258:
25:
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323:”). In fact, what they call “towns” would count as villages for the reader – a dozen or a few-dozen multi-family or large family homes. What they call “war” is a minor skirmish over hunting territories, and is considered a ridiculous pastime for youngsters, since an adult person should not throw his life away.
356:
peaceable and self-organized, whereas the Condor people of The City are rigid, patriarchal, hierarchical, militaristic, and expansionist. During the lifetime of Stone
Telling, both The City and the Valley change, and for a time one changes the other. There are traces of this arc in other parts of the book.
338:
without coercion, which would be antithetical to their loosely organized society. They carry a large accumulation of genetic damage, which leads to fewer successful pregnancies and higher infant mortality. They also have social taboos against multiple siblings and early pregnancies; a third child
355:
Stone
Telling recounts how she spent her childhood with her mother's people in the Valley, as a very young woman lived several years with her father's people in The City, and escaped from it with her daughter, who was born there. The two societies are contrasted through her narrative: the Kesh are
569:). A vinyl record was also released, together with a digital album for streaming and download in several formats. That combination sold out, but the digital album by itself remains available, and a second pressing of the vinyl, plus the digital, was scheduled to ship "on or around 25 May 2018".
314:
The Kesh use technological inventions of civilization such as writing, steel, guns, electricity, trains, and a computer network (see below). However, unlike one of their neighboring societies – the Dayao or Condor People – they do nothing on an industrial scale, reject governance, have no
352:. Stone Telling's autobiography fills less than a third of the book, told in three sections with large gaps filled with other material. The second part, called "The Back of the Book", contains a few Kesh texts but consists mostly of Pandora's accounts of various aspects of Kesh life.
347:
The book is divided into two parts: The first part consists mostly of Kesh texts and records of oral performances, interspersed with
Pandora's commentary, accounts of a few aspects of Kesh life, and personal essays. The longest text is a personal history narrated by a woman called
278:. It is in parts narrative, pseudo-textbook and pseudo-anthropologist's record. It describes the life and society of the Kesh people, a cultural group who live in the distant future long after modern society has collapsed. It is presented by Pandora, who seems to be an
315:
non-laboring caste, do not expand their population or territory, consider disbelief in what we consider “supernatural” absurd, and deplore human domination of the natural environment. Their culture blends millennia of human economic culture by combining aspects of
298:
The book's setting is a time so post-apocalyptic that no cultural source can remember the apocalypse, though a few folk tales refer to our time. The only signs of our civilization that have lasted into their time are indestructible artefacts such as
561:, featuring 10 musical pieces and 3 poetry performances by Todd Barton. The book contains 100 original illustrations by Margaret Chodos. As of 2017, the soundtrack can be purchased separately in MP3 format (
585:
in 1993 (with Le Guin's approval) by Ruth Davis-Fyer. Music for the production was composed and directed by Brian Mac Ian, although it was original music and not directly influenced by Todd Barton's work.
365:
in 1984. This part also includes history and legends, myths, plays, a chapter of a novel, and song lyrics and poetry. Some editions of the book were accompanied by a tape of Kesh music and poetry.
680:, wrote, in his introduction to the 2016 edition, that he discovered the book as a teenager, and calls it "a formative book...sunk deep in bones", one to endlessly return to, always coming home.
1158:
Le Guin, Ursula K.; Barton, Todd; Chodos-Irvine, Margaret; Hersh, George (1991). "The Making of Always Coming Home: A panel at
Mythopoeic Conference XIX Berkeley, California, July 31, 1988".
286:
from the readers' contemporary culture, or a culture very close to it. Pandora describes the book as a protest against contemporary civilization, which the Kesh call "
677:
419:
might make. It includes discussions of village layout and landscaping, family and professional guilds, recipes, medical care, yearly ritual dances, and language.
326:
Pandora observes that a key difference between the Kesh and the readers' society is the size of their population: "There are not too many of them.". Their low
359:
The next longest piece in the main part, in the section "Eight Life
Stories", is the novelette "The Visionary", which was published as a stand-alone story in
1054:
1923:
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2057:
541:#82, and stated that "Among many rich strangenesses it also includes a critique of its own improbabilities (as seen through twentieth-century eyes)."
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415:"The Back of the Book", about a fifth of the number of pages, presents cultural lore, with the format and attributions or annotations that an
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Le Guin also separately published a Kesh-like spiritual poem "Totem", relating to the Mole
Society (a cult), in her poetry collection
339:
is considered shameful, and the Dayao's practice of large families is referred to as "incontinence". Abortions are practiced freely.
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636:(as part of a series of literature pieces set in California) - the book had been out of print for many years when this was released.
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492:), such as the importance of the number nine, and the map of the Na Valley which looks like the Ancient
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Le Guin, Ursula K.; Barton, Todd; Chodos-Irvine, Margaret; Hersh, George (27 February 2001).
1891:
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512:. Le Guin had described herself "as an unconsistent Taoist and a consistent un-Christian".
1931:
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New Worlds For Old: The
Apocalyptic Imagination, Science Fiction, and American Literature
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since our time, flooding much of northern
California, where the story takes place.
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interests. The Valley of the Na is modeled on the landscape of
California's
1793:
932:
913:. The Milford Series Popular Writers of Today. Wildside Press. p. 247.
809:
300:
246:
234:
Submerged
California, the setting of the book. The Old Straight Road is the
163:
159:
404:
1950:
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455:, where Le Guin spent her childhood when her family was not in Berkeley.
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959:. Berkeley and Los Angeles: University of California Press. p. 10.
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319:, agricultural, and industrial societies, but rejects cities (literal “
626:
Trade paperback from the University of California Press, February 2001
1344:
1055:"Music and Poetry of the Kesh by Ursula K. Le Guin & Todd Barton"
497:
493:
368:
A number of these are attributed by Pandora to a Kesh woman named
256:
245:
229:
1257:
1134:
Ursula K. Le Guin Beyond Genre: Fiction for Children and Adults
303:
and a self-manufacturing, self-maintaining, solar-system-wide
18:
595:
Original hardcover release (boxed, with audiocassette), 1985
192:
482:." There are also some elements retrieved from her mother's
390:
The Writer to the Morning in Up the Hill House in Sinshan.
218:
910:
Coyote's Song: The Teaching Stories of Ursula K. Le Guin
605:
Original paperback (boxed, with audiocassette), 1985
378:
As told by Little Bear Woman of Sinshan to the Editor
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274:is a 1985 science fiction novel by American writer
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1216:"History of an imagined world Always Coming Home"
907:Erlich, Richard D. (1997). "Always Coming Home".
773:. Westport, CT: Greenwood Press. pp. 19–20.
407:. A Kesh map of the watershed of Sinshan Creek,
1117:(1st ed.). Westport, CT: Greenwood Press.
1113:Bernardo, Susan M.; Murphy, Graham J. (2006).
882:Bernardo, Susan M.; Murphy, Graham J. (2006).
769:Bernardo, Susan M.; Murphy, Graham J. (2006).
713:"Little Bear Woman" is an exact equivalent of
678:Science Fiction and Fantasy Writers of America
1269:
8:
81:
1238:. official author book site. Archived from
615:Mass-market Bantam Spectra paperback, 1986
490:Traditional narratives of Native California
238:, the Grandmother Mountain (Ama Kulkun) is
1758:
1710:
1522:
1309:
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1262:
1254:
650:Features new excerpts from the Kesh novel
87:
80:
1136:(1st ed.). New York, NY: Routledge.
69:Learn how and when to remove this message
1006:"PAPERBACKS; THE KESH IN SONG AND STORY"
717:, which is Latin for "little she-bear":
557:), comes with an audiocassette entitled
409:given to the Editor by Little Bear Woman
397:A Song to Up the Hill House in Sinshan.
332:they can feed themselves from their land
32:This article includes a list of general
1900:Buffalo Gals and Other Animal Presences
1115:Ursula K. Le Guin: A Critical Companion
1004:Delany, Samuel R. (29 September 1985).
983:"Ketterer on The Left Hand Of Darkness"
969:letter responding to the chapter about
886:. Westport, CT: Greenwood. p. 19.
884:Ursula K. Le Guin: A Critical Companion
771:Ursula K. Le Guin: A Critical Companion
761:
689:
736:"diminutive"; in Kesh the analysis is
405:Some of the paths around Sinshan Creek
814:Internet Speculative Fiction Database
500:themes: the heyiya-if looks like the
480:Handbook of the Indians of California
7:
642:hardcover edition, 2019, 800 pages.
474:is a fictional retelling of much in
447:underscores Le Guin's long-standing
1916:Unlocking the Air and Other Stories
439:Literary significance and criticism
1837:The Ones Who Walk Away from Omelas
383:Coming Home to Up the Hill House.
38:it lacks sufficient corresponding
14:
1623:Vaster than Empires and More Slow
1033:(October 1986). "Critical Mass".
857:. National Book Foundation. 1985.
810:"Publication: Omni, October 1984"
657:Harper Perennial paperback, 2023
2058:American post-apocalyptic novels
1989:Dancing at the Edge of the World
1778:Very Far Away from Anywhere Else
981:Le Guin, Ursula K. (July 1975).
515:One of its earliest reviews, by
23:
788:. Bantam Spectra. p. 509.
549:A box set edition of the book (
16:1985 novel by Ursula K. Le Guin
1:
1908:A Fisherman of the Inland Sea
1673:Old Music and the Slave Women
1630:The Day Before the Revolution
1197:"The SF of Ursula K. Le Guin"
458:Like much of Le Guin's work,
253:, a holy symbol for the Kesh.
1574:The Word for World Is Forest
676:, one-time president of the
559:Music and Poetry of the Kesh
431:and was a runner up for the
336:maintain this low population
2053:Novels by Ursula K. Le Guin
2043:Environmental fiction books
2033:1985 science fiction novels
1705:Annals of the Western Shore
1084:Le Guin, Ursula K. (2016).
855:"National Book Awards list"
784:Le Guin, Ursula K. (1986).
429:Janet Heidinger Kafka Prize
2089:
1876:The Wind's Twelve Quarters
975:in David Ketterer's book,
953:Kroeber, Theodora (1963).
1981:The Language of the Night
1924:The Birthday of the World
1558:The Left Hand of Darkness
1292:
1213:Gray, Paul (1985-10-14).
972:The Left Hand of Darkness
843:– via Google Books.
307:. There has been a great
86:
2068:Novels set in California
2048:Pastoral science fiction
1659:Coming of Age in Karhide
1582:Four Ways to Forgiveness
628:. Paperback, 534 pages.
417:ethnographic fieldworker
987:Science Fiction Studies
654:and other new material.
443:It has been noted that
427:The novel received the
53:more precise citations.
545:Box set and soundtrack
496:World. There are also
266:
254:
243:
1997:Lao Tzu: Tao Te Ching
1844:The Diary of the Rose
1433:The Books of Earthsea
1400:The Daughter of Odren
1372:The Word of Unbinding
1231:(snippet and paywall)
1132:Cadden, Mike (2005).
466:themes. According to
260:
249:
233:
2028:1985 American novels
1954:(series) (1988–1999)
1786:The Eye of the Heron
1645:The Matter of Seggri
1393:Darkrose and Diamond
1321:A Wizard of Earthsea
1206:"Always Coming Home"
433:National Book Awards
399:By Little Bear Woman
392:By Little Bear Woman
385:By Little Bear Woman
1802:The Beginning Place
1770:The Lathe of Heaven
1652:A Man of the People
1609:The Dowry of Angyar
1498:Earthsea Revisioned
1461:Tales from Earthsea
1425:Tales from Earthsea
1236:"Ursula K. Le Guin"
590:Publication history
577:A stage version of
288:the Sickness of Man
224:PS3562.E42 A79 1985
93:First edition cover
83:
82:Always Coming Home
2005:Steering the Craft
1810:Always Coming Home
1637:The Shobies' Story
1337:The Farthest Shore
1329:The Tombs of Atuan
1086:Always Coming Home
1010:The New York Times
869:"Kafka Recipients"
830:Always Coming Home
786:Always Coming Home
640:Library of America
579:Always Coming Home
533:Always Coming Home
522:The New York Times
472:Always Coming Home
460:Always Coming Home
445:Always Coming Home
328:population density
271:Always Coming Home
267:
255:
244:
240:Mount Saint Helena
2038:Anarchist fiction
2015:
2014:
1968:
1967:
1748:
1747:
1698:
1697:
1550:City of Illusions
1508:
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1379:The Rule of Names
1286:Ursula K. Le Guin
920:978-1-4344-5775-2
833:(2001 ed.).
583:Naropa University
573:Stage performance
567:978-1-61138-209-9
370:Little Bear Woman
276:Ursula K. Le Guin
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147:Publication place
103:Ursula K. Le Guin
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1892:The Compass Rose
1851:The Wife's Story
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185:0-06-015545-0
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1454:(miniseries)
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1295:Bibliography
1244:. Retrieved
1240:the original
1224:. Retrieved
1220:
1165:
1159:
1133:
1114:
1085:
1079:
1067:. Retrieved
1063:the original
1058:
1049:
1034:
1025:
1013:. Retrieved
1009:
999:
990:
986:
976:
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965:
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948:
937:. Retrieved
933:the original
909:
902:
883:
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863:
849:
829:
822:
813:
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764:
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722:"a she-bear"
719:
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705:
697:
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672:
651:
578:
576:
558:
548:
536:
532:
527:
520:
514:
509:Tao Te Ching
507:
501:
483:
479:
471:
459:
457:
444:
442:
426:
414:
408:
401:p. 259
398:
394:p. 258
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387:p. 258
384:
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376:Shahugoten.
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321:civilization
313:
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287:
284:ethnographer
270:
269:
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262:
250:
65:
56:
37:
1973:Non-fiction
1868:Collections
1590:The Telling
1444:Adaptations
1417:Collections
1204:Ye, Danny.
1036:White Dwarf
674:John Scalzi
538:White Dwarf
453:Napa Valley
411:of Sinshan.
334:. The Kesh
330:means that
109:Illustrator
51:introducing
2022:Categories
1959:Cat Dreams
1485:Characters
1246:2008-01-05
1226:2015-08-15
939:2013-02-20
756:References
740:"little",
698:Hard Words
663:0358726921
212:813/.54 19
59:April 2011
34:references
1794:Malafrena
1407:Firelight
1386:Dragonfly
1284:Works by
1219:. Books.
1208:. Review.
1199:. Review.
1174:0146-9339
929:0163-2469
748:"female".
709:The name
669:Influence
531:reviewed
301:styrofoam
261:The Kesh
251:Heyiya-if
164:paperback
160:hardcover
135:Published
1951:Catwings
1860:" (2002)
1853:" (1982)
1846:" (1976)
1839:" (1973)
1675:" (1999)
1668:" (1996)
1661:" (1995)
1647:" (1994)
1632:" (1974)
1625:" (1971)
1618:" (1969)
1611:" (1964)
1515:Hainish
1480:Universe
1452:Earthsea
1409:" (2018)
1402:" (2014)
1395:" (1999)
1388:" (1997)
1381:" (1964)
1374:" (1964)
1304:Earthsea
1182:26812610
1161:Mythlore
1059:Bandcamp
744:"bear",
462:follows
265:alphabet
199:11728313
117:Language
1818:Lavinia
1755:fiction
1690:Ansible
1683:Related
1473:Related
1107:Sources
1015:17 July
711:Intrumo
503:taijitu
343:Summary
294:Setting
158:Print (
120:English
47:improve
2008:(1998)
2000:(1997)
1992:(1982)
1984:(1979)
1935:(2003)
1927:(2002)
1919:(1996)
1911:(1994)
1903:(1987)
1895:(1982)
1887:(1976)
1879:(1975)
1821:(2008)
1813:(1985)
1805:(1980)
1797:(1979)
1789:(1978)
1781:(1976)
1773:(1971)
1762:Novels
1753:Other
1741:(2007)
1738:Powers
1733:(2006)
1730:Voices
1725:(2004)
1714:Novels
1640:(1990)
1593:(2000)
1585:(1995)
1577:(1976)
1569:(1974)
1561:(1969)
1553:(1967)
1545:(1966)
1537:(1966)
1526:Novels
1501:(1993)
1465:(2006)
1463:(film)
1456:(2004)
1436:(2018)
1428:(2001)
1356:(2001)
1348:(1990)
1345:Tehanu
1340:(1972)
1332:(1971)
1324:(1968)
1313:Novels
1180:
1172:
1140:
1121:
1092:
1039:(82).
979:, see
927:
917:
890:
837:
792:
715:Ursula
661:
646:
632:
619:
609:
599:
565:
553:
498:Taoist
423:Awards
138:1985 (
99:Author
36:, but
1722:Gifts
1517:Cycle
1178:JSTOR
1069:5 May
733:-ulus
684:Notes
494:Yurok
236:SR 29
171:Pages
125:Genre
1221:Time
1170:ISSN
1138:ISBN
1119:ISBN
1090:ISBN
1071:2018
1043:: 8.
1017:2018
925:ISSN
915:ISBN
888:ISBN
835:ISBN
790:ISBN
742:trum
727:-ula
720:ursa
659:ISBN
644:ISBN
630:ISBN
617:ISBN
607:ISBN
597:ISBN
563:ISBN
551:ISBN
535:for
362:Omni
263:aiha
193:OCLC
180:ISBN
162:and
1490:Ged
738:in-
519:in
470:, "
290:".
282:or
174:523
2024::
1176:.
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1057:.
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