Knowledge (XXG)

Nick Knatterton

Source đź“ť

141:. The comic had a visual story where bubbles filled with text came out of people's mouths, noses, ears and foreheads depending on what they said, heard, smelled or even thought. Swirls around a person's head meant they were losing consciousness, and stars represented a blow to the chin or other sensitive body part. The course of the events, which would fill many pages in a novel, was concentrated into one small picture, saving almost 95 percent of the reading time. I decided to start parodying this completely primitive style of storytelling so thoroughly that no one would care about such bubble-filled stupid literature meant for illiterates. 31: 289:, and although he prefers to beat his enemies with a single well-aimed punch to the chin to using weapons, he mostly prefers non-violent solutions with clever gadgets. His selection of gadgets include an artificial back of the neck, steel-reinforced trouser bottoms and a fake beard containing a parachute. Later on, the character 383:
s hostess Virginia Peng, Juwelen-Juppe and the inventor Professor Bartap. The police are not on unconditionally friendly terms with Knatterton but instead often make fun of him. The comic sometimes even refers to the police as "the violence of the government". Also the tax office is often the subject
425:
made a criminal report of the city of Munich, as these drawings were seen as indecent and harmful to the youth. The youth psychologist Hans Luxemburger working as an expert in the case said that these drawings could under no circumstances be seen as harmful to the youth, and the investigation ended
314:
voice: "As the device is as opaque as the bureaucracy of the government, we show a cut-away view." Sometimes the text box itself is explained by another text box. At the time, text boxes in comics were peculiar and unusual forms of narrative, and they can be compared to instructions, where pictures
309:
in the series are based on narrative text boxes used by Schmidt, explaining and commenting on the actions in the comic; often these explanation appear as useless or even absurd. There often is an arrow leading out of the text box, showing ironically accurately where the explanation applies to, and
213:
I sat desperately at my drawing board (also called a "torture bench" by my family) from morning to evening trying to invent new and dangerous situations for Knatterton. This process took more and more time. When I was thinking of things that could happen to a person, I started seeing a seed of
318:
Another technique favoured by Schmidt was cut-away views. The working of machines and structures is shown in detail with cut-away views, showing their futuristic and unrealistic nature. The naĂŻve enthusiasm of the drawings comments on the technical development optimism of the 1950s.
357:
magazine published colourful visual reports from all over the world, and Nick Knatterton's adventures satisfied the longing for travel of the readers as well as the other stories in the magazine did. In the 1950s, trips abroad were only distant dreams for many Germans.
79:
The visual style of the comics is cartoony, but still realistic enough for the comic to be taken as a (at least mostly) serious detective comic. It is characterised by its unique style of humour, most of which derives from allusions to current political affairs in the
331:
families with a public image to maintain. Many of the villains are recurring characters and acquainted with Knatterton and his clients, and they're usually good at heart, make up with their victims after being arrested, and everyone is happy at the end.
384:
of jokes. Many victims or commissioners of crimes are of the upper class or persons in prominent positions. Knatterton's cases sometimes end up in a kind of agreement and mutual understanding. The artist Max Wachs also appears in some stories.
346:. At first the location of Nick Knatterton's home was stated as "the corner between Baker Street and Hollywood Street". This address referred to the background of the character: the stories make fun of Sherlock Holmes as well as the 414:, accused the drawings of having "too much sex and too little good taste". The mayor general suggested that all the rest of tickets would be immediately cancelled, but that would have cost the city a loss of 8 thousand 209:(playing cards, colouring books, masks etc.) and the stories were also published in foreign magazines. The comic was published for many years, but creating new stories became increasingly more difficult for Schmidt: 197:
are still missing four pages that have not been seen since 1957 - apparently because Strauss engages in questionable arms trade in them. These pages were shown at Schmidt's 100th anniversary exhibition in the
284:
Knatterton's eyesight is sharp enough to see fingerprints on a windowsill without using any accessories, and he has memorised the faces of all criminals with link legs in the city. Knatterton is a sworn
277:. As an example, Knatterton was once able to pinpoint his location after being thrown tied and blindfolded into the back of a van, thanks to memorising the entire map of the city and feeling the van's 252:-style green plaid overcoat and cap, and smokes a pipe. His overcoat is based on Sherlock Holmes as seen in the 1930s, as Schmidt has mentioned the character as being inspired by Holmes played by 434:
Nick Knatterton's adventures were translated into many languages, and a television cartoon series was produced in 1978 by the creator's own studio. All 15 episodes of the show were created by
265:
He is presented as the embodiment of a competent and effective private detective. He is not extraordinarily physically strong (although he keeps in good shape) and does not possess many fancy
410:
reported that these drawings had caused a "storm of objections" as teachers believed they had a negative effect on the school youth. Centa Hafenbrädl, a member of the city council from the
458:. Characters merely squeak when they are shown talking, and the narrator then explains what was said. Knatterton himself often voices out the conclusions of his deductions by saying " 350:- especially action-filled, sensational American crime adventures, where the main characters end up in dangerous situations which they escape from with some imaginative trick. 106:
in the United States. The main character was called Nick Knatterton, and he already had the famous chin and a chequered coat. The character next appeared in the magazine
177:
The comic soon became popular, and only few people realised it was a parody of comics. At first Schmidt only wrote parody into the comic, but soon he started inserting
934: 929: 904: 969: 924: 889: 231:. Both of these were present in adventures in pulp action literature in the early 20th century, which was among the favourites of Schmidt in his school days. 899: 844: 914: 954: 944: 939: 894: 909: 839: 949: 919: 174:
where he had submitted caricatures. The editor Anton Sailer accepted the submission and the comic started being published as a continuing story.
979: 810: 736: 712: 687: 661: 607: 974: 854: 849: 834: 411: 162:. Schmidt's friend viewed comics as an art form of the future, and so Schmidt became interested in the matter, became familiar with 373:, where he sometimes finds a wealthy family's teenage daughter and the man who stole her jewelry wrapped up in each other's arms. 224: 487: 400:
to advertise the city's swimming pools. These pictures were printed on the back of tram tickets. Some of the pictures contained
181:
references to daily politics and the community life of the two German countries. Sometimes Schmidt even quite directly attacked
369:("§"). In many stories, Knatterton has found out the real situation and been able to complete his deductions when visiting the 258: 964: 959: 612: 152:
in an experienced manner. Another story tells that some time around 1946 Schmidt had received an issue of the American comic
148:
This explanation can not be seen as entirely truthful, as Schmidt had already drawn comics since his childhood and also used
874: 884: 829: 62: 879: 504: 228: 869: 859: 499: 57: 376:
Characters in the stories include the gullible model Molly Moll (using the name Dolly Dur as a singer), the
72: 794:
Sprachspiele in "Nick Knatterton" von Manfred Schmidt und seiner finnischen Ăśbersetzung "Nikke Knatterton"
336: 864: 137:
Soon after the war I got my hands on a colourful comic brought from the United States, which was called
92:
The character Nick Knatterton was created in 1935, when Schmidt wrote and drew a detective story called
154: 98: 270: 186: 365:, a bar favoured by various shady characters. The handles on the bar's front door are shaped like 108: 731:
2. Bloody Cornerin kultasuoni. Translated to Finnish by Markus LĂĄng. CN Publishing, Helsinki.
273:, his senses, his memory and knowledge of various topics, are incredibly good, to the point of 806: 732: 708: 683: 657: 343: 53: 654:
Oh, Nick Knatterton: Das Leben des berühmten Meisterdetektivs ausgespäht von Eckart Sackmann.
803:
Oh, Nick Knatterton: Das Leben des berühmten Meisterdetektivs ausgespäht von Eckart Sackmann
578: 467: 761: 682:
1. Laukaus tekotakaraivoon. Translated to Finnish by Markus LĂĄng. CN Publishing, Helsinki.
463: 401: 249: 182: 159: 245:(also called "Kyritz an der Knatter") to Casimir Kuno von Knatter and Corinna Pimpsberg. 537:
Nick Knatterton – Die Million im Eimer / Das Geheimnis hinterm Bullauge (February 2008)
823: 550: 415: 347: 206: 149: 126: 511: 492: 406: 366: 81: 46: 774: 749:"Miki Muster - Slovenian academic sculptor, illustrator, cartoonist, and animator" 310:
Schmidt used this to parody the comic narrative. Often these explanations use the
471: 470:: "Johtopäätös!"), followed by the conclusion itself. This has become a kind of 455: 454:
in three months. The show is narrated, with the narrator being in fact the only
451: 439: 328: 306: 253: 190: 49: 30: 290: 274: 293:
took Knatterton's tricks to a "highest and even seriously meant perfection".
729:
Nikke Knatterton: Maineikkaan mestarietsivän kaikki kiihdyttävät seikkailut.
680:
Nikke Knatterton: Maineikkaan mestarietsivän kaikki kiihdyttävät seikkailut.
423:
Zentralstelle zur Bekämpfung unzüchtiger Bilder, Schriften und Darstellungen
342:
The stories are located in Germany, in various places in Europe and in the
705:
Nick Knatterton: Alle aufregenden Abenteuer des berĂĽhmten Meisterdetektivs
435: 286: 278: 235: 199: 121: 17: 748: 447: 103: 534:
Nick Knatterton – Der Schuß in den künstlichen Hinterkopf (March 2007)
397: 266: 242: 178: 130: 302: 29: 392:
In 1955 Manfred Schmidt drew ten advertisement pictures based on
540:
Nick Knatterton – Die Erbschaft in der Krawatte (February 2008)
443: 238: 170:
to a more comic-like fashion and offered it to the magazine
116:, German for "The shot in the artificial back of the head". 531:
Nick Knatterton – Der indische Diamantenkoffer (March 2007)
608:„Nick Knatterton“ in Hannover – Der durchkarierte Detektiv 119:
Schmidt recalled that in 1950 he had got his hands on a
214:
disaster in every item and in every harmless situation.
466:: "(Ich) kombiniere!", literally: "I'm concluding!", 269:, but his mental capabilities, such as his power of 796:(master’s thesis) (in German). Joensuu University. 527:published Nick Knatterton radio dramas in German. 404:typical of Knatterton. In June 1955 the newspaper 70:It was initially released in the German magazine 707:(in German). Oldenburg, Germany: Lappan Verlag. 698: 696: 193:in his stories. The collected publications of 674: 672: 670: 616:18 January 2013. Accessed on 8 February 2014. 418:. So the city council left the matter alone. 396:for an advertisement campaign at the city of 234:Nick Knatterton's full name is Nikolaus Kuno 8: 583:Chaos und skurille Figuren – Manfred Schmidt 648: 646: 644: 642: 602: 600: 572: 570: 568: 566: 482:The comic has been adapted into two films: 361:A recurring location in the stories is the 223:The name Nick Knatterton is an allusion to 640: 638: 636: 634: 632: 630: 628: 626: 624: 622: 777:(in Finnish). Ilta-Sanomat. 15 July 2008. 327:Knatterton's cases often involve wealthy 168:"Der SchuĂź in den kĂĽnstlichen Hinterkopf" 114:"Der SchuĂź in den kĂĽnstlichen Hinterkopf" 562: 446:not only in Germany but also dubbed in 158:containing a comic based on a novel by 34:Cover of a German collected edition of 935:Television shows based on comic strips 585:(in German). Goethe-Institut Stockholm 52:and the name of its main character, a 930:1981 German television series endings 905:Comics adapted into television series 335:Female characters are often drawn as 166:, changed the beginning of the story 7: 970:Radio programs based on comic strips 925:1979 German television series debuts 890:Comics characters introduced in 1950 805:(in German). Hildesheim: Comicplus. 281:with his body when turning corners. 900:Comics adapted into animated series 845:Fictional German police detectives 577:Schneider, Matthias (March 2005). 25: 915:German animated television series 412:Christian Social Union in Bavaria 315:and words complement each other. 955:Comics adapted into radio series 945:German-language television shows 940:Television shows based on comics 895:German comics adapted into films 775:"Nikke Knattertonille kultalevy" 133:the way the comic was narrated: 910:Animated series based on comics 840:Fictional private investigators 259:The Man Who Was Sherlock Holmes 248:Knatterton always dresses in a 67:(1913–1999) from 1950 to 1959. 950:Das Erste original programming 920:German crime television series 613:Frankfurter Allgemeine Zeitung 112:in 1946; the story was called 1: 764:DVDCompare. 28 December 2013. 656:Hildesheim: Comicplus, 2013. 102:, with the events located in 94:"Der Hilferuf der Maud O'Key" 980:2008 radio programme endings 975:2007 radio programme debuts 523:2007 and 2008 German based 488:Nick Knatterton’s Adventure 143:(Manfred Schmidt in 1970.)) 82:Federal Republic of Germany 996: 500:Nick Knatterton – Der Film 388:1955 indecency controversy 855:Sherlock Holmes pastiches 850:Male characters in comics 801:Sackmann, Eckart (2013). 792:GrĂĄsten, Johanna (1995). 703:Schmidt, Manfred (2007). 579:"Deutschsprachige Comics" 56:. The strip was drawn by 835:German comics characters 241:Knatter. He was born in 727:Schmidt, Manfred 2011: 678:Schmidt, Manfred 2009: 125:comic brought from the 96:to the weekly magazine 216: 146: 39: 965:Detective radio shows 960:German radio programs 762:Nick Knatterton (TV). 442:and are available on 211: 135: 33: 875:Metafictional comics 606:Platthaus, Andreas: 557:Notes and references 155:Classics Illustrated 885:1959 comics endings 830:German comic strips 205:The comic also had 187:Franz Josef Strauss 880:1950 comics debuts 652:Sackmann, Eckart: 450:where it earned a 40: 27:German comic strip 812:978-3-89474-234-8 737:978-952-5703-83-2 714:978-3-8303-3152-0 688:978-952-5703-82-5 662:978-3-89474-234-8 344:American Old West 256:in the 1937 film 54:private detective 45:is the name of a 16:(Redirected from 987: 870:Satirical comics 860:Detective comics 816: 797: 779: 778: 771: 765: 759: 753: 752: 745: 739: 725: 719: 718: 700: 691: 676: 665: 650: 617: 604: 595: 594: 592: 590: 574: 525:Der Audio Verlag 508: 402:double entendres 382: 66: 21: 995: 994: 990: 989: 988: 986: 985: 984: 820: 819: 813: 800: 791: 788: 786:Further reading 783: 782: 773: 772: 768: 760: 756: 747: 746: 742: 726: 722: 715: 702: 701: 694: 677: 668: 651: 620: 605: 598: 588: 586: 576: 575: 564: 559: 547: 521: 502: 480: 432: 426:at that point. 394:Nick Knatterton 390: 380: 325: 299: 250:Sherlock Holmes 221: 202:comics museum. 195:Nick Knatterton 183:Konrad Adenauer 160:Charles Dickens 90: 60: 58:Manfred Schmidt 43:Nick Knatterton 36:Nick Knatterton 28: 23: 22: 15: 12: 11: 5: 993: 991: 983: 982: 977: 972: 967: 962: 957: 952: 947: 942: 937: 932: 927: 922: 917: 912: 907: 902: 897: 892: 887: 882: 877: 872: 867: 862: 857: 852: 847: 842: 837: 832: 822: 821: 818: 817: 811: 798: 787: 784: 781: 780: 766: 754: 740: 720: 713: 692: 666: 618: 596: 561: 560: 558: 555: 554: 553: 546: 543: 542: 541: 538: 535: 532: 520: 517: 516: 515: 496: 479: 476: 431: 428: 416:Deutsche Marks 389: 386: 324: 321: 298: 295: 220: 217: 150:speech bubbles 99:Die GrĂĽne Post 89: 86: 84:of the 1950s. 26: 24: 14: 13: 10: 9: 6: 4: 3: 2: 992: 981: 978: 976: 973: 971: 968: 966: 963: 961: 958: 956: 953: 951: 948: 946: 943: 941: 938: 936: 933: 931: 928: 926: 923: 921: 918: 916: 913: 911: 908: 906: 903: 901: 898: 896: 893: 891: 888: 886: 883: 881: 878: 876: 873: 871: 868: 866: 863: 861: 858: 856: 853: 851: 848: 846: 843: 841: 838: 836: 833: 831: 828: 827: 825: 814: 808: 804: 799: 795: 790: 789: 785: 776: 770: 767: 763: 758: 755: 750: 744: 741: 738: 734: 730: 724: 721: 716: 710: 706: 699: 697: 693: 689: 685: 681: 675: 673: 671: 667: 663: 659: 655: 649: 647: 645: 643: 641: 639: 637: 635: 633: 631: 629: 627: 625: 623: 619: 615: 614: 609: 603: 601: 597: 584: 580: 573: 571: 569: 567: 563: 556: 552: 551:German comics 549: 548: 544: 539: 536: 533: 530: 529: 528: 526: 518: 513: 509: 506: 501: 497: 494: 490: 489: 485: 484: 483: 477: 475: 473: 469: 465: 461: 457: 453: 449: 445: 441: 437: 429: 427: 424: 421:The official 419: 417: 413: 409: 408: 403: 399: 395: 387: 385: 379: 374: 372: 368: 367:section signs 364: 359: 356: 351: 349: 348:United States 345: 340: 338: 333: 330: 322: 320: 316: 313: 308: 304: 296: 294: 292: 288: 282: 280: 276: 272: 268: 263: 261: 260: 255: 251: 246: 244: 240: 237: 232: 230: 229:Nat Pinkerton 226: 218: 215: 210: 208: 207:merchandising 203: 201: 196: 192: 188: 184: 180: 175: 173: 169: 165: 161: 157: 156: 151: 145: 144: 140: 134: 132: 128: 127:United States 124: 123: 117: 115: 111: 110: 105: 101: 100: 95: 87: 85: 83: 77: 75: 74: 68: 64: 59: 55: 51: 48: 44: 37: 32: 19: 865:Humor comics 802: 793: 769: 757: 743: 728: 723: 704: 679: 653: 611: 587:. Retrieved 582: 524: 522: 519:Radio dramas 498: 486: 481: 459: 433: 422: 420: 407:Abendzeitung 405: 393: 391: 377: 375: 370: 362: 360: 354: 352: 341: 334: 329:aristocratic 326: 317: 311: 300: 283: 264: 257: 247: 233: 222: 212: 204: 194: 176: 171: 167: 163: 153: 147: 142: 138: 136: 129:and started 120: 118: 113: 109:Die Landpost 107: 97: 93: 91: 78: 71: 69: 42: 41: 35: 503: [ 472:catchphrase 456:voice actor 452:Gold Record 440:Miki Muster 307:metafiction 254:Hans Albers 225:Nick Carter 191:Erich Mende 61: [ 50:comic strip 47:West German 824:Categories 460:Conclusion 337:bombshells 291:James Bond 275:caricature 474:for him. 436:Slovenian 430:TV series 378:Alibi Bar 371:Alibi Bar 363:Alibi Bar 271:deduction 219:Character 179:satirical 131:parodying 18:Alibi Bar 545:See also 287:pacifist 279:momentum 236:Freiherr 200:Hannover 164:Superman 139:Superman 122:Superman 589:8 March 468:Finnish 448:Finland 438:artist 267:gadgets 104:Chicago 88:History 38:comics. 809:  735:  711:  686:  660:  464:German 398:Munich 297:Humour 243:Kyritz 507:] 478:Films 381:' 355:Quick 323:Plots 303:irony 172:Quick 73:Quick 65:] 807:ISBN 733:ISBN 709:ISBN 684:ISBN 658:ISBN 591:2016 512:2002 493:1959 353:The 305:and 301:The 227:and 189:and 462:" ( 444:DVD 239:von 826:: 695:^ 669:^ 621:^ 610:, 599:^ 581:. 565:^ 505:de 339:. 312:we 262:. 185:, 76:. 63:de 815:. 751:. 717:. 690:. 664:. 593:. 514:) 510:( 495:) 491:( 20:)

Index

Alibi Bar

West German
comic strip
private detective
Manfred Schmidt
de
Quick
Federal Republic of Germany
Die GrĂĽne Post
Chicago
Die Landpost
Superman
United States
parodying
speech bubbles
Classics Illustrated
Charles Dickens
satirical
Konrad Adenauer
Franz Josef Strauss
Erich Mende
Hannover
merchandising
Nick Carter
Nat Pinkerton
Freiherr
von
Kyritz
Sherlock Holmes

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.

↑