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five-year span, Marpad held several noteworthy solo and collective exhibitions. In its first year the gallery secured a solo exhibition of leading Cuban painter and founding member of the GALA Group (Grupo de
Artistas Latino-Americanos) Osvaldo Gutierrez. By the end of its inaugural year, the gallery posted revenue in excess of $ 100,000 (approximately $ 200,000 in 2021, adjusted for inflation.) In its second year the gallery held an ambitious collective exhibition marking the 500th anniversary of the
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its events and exhibitions during its seven-year run. Assisting him were his wife Gloria
Martinez as administrator and general coordinator of logistics, his nephew Arian Gonzalez as his personal assistant, as well as his daughters attorney Maibe M. Casalins and Dr. Darlanne Martinez, the latter of whom translated the gallery's extensive catalog of published works. Based in Coral Gables, the gallery also recruited noted Cuban literary figures including Nancy Perez Crespo,
685:, Tomas Oliva, Carlos Sobrino, Hector Molné, Esteban Alvarez-Buylla, Marvin Chinchilla, Reynold Campbell, Jean Baptiste Rosvelt, Ulrich Gehret, Juan Navarrete, Clara Morerra, Arcadio Cancio and others. The collection also includes the personal journal of Cuban artist Esteban Chartrand (1840–1883) a historical document that includes drawings, sketches, letterings, and personal notes from the artist spanning the period of 1859 to 1882, one year before his death.
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222:. Among that community were members of Martinez's immediate family, including his father who was a successful businessman catering to the South Florida restaurant industry. Martinez joined his father's business when they reconnected, and he remained there until he chose to pursue his longstanding passion for the arts beginning in the mid-1980s.
813:, Osvaldo Gutierrez, Clara Morera, Nelson Franco, Arcadio Cancio, Esteban Alvarez Buylla, Guillermo Spinosa, Mary Low Machado, Lesver de Quirós, Juan Navarrete, Hector Molné, Marvin Chinchilla, Reynold Campbell, Ulrich Gehret, and others. Martinez also curated collective exhibitions that featured artwork by the following artists:
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857:, Osvaldo Gutiérrez, Domingo Ravenet, Domingo Ramos, Ana Maria Sarlat, Lia Galletti, and others. By organizing many art exhibitions, auctions, lectures and other events promoting and supporting the arts, Martinez was influential in introducing several international artists to the art market of the United States, including
371:, Carlos M. Luis, Giulio V. Blanc, Roberto Cayuso, Luis Lastra, Francisco Fernandez Rubio, Aldo Menendez, and Armando Alvarez-Bravo as writers and presenters for opening receptions, tours of new exhibitions, and catalogue content. Among the gallery's Contemporary Art curators was Peruvian critic Jose Antonio Rivas.
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Following a string of high-profile collective and individual exhibitions during Marpad
Gallery's first two years, Martinez launched his own eponymous fine art gallery, Alfredo Martinez Gallery, in 1993. Martinez served as the gallery's president and chief director and personally curated and organized
254:, a cultural center for the high-profile fine art market in the greater South Florida region. Significant resources were invested into the gallery to establish it as a prominent art venue within Coral Gables. As such, it developed an extensive apparatus offering a range of services beyond the sale of
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After six years of curating, art promoting, and building his own extensive personal art collection, Martinez co-founded his first fine art gallery in 1991 with fellow art dealer
Domingo Padron. The gallery's name, Marpad, comes from the combination of their last names, Martinez and Padron. Marpad Art
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such as framing, restoration, literature publication, artist representation and also employed its own Latin
American art specialists, including Roberto J. Cayuso. The gallery also owned multiple properties beyond its main storefront. Martinez served as co-director of Marpad and organized many of its
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As Marpad became a popular South
Florida art locale, it produced an eclectic roster of events and exhibitions ranging from popular and traditional Cuban art as well as Martinez's inclination toward the obscure, undervalued, and underrepresented such as Caribbean and Central American art. During its
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As the main force behind the gallery, its exhibitions reflected
Martinez's continuing passion for social and cultural themes that he felt did not receive adequate attention from the art establishment. As with Marpad, these were balanced with high-demand names that were already known by the public.
581:(co-sponsored by Jupiter Interactive Productions) which was noteworthy at the time for its inclusion of pioneering online elements. Martinez also developed numerous international partnerships with whom he would collaborate and co-sponsor art events with, including Diana Traficante Gallery of
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Between 1985 and 2000 Martinez had sponsored and curated more than 20 solo exhibitions and 50 collective exhibitions. His curation style, supported by his galleries, were known for supporting emerging and underrepresented artists, and often deviating from the prevailing popularity of
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Beyond the events hosted through his affiliated galleries, Marpad and
Alfredo Martinez Gallery, Martinez has also sponsored and curated art lectures, auctions, and exhibitions. He has held fine art events at notable South Florida historic landmarks, such as the
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The
Alfredo and Gloria Martinez Fine Art Collection includes works by numerous Latin American and European artists that the Martinez's have worked with through their careers as gallerists, curators, art promoters, dealers, and lecturers. It features works by
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Throughout his career
Martinez also drew recognition for his exhibitions and association with many of the leading Cuban and Latin American artists of the 20th century. Among them, Martinez has curated solo art exhibitions for:
600:(Chronicles of the Curatorship of a Gallery Career), produced by R116 Production and documenting his art exhibitions and events. Following his retirement as a gallerist, Martinez became an artist in the medium of
534:, with whom Martinez had an established relationship. He launched a new business, Interactive Fine Art, in 2003 to serve as a more flexible vehicle for his art dealing practice that utilized online operations.
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after he began organizing art exhibitions in the mid-1980s. Martinez's professional and philanthropic art events and patronage activities were distinctive for referencing contemporary social issues, such as
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community that he felt the South Florida art establishment had neglected. As such, he initially focused on Caribbean artists outside of Cuba. His first major art event was a 1985 solo exhibition for the
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Following his retirement as a gallerist in 2001, Martinez re-focused on becoming an art patron, collector, and private art dealer specializing in Latin American art and would work primarily with
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in South Florida by including artists from Jamaica, Haiti, the Dominican Republic, and throughout Latin America. Martinez also organized auctions and fundraisers in support of causes such as
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358:(2000). By 1993 both Martinez and Padron had their own independent galleries that were becoming successful in their own right leading Marpad to eventually close three years later in 1996.
900:, and Carlos Sobrino, among others. Martinez has also sponsored, published, and contributed to several art publications and catalogs to further the scholarly recognition and study of
456:, Mariano Rodriguez and others. The following year the gallery organized a collective exhibition that focused on spotlighting emerging talent heading into the new millennium titled
395:). The latter featured artwork by Cuban artist Reynold Campbell and was among the first exhibitions in South Florida to be fully dedicated to the still-taboo subject of
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558:(2001) and worked with several organizations including the U.S. Foreign Trade Institute (2000), the Community Research Initiative of South Florida in support of
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Jean Baptiste Rosvelt that Martinez sponsored and curated in the Metro Dade County Cultural Center. Throughout the rest of the 1980s Martinez would also support
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708:, November 2009), the March 2009 MDC retrospective of Carlos Sobrino (1909–1975) marking 100 years since his birth, as well as MDC's March 2011 retrospective
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project into a book series that he authored and published through Interactive Fine Arts. In 2023 he published books on the art of Jean Baptiste Rosvelt,
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Magazine where Martinez also penned an essay on Marvin Chinchilla. Works from the Martinez Collection are also featured on several books including
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Marvin Chinchilla, Cuban artists Héctor Molné, Reynold Campbell, Esteban Alvarez-Buylla, Clara Morera, as well as European artists Emilio Roca of
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area, where he was exposed and drawn to Cuba's flourishing art community. Martinez came of age during the period of turmoil that included the
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and underrepresented cultures in the arts. Martinez owned and operated two major art galleries and other art-related businesses based in
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in February 2000 which was noteworthy for being the first exhibition of Carreño's work globally since his death two months earlier.
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art collector, fine art photographer, curator, dealer, promoter, author, and former gallerist. He became a prominent figure in the
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315:, the exhibition featured 21 Jamaican artists that ranged in age from 24 to 70, focusing on the cross-generational theme of
198:, through which he would meet his future wife, Gloria Maria Yi Ma. The couple married in 1975 and four years later left for
1988:
546:(2001). Martinez also participated in prominent recurring South Florida art events such as Art Miami/Miami Art Week in the
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and Central American artists and also began actively collecting local Cuban art from the Cuban community in South Florida.
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Martinez has lent and contributed works from the Martinez Collection to several public art exhibitions organized by
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785:(1994), Americans Helping Americans, C.E.A.S.E., and the Hispanic Center for Health and Policy Development (1999).
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Throughout its seven-year span, the gallery and its events were widely covered by art media including
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Martinez began his professional involvement in fine art by investing in and promoting segments of the
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Artwork from the Martinez Collection has also been included in media on Latin American art including
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and its effects. In his early life he served as a lifeguard in Guanabo, Boca Ciega, Santa Maria, and
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Martinez has also organized art events outside of South Florida, such as the lecture and exhibition
460:(1999). Also that year the gallery hosted a solo exhibition for Spanish artist Emilio Roca entitled
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130:
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Alvarez Bravo, Armando (8 November 1995). "Las Maravillosas LĂneas de Servando Cabrera Moreno".
1335:
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Significant collective exhibitions held at Martinez's gallery included the 1998 showing titled
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Marpad Gallery also held regular solo exhibitions for several leading Cuban artists including
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and its impacts. The exhibition, held in April 1992, featured 37 Latin American artists from
818:
573:, featuring Esteban Alvarez-Buylla and Mario Garcia Portela, as well as the 1995 exhibition
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340:
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715:. Other high-profile exhibitions that featured loans from the Martinez Collection included
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Latin American Women Artists, Kahlo and Look who Else: A Selective, Annotated Bibliography
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featuring 92 works of his photography taken from 2007 to 2022. Martinez then expanded his
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346:
316:
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2129:
Staff (22 October 1999). "Alfredo Martinez Gallery: Future Visions: Make It Happen Now".
1169:
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in attendance. The gallery held a high-profile retrospective of Cuban Vanguardia artist
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Alvarez Bravo, Armando (30 August 1998). "Maestros de la pintura cubana del siglo XX".
889:
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744:
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338:(1995). During its tenure the gallery's events received extensive media coverage from
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Alvarez Bravo, Armando (8 November 1998). "Las Vivencias Cubanas de Alvarez Buylla".
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events and operations. His wife, Gloria M. Martinez, would also serve as a director.
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52:
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Alvarez Bravo, Armando (7 November 1999). "Marvin Chinchilla: Reinventar lo comĂşn".
1851:
1654:
Alvarez Bravo, Armando (6 February 2000). "Mario Carreño: el legado de un Maestro".
1128:
504:
Arte Al DĂa Internacional: International Magazine of Latin American Art and Antiques
2267:
688:
The Martinez Collection has lent works to several public art exhibitions hosted by
320:
1740:
St. James Guide to Hispanic Artists: Profiles of Latino and Latin American Artists
1624:
Alvarez Bravo, Armando (18 April 1999). "Emilio Roca y la traducion del cubismo".
881:
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952:(1996, Alfredo Martinez Gallery; illustrated by Marvin Chinchilla), and others.
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The gallery received early attention when it hosted a retrospective on famed
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Alvarez Bravo, Armando (22 April 1994). "La violencia de Reynold Campbell".
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77:
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Alvarez Bravo, Armando (29 August 1999). "Reynold Campbell y su bĂşsqueda".
1588:
1468:"1. Cronicas de la Curaduria de un Trabajo Galeristico : Introduccion"
562:(1994), and the Cuban American National Society of Washington D.C. (1998).
413:). Other notable solo exhibitions held in the gallery included showings of
210:
After residing in Spain for a year, Martinez and his wife relocated to the
146:. He has organized art exhibitions, lectures, and auctions throughout the
2222:
Alvarez Bravo, Armando (1 May 1996). "La Mirada Humana de Héctor Molné".
735:
292:
195:
1570:
Frias, Sonia (20 September 1998). "Noche de GalerĂas en Coral Gables".
1203:
1201:
740:
308:
179:
2207:
Alvarez Bravo, Armando (3 November 1993). "Conferencia de Chincilla".
1493:
Latin American Artists' Signatures and Monograms: Colonial Era to 1996
1400:
1398:
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421:(1996). Mijares, then 75, stated that his retrospective there, titled
1737:
Association of Hispanic Arts (New York) (2002). Riggs, Thomas (ed.).
300:
187:
163:
108:
Marpad Art Gallery, Alfredo Martinez Gallery, The Martinez Collection
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Kelley, Gail (18 June 2000). "Paintings of Cuba in New Hampshire".
1223:
O’Neill, Jon (23 July 1992). "Gallery featured Jamaican artists".
473:
304:
276:
219:
199:
2159:
Staff (23 January 1998). "Alfredo Martinez Gallery: Josignacio".
730:(October–November 1992) in the Cuban Museum of Arts and Culture.
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Alvarez Bravo, Armando (1 September 1996). "Mijares en Grande".
396:
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307:. That same year the gallery hosted a collective exhibition of
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1282:
1208:
Alvarez Bravo, Armando (1 April 1992). "Quinto Centenario".
694:
Under a Brilliant Sun, Cundo Bermudez: into the 21st Century
522:. After ten years, Martinez retired as a gallerist in 2001.
2037:
El oficio de la mirada: ensayos de arte y literatura cubana
1639:
Frias, Sonia (25 April 1999). "De paseo por amor al arte".
1583:
1581:
1517:
1515:
1513:
1485:
1483:
1481:
2116:
Mariano - Catálogo Razonado, 1935-1949, Anexo al Volumen 1
1535:
1533:
1462:
1460:
1837:. Florida Department of State, Division of Corporations.
1795:"Fidelio Ponce de LeĂłn (1896-1957): La LecciĂłn de Piano"
1040:. Florida Department of State, Division of Corporations.
608:. In 2022, Martinez' art became the subject of the book
1908:(in Spanish) (1 ed.). Miami: Interactive Fine Art.
1789:
1787:
1785:
440:) which featured the largest figures in the history of
1766:
Leonard's Price Index of Latin American Art at Auction
1302:
1300:
520:
Leonard's Price Index of Latin American Art at Auction
628:(Josignacio: Genius of Oil and Resin. Volume 1), and
476:
and included South Florida community leaders such as
429:), was the definitive solo exhibition of his career.
387:
in 1993 as well as the controversial 1994 exhibition
186:, on November 28, 1948. He was raised in the greater
906:
The World of Jose Mijares / El Mundo de Jose Mijares
1953:(in Spanish). Miami, Florida: Interactive Fine Arts
1846:
1844:
567:
Two Views of Cuba: From the Countryside to the City
112:
104:
96:
69:
59:
35:
28:
1146:
1144:
1142:
713:: Homage to a Great Master on His 90th Anniversary
624:(Jean Baptiste Rosvelt: Heart and Soul of Haiti),
598:Cronicas de la Curaduria de un Trabajo Galeristico
2144:Staff (3 Oct 1997). "Coral Gables Gallery Walk".
1942:
1940:
723:in Coral Gables (sponsored by Bankers Trust) and
596:In 2021, Martinez launched a documentary series,
1677:. Latin American Art Magazine, Incorporated: 78.
1337:Encyclopedia of Latin American and Caribbean Art
1123:
1121:
1119:
356:Encyclopedia of Latin American and Caribbean Art
2060:Rey, Iran O.; Cayuso, Roberto J., eds. (1997).
2016:Valls, Jorge (January–February 1996). "Molné".
1688:Staff (2003). "Currents 03: New Perspectives".
1049:
1047:
884:, and others that have included their works by
1922:Josignacio: Genio del Oleo y la Resina. Tomo I
1011:Jean Baptiste Rosvelt: Alma y CorazĂłn de HaitĂ
1003:
1001:
950:Armando Alvarez Bravo: Autorretratos a trancos
626:Josignacio: Genio del Oleo y la Resina. Tomo I
622:Jean Baptiste Rosvelt: Alma y CorazĂłn de HaitĂ
472:that included authentic wine and cuisine from
2330:"Art Index Retrospective, Volume 67, Issue 2"
2087:Carlos Enriquez: the Painter of Cuban Ballads
1411:. University of Illinois Press. p. 217.
1090:Staff (29 March 1992). "Marpad Art Gallery".
904:and artists. His published catalogs include:
762:Carlos Enriquez: the Painter of Cuban Ballads
438:Masters of Cuban Painting of the 20th Century
8:
1313:. Ian Randle Publishers. pp. 179, 180.
1269:"MIJARES José: Solo Exhibitions (selection)"
922:Victor Manuel: Transcendencia de la Libertad
385:Victor Manuel: Transcendencia de la Libertad
2308:. Marquis Who's Who, 1995. September 1995.
1950:Esteban Chartrand: El Artista y su Estética
1607:"Wilfredo BARCELĂ“: EXPOSICIONES COLECTIVAS"
1405:Taylor, Patrick; Case, Fredrick I. (2013).
1340:. Grove's Dictionaries. pp. 467, 741.
630:Esteban Chartrand: El Artista y su Estética
133:market internationally and particularly in
2358:"Directorio de arte latinoamericano, 2000"
2099:: CS1 maint: location missing publisher (
1669:Staff (1993). "Alfredo Martinez Gallery".
1443:. Greenwood Publishing Group. p. 84.
434:Maestros de la Pintura Cubana del Siglo XX
25:
1925:(in Spanish). Miami: Interactive Fine Art
1014:(in Spanish). Miami: Interactive Fine Art
946:Esteban Alvarez-Buylla: Vivencias Cubanas
768:(Catálogo Razonado, Anexo al Volumen I).
2360:. Arte al DĂa Internacional, 1999. 1999.
1813:"Marvin Chinchilla (b.1957): Sin TĂtulo"
2003:"Art in America, Volume 94, Issues 5-8"
1885:"Odili Donald Odita: Group Exhibitions"
1408:The Encyclopedia of Caribbean Religions
997:
516:The Encyclopedia of Caribbean Religions
468:) with an elaborate opening covered by
2092:
1496:. Scarecrow Press. pp. 370, 491.
1307:Boxer, David; Poupeye, Veerle (1998).
938:Arcadio Cancio: Viaje Al Mundo De Ayer
914:Marvin Chinchilla: Vertebrates Spirits
1106:"Private Art Galleries: Coral Gables"
526:Post-gallery activities and patronage
7:
2398:Cuban emigrants to the United States
1852:"ANA MARIA SARLAT: CURRICULUM VITAE"
1726:(1–6). Quintus Communications Group.
1275:. Art&Art LLC. 16 November 2016.
1112:. 1996-2019 Coconut Grove Resources.
569:(2000) in the Sharon Arts Center of
206:Move to America and early art career
2064:. Miami: Palette Publications Inc.
1991:. Art in America, Inc. August 2005.
1707:(89–94). Editorial Arte al DĂa: 14.
1703:Staff (2003). "Arte al DĂa: 2003".
1238:Permuy, Antonio (31 January 2023).
918:Reynold Campbell: Busqueda y Pasion
766:Mariano: Pintura y Dibuja 1935-1949
512:St. James Guide to Hispanic Artists
2175:"Arcadio Cancio: Solo Exhibitions"
969:Directorio de Arte Latinoamericano
948:(1999, Alfredo Martinez Gallery),
944:(1993, Alfredo Martinez Gallery),
940:(1997, Alfredo Martinez Gallery),
936:(1999, Alfredo Martinez Gallery),
932:(2000, Alfredo Martinez Gallery),
928:(1997, Alfredo Martinez Gallery),
924:(1993, Alfredo Martinez Gallery),
920:(1999, Alfredo Martinez Gallery),
916:(1994, Alfredo MartĂnez Gallery),
912:(1996, Alfredo Martinez Gallery),
910:Mijares en Grande/Mijares at Large
14:
2005:. Art Media AIA, LLC, 2006. 2006.
1905:El Resultado de mi Mirada, Tomo I
1589:"LIA GALLETTI: GROUP EXHIBITIONS"
756:(1998) and the artist monographs
610:El Resultado de mi Mirada, Tomo I
2062:Jose Mijares: Paintings/pinturas
1743:. St. James Press. p. 346.
1718:Various (2000). "Art in Miami".
1362:"Alfredo Martinez Gallery Miami"
1240:"Visualizing Our Historic Roots"
934:Emilio Roca: Maestro del Cubismo
758:José Mijares: Paintings-Pinturas
462:Emilio Roca: Maestro del Cubismo
411:The Violence of Reynold Campbell
407:La Violencia de Reynold Campbell
620:, and Esteban Chartrand titled
556:Coconut Grove Convention Center
214:in 1980, where they joined the
2268:"About Esteban Alvarez-Buylla"
1858:. Ana Maria Sarlat Art Studio.
1544:(in Spanish). pp. 1E, 4E.
955:Martinez has been included in
717:Mario Carreño: A Retrospective
550:(1993, 1994, 1995) as well as
1:
1368:. Florida Business Directory.
1293:(in Spanish). pp. 1D–2D.
548:Miami Beach Convention Center
466:Emilio Roca: Master of Cubism
1643:(in Spanish). p. VS 10.
1574:(in Spanish). p. VS 11.
1380:"Miami Herald (May 14,1999)"
957:Marquis Who's Who in America
942:Clara Morerra: The Messenger
589:, and Éditions Deleature of
510:as well as in books such as
350:as well as in books such as
16:Cuban-American art collector
2346:. H.W. Wilson., 1997. 1997.
2332:. H.W. Wilson., 1996. 1996.
1977:. ARTnews Associates. 2003.
1831:"Interactive Fine Art, Inc"
154:, including South Florida,
2424:
2256:(in Spanish). p. 11F.
2085:Martinez, Juan A. (2010).
1947:Martinez, Alfredo (2023).
1919:Martinez, Alfredo (2023).
1902:Martinez, Alfredo (2022).
1526:(in Spanish). p. 21D.
1061:. Opendi International AG.
1008:Martinez, Alfredo (2023).
444:until that time including
18:
2241:(in Spanish). p. 1E.
2226:(in Spanish). p. 1C.
2211:(in Spanish). p. 5D.
2196:(in Spanish). p. 2E.
1889:www.odilidonaldodita.com/
1692:(228–230). G. Politi: 52.
1658:(in Spanish). p. 1E.
1628:(in Spanish). p. 1E.
1559:(in Spanish). p. 9F.
1212:(in Spanish). p. 5D.
926:Homage to Carlos Enriquez
728:and his times/ Y su Ă©poca
2290:www.emiliorocagarcia.com
2118:. Fundacion Arte Cubano.
2035:Luis, Carlos M. (1998).
1768:. Springer. p. 48.
1437:Puerto, Cecilia (1996).
1170:"Art Marpad Gallery Inc"
1156:www.lagaleriafineart.com
1129:"Marpad Art Gallery Inc"
1034:"MARPAD ART GALLERY INC"
908:(1992, Marpad Gallery),
614:Cronicas de la Curaduria
532:Christie's auction house
362:Alfredo Martinez Gallery
19:Not to be confused with
2408:American art collectors
2039:. Ediciones Universal.
1490:Castagno, John (1997).
961:Art Index Retrospective
861:Jean Baptiste Rosvelt,
803:Servando Cabrera Moreno
671:Servando Cabrera Moreno
636:The Martinez Collection
583:Buenos Aires, Argentina
336:Servando Cabrera Moreno
256:Latin American fine art
131:Latin American fine art
2344:"Art Index, Volume 44"
2181:. Fine Art Biblio Inc.
1856:www.members.tripod.com
1764:Theran, Susan (1999).
1387:www.rogeliopretto.com/
1227:. p. 8 Neighbors.
1188:"Inflation Calculator"
1158:. La Galeria Fine Art.
1133:www.opencorporates.com
1079:. Fine Art Biblio Inc.
754:El Oficio de la Mirada
389:AIDS: Arte vs Silencio
21:Alfredo Ramos MartĂnez
2292:. Emilio Roca Garcia.
2179:www.fineartbiblio.com
1891:. Odili Donald Odita.
1611:www.galeriavalmar.com
1366:www.floridalookup.com
1334:Turner, Jane (2000).
1135:. OpenCorporates Ltd.
1077:www.fineartbiblio.com
845:, Esteban Chartrand,
702:31 Escultores Cubanos
661:, Mariano Rodriguez,
542:(1995, 1998) and the
252:Coral Gables, Florida
250:Gallery was based in
216:Cuban exile community
178:Martinez was born in
144:Coral Gables, Florida
90:Fine-art photographer
2403:American art patrons
2286:"Emilio Roca Garcia"
2114:Veigas, José (ed.).
1194:. © 2021 SmartAsset.
1110:www.doortosummer.com
1055:"Marpad Art Gallery"
602:fine art photography
393:AIDS: Art vs Silence
330:(1991, 1993, 1995),
317:avant garde artworks
265:Discovery of America
1593:www.liagalletti.com
1310:Modern Jamaican Art
1249:. Creative Pinellas
1247:Arts Coast Magazine
1152:"OSVALDO GUTIERREZ"
1073:"Roberto J. Cayuso"
698:Freedom Tower Miami
606:digital photography
587:Panama City, Panama
399:, resulting in the
352:Modern Jamaican Art
2388:People from Havana
2272:www.saatchiart.com
1801:. Christie's 2021.
1671:Latin American Art
1474:. R116 Production.
1192:www.smartasset.com
1176:. Manta Media Inc.
986:Latin American art
902:Latin American art
878:Miami-Dade College
863:Costa Rican artist
736:Art Nexus Magazine
719:(January 1995) by
706:31 Cuban Sculptors
690:Miami Dade College
496:Latin American Art
334:(1992, 1995), and
303:, as well as from
285:Dominican Republic
227:Latin American art
2393:People from Miami
2305:Marquis Who's Who
1819:. Christies 2021.
1817:www.christies.com
1799:www.christies.com
1613:. GALERĂŤA VALMAR.
894:Roberto Estopiñán
851:AgustĂn Fernández
847:Leopoldo Romañach
831:René Portocarrero
711:Roberto Estopiñán
667:Roberto Estopiñán
448:, Victor Manuel,
423:Mijares En Grande
417:(1996, 1998) and
239:Dominican artists
125:(born 1948) is a
120:
119:
97:Years active
46:November 28, 1948
2415:
2362:
2361:
2354:
2348:
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2204:
2198:
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2182:
2171:
2165:
2164:
2161:The Miami Herald
2156:
2150:
2149:
2146:The Miami Herald
2141:
2135:
2134:
2131:The Miami Herald
2126:
2120:
2119:
2111:
2105:
2104:
2098:
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2082:
2076:
2075:
2057:
2051:
2050:
2032:
2026:
2025:
2013:
2007:
2006:
1999:
1993:
1992:
1989:"Art in America"
1985:
1979:
1978:
1969:
1963:
1962:
1960:
1958:
1944:
1935:
1934:
1932:
1930:
1916:
1910:
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1899:
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1892:
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1875:
1874:
1871:The Boston Globe
1866:
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1277:
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1265:
1259:
1258:
1256:
1254:
1244:
1235:
1229:
1228:
1225:The Miami Herald
1220:
1214:
1213:
1205:
1196:
1195:
1184:
1178:
1177:
1166:
1160:
1159:
1148:
1137:
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1125:
1114:
1113:
1102:
1096:
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1092:The Miami Herald
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1080:
1069:
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1051:
1042:
1041:
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1024:
1023:
1021:
1019:
1005:
967:(1997), and the
585:, Arteconsul in
489:The Miami Herald
427:Mijares at Large
405:feature article
377:Cuban Vanguardia
341:The Miami Herald
319:that broke from
311:artists. Titled
192:Cuban Revolution
180:Playa de Guanabo
123:Alfredo Martinez
80:, art promoter,
49:
45:
43:
30:Alfredo Martinez
26:
2423:
2422:
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2302:
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2297:
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2266:
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2261:
2254:El Nuevo Herald
2251:
2250:
2246:
2239:El Nuevo Herald
2236:
2235:
2231:
2224:El Nuevo Herald
2221:
2220:
2216:
2209:El Nuevo Herald
2206:
2205:
2201:
2194:El Nuevo Herald
2191:
2190:
2186:
2173:
2172:
2168:
2158:
2157:
2153:
2143:
2142:
2138:
2128:
2127:
2123:
2113:
2112:
2108:
2091:
2089:. Coral Gables.
2084:
2083:
2079:
2072:
2059:
2058:
2054:
2047:
2034:
2033:
2029:
2018:LEA Art America
2015:
2014:
2010:
2001:
2000:
1996:
1987:
1986:
1982:
1971:
1970:
1966:
1956:
1954:
1946:
1945:
1938:
1928:
1926:
1918:
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1913:
1901:
1900:
1896:
1883:
1882:
1878:
1873:. p. 13NH.
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1656:El Nuevo Herald
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1641:El Nuevo Herald
1638:
1637:
1633:
1626:El Nuevo Herald
1623:
1622:
1618:
1605:
1604:
1600:
1595:. Lia Galletti.
1587:
1586:
1579:
1572:El Nuevo Herald
1569:
1568:
1564:
1557:El Nuevo Herald
1554:
1553:
1549:
1542:El Nuevo Herald
1539:
1538:
1531:
1524:El Nuevo Herald
1521:
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1511:
1504:
1489:
1488:
1479:
1472:www.youtube.com
1466:
1465:
1458:
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1436:
1435:
1426:
1419:
1404:
1403:
1394:
1389:. Miami Herald.
1382:
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1373:
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1348:
1333:
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1321:
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1298:
1291:El Nuevo Herald
1288:
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1210:El Nuevo Herald
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1017:
1015:
1007:
1006:
999:
994:
977:
873:Ulrich Gehret.
799:Carlos Enriquez
774:
750:LEA Art America
659:Carlos Enriquez
638:
528:
493:El Nuevo Herald
470:El Nuevo Herald
454:Carlos Enriquez
402:El Nuevo Herald
364:
354:(1998) and the
347:El Nuevo Herald
313:Two Generations
247:
208:
176:
116:Gloria Martinez
55:
50:
47:
41:
39:
31:
24:
17:
12:
11:
5:
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2335:
2321:
2314:
2295:
2277:
2274:. Saatchi Art.
2259:
2244:
2229:
2214:
2199:
2184:
2166:
2163:. p. 29G.
2151:
2148:. p. 23G.
2136:
2133:. p. 53G.
2121:
2106:
2077:
2070:
2052:
2045:
2027:
2008:
1994:
1980:
1964:
1936:
1911:
1894:
1876:
1861:
1840:
1835:www.sunbiz.org
1822:
1804:
1781:
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1097:
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1064:
1059:www.opendi.com
1043:
1038:www.sunbiz.org
1025:
996:
995:
993:
990:
989:
988:
983:
976:
973:
890:Cundo Bermudez
859:Haitian artist
855:Rafael Soriano
835:Cundo Bermudez
773:
770:
745:Art in America
696:(2009, at the
683:Miguel Fleitas
663:Cundo Bermudez
637:
634:
632:respectively.
591:Angers, France
552:Cuba Nostalgia
544:Vizcaya Estate
540:Biltmore Hotel
527:
524:
478:Eduardo Padron
458:Future Visions
363:
360:
246:
245:Marpad Gallery
243:
207:
204:
175:
172:
127:Cuban-American
118:
117:
114:
110:
109:
106:
105:Known for
102:
101:
100:1985 – present
98:
94:
93:
71:
67:
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64:Cuban-American
61:
57:
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37:
33:
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2383:Living people
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2315:9780837901671
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2048:
2046:9780897298841
2042:
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2019:
2012:
2009:
2004:
1998:
1995:
1990:
1984:
1981:
1976:
1975:
1968:
1965:
1952:
1951:
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1937:
1924:
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1796:
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1777:
1775:9781349150847
1771:
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1760:
1757:
1752:
1750:9781558624702
1746:
1742:
1741:
1733:
1730:
1725:
1721:
1720:Miami Mensual
1714:
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1503:9780810832930
1499:
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1450:9780313289347
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1418:9780252094330
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1347:9780333764664
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1320:9789768123121
1316:
1312:
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1283:
1279:
1274:
1273:www.jcmac.art
1270:
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1234:
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1211:
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1198:
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1174:www.manta.com
1171:
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1120:
1116:
1111:
1107:
1101:
1098:
1094:. p. 31.
1093:
1086:
1083:
1078:
1074:
1068:
1065:
1060:
1056:
1050:
1048:
1044:
1039:
1035:
1029:
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1013:
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1004:
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998:
991:
987:
984:
982:
979:
978:
974:
972:
970:
966:
962:
958:
953:
951:
947:
943:
939:
935:
931:
930:Mario Carreño
927:
923:
919:
915:
911:
907:
903:
899:
898:Mario Carreño
895:
891:
887:
886:Fidelio Ponce
883:
879:
874:
872:
871:German artist
868:
864:
860:
856:
852:
848:
844:
843:Eduardo Abela
840:
839:Mario Carreño
836:
832:
828:
827:Victor Manuel
824:
823:Fidelio Ponce
820:
819:Amelia Peláez
816:
812:
808:
804:
800:
796:
795:Mario Carreño
792:
791:Victor Manuel
786:
784:
783:AIDS research
780:
771:
769:
767:
763:
759:
755:
751:
747:
746:
742:
738:
737:
731:
729:
727:
726:Fidelio Ponce
722:
718:
714:
712:
707:
703:
699:
695:
691:
686:
684:
680:
676:
672:
668:
664:
660:
656:
655:Mario Carreño
652:
651:Fidelio Ponce
648:
647:Victor Manuel
644:
635:
633:
631:
627:
623:
619:
615:
611:
607:
603:
599:
594:
592:
588:
584:
580:
579:New York City
576:
575:Pseudo Museum
572:
571:New Hampshire
568:
563:
561:
560:AIDS research
557:
553:
549:
545:
541:
535:
533:
525:
523:
521:
517:
513:
509:
508:Miami mensual
505:
501:
497:
494:
490:
485:
483:
482:Mario Carreño
479:
475:
471:
467:
463:
459:
455:
451:
450:Amelia Peláez
447:
443:
439:
435:
430:
428:
424:
420:
416:
412:
408:
404:
403:
398:
394:
390:
386:
382:
381:Victor Manuel
378:
372:
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361:
359:
357:
353:
349:
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343:
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333:
329:
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244:
242:
240:
236:
233:
228:
223:
221:
217:
213:
212:United States
205:
203:
201:
197:
196:Mariano Beach
193:
189:
185:
181:
173:
171:
169:
165:
161:
157:
156:New Hampshire
153:
152:Latin America
149:
148:United States
145:
141:
136:
135:South Florida
132:
128:
124:
115:
111:
107:
103:
99:
95:
91:
87:
83:
82:art collector
79:
75:
72:
70:Occupation(s)
68:
65:
62:
58:
54:
53:Guanabo, Cuba
48:(age 75)
38:
34:
27:
22:
2352:
2338:
2324:
2304:
2298:
2289:
2280:
2271:
2262:
2253:
2247:
2238:
2232:
2223:
2217:
2208:
2202:
2193:
2187:
2178:
2169:
2160:
2154:
2145:
2139:
2130:
2124:
2115:
2109:
2086:
2080:
2061:
2055:
2036:
2030:
2021:
2017:
2011:
1997:
1983:
1973:
1967:
1957:11 September
1955:. Retrieved
1949:
1927:. Retrieved
1921:
1914:
1904:
1897:
1888:
1879:
1870:
1864:
1855:
1834:
1825:
1816:
1807:
1798:
1765:
1759:
1739:
1732:
1723:
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1713:
1704:
1698:
1689:
1683:
1674:
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1664:
1655:
1649:
1640:
1634:
1625:
1619:
1610:
1601:
1592:
1571:
1565:
1556:
1550:
1541:
1523:
1492:
1471:
1439:
1407:
1386:
1374:
1365:
1356:
1336:
1329:
1309:
1290:
1272:
1263:
1251:. Retrieved
1246:
1233:
1224:
1218:
1209:
1191:
1182:
1173:
1164:
1155:
1132:
1109:
1100:
1091:
1085:
1076:
1067:
1058:
1037:
1028:
1016:. Retrieved
1010:
968:
964:
960:
956:
954:
949:
945:
941:
937:
933:
929:
925:
921:
917:
913:
909:
905:
875:
807:José Mijares
787:
775:
765:
761:
757:
753:
749:
743:
734:
732:
724:
716:
709:
705:
701:
693:
687:
675:José Mijares
639:
629:
625:
621:
613:
609:
597:
595:
574:
566:
564:
536:
529:
519:
518:(2013), and
515:
511:
507:
503:
499:
495:
492:
488:
486:
469:
465:
461:
457:
437:
433:
431:
426:
422:
419:Jose Mijares
410:
406:
400:
392:
388:
384:
373:
365:
355:
351:
345:
339:
332:José Mijares
325:
323:traditions.
321:Jamaican art
312:
261:
248:
224:
209:
177:
122:
121:
2378:1948 births
1705:Arte al DĂa
815:Wifredo Lam
764:(2010) and
643:Wifredo Lam
446:Wifredo Lam
369:Jorge Valls
281:El Salvador
60:Nationality
2372:Categories
2071:0965065049
992:References
811:Josignacio
692:including
679:Josignacio
618:Josignacio
498:magazine,
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2095:cite book
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965:Art Index
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