coup), and was possibly acquainted with some of the more prestigious anarchist intellectuals: 2434: 2226:("Safta the Flower Girl")—originally part of the Luchian family collection. Also included was the 1907 oil portrait of Luchian's cousin, 1528:, welcomed the diverse groups who were alarmed by Romania's probable entry into the war: the pro-German Conservatives, the supporters of 1221:) began hosting regular gatherings of intellectuals. Among those who attended in successive stages were the writers Macedonski, Eftimiu, 5019: 4959: 4944: 3791: 2199:. Of the total, around 900 works were of Romanian provenance. Among the foreign artists whose work was featured in the collection were 1761:

The neutrality years also rekindled controversy over Alexandru Bogdan-Pitești's daily affairs. A scandal erupted in 1913, after banker

776:

to be published in Paris. It came out with an introductory note, in which Bogdan-Pitești favorably compared Macedonski with arch-rival

4939: 4934: 4769: 3597: 3362: 1779: 942: 5004: 4999: 3124: 623:, and, upon his arrival to Bucharest, began organizing artists' reunions at the Kübler and Fialkowski coffeehouses. In 1896, with 4904: 4889: 4834: 652:

The exhibits featured some of Alexandru Bogdan-Pitești's own drawings, which he intended to use as illustrations for his book of

2571:

Veronica Marinescu, "Un «prinț al artelor» uitat de vreme. Alexandru Bogdan-Pitești și Vlaiciul primelor tabere de creație", in

2536: 1907:("Moral Revisions"), which reminded the public about the controversy surrounding the art collector and his associates (Arghezi, 4994: 4924: 4864: 4779: 4619: 684:

next to it. This call to socialist rebellion attracted public attention, and the flag was urgently taken down by agents of the

4954: 4929: 4849: 3841: 1445: 911: 907: 3502: 915: 788:. Himself a disciple of Macedonski, T. Vianu comments that Bogdan-Pitești was probably unsuited for the task of introducing 257:. In addition to his literary and political activities, Alexandru Bogdan-Pitești was himself a painter and graphic artist. 4894: 4839: 4829: 4824: 1482: 1122: 814: 745: 218: 406:, at that stage, the young man began associating with the criminal underworld. He soon established a connection with the 5009: 4949: 4909: 4884: 4799: 1680: 1529: 1457: 1449: 1136:—while reporting this statement, T. Vianu noted that at least some should in fact be considered punishments for various 1111: 919: 694:. It republished pieces ridiculing Stăncescu in his role of official curator, and made favorable comments on all of the 2176: 1967: 1741:

Bogdan-Pitești regularly published his own articles in the two newspapers he directed, signing them with the pseudonym

1262: 646: 584: 5029: 4914: 4879: 1611:

were, in general, outspoken social and cultural critics, with diverse grievances against the establishment. Historian

1461: 355: 833:

affiliates were not entirely committed to the cause, and never severed their links with Stănescu's official section.

1470:, but was reportedly a front for Cantacuzino, who used him to test the impact of his agenda on the Romanian public. 1277:. It also hosted the artists Luchian, Artachino, Verona, Maxy, Iser, Steriadi, Dimitrescu, Pallady, Ressu, Dărăscu, 981:

Cultural historian Angelo Mitchievici proposes that, modelling himself on Péladan, Bogdan-Pitești was becoming the "

4974: 4969: 4794: 4581: 4518: 3370: 3281: 2803: 2092: 2034:, Bogdan-Pitești commented on Ionescu's deposition: "He sure is talented, that crook!" The pro-Entente nationalist 922: 4714: 2159:. They comprised objects created by prominent Romanian visual artists, including, alongside his early associates, 1958: 1486: 688:. The subsequent exhibitions were viewed with sympathy by a section of the press, including the leftist newspaper 3403:

Veronica Marinescu, "Conacul de la Vlaici al colecționarului Alexandru Bogdan-Pitești, într-o stare jalnică", in

2214:

The Bogdan-Pitești trust included many samples of Luchian's art. Two of his famous paintings featured there were

2184: 1302: 517: 378: 4682: 2164: 1282: 1145: 5034: 809:

initiators joined up with author Ioan Bacalbașa and architect Ștefan Ciocâlteu. This diverse group established

578: 462: 374: 2023: 1871:

writes that Bogdan-Pitești's "critical intuitions" were superior to those of fellow collectors Zambaccian and

836:

The new circle held meetings in a Brezoianu Street studio which was also its patron's home. Its feminine name

1867:

that survived have a genuine value. Such judgments were also passed on his topical art essays. Art historian

1020:

Writing in 1910, at a time when Romanian art came to be me more familiar with new artistic trends (including

5024: 4854: 4539: 2276: 2188: 1773:, and the defendant, represented by Fleva, was ultimately sentenced to a jail term. Throughout the scandal, 1310: 1090:

During such campaigns, he is said to have misled his voters into believing that he was a son of the deposed

998: 826: 76: 4590: 2799: 2087:, she portrays her employer as "Basile Dan", a sinister traitor of his country and a cynical pornographer. 3337: 1790: 1640: 1068: 718:. Bogdan-Pitești was especially fond of Luchian's work, and, in an 1896 article for the cultural magazine 3706: 3346: 2254:

Bogdan-Pitești was the subject of several anonymous sketches, including two 1896 vignettes, published in

1520:. In September 1914, a German consortium purchased the paper (together with Cantacuzino's other gazette, 903: 888: 513: 269: 4819: 4699: 4657: 2109: 2060: 1815: 1688: 1620: 1345:

mentioned that, on a daily basis, Bogdan-Pitești invited "over a dozen artists" for supper at his home.

537: 370: 303: 4644: 4458: 2532: 1836: 1580: 1525: 1174: 971: 431: 4560: 4110: 3697: 2030:("Pardon me, I'm a con artist!"). Zambaccian writes that, during the first of his legal battles with 1107:

randomly shot at, then charged upon, the peaceful mass of demonstrators, killing at least 35 of them.

4764: 4759: 4665: 4552: 3405: 2573: 2192: 1854: 1583: 1333: 1298: 1178: 1104: 851: 765: 588: 478: 238: 166: 4636: 3507: 2079:

More fiction work dealing with the Bogdan-Pitești circle was published from a casual contributor to

1844: 1387:), which did not prevent him from keeping as his concubine a younger woman, commonly referred to as 1375:, Alexandru Bogdan-Pitești himself led a life of luxury, marked by excess, and had by then become a 1103:

area to riot, and their revolt was only suppressed with use of force. Others however claim that the

4707: 4347: 3796: 2867: 2808: 2218:("Washing the Hair")—which Bogdan-Pitești is said to have likened to the luminous oil paintings of 2200: 2104: 2018:("My Prisons"). According to Slavici, the art patron had a luxury cell with a view over Bucharest. 1783: 1628: 1218: 1096: 1048: 938: 926: 681: 493: 489: 450: 407: 386: 234: 2858: 1596: 1338: 1110:

The Slatina crisis reverberated in the capital and posed problems for the Conservative cabinet of

423: 4844: 4607: 2443: 2026:

wrongly attempted to push him into Arghezi's line of suspected traitors, Bogdan-Pitești snapped:

2022:, citing Arghezi, records one of Bogdan-Pitești's witticisms on the issue of prison life. When a 2004: 1623:, that is even before Cantacuzino had come to decide which side he liked best. The core group of 1587: 1540: 1501: 861:

In parallel, Bogdan-Pitești began frequenting the country's first socialist pressure group, the

711: 673: 624: 222: 210: 152: 96: 3593: 2180: 2088: 1711:

came out with news on culture, selected for publishing by Ion Vinea and poet Jacques G. Costin.

1270: 1209:

boss was losing a fortune on maintaining the Vlaici manor, surrounded as it was by barren land.

1159:

Bogdan-Pitești consolidated his own estate when he inherited a manor in Vlaici village (part of

543: 1586:. Bogdan-Pitești's name then surfaced in a February 1916 conversation between German statesman 4740: 4669: 4648: 4632: 4623: 4598: 4564: 4543: 4522: 4462: 3845: 3498: 3120: 2625: 2431: 2322: 2315: 2239: 2172: 2156: 2144: 2019: 1876: 1802:

activities, and that only by coincidence did Bogdan-Pitești share a prison with the convicted

1750: 1704: 1684: 1490: 1466: 1440: 1404: 1342: 1322: 1318: 1286: 1160: 963: 867: 843: 822: 794: 768:. In 1897, he was chosen by the latter to edit and promote his book of French-language poems, 757: 628: 482: 458: 415: 290: 250: 182: 3049:

Pagini din istoria contimporană a României: 1881–1916. Vol. I: Mișcarea socialistă: 1881–1900

680:), it put up Petrescu Găină's huge caricature of academic artist C. I. Stăncescu, and flew a 4611: 2271: 1893: 1868: 1803: 1396: 1361: 1230: 1226: 1100: 1080: 883: 597: 427: 419: 411: 359: 298:

daily, as well as a literary and political circle which came to oppose Romania's entry into

246: 206: 162: 1125:

Dissescu were ready to hand in their resignations. Bogdan-Pitești himself was arrested for

4736: 4689: 4427: 4355: 4004: 3604: 3341: 2438: 2196: 1984: 1947: 1900: 1735: 1723: 1509: 1353: 1294: 1246: 1190: 1133: 1052: 1032:

as the ultimate novelty. On the occasion, he hailed the Post-Impressionist French artists

818: 799: 715: 685: 653: 632: 553:

among them. He also claimed to have played a part in staging the first Genevan showing of

549: 328: 254: 2778:

Jianu & Comarnescu, p.34-36; Lassaigne & Enescu, p.49-51, 104. See also Ionescu,

1326: 1037: 865:(PSDMR), and attending meetings between Bucharest workers. The PSDMR denounced him as an 461:

at face value. At some stage during the late 1880s, Bogdan-Pitești became a supporter of

276:(1898). He was detained by the authorities at various intervals, including an arrest for 2140: 982: 871:

of the Conservative Party, and he stood accused of breaking the party into tolerant and

748:. In effect, he was the first Romanian expert on the work of Symbolist celebrities like 260:

Much of Bogdan-Pitești's controversial political career, inaugurated by his support for

17: 2296: 2288: 2284: 2219: 2207:. The section dedicated to newer works of art was designed and opened as the first the 2204: 1927: 1872: 1762: 1696: 1648: 1513: 1419: 1376: 1306: 1238: 1234: 1201: 955: 785: 777: 753: 620: 559: 554: 501: 497: 285: 264:, was dedicated to activism and support for revolution. He also had an interest in the 1831:

Bogdan-Pitești was the subject of fascination in the literary and artistic community.

4753: 3999: 2035: 1859: 1664: 1636: 1568: 1505: 1380: 1357: 1258: 1242: 1222: 1118: 1029: 934: 677: 505: 242: 148: 4578:"Ștefan Luchian în evocările contemporane lui. Relația artistului cu Virgil Cioflec" 4577: 2151:("Washing the Hair"), one of the best known paintings in Bogdan-Pitești's collection 209:

poet, essayist, and art and literary critic, who was also known as a journalist and

3732:

Boia, p.94, 191, 194. See also Reneti, p.36, 38; Rusu Abrudeanu, p.109-110, 487–488

2307: 2292: 2031: 2011: 1976: 1864: 1807: 1770: 1731: 1727: 1672: 1632: 1549: 1497: 1478: 1314: 1274: 1169: 1076: 1033: 930: 872: 749: 669: 295: 138: 134: 4114: 2738: 2736: 2734: 1679:

under Austro-Hungarian rule. They included a mainstream Conservative commentator,

1217:

Circa 1908, the Bogdan-Pitești villa on Bucharest's Știrbey-Vodă Street (near the

466: 784:, who reported with alarm that Romania risked being seduced and then engulfed by 4728: 4704:

România și războiul mondial: contribuțiuni la studiul istoriei războiului nostru

4531: 4510: 3787: 3682:

Boia, p.94, 191; Mitchievici, p.340-341; Reneti, p.36; Rusu Abrudeanu, p.109-110

3052: 2256: 2160: 1939: 1923: 1908: 1832: 1746: 1692: 1676: 1656: 1612: 1563:

Between October 1915 and June 1916, Bogdan-Pitești managed another press venue,

1384: 1349: 1278: 1250: 1194: 1137: 967: 781: 690: 661: 605: 470: 454: 403: 396: 382: 299: 230: 1512:. This view was popularized by means of his literary club, and support for the 4224: 3609: 3117:

L'opera teatrale di Joséphin Péladan: esoterismo e magia nel dramma simbolista

2208: 2052: 2048: 1919: 1660: 1652: 1571:, later replaced by Arghezi. In February 1916, Galaction and Arghezi launched 1544: 1400: 1266: 1186: 1182: 1087:

and the Conservative group, accused the other of secretly supporting his bid.

1072: 847: 531: 336: 324: 320: 229:, which was one of the first Romanian associations dedicated to promoting the 214: 72: 4515:"Germanofilii". Elita intelectuală românească în anii Primului Război Mondial 3068:, p.42, 407; Mitchievici, p.71, 321, 327–337; Teacă, p.52; Tudor Vianu, p.370 2010:

The main first-hand account of Bogdan-Pitești's 1919 imprisonment comes from

4215: 2262: 2168: 2065: 1943: 1888: 1840: 1766: 1700: 1415: 1408: 1365: 1290: 1254: 925:. Among the politicians who attended the ceremonies were Nicolae Filipescu, 892: 780:. In more general terms, the preface showed Bogdan-Pitești as an unyielding 525: 474: 446: 352: 340: 281: 273: 261: 92: 50: 233:

and independent art. He was also noted for his friendship with the writers

4627: 2129: 2113: 2100: 1931: 1644: 1533: 1126: 1092: 726:

reception was Bogdan-Pitești's unwilling concession to his star protégé.

619:

From France, Bogdan-Pitești had contemplated the idea of revolutionizing

332: 277: 4744: 4662:

Decadență și decadentism în contextul modernității românești și europene

4652: 4568: 4477:

Jianu & Comarnescu, p.88; Lassaigne & Enescu, p.110; Teacă, p.57

4466: 1071:. During the general election of 1899, he ran for a deputy seat in both 4119: 1963: 1935: 1849: 1434: 1025: 442: 438: 203: 3254:, p. 43; Jianu & Comarnescu, p. 46; Lassaigne & Enescu, p. 110 2171:, Aurel Jiquidi, Maria Ciurdea Steurer, Constantin Medrea, Ary Murnu, 3598:"Scriitorii români și narcoticele (5). Prima jumătate a secolului XX" 2267: 2231: 2000: 1884: 1875:; critic Nicolae Oprescu also assesses that, without Bogdan-Pitești, 1576: 1021: 838: 509: 366: 265: 2051:, who sees Bogdan-Pitești's retort as a paradoxical sign of injured 1059:("Summer at the Manor"), a 1912 depiction of Bogdan-Pitești's estate 1627:

men included socialists of various hues: Arghezi, who claimed that

327:, and, on his father's side, the descendant of immigrants from the 2139: 1883:

some of Bogdan-Pitești's deeds. According to Galaction, he was a "

1651:, who wanted Romania to join the Central Powers and help liberate 1395:("Little One"). Born Alexandra Colanoski, she was born in 1894 to 1372: 882: 645:. They were soon joined by painter Nicolae Grant and caricaturist 365:

According to at least one account, Bogdan-Pitești was educated in

348: 130: 1552:, siphoned out of the German propaganda funds by Bogdan-Pitești. 1539:

Suspicions soon arose that Bogdan-Pitești had become a veritable

4485: 4483: 3445:, p.34, 39, 44. See also Boia, p.189-190; Mitchievici, p.339-357 3153: 3151: 3014:, p.242; Lassaigne & Enescu, p.52-53, 105; Mitchievici, p.15 1643:, who rendered the complains of Germanophile intellectuals from 1414:

Herself a libertine, Domnica was described by researchers as an

1337:

Arghezi, and took a special interest in promoting the poetry of

764:, a Symbolist magazine, and was close friends with its founder, 114:

poet, journalist, political activist, businessman, visual artist

3373: 3334: 3284: 2879: 2877: 2824: 2822: 2820: 2818: 1714:

The left-wing preoccupations were also an important feature of

280:

during the 1899 election, and was later found guilty of having

3115:"Cronologia della vita di Joséphin Péladan", in Marisa Verna, 2959:

Jianu & Comarnescu, p.40; Vianu, p.370. See also Ionescu,

2270:. In 1920, Bogdan-Pitești commissioned Paciurea to complete a 2230:("Alecu the Literary Man"). They were accompanied by the 1906 1148:

in Bucharest). Others twisted his birth name into the parodic

997:

essays praising various contemporary painters: Arthur Verona,

465:, who attempted to gain power in France with support from the 3827:

Boia, p.94, 147, 194. See also Rusu Abrudeanu, p.113-114, 485

2318:, and appears with Zambaccian in an oil portrait by Pallady. 1348:

Bogdan-Pitești's renewed his attacks on the Orthodox Church.

1332:

After 1910, his patronage took on new forms. Literary critic

805:

Later in 1898, back in Romania, Bogdan-Pitești and the other

441:

as the most elevated religious cultures, rejected Orthodoxy,

410:

circles, while also associating with a branch of the growing

2541:, published and hosted by LiterNet. Retrieved July 14, 2007. 1962:

Caricature of Bogdan-Pitești looking over nudes, dressed in

1167:

regulars, and, in time, attracted virtually all other major

974:

and decadence, even though this was done "through the means

710:

boasted among its honorary members the lionized oil painter

477:

camps; he reputedly befriended the prominent Boulangist and

4595:

Mișcarea artistică oficială în România secolului al XIX-lea

1789:

The Ententist bid resulted in major initial defeats, and a

772:. In the end, Bogdan-Pitești provided the funds needed for 744:

Bogdan-Pitești was by then an inspiration for the blooming

381:, without ever graduating, and afterwards left to join the 323:, Alexandru Bogdan-Pitești was the son of a landowner from 225:

and Symbolist cultural figures, Bogdan-Pitești established

3844:, Mihail Sadoveanu City Library, Bucharest, 2007, p.217. 1579:

in early 1916, they were never listed as foreign spies by

1567:("Freedom"). Its political director was retired statesman 449:

as ideologies for the mediocre, and depicted himself as a

418:. Bogdan-Pitești was a presence in the anarchist group of 3772:

Boia, p.194; Mitchievici, p.340-342; Ș. Cioculescu, p.376

3458:, p.39, 44. See also Mitchievici, p.339, 354–357; Teacă, 4536:

Avangarda românească și complexul periferiei: primul val

4352:

Istoria literaturii române de la origini până în prezent

3572:

Mitchievici, p.341, 344, 345, 349, 351, 354; Teacă, p.54

2892:

Lassaigne & Enescu, p.104. See also Rus, p.78-79, 80

1671:

was also a platform for some disgruntled Romanians from

1500:" Conservatives, Bogdan-Pitești had come to support the 249:, as well as for sponsoring, among others, the painters 4425:

Paul Rezeanu, "Caricaturistul N.S. Petrescu-Găină", in

2237:("Pain"), which had been reproduced in a 1914 issue of 27:

Poet, essayist, and art and literary critic (1870–1922)

3309:

Lassaigne & Enescu, p.110; Mitchievici, p.338, 348

2863:"Pictura evreilor din România: interferențe culturale" 2091:

used Alexandru Bogdan-Pitești as the inspiration for "

3702:"Din viața lui Mateiu I. Caragiale: Șeful de cabinet" 4810:

Converts to Roman Catholicism from Eastern Orthodoxy

4723:

Revue Roumaine d'Histoire de l'Art. Série Beaux-arts

2353: 2351: 2349: 2347: 2345: 2343: 2341: 2339: 2337: 1464:. Afterward, Bogdan-Pitești became the publisher of 1309:, Alexandru Brătășanu, Alexandru Poitevin-Skeletti, 4805:

Conservative Party (Romania, 1880–1918) politicians

3878:

Boia, p.193-194. See also Rusu Abrudeanu, p.485-486

2287:. This drew protests from literary figures such as 158: 144: 126: 118: 110: 102: 82: 59: 34: 3886: 3884: 3076: 3074: 4302:, p.41, 43; Mitchievici, p.339, 343, 344–351, 354 2668: 2666: 698:artists. Noting the leader's own anarchist past, 48:Anonymous sketch of Bogdan-Pitești, 1917 (signed 4083: 4081: 4079: 4077: 4063: 4061: 3655:, p.44; Mitchievici, p.341, 346–347; Teacă, p.55 3626:, p.43; Teacă, p.55-56, 58. See also Boia, p.189 3318:Jianu & Comarnescu, p.46; Mitchievici, p.338 2792: 2790: 2788: 2716:, p.42. See also Mitchievici, p.337; Teacă, p.52 2599:, p.17, 42; Mitchievici, p.341, 344; Teacă, p.52 1853:society (ca. 1900) and the establishment of the 1769:. The plaintiff enlisted the services of lawyer 1477:s main negative campaign at the time focused on 4276: 4274: 4051: 4049: 3755: 3753: 3751: 3224: 3222: 3186: 3184: 3182: 3180: 3178: 3176: 3174: 3172: 3030: 3028: 3026: 3024: 3022: 3020: 2651:, p.42; Mitchievici, p.337, 344; Teacă, p.52-54 2395: 2393: 2391: 2389: 2387: 2385: 2383: 952:at the Atheneum, and his subject of choice was 3780: 3778: 3638: 3636: 3634: 3632: 3491: 3489: 3419: 3417: 3415: 2997: 2995: 2724: 2722: 2381: 2379: 2377: 2375: 2373: 2371: 2369: 2367: 2365: 2363: 1765:brought Bogdan-Pitești to court on charges of 1749:and commiseration over France's alliance with 1619:was supportive of the Central Powers from the 1423:physical beauties which could withstand time. 1200:In his recollections from that period, writer 945:, Rădulescu-Motru etc.) were in the audience. 4343: 4341: 4339: 4115:"Ion Vinea și iubirile paralele ale poeților" 4103: 4101: 4099: 4097: 3326: 3324: 2619: 2617: 2615: 2613: 2611: 2609: 2607: 2605: 1635:, who depicted the German Empire as the more 385:milieu of Paris. He may have enrolled at the 8: 3983: 3981: 2703:, p.42. See also Mitchievici, p.327-328, 337 1360:sculptor Storck, and the anarchist activist 4002:, "1916. Din zilele războiului nostru", in 3673:Ș. Cioculescu, p.378; Rusu Abrudeanu, p.109 3586: 3584: 3582: 3580: 3578: 3399: 3397: 3395: 1950:, and who had also debuted as a Symbolist. 3690: 3688: 3166:Jianu & Comarnescu, p.44-46; Rus, p.80 2567: 2083:, Lucrezzia Karnabatt. In her 1922 novel, 1647:. Others were left-wing refugees from the 343:. His father became a local leader of the 31: 5040:Writers who illustrated their own writing 4620:Editura de stat pentru literatură și artă 4367:Boia, p.189. See also Teacă, p.51, 52, 56 4320:Mitchievici, p.340-341, 351–354, 355, 497 3266: 3264: 3262: 3260: 2565: 2563: 2561: 2559: 2557: 2555: 2553: 2551: 2549: 2547: 2535:, Chapter VIII: "Al. Bogdan-Pitești", in 863:Romanian Social Democratic Workers' Party 854:. The group's press organ, also known as 668:was known for its public protest against 4333:, p.41; Mitchievici, p.339, 343–344, 354 3995: 3993: 3241:Jianu & Comarnescu, p.243; Rus, p.80 2623:Sanda Miller, "Paciurea's Chimeras", in 2525: 2523: 2521: 2519: 2517: 2515: 2513: 2511: 2509: 2507: 2505: 2503: 2501: 2499: 2497: 2495: 2493: 2491: 2489: 2487: 2485: 2483: 2481: 2479: 2477: 2475: 2473: 2423: 2421: 2419: 2417: 2415: 2413: 2411: 2409: 1957: 1433: 1407:, had previously been a prostitute at a 1047: 887:Photograph of Bogdan-Pitești (left) and 4189:, p.44; Mitchievici, p.355; Teacă, p.54 3280:, Nr. 114/1899, p. 2 (digitized by the 3119:, Vita e Pensiero, Milan, 2000, p.18. 2765: 2763: 2761: 2471: 2469: 2467: 2465: 2463: 2461: 2459: 2457: 2455: 2453: 2333: 1922:. Others likened Bogdan-Pitești to the 1722:, from literary figures such as Vinea, 4719:Biographies: Alexandru Bogdan-Pitești" 4220:"O plimbare pe Strada Matei Caragiale" 3300:, p. 43; Mitchievici, p. 125, 338, 357 1444:, with portraits of candidates in the 948:Péladan agreed to lecture in front of 202:; June 13, 1870 – May 12, 1922) was a 4683:"Relații româno-germane în anul 1914" 4597:, Noi Media Print, Bucharest, 2008. 3369:, Nr. 98/1914, p.5 (digitized by the 798:, written by the Symbolist-anarchist 639:, the Romanian replica of the French 268:, and maintained close contacts with 181: 7: 3106:Mitchievici, p.328-329, 331, 333–337 2103:the Hunchback"). Literary historian 2095:", the boyar character in his novel 430:and (especially influential on him) 183:[alekˈsandruboɡˈdanpiˈteʃtʲ] 4815:Former Romanian Orthodox Christians 508:. Another influence on him was the 4875:Prisoners and detainees of Romania 4785:20th-century Romanian male writers 4725:, Vol. XLVIII, 2011, p. 51–58 4394:Lassaigne & Enescu, p.112, 115 4017:Boia, p.194-195. See also Cernat, 3908:Boia, p.120, 134–135, 148–149, 318 3719:Boia, p.94, 147, 191–194; Cernat, 1946:activist whose career spanned the 760:. He soon became a contributor to 603:The same image, as republished by 25: 4900:Romanian book publishers (people) 4461:, Bucharest, 1978, p.15, 37, 42. 4403:Lassaigne & Enescu, p.28, 110 3836:Boia, p.194; Mitchievici, p.339; 3127:. See also Mitchievici, p.334-336 3097:, p.42-43; Mitchievici, p.331-334 2314:. It became a feature of his own 1926:writer and notorious blackmailer 1806:journalists (Arghezi, Karnabatt, 676:building (a main venue for local 642:Société des Artistes Indépendants 272:—sponsoring Péladan's journey to 106:Ion Doican, Ion Duican, Al. Dodan 4990:Romanian prisoners and detainees 1592:Catholic Archbishop of Bucharest 1044:Slatina revolt and Vlaici colony 596: 577: 402:According to literary historian 42: 5015:Romanian white-collar criminals 4250:, p.44; Mitchievici, p.340, 341 4176:Jianu & Comarnescu, p.34-35 3792:"De la Barbu Cioculescu citire" 2538:Însemnările unui amator de artă 2126:Lombard bastard cu ochi de rouă 2121:Figuri contimporane din România 1879:would be lost to Romanian art. 1703:, the Transylvanian writer and 1663:faction, and the old anarchist 891:, during the latter's visit to 4980:Romanian people of World War I 4920:Romanian expatriates in France 4444:, p.44; Mitchievici, p.356-357 2923:, p.42; Tudor Vianu, p.369-371 1975:the bird stuffed with 50 gold 1745:. The early texts express his 1516:was also voiced by Arghezi at 1403:, and, according to memoirist 842:was probably a borrowing from 627:artists Constantin Artachino, 1: 4985:Romanian political candidates 4696:, Nr. 1-2/2010, p. 30–39 4498:Lassaigne & Enescu, p.115 4455:Ștefan Dimitrescu, monografie 4385:Lassaigne & Enescu, p.112 4211:Mitchievici, p.340, 341–342; 3374:Transsylvanica Online Library 3285:Transsylvanica Online Library 3157:Lassaigne & Enescu, p.110 2279:, Ion Georgescu and Satmari. 1427:Cantacuzino Conservative and 1001:, and, most of all, Luchian. 335:, whose ethnicity was either 4489:Jianu & Comarnescu, p.88 4268:Lassaigne & Enescu, p.90 2901:Jianu & Comarnescu, p.40 2883:Lassaigne & Enescu, p.51 2828:Jianu & Comarnescu, p.35 2755:Mitchievici, p.127, 350, 389 2260:, and a 1917 drawing signed 1780:Barbu Ștefănescu-Delavrancea 1590:and Raymund Netzhammer, the 1530:proletarian internationalism 1458:Grigore Gheorghe Cantacuzino 1450:Grigore Gheorghe Cantacuzino 1112:Gheorghe Grigore Cantacuzino 985:" of oriental Symbolism. As 943:Barbu Ștefănescu Delavrancea 825:, as well as by the painter 4965:Romanian newspaper founders 4870:Post-impressionist painters 4860:People deported from France 4790:20th-century Romanian poets 4775:19th-century Romanian poets 4694:Revista de Istorie Militară 2586:Mitchievici, p.346, 347–348 1757:Wartime, disgrace and death 941:; prominent intellectuals ( 902:, Bogdan-Pitești organized 746:Romanian Symbolist movement 714:, who had trained with the 672:: located just outside the 520:he attended several times. 373:institution. Raised in the 288:. Late in his life, he led 253:, Constantin Artachino and 219:Romanian Symbolist movement 5056: 5020:Romanian writers in French 4960:Romanian newspaper editors 4945:Romanian magazine founders 4246:Boia, p.198, 203; Cernat, 4158:, p.39; Mitchievici, p.356 4145:, p.44; Mitchievici, p.356 1631:was the spark of the war; 1017:s main financial backers. 815:Constantin Rădulescu-Motru 4940:Romanian magazine editors 4935:Romanian literary critics 4770:19th-century male writers 2963:, p.240-248; Rus, p.79-80 2249:Lica, fetița cu portocala 1289:, Maria Ciurdea Steurer, 918:churches, as well as the 379:University of Montpellier 41: 5005:Romanian Roman Catholics 5000:Romanian revolutionaries 4681:Carmen Patricia Reneti, 4587:, 1, 2008, p. 77–95 4358:, Bucharest, 1986, p.796 4259:Ș. Cioculescu, p.114-115 3935:Boia, p.229-230, 240–241 3613:, Nr. 951, May–June 2008 2871:, Nr. 29, September 2000 2432:"Pluta de naufragiu (2)" 2132:with the eyes of dew"). 1621:1914 build-up to the war 1493:for their main targets. 846:, and may reference the 315:Early life and anarchism 175:Alexandru Bogdan-Pitești 36:Alexandru Bogdan-Pitești 18:Alexandru Bogdan-Piteşti 4905:Romanian businesspeople 4890:Romanian art collectors 4835:Romanian LGBTQ painters 4582:Babeș-Bolyai University 3371:Babeș-Bolyai University 3282:Babeș-Bolyai University 3055:, Bucharest , p.331-334 2941:Tudor Vianu, p.369, 371 2681:Mitchievici, p.344, 357 2277:George Demetrescu Mirea 2243:, and by the paintings 2189:Jean Alexandru Steriadi 2028:Pardon, eu sunt escroc! 1791:Romanian theater of war 1452:'s is first on the left 1311:George Demetrescu Mirea 1301:, Friedrich Storck and 1116:Minister of Agriculture 1114:. Reportedly, both the 999:George Demetrescu Mirea 827:Jean Alexandru Steriadi 807:Salonul Independenților 724:Salonul Independenților 696:Salonul Independenților 637:Salonul Independenților 568:Salonul Independenților 217:, and a sponsor of the 179:Romanian pronunciation: 77:Principality of Romania 4995:Romanian propagandists 4925:Romanian extortionists 4780:20th-century essayists 4311:Mitchievici, p.345-348 4030:Mitchievici, p.348-349 3809:Mitchievici, p.340-343 2910:Mitchievici, p.337-338 2782:, p.227-235; Rus, p.79 2690:Mitchievici, p.346-349 2185:Cecilia Cuțescu-Storck 2177:Nicolae Petrescu-Găină 2152: 1971: 1968:Nicolae Petrescu-Găină 1483:Conservative-Democrats 1453: 1303:Cecilia Cuțescu-Storck 1263:Eugeniu Ștefănescu-Est 1085:National Liberal Party 1060: 923:Saint Joseph Cathedral 895: 647:Nicolae Petrescu-Găină 585:Nicolae Petrescu-Găină 270:Joséphin "Sâr" Péladan 221:. Together with other 4955:Romanian male writers 4930:Romanian illustrators 4850:LGBTQ Roman Catholics 4591:Adrian-Silvan Ionescu 4228:, Nr. 840, April 2006 3987:Rusu Abrudeanu, p.114 3842:"Document în replică" 3559:Boia, p.190; Cernat, 3533:Boia, p.189; Cernat, 3385:Boia, p.190; Cernat, 3363:"Mangra la București" 2800:Adrian-Silvan Ionescu 2595:Boia, p.189; Cernat, 2179:, Alexandru Satmari, 2143: 2136:Collection and estate 2061:Craii de Curtea-Veche 1961: 1816:myocardial infarction 1687:, who identified the 1504:'s alliance with the 1437: 1285:, Constantin Medrea, 1173:painters of the day: 1051: 993:), he contributed to 886: 878: 756:, and (his favorite) 591:, original watercolor 4895:Romanian art critics 4840:Romanian LGBTQ poets 4830:Romanian gay writers 4825:Romanian gay artists 4668:, Bucharest, 2011. 4666:Editura Curtea Veche 4585:Historia Artium LIII 4521:, Bucharest, 2010. 4453:Claudiu Paradaiser, 3483:Ș. Cioculescu, p.369 2193:Ion Theodorescu-Sion 2191:, Friedrich Storck, 2093:Alexandru Lăpușneanu 1942:, a philosopher and 1855:modernist literature 1843:." Writing earlier, 1603:The contributors to 1584:counter-intelligence 1532:, and the committed 1496:By then, like many " 1313:, Rodica Maniu, and 1299:Ion Theodorescu-Sion 1105:Romanian Land Forces 766:Alexandru Macedonski 479:Romantic nationalist 392:École des Beaux-Arts 239:Alexandru Macedonski 5010:Romanian socialists 4950:Romanian male poets 4910:Romanian columnists 4885:Romanian anarchists 4865:People from Pitești 4800:Catholic anarchists 4739:, Bucharest, 1970. 4647:, Bucharest, 1972. 4622:, Bucharest, 1956. 4563:, Bucharest, 1974. 4542:, Bucharest, 2007. 4431:, August 2008, p.62 3800:, Nr. 319, May 2006 3797:Observator Cultural 3432:Mitchievici, p. 343 3274:"O jale in România" 2868:Observator Cultural 2812:, Nr. 222, May 2004 2809:Observator Cultural 2447:, December 30, 2002 2430:Constantin Coroiu, 2211:museum in Romania. 2201:Georges Rochegrosse 2165:Constantin Brâncuși 2042:Fictional character 1784:Constantin Dissescu 1707:. Beyond politics, 1697:British imperialism 1675:region, a Romanian 1629:Serbian nationalism 1559:and propaganda wars 1391:("Little Lady") or 1283:Constantin Brâncuși 1213:Știrbey-Vodă circle 1123:Minister of Justice 1097:Alexandru Ioan Cuza 939:Constantin C. Arion 927:Constantin Dissescu 908:Chamber of Deputies 658:Sensations internes 494:Maurice Maeterlinck 490:Joris-Karl Huysmans 387:University of Paris 347:. His mother was a 235:Joris-Karl Huysmans 5030:Symbolist painters 4915:Romanian essayists 4880:Romanian activists 4700:Ion Rusu Abrudeanu 4688:2021-11-04 at the 4658:Angelo Mitchievici 4289:Mitchievici, p.341 4167:Mitchievici, p.338 3840:C. Popescu-Cadem, 3664:Teacă, p.55-56, 58 3603:2012-02-20 at the 3340:2012-09-14 at the 3333:Simona Vasilache, 3136:Mitchievici, p.337 2950:Tudor Vianu, p.371 2437:2012-02-07 at the 2357:Tudor Vianu, p.370 2247:("Lunchtime") and 2153: 2097:Don Juan Cocoșatul 2072:("May Venom") and 2005:multiple sclerosis 1972: 1899:Writer and critic 1827:Role and influence 1588:Matthias Erzberger 1581:Siguranța Statului 1541:agent of influence 1526:Ion I. C. Brătianu 1462:Mayor of Bucharest 1454: 1061: 972:art for art's sake 954:The Genius of the 896: 712:Nicolae Grigorescu 674:Romanian Athenaeum 625:Post-Impressionist 451:Catholic anarchist 412:Symbolist movement 345:Conservative Party 223:Post-Impressionist 153:literary criticism 97:Kingdom of Romania 4975:Romanian painters 4970:Romanian nobility 4795:Anarchist writers 4710:, Bucharest, 1921 4674:978-606-588-133-4 4645:Editura Meridiane 4633:Jacques Lassaigne 4603:978-973-180-518-4 4553:Șerban Cioculescu 4548:978-973-23-1911-6 4540:Cartea Românească 4527:978-973-50-2635-6 4459:Editura Meridiane 4416:, p.226, 231, 233 4123:, Nr. 5/2007, p.2 3850:978-973-8369-21-4 3499:Alexandru Rosetti 3409:, August 12, 2004 3406:Curierul Național 3278:Tribuna Poporului 3047:Ion C. Atanasiu, 2574:Curierul Național 2533:Krikor Zambaccian 2173:Dimitrie Paciurea 2020:Alexandru Rosetti 1892:admirable poet". 1751:Tsarist autocracy 1705:Habsburg loyalist 1685:Dumitru Karnabatt 1639:belligerent; and 1491:Nicolae Titulescu 1487:Alexandru Bădărău 1405:Constantin Beldie 1379:. He was a proud 1343:Alexandru Rosetti 1334:Șerban Cioculescu 1323:Jean-Louis Forain 1319:Demetrios Galanis 1287:Dimitrie Paciurea 1179:Ștefan Dimitrescu 950:Societatea Ileana 868:agent provocateur 852:Ileana Cosânzeana 844:Romanian folklore 823:Nicolae Filipescu 811:Societatea Ileana 795:Mercure de France 720:Revista Orientală 587:'s caricature of 518:Rosicrucian salon 463:General Boulanger 459:scientific racism 453:. He believed in 375:Romanian Orthodox 227:Societatea Ileana 172: 171: 159:Literary movement 16:(Redirected from 5047: 4733:Scriitori români 4680: 4612:Petru Comarnescu 4575: 4561:Editura Eminescu 4499: 4496: 4490: 4487: 4478: 4475: 4469: 4451: 4445: 4438: 4432: 4423: 4417: 4410: 4404: 4401: 4395: 4392: 4386: 4383: 4377: 4374: 4368: 4365: 4359: 4348:George Călinescu 4345: 4334: 4327: 4321: 4318: 4312: 4309: 4303: 4296: 4290: 4287: 4281: 4278: 4269: 4266: 4260: 4257: 4251: 4244: 4238: 4235: 4229: 4214: 4209: 4203: 4196: 4190: 4183: 4177: 4174: 4168: 4165: 4159: 4152: 4146: 4139: 4133: 4130: 4124: 4111:Cornel Ungureanu 4109: 4105: 4092: 4085: 4072: 4065: 4056: 4053: 4044: 4037: 4031: 4028: 4022: 4015: 4009: 4008:, September 1997 3997: 3988: 3985: 3976: 3973: 3967: 3964: 3958: 3955: 3949: 3942: 3936: 3933: 3927: 3924: 3918: 3917:Boia, p.145, 259 3915: 3909: 3906: 3900: 3897: 3891: 3888: 3879: 3876: 3870: 3867: 3861: 3860:Boia, p.193, 203 3858: 3852: 3839: 3834: 3828: 3825: 3819: 3816: 3810: 3807: 3801: 3786: 3782: 3773: 3770: 3764: 3757: 3746: 3739: 3733: 3730: 3724: 3717: 3711: 3707:România Literară 3698:Barbu Cioculescu 3696: 3692: 3683: 3680: 3674: 3671: 3665: 3662: 3656: 3649: 3643: 3640: 3627: 3620: 3614: 3592: 3588: 3573: 3570: 3564: 3557: 3551: 3544: 3538: 3531: 3525: 3518: 3512: 3497: 3493: 3484: 3481: 3475: 3468: 3462: 3452: 3446: 3439: 3433: 3430: 3424: 3421: 3410: 3401: 3390: 3383: 3377: 3361: 3357: 3351: 3347:România Literară 3332: 3328: 3319: 3316: 3310: 3307: 3301: 3294: 3288: 3272: 3268: 3255: 3248: 3242: 3239: 3233: 3226: 3217: 3214: 3208: 3201: 3195: 3188: 3167: 3164: 3158: 3155: 3146: 3143: 3137: 3134: 3128: 3113: 3107: 3104: 3098: 3091: 3085: 3078: 3069: 3062: 3056: 3053:Editura Adevĕrul 3045: 3039: 3032: 3015: 3008: 3002: 2999: 2990: 2983: 2977: 2970: 2964: 2957: 2951: 2948: 2942: 2939: 2933: 2930: 2924: 2917: 2911: 2908: 2902: 2899: 2893: 2890: 2884: 2881: 2872: 2857: 2848: 2842: 2835: 2829: 2826: 2813: 2798: 2794: 2783: 2776: 2770: 2767: 2756: 2753: 2747: 2740: 2729: 2726: 2717: 2710: 2704: 2697: 2691: 2688: 2682: 2679: 2673: 2670: 2661: 2658: 2652: 2645: 2639: 2636: 2630: 2621: 2600: 2593: 2587: 2584: 2578: 2569: 2542: 2531: 2527: 2448: 2429: 2425: 2404: 2397: 2358: 2355: 2323:communist regime 2316:Bucharest museum 2305:Finance Minister 2301:National Liberal 2224:Safta Florăreasa 2105:George Călinescu 2016:Închisorile mele 1905:Revizuiri morale 1894:Benjamin Fondane 1869:Petru Comarnescu 1804:collaborationist 1502:Romanian Kingdom 1476: 1231:Benjamin Fondane 1227:Mateiu Caragiale 1219:Cișmigiu Gardens 1146:Văcărești Prison 1142:Bogdan-Văcărești 1134:political crimes 1081:two-party system 1016: 904:Joséphin Péladan 889:Joséphin Péladan 600: 581: 514:Joséphin Péladan 428:Laurent Tailhade 420:Auguste Vaillant 408:French anarchist 247:Mateiu Caragiale 190:, also known as 188:Alexandru Bogdan 185: 180: 89: 69: 67: 46: 32: 21: 5055: 5054: 5050: 5049: 5048: 5046: 5045: 5044: 5035:Symbolist poets 4750: 4749: 4737:Editura Minerva 4690:Wayback Machine 4678: 4573: 4507: 4502: 4497: 4493: 4488: 4481: 4476: 4472: 4452: 4448: 4439: 4435: 4428:Magazin Istoric 4424: 4420: 4411: 4407: 4402: 4398: 4393: 4389: 4384: 4380: 4375: 4371: 4366: 4362: 4356:Editura Minerva 4346: 4337: 4328: 4324: 4319: 4315: 4310: 4306: 4297: 4293: 4288: 4284: 4279: 4272: 4267: 4263: 4258: 4254: 4245: 4241: 4237:Teacă, p.55, 58 4236: 4232: 4212: 4210: 4206: 4197: 4193: 4184: 4180: 4175: 4171: 4166: 4162: 4153: 4149: 4140: 4136: 4131: 4127: 4107: 4106: 4095: 4086: 4075: 4066: 4059: 4054: 4047: 4038: 4034: 4029: 4025: 4016: 4012: 4005:Magazin Istoric 3998: 3991: 3986: 3979: 3975:Boia, p.192-193 3974: 3970: 3965: 3961: 3956: 3952: 3943: 3939: 3934: 3930: 3925: 3921: 3916: 3912: 3907: 3903: 3898: 3894: 3890:Boia, p.191-192 3889: 3882: 3877: 3873: 3868: 3864: 3859: 3855: 3837: 3835: 3831: 3826: 3822: 3817: 3813: 3808: 3804: 3784: 3783: 3776: 3771: 3767: 3758: 3749: 3740: 3736: 3731: 3727: 3718: 3714: 3694: 3693: 3686: 3681: 3677: 3672: 3668: 3663: 3659: 3650: 3646: 3641: 3630: 3621: 3617: 3605:Wayback Machine 3594:Andrei Oișteanu 3590: 3589: 3576: 3571: 3567: 3558: 3554: 3545: 3541: 3532: 3528: 3519: 3515: 3511:, April 8, 2004 3503:"Tudor Arghezi" 3495: 3494: 3487: 3482: 3478: 3469: 3465: 3453: 3449: 3440: 3436: 3431: 3427: 3422: 3413: 3402: 3393: 3384: 3380: 3359: 3358: 3354: 3342:Wayback Machine 3330: 3329: 3322: 3317: 3313: 3308: 3304: 3295: 3291: 3270: 3269: 3258: 3249: 3245: 3240: 3236: 3227: 3220: 3215: 3211: 3202: 3198: 3189: 3170: 3165: 3161: 3156: 3149: 3144: 3140: 3135: 3131: 3114: 3110: 3105: 3101: 3092: 3088: 3079: 3072: 3063: 3059: 3046: 3042: 3033: 3018: 3009: 3005: 3000: 2993: 2984: 2980: 2971: 2967: 2958: 2954: 2949: 2945: 2940: 2936: 2932:Boia, p.190-191 2931: 2927: 2918: 2914: 2909: 2905: 2900: 2896: 2891: 2887: 2882: 2875: 2855: 2849: 2845: 2836: 2832: 2827: 2816: 2796: 2795: 2786: 2777: 2773: 2768: 2759: 2754: 2750: 2741: 2732: 2727: 2720: 2711: 2707: 2698: 2694: 2689: 2685: 2680: 2676: 2671: 2664: 2659: 2655: 2646: 2642: 2637: 2633: 2622: 2603: 2594: 2590: 2585: 2581: 2577:, July 22, 2006 2570: 2545: 2529: 2528: 2451: 2439:Wayback Machine 2427: 2426: 2407: 2398: 2361: 2356: 2335: 2331: 2197:Nicolae Tonitza 2181:Francisc Șirato 2138: 2044: 1985:Radu D. Rosetti 1956: 1948:interwar period 1913:enfant terrible 1901:Eugen Lovinescu 1829: 1824: 1786:as his lawyer. 1759: 1736:I. C. Vissarion 1724:Demostene Botez 1681:Ilie Bărbulescu 1561: 1510:Austria-Hungary 1474: 1432: 1354:cosmopolitanism 1295:Nicolae Tonitza 1247:Claudia Millian 1215: 1191:Theodor Pallady 1175:Nicolae Dărăscu 1150:Bogdan-Ciupești 1053:Nicolae Vermont 1046: 1014: 910:, the Orthodox 881: 879:Péladan's visit 819:Nicolae Xenopol 800:Pierre Quillard 742: 716:Barbizon school 686:Romanian Police 654:French-language 633:Nicolae Vermont 613: 612: 611: 610: 609: 601: 593: 592: 589:C. I. Stăncescu 582: 571: 550:La Libre Parole 544:L'Intransigeant 416:decadent poetry 360:Basarab Princes 317: 312: 255:Nicolae Vermont 178: 165: 91: 87: 71: 65: 63: 55: 37: 28: 23: 22: 15: 12: 11: 5: 5053: 5051: 5043: 5042: 5037: 5032: 5027: 5025:Rosicrucianism 5022: 5017: 5012: 5007: 5002: 4997: 4992: 4987: 4982: 4977: 4972: 4967: 4962: 4957: 4952: 4947: 4942: 4937: 4932: 4927: 4922: 4917: 4912: 4907: 4902: 4897: 4892: 4887: 4882: 4877: 4872: 4867: 4862: 4857: 4855:Male essayists 4852: 4847: 4842: 4837: 4832: 4827: 4822: 4817: 4812: 4807: 4802: 4797: 4792: 4787: 4782: 4777: 4772: 4767: 4762: 4752: 4751: 4748: 4747: 4726: 4713:Corina Teacă, 4711: 4697: 4676: 4655: 4641:Ștefan Luchian 4637:Theodor Enescu 4630: 4616:Ștefan Luchian 4605: 4588: 4576:Gabriela Rus, 4571: 4550: 4529: 4506: 4503: 4501: 4500: 4491: 4479: 4470: 4446: 4433: 4418: 4405: 4396: 4387: 4378: 4376:Teacă, p.51-52 4369: 4360: 4335: 4322: 4313: 4304: 4291: 4282: 4270: 4261: 4252: 4239: 4230: 4204: 4191: 4178: 4169: 4160: 4147: 4134: 4125: 4093: 4073: 4057: 4045: 4032: 4023: 4010: 3989: 3977: 3968: 3959: 3950: 3937: 3928: 3919: 3910: 3901: 3892: 3880: 3871: 3862: 3853: 3829: 3820: 3811: 3802: 3774: 3765: 3747: 3734: 3725: 3712: 3684: 3675: 3666: 3657: 3644: 3628: 3615: 3574: 3565: 3552: 3539: 3526: 3513: 3508:Cronica Română 3485: 3476: 3463: 3447: 3434: 3425: 3411: 3391: 3378: 3367:Românul (Arad) 3352: 3320: 3311: 3302: 3289: 3256: 3243: 3234: 3218: 3209: 3196: 3168: 3159: 3147: 3138: 3129: 3108: 3099: 3086: 3070: 3057: 3040: 3016: 3003: 2991: 2978: 2965: 2952: 2943: 2934: 2925: 2912: 2903: 2894: 2885: 2873: 2843: 2830: 2814: 2784: 2771: 2757: 2748: 2730: 2718: 2705: 2692: 2683: 2674: 2672:Teacă, p.52-53 2662: 2653: 2640: 2631: 2629:, October 2003 2601: 2588: 2579: 2543: 2449: 2405: 2359: 2332: 2330: 2327: 2297:Victor Eftimiu 2289:Cezar Petrescu 2285:public auction 2228:Alecu Literatu 2220:Paolo Veronese 2205:Frank Brangwyn 2145:Ștefan Luchian 2137: 2134: 2043: 2040: 1955: 1952: 1928:Pietro Aretino 1877:Ștefan Luchian 1873:Ioan Kalinderu 1845:Theodor Enescu 1828: 1825: 1823: 1820: 1763:Aristide Blank 1758: 1755: 1689:Entente Powers 1649:Russian Empire 1560: 1554: 1514:Central Powers 1438:Title page of 1431: 1425: 1420:cross-dressing 1397:Romanian Poles 1307:Abgar Baltazar 1239:George Bacovia 1235:Gala Galaction 1214: 1211: 1202:Victor Eftimiu 1045: 1042: 964:French culture 920:Roman Catholic 916:Domnița Bălașa 880: 877: 786:German culture 778:Mihai Eminescu 758:Alexandre Séon 754:Gustave Moreau 741: 728: 629:Ștefan Luchian 602: 595: 594: 583: 576: 575: 574: 573: 572: 570: 565: 555:Richard Wagner 498:Octave Mirbeau 483:Maurice Barrès 316: 313: 311: 308: 304:Entente Powers 286:Aristide Blank 251:Ștefan Luchian 170: 169: 160: 156: 155: 146: 142: 141: 128: 124: 123: 120: 116: 115: 112: 108: 107: 104: 100: 99: 90:(aged 51) 84: 80: 79: 61: 57: 56: 47: 39: 38: 35: 26: 24: 14: 13: 10: 9: 6: 4: 3: 2: 5052: 5041: 5038: 5036: 5033: 5031: 5028: 5026: 5023: 5021: 5018: 5016: 5013: 5011: 5008: 5006: 5003: 5001: 4998: 4996: 4993: 4991: 4988: 4986: 4983: 4981: 4978: 4976: 4973: 4971: 4968: 4966: 4963: 4961: 4958: 4956: 4953: 4951: 4948: 4946: 4943: 4941: 4938: 4936: 4933: 4931: 4928: 4926: 4923: 4921: 4918: 4916: 4913: 4911: 4908: 4906: 4903: 4901: 4898: 4896: 4893: 4891: 4888: 4886: 4883: 4881: 4878: 4876: 4873: 4871: 4868: 4866: 4863: 4861: 4858: 4856: 4853: 4851: 4848: 4846: 4843: 4841: 4838: 4836: 4833: 4831: 4828: 4826: 4823: 4821: 4818: 4816: 4813: 4811: 4808: 4806: 4803: 4801: 4798: 4796: 4793: 4791: 4788: 4786: 4783: 4781: 4778: 4776: 4773: 4771: 4768: 4766: 4763: 4761: 4758: 4757: 4755: 4746: 4742: 4738: 4734: 4730: 4727: 4724: 4720: 4718: 4717:Fin de siècle 4712: 4709: 4708:Editura Socec 4705: 4701: 4698: 4695: 4691: 4687: 4684: 4679:(in Romanian) 4677: 4675: 4671: 4667: 4663: 4659: 4656: 4654: 4650: 4646: 4642: 4638: 4634: 4631: 4629: 4625: 4621: 4617: 4613: 4609: 4606: 4604: 4600: 4596: 4592: 4589: 4586: 4583: 4579: 4574:(in Romanian) 4572: 4570: 4566: 4562: 4558: 4554: 4551: 4549: 4545: 4541: 4537: 4533: 4530: 4528: 4524: 4520: 4516: 4512: 4509: 4508: 4504: 4495: 4492: 4486: 4484: 4480: 4474: 4471: 4468: 4464: 4460: 4456: 4450: 4447: 4443: 4437: 4434: 4430: 4429: 4422: 4419: 4415: 4409: 4406: 4400: 4397: 4391: 4388: 4382: 4379: 4373: 4370: 4364: 4361: 4357: 4353: 4349: 4344: 4342: 4340: 4336: 4332: 4326: 4323: 4317: 4314: 4308: 4305: 4301: 4295: 4292: 4286: 4283: 4277: 4275: 4271: 4265: 4262: 4256: 4253: 4249: 4243: 4240: 4234: 4231: 4227: 4226: 4221: 4217: 4213:(in Romanian) 4208: 4205: 4201: 4195: 4192: 4188: 4182: 4179: 4173: 4170: 4164: 4161: 4157: 4151: 4148: 4144: 4138: 4135: 4129: 4126: 4122: 4121: 4116: 4112: 4108:(in Romanian) 4104: 4102: 4100: 4098: 4094: 4090: 4084: 4082: 4080: 4078: 4074: 4070: 4064: 4062: 4058: 4052: 4050: 4046: 4042: 4036: 4033: 4027: 4024: 4020: 4014: 4011: 4007: 4006: 4001: 4000:Octavian Goga 3996: 3994: 3990: 3984: 3982: 3978: 3972: 3969: 3963: 3960: 3954: 3951: 3947: 3941: 3938: 3932: 3929: 3926:Boia, p.94-95 3923: 3920: 3914: 3911: 3905: 3902: 3896: 3893: 3887: 3885: 3881: 3875: 3872: 3866: 3863: 3857: 3854: 3851: 3847: 3843: 3838:(in Romanian) 3833: 3830: 3824: 3821: 3815: 3812: 3806: 3803: 3799: 3798: 3793: 3789: 3785:(in Romanian) 3781: 3779: 3775: 3769: 3766: 3762: 3756: 3754: 3752: 3748: 3744: 3738: 3735: 3729: 3726: 3722: 3716: 3713: 3710:, Nr. 14/2001 3709: 3708: 3703: 3699: 3695:(in Romanian) 3691: 3689: 3685: 3679: 3676: 3670: 3667: 3661: 3658: 3654: 3648: 3645: 3639: 3637: 3635: 3633: 3629: 3625: 3619: 3616: 3612: 3611: 3606: 3602: 3599: 3595: 3591:(in Romanian) 3587: 3585: 3583: 3581: 3579: 3575: 3569: 3566: 3562: 3556: 3553: 3549: 3543: 3540: 3536: 3530: 3527: 3523: 3517: 3514: 3510: 3509: 3504: 3500: 3496:(in Romanian) 3492: 3490: 3486: 3480: 3477: 3473: 3467: 3464: 3461: 3457: 3451: 3448: 3444: 3438: 3435: 3429: 3426: 3420: 3418: 3416: 3412: 3408: 3407: 3400: 3398: 3396: 3392: 3388: 3382: 3379: 3375: 3372: 3368: 3364: 3360:(in Romanian) 3356: 3353: 3350:, Nr. 26/2007 3349: 3348: 3343: 3339: 3336: 3331:(in Romanian) 3327: 3325: 3321: 3315: 3312: 3306: 3303: 3299: 3293: 3290: 3286: 3283: 3279: 3275: 3271:(in Romanian) 3267: 3265: 3263: 3261: 3257: 3253: 3247: 3244: 3238: 3235: 3231: 3225: 3223: 3219: 3213: 3210: 3206: 3200: 3197: 3193: 3187: 3185: 3183: 3181: 3179: 3177: 3175: 3173: 3169: 3163: 3160: 3154: 3152: 3148: 3142: 3139: 3133: 3130: 3126: 3125:88-343-0063-7 3122: 3118: 3112: 3109: 3103: 3100: 3096: 3090: 3087: 3083: 3077: 3075: 3071: 3067: 3061: 3058: 3054: 3050: 3044: 3041: 3037: 3031: 3029: 3027: 3025: 3023: 3021: 3017: 3013: 3007: 3004: 2998: 2996: 2992: 2988: 2982: 2979: 2975: 2969: 2966: 2962: 2956: 2953: 2947: 2944: 2938: 2935: 2929: 2926: 2922: 2916: 2913: 2907: 2904: 2898: 2895: 2889: 2886: 2880: 2878: 2874: 2870: 2869: 2864: 2860: 2856:(in Romanian) 2854:, p.227-235; 2853: 2847: 2844: 2840: 2834: 2831: 2825: 2823: 2821: 2819: 2815: 2811: 2810: 2805: 2801: 2797:(in Romanian) 2793: 2791: 2789: 2785: 2781: 2775: 2772: 2766: 2764: 2762: 2758: 2752: 2749: 2745: 2739: 2737: 2735: 2731: 2725: 2723: 2719: 2715: 2709: 2706: 2702: 2696: 2693: 2687: 2684: 2678: 2675: 2669: 2667: 2663: 2657: 2654: 2650: 2644: 2641: 2635: 2632: 2628: 2627: 2620: 2618: 2616: 2614: 2612: 2610: 2608: 2606: 2602: 2598: 2592: 2589: 2583: 2580: 2576: 2575: 2568: 2566: 2564: 2562: 2560: 2558: 2556: 2554: 2552: 2550: 2548: 2544: 2540: 2539: 2534: 2530:(in Romanian) 2526: 2524: 2522: 2520: 2518: 2516: 2514: 2512: 2510: 2508: 2506: 2504: 2502: 2500: 2498: 2496: 2494: 2492: 2490: 2488: 2486: 2484: 2482: 2480: 2478: 2476: 2474: 2472: 2470: 2468: 2466: 2464: 2462: 2460: 2458: 2456: 2454: 2450: 2446: 2445: 2440: 2436: 2433: 2428:(in Romanian) 2424: 2422: 2420: 2418: 2416: 2414: 2412: 2410: 2406: 2402: 2396: 2394: 2392: 2390: 2388: 2386: 2384: 2382: 2380: 2378: 2376: 2374: 2372: 2370: 2368: 2366: 2364: 2360: 2354: 2352: 2350: 2348: 2346: 2344: 2342: 2340: 2338: 2334: 2328: 2326: 2324: 2319: 2317: 2313: 2309: 2306: 2302: 2298: 2294: 2290: 2286: 2280: 2278: 2273: 2272:portrait bust 2269: 2265: 2264: 2259: 2258: 2252: 2250: 2246: 2242: 2241: 2236: 2233: 2229: 2225: 2221: 2217: 2212: 2210: 2206: 2202: 2198: 2194: 2190: 2186: 2182: 2178: 2174: 2170: 2166: 2162: 2158: 2150: 2146: 2142: 2135: 2133: 2131: 2127: 2122: 2117: 2115: 2111: 2106: 2102: 2098: 2094: 2090: 2086: 2082: 2077: 2075: 2071: 2067: 2063: 2062: 2056: 2054: 2050: 2041: 2039: 2037: 2036:Octavian Goga 2033: 2029: 2025: 2021: 2017: 2013: 2008: 2006: 2002: 1996: 1994: 1988: 1986: 1982: 1978: 1969: 1965: 1960: 1953: 1951: 1949: 1945: 1941: 1937: 1933: 1929: 1925: 1921: 1916: 1914: 1910: 1906: 1902: 1897: 1895: 1890: 1886: 1880: 1878: 1874: 1870: 1866: 1862: 1861: 1856: 1852: 1851: 1846: 1842: 1838: 1834: 1826: 1821: 1819: 1817: 1811: 1809: 1805: 1799: 1797: 1792: 1787: 1785: 1781: 1776: 1772: 1768: 1764: 1756: 1754: 1752: 1748: 1744: 1739: 1737: 1733: 1729: 1725: 1721: 1717: 1712: 1710: 1706: 1702: 1698: 1694: 1690: 1686: 1682: 1678: 1674: 1670: 1666: 1665:Zamfir Arbore 1662: 1658: 1654: 1650: 1646: 1642: 1638: 1634: 1630: 1626: 1622: 1618: 1614: 1610: 1606: 1601: 1599: 1598: 1597:Steaua Română 1593: 1589: 1585: 1582: 1578: 1574: 1570: 1569:Nicolae Fleva 1566: 1558: 1555: 1553: 1551: 1546: 1542: 1537: 1535: 1531: 1527: 1523: 1519: 1515: 1511: 1507: 1506:German Empire 1503: 1499: 1494: 1492: 1488: 1484: 1480: 1473: 1469: 1468: 1463: 1459: 1451: 1447: 1446:1914 election 1443: 1442: 1436: 1430: 1426: 1424: 1421: 1417: 1412: 1410: 1406: 1402: 1398: 1394: 1390: 1386: 1382: 1378: 1374: 1369: 1367: 1363: 1362:Panait Mușoiu 1359: 1355: 1351: 1346: 1344: 1340: 1339:Ștefan Petică 1335: 1330: 1328: 1324: 1320: 1316: 1312: 1308: 1305:, as well as 1304: 1300: 1296: 1292: 1288: 1284: 1280: 1276: 1272: 1268: 1264: 1260: 1259:F. Brunea-Fox 1256: 1252: 1248: 1244: 1243:Ion Minulescu 1240: 1236: 1232: 1228: 1224: 1223:Tudor Arghezi 1220: 1212: 1210: 1208: 1203: 1198: 1196: 1192: 1188: 1184: 1180: 1176: 1172: 1171: 1166: 1162: 1157: 1156:, "to gyp"). 1155: 1151: 1147: 1143: 1139: 1135: 1130: 1128: 1124: 1120: 1119:Nicolae Fleva 1117: 1113: 1108: 1106: 1102: 1098: 1095: 1094: 1088: 1086: 1082: 1078: 1074: 1070: 1066: 1058: 1057:Vara la conac 1054: 1050: 1043: 1041: 1039: 1035: 1031: 1030:Impressionism 1027: 1023: 1018: 1013: 1009: 1004: 1000: 996: 992: 988: 984: 979: 977: 973: 969: 965: 960: 958: 957: 951: 946: 944: 940: 936: 935:Ioan Lahovary 932: 928: 924: 921: 917: 913: 909: 905: 901: 894: 890: 885: 876: 874: 870: 869: 864: 859: 857: 853: 849: 845: 841: 840: 834: 832: 828: 824: 820: 816: 812: 808: 803: 801: 797: 796: 791: 787: 783: 779: 775: 771: 767: 763: 759: 755: 751: 747: 740: 736: 732: 729: 727: 725: 721: 717: 713: 709: 704: 701: 697: 693: 692: 687: 683: 679: 678:Neoclassicism 675: 671: 667: 663: 659: 655: 650: 648: 644: 643: 638: 635:, he founded 634: 630: 626: 622: 617: 608: 607: 599: 590: 586: 580: 569: 566: 564: 562: 561: 556: 552: 551: 546: 545: 540: 539: 534: 533: 528: 527: 521: 519: 515: 512:and novelist 511: 507: 506:Paul Verlaine 503: 499: 495: 491: 486: 484: 480: 476: 472: 468: 464: 460: 456: 452: 448: 444: 440: 435: 433: 429: 425: 424:Élisée Reclus 421: 417: 413: 409: 405: 400: 398: 394: 393: 388: 384: 380: 376: 372: 369:, at a local 368: 363: 361: 357: 354: 350: 346: 342: 338: 334: 330: 326: 322: 314: 309: 307: 305: 301: 297: 293: 292: 287: 283: 279: 275: 271: 267: 263: 258: 256: 252: 248: 244: 243:Tudor Arghezi 240: 236: 232: 228: 224: 220: 216: 212: 208: 205: 201: 197: 193: 189: 184: 176: 168: 164: 161: 157: 154: 150: 149:art criticism 147: 143: 140: 136: 132: 129: 125: 121: 117: 113: 109: 105: 101: 98: 94: 85: 81: 78: 74: 70:June 13, 1870 62: 58: 53: 52: 45: 40: 33: 30: 19: 4820:Gay painters 4732: 4722: 4716: 4703: 4693: 4661: 4640: 4615: 4594: 4584: 4557:Caragialiana 4556: 4535: 4514: 4494: 4473: 4454: 4449: 4441: 4436: 4426: 4421: 4413: 4408: 4399: 4390: 4381: 4372: 4363: 4351: 4330: 4325: 4316: 4307: 4299: 4294: 4285: 4264: 4255: 4247: 4242: 4233: 4223: 4207: 4199: 4194: 4186: 4181: 4172: 4163: 4155: 4150: 4142: 4137: 4128: 4118: 4088: 4068: 4040: 4035: 4026: 4018: 4013: 4003: 3971: 3962: 3953: 3945: 3940: 3931: 3922: 3913: 3904: 3895: 3874: 3865: 3856: 3832: 3823: 3814: 3805: 3795: 3768: 3760: 3742: 3737: 3728: 3720: 3715: 3705: 3678: 3669: 3660: 3652: 3647: 3623: 3618: 3608: 3568: 3560: 3555: 3547: 3542: 3534: 3529: 3521: 3516: 3506: 3479: 3471: 3466: 3459: 3455: 3450: 3442: 3437: 3428: 3423:Teacă, p. 57 3404: 3386: 3381: 3366: 3355: 3345: 3314: 3305: 3297: 3292: 3277: 3251: 3246: 3237: 3229: 3212: 3204: 3199: 3191: 3162: 3145:Rus, p.79-80 3141: 3132: 3116: 3111: 3102: 3094: 3089: 3081: 3065: 3060: 3048: 3043: 3035: 3011: 3006: 2986: 2981: 2973: 2968: 2960: 2955: 2946: 2937: 2928: 2920: 2915: 2906: 2897: 2888: 2866: 2859:Amelia Pavel 2851: 2846: 2838: 2833: 2807: 2779: 2774: 2751: 2743: 2713: 2708: 2700: 2695: 2686: 2677: 2656: 2648: 2643: 2634: 2624: 2596: 2591: 2582: 2572: 2537: 2442: 2400: 2320: 2311: 2308:Ion Lapedatu 2293:Perpessicius 2281: 2261: 2255: 2253: 2248: 2244: 2238: 2234: 2227: 2223: 2215: 2213: 2154: 2148: 2125: 2120: 2118: 2096: 2089:Ion Călugăru 2084: 2080: 2078: 2073: 2070:Venin de mai 2069: 2059: 2057: 2045: 2032:Take Ionescu 2027: 2015: 2012:Ioan Slavici 2009: 1997: 1992: 1989: 1980: 1973: 1917: 1912: 1904: 1898: 1881: 1858: 1848: 1837:Félix Fénéon 1830: 1812: 1808:Ioan Slavici 1800: 1795: 1788: 1774: 1771:Take Ionescu 1760: 1742: 1740: 1732:Adrian Maniu 1728:I. Dragoslav 1719: 1715: 1713: 1708: 1673:Transylvania 1668: 1633:Felix Aderca 1624: 1616: 1608: 1604: 1602: 1595: 1572: 1564: 1562: 1556: 1538: 1521: 1517: 1498:Germanophile 1495: 1479:Take Ionescu 1471: 1465: 1455: 1439: 1428: 1413: 1392: 1388: 1370: 1347: 1331: 1327:André Derain 1315:Marcel Janco 1275:Adrian Maniu 1271:Ion Călugăru 1216: 1206: 1199: 1170:en plein air 1168: 1164: 1158: 1153: 1149: 1141: 1138:misdemeanors 1131: 1109: 1091: 1089: 1064: 1062: 1056: 1038:Paul Cézanne 1034:Paul Gauguin 1019: 1011: 1007: 1002: 994: 990: 986: 980: 975: 961: 953: 949: 947: 931:Take Ionescu 912:Metropolitan 899: 897: 866: 860: 855: 837: 835: 830: 810: 806: 804: 793: 789: 773: 769: 761: 750:Odilon Redon 743: 738: 734: 730: 723: 719: 707: 705: 699: 695: 689: 670:academic art 665: 657: 651: 640: 636: 621:Romanian art 618: 614: 604: 567: 558: 548: 542: 536: 530: 524: 522: 487: 436: 432:Félix Fénéon 401: 390: 364: 356:ruling house 319:A native of 318: 296:Germanophile 289: 259: 226: 199: 195: 191: 187: 174: 173: 139:prose poetry 135:lyric poetry 88:(1922-05-12) 86:May 12, 1922 49: 29: 4765:1922 deaths 4760:1870 births 4735:, Vol. II, 4729:Tudor Vianu 4608:Ionel Jianu 4532:Paul Cernat 4511:Lucian Boia 4414:Mișcarea... 4280:Boia, p.195 4132:Boia, p.190 4055:Boia, p.342 3966:Boia, p.103 3948:, p.34, 188 3899:Boia, p.192 3869:Boia, p.193 3818:Boia, p.203 3788:Paul Cernat 3642:Teacă, p.58 3216:Teacă, p.51 3012:Mișcarea... 3001:Teacă, p.54 2989:, p.240-248 2987:Mișcarea... 2976:, p.240-242 2974:Mișcarea... 2961:Mișcarea... 2852:Mișcarea... 2841:, p.229-234 2839:Mișcarea... 2804:"Artachino" 2780:Mișcarea... 2744:Mișcarea... 2728:Boia, p.189 2660:Teacă, p.53 2638:Teacă, p.52 2444:Evenimentul 2161:Nina Arbore 1940:Nae Ionescu 1924:Renaissance 1909:N. D. Cocea 1865:prose poems 1833:Lucian Boia 1747:Russophobia 1693:Pan-Slavism 1659:, from the 1657:Alexis Nour 1637:progressive 1613:Lucian Boia 1416:androgynous 1377:drug addict 1350:Paul Cernat 1279:Nina Arbore 1251:N. D. Cocea 1195:Camil Ressu 1069:land reform 1012:Literatorul 983:spinmeister 976:of politics 968:Paul Cernat 898:As head of 873:antisemitic 782:Francophile 762:Literatorul 731:Literatorul 662:avant-garde 560:Die Walküre 502:Jean Moréas 471:Bonapartist 457:, and took 455:craniometry 404:Tudor Vianu 397:Switzerland 300:World War I 284:the banker 282:blackmailed 231:avant-garde 4754:Categories 4505:References 4225:Revista 22 3957:Boia, p.94 3723:, p.39, 41 3610:Revista 22 3550:, p.39, 43 3335:"Alintări" 2321:Under the 2209:modern art 2128:("bastard 2110:confession 2068:'s novels 2053:patriotism 2049:I. G. Duca 1993:Dregătorul 1920:Alcibiades 1860:Sburătorul 1716:Libertatea 1661:Poporanist 1653:Bessarabia 1609:Libertatea 1565:Libertatea 1557:Libertatea 1545:propaganda 1401:Bessarabia 1381:homosexual 1358:Protestant 1267:A. de Herz 1187:M. H. Maxy 1183:Iosif Iser 987:Ion Doican 956:Latin Race 850:character 848:fairy tale 532:Le Gaulois 353:Wallachian 215:modern art 196:Ion Duican 192:Ion Doican 122:1880s–1922 111:Occupation 66:1870-06-13 4845:Gay poets 4628:229894980 4580:, in the 4519:Humanitas 4442:Avangarda 4412:Ionescu, 4331:Avangarda 4300:Avangarda 4248:Avangarda 4216:Ion Vianu 4202:, p.40-41 4200:Avangarda 4187:Avangarda 4156:Avangarda 4143:Avangarda 4089:Avangarda 4069:Avangarda 4041:Avangarda 4019:Avangarda 3946:Avangarda 3761:Avangarda 3745:, p.39-40 3743:Avangarda 3721:Avangarda 3653:Avangarda 3624:Avangarda 3561:Avangarda 3548:Avangarda 3535:Avangarda 3522:Avangarda 3472:Avangarda 3456:Avangarda 3443:Avangarda 3387:Avangarda 3298:Avangarda 3252:Avangarda 3230:Avangarda 3207:, p.45-46 3205:Avangarda 3192:Avangarda 3095:Avangarda 3084:, p.42-43 3082:Avangarda 3066:Avangarda 3036:Avangarda 3010:Ionescu, 2985:Ionescu, 2972:Ionescu, 2921:Avangarda 2850:Ionescu, 2837:Ionescu, 2769:Rus, p.79 2742:Ionescu, 2714:Avangarda 2701:Avangarda 2649:Avangarda 2597:Avangarda 2401:Avangarda 2263:Correggio 2245:De Nămezi 2169:Oscar Han 2157:Colonești 2085:Demoniaca 2074:Lunatecii 2066:Ion Vinea 1954:Anecdotes 1944:far right 1889:Oscar Han 1857:magazine 1841:modernism 1767:blackmail 1743:Al. Dodan 1701:Ion Gorun 1677:irredenta 1534:pacifists 1409:nightclub 1366:libertine 1291:Oscar Han 1255:Ion Vinea 1161:Colonești 893:Bucharest 664:artists. 526:Le Figaro 510:occultist 475:socialist 467:Orléanist 447:communism 337:Aromanian 310:Biography 274:Bucharest 262:anarchism 211:left-wing 207:Symbolist 200:Al. Dodan 167:Modernism 163:Symbolism 93:Bucharest 51:Correggio 4686:Archived 4440:Cernat, 4329:Cernat, 4298:Cernat, 4198:Cernat, 4185:Cernat, 4154:Cernat, 4141:Cernat, 4087:Cernat, 4067:Cernat, 4039:Cernat, 3944:Cernat, 3759:Cernat, 3741:Cernat, 3651:Cernat, 3622:Cernat, 3601:Archived 3546:Cernat, 3520:Cernat, 3470:Cernat, 3454:Cernat, 3441:Cernat, 3338:Archived 3296:Cernat, 3250:Cernat, 3228:Cernat, 3203:Cernat, 3190:Cernat, 3093:Cernat, 3080:Cernat, 3064:Cernat, 3034:Cernat, 2919:Cernat, 2712:Cernat, 2699:Cernat, 2647:Cernat, 2435:Archived 2399:Cernat, 2257:Adevărul 2114:swimsuit 2101:Don Juan 2024:Gendarme 1932:Hinduism 1645:Moldavia 1481:and his 1385:bisexual 1127:sedition 1121:and the 1093:Domnitor 875:halves. 700:Adevărul 691:Adevărul 682:red flag 606:Adevărul 538:Gil Blas 516:, whose 481:thinker 383:bohemian 371:Catholic 349:boyaress 341:Albanian 333:Ioannina 331:area of 278:sedition 204:Romanian 103:Pen name 4745:7431692 4653:8359286 4569:6890267 4467:4807364 4120:Orizont 3474:, p.407 2746:, p.234 2235:Durerea 2130:Lombard 1981:Bronzes 1970:, 1913) 1964:cassock 1936:orality 1850:Junimea 1782:, with 1573:Cronica 1522:Minerva 1389:Domnica 1154:a ciupi 1144:(after 1101:Slatina 1026:Fauvism 790:Bronzes 774:Bronzes 770:Bronzes 735:Bronzes 708:Salonul 666:Salonul 656:poems, 443:atheism 439:Judaism 329:Epirote 321:Pitești 302:on the 186:; born 145:Subject 73:Pitești 4743: 4672: 4651: 4626: 4601: 4567: 4546: 4525: 4465: 4091:, p.45 4071:, p.44 4043:, p.39 4021:, p.45 3848: 3763:, p.40 3563:, p.44 3537:, p.44 3524:, p.17 3460:passim 3389:, p.43 3232:, p.46 3194:, p.41 3123: 3038:, p.43 2626:Apollo 2403:, p.42 2312:Lăutul 2268:Pascin 2232:pastel 2222:, and 2216:Lăutul 2195:, and 2149:Lăutul 2001:Sinaia 1885:hajduk 1822:Legacy 1796:Ileana 1699:; and 1641:Rodion 1577:Berlin 1460:, the 1273:, and 1207:Ileana 1165:Ileana 1152:(from 1083:, the 1065:Ileana 1022:Cubism 1008:Ileana 1003:Ileana 995:Ileana 991:Duican 937:, and 900:Ileana 856:Ileana 839:Ileana 831:Ileana 821:, and 739:Ileana 504:, and 367:Geneva 358:, the 266:occult 119:Period 4721:, in 4692:, in 4222:, in 4117:, in 3794:, in 3704:, in 3607:, in 3505:, in 3365:, in 3344:, in 3276:, in 2865:, in 2806:, in 2441:, in 2329:Notes 2240:Seara 2081:Seara 1775:Seara 1720:Seara 1709:Seara 1691:with 1669:Seara 1625:Seara 1617:Seara 1605:Seara 1518:Seara 1475:' 1472:Seara 1467:Seara 1441:Seara 1429:Seara 1399:from 1373:dandy 1077:Ilfov 1015:' 291:Seara 131:essay 127:Genre 4741:OCLC 4670:ISBN 4649:OCLC 4624:OCLC 4599:ISBN 4565:OCLC 4544:ISBN 4523:ISBN 4463:OCLC 3846:ISBN 3121:ISBN 2295:and 2203:and 1734:and 1607:and 1508:and 1489:and 1393:Mica 1383:(or 1325:and 1075:and 1036:and 1024:and 989:(or 914:and 631:and 547:and 473:and 445:and 294:, a 245:and 198:and 83:Died 60:Born 2147:'s 2014:'s 1977:lei 1915:". 1810:). 1695:or 1550:lei 1418:or 1073:Olt 1055:'s 978:". 557:'s 339:or 325:Olt 4756:: 4731:, 4706:, 4702:, 4664:, 4660:, 4643:, 4639:, 4635:, 4618:, 4614:, 4610:, 4593:, 4559:, 4555:, 4538:, 4534:, 4517:, 4513:, 4482:^ 4457:, 4354:, 4350:, 4338:^ 4273:^ 4218:, 4113:, 4096:^ 4076:^ 4060:^ 4048:^ 3992:^ 3980:^ 3883:^ 3790:, 3777:^ 3750:^ 3700:, 3687:^ 3631:^ 3596:, 3577:^ 3501:, 3488:^ 3414:^ 3394:^ 3323:^ 3259:^ 3221:^ 3171:^ 3150:^ 3073:^ 3051:, 3019:^ 2994:^ 2876:^ 2861:, 2817:^ 2802:, 2787:^ 2760:^ 2733:^ 2721:^ 2665:^ 2604:^ 2546:^ 2452:^ 2408:^ 2362:^ 2336:^ 2291:, 2187:, 2183:, 2175:, 2167:, 2163:, 2116:. 2099:(" 1738:. 1730:, 1726:, 1667:. 1655:: 1448:; 1411:. 1371:A 1329:. 1321:, 1297:, 1293:, 1281:, 1269:, 1265:, 1261:, 1257:, 1253:, 1249:, 1245:, 1241:, 1237:, 1233:, 1229:, 1225:, 1197:. 1193:, 1189:, 1185:, 1181:, 1177:, 933:, 929:, 817:, 802:. 752:, 737:, 733:, 649:. 563:. 541:, 535:, 529:, 500:, 496:, 492:, 485:. 469:, 434:. 426:, 399:. 362:. 241:, 237:, 194:, 151:, 137:, 133:, 95:, 75:, 4715:" 3376:) 3287:) 1966:( 177:( 68:) 64:( 54:) 20:)

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.

Knowledge

Alexandru Bogdan-Pitești

Index