43:
614:
459:
218:, published in 1641, shows that he may have had some support. He is said to have worked under the direction of priest Nicolas Mazure, who was considered to be uncomfortable. As for the Saints- Innocents, he acceded to it by competition, but the publication of the Mass "Vigilate" in 1642 and the dedication that he made of it to Mademoiselle de Saint-GĂ©ran also reveals support. The execution of this second mass at the
1215:
180:. He remained there for two years and two months, succeeding Jehan Darbes. He lived next door to organist Louis d'Aranda, grammar master Audibert and seven singers. Obtaining a chaplaincy on 6 March 1638 shows that he was appreciated by the chapter but he was finally dismissed on 23 June, having aroused complaints, being replaced only on 23 September by Jehan Garsin.
1203:
269:, a sign of his willingness to bind him, and it is known from a history of relics that Gantez was still there in 1650. We know little or nothing about the conditions of his position in Auxerre, except that he was appreciated by his bishop and had to feed the children of the mastery. Again, we do not know why Gantez left this position.
60:) and Marie Joly . His parents had married in Aix-en-Provence on 19 September 1599. He was a godchild of Annibal Pollalion and Marquise Visse. As is often the case at this time, his conditions for learning music are unknown. It is when he reached the age of almost twenty that we begin to be able to follow him on his journey.
314:
of La Major de
Marseille, to suggest that he cede his canonate to him reveals that Gantez was already bitter, not being able to settle anywhere, but still ambitious... Obtaining a canonry would have allowed him to secure his old age without continuing his pilgrimages, but the uncle apparently did not
160:
where his presence is documented in 1633 and remained there until at least June 1635, in March 1636 at best, being replaced by messire Eruin. The chapter seems to have been satisfied with his services since it offered to marry there to fix him in Aigues-Mortes, unsuccessfully - and this would show
486:
DĂ©dicace Ă Monsieur Le Masle, prieur des Roches, Montdidier, Long-Pont, &c. conseiller du Roy en ses
Conseils d'Estat & Privé, chantre & chanoine de l'Église de Paris, Grand Vicaire de Monseigneur le cardinal de Richelieu, &c. The dedication was taken over by Gantez to form
237:
is a sign that at that time Gantez was able to enjoy a certain visibility. The precise periods of Gantez's exercise in these two churches are unknown, but the dates of the dispatches he sends of his masses give indications: in
December 1640 he was at St. Paul's and in July 1642 at the
368:
The twenty or so positions he held, often for short periods of time, with the exception of
Auxerre's, may reveal a somewhat difficult or even insolent character - some of the events described in his "Letters" show that he sometimes showed little hierarchical respect.
513:, end of December 1640 indicate that Gantez sent a copy of this mass to the Cathedral chapter in Troyes at the end of December 1640 (which did not prevent Ballard from dating it to 1641). In 1641, he sent another one to the Saint-Trophime mastery of Arles.
330:
In Nevers there is no trace of Gantez, except for the above-mentioned letter. A second time, he went to Saint-Trophime d'Arles, hired on 18 December 1657 as maître de chapelle but here again he was replaced as of
January 1658 by a certain Cordier!
310:, dependent on him to educate and nurture four altar boys, dependent also on him to recruit a sub-master to assist him. He succeeded a certain Fabre there, and held this post until February 1656 at the latest. A letter addressed to his uncle,
357:, when he is reported in 1665 about a payment of 200 francs for the food of altar children. The same source indicates that he received a pension to retire in Provence in 1666 (probably in Marseilles?), at the age of fifty-nine, so if
762:
Mémoires concernant l'histoire civile et ecclésiastique d'Auxerre et de son ancien diocèse. Tome 2... continués jusqu'à nos jours avec addition de nouvelles preuves et annotations, par M. Challe... M. Quantin...
187:, also of good reputation, where he was received on 5 July 1638. There, he succeeded master Baldouyn; then again, he did not stay very long since he left his post around March or April 1640 to go to Paris.
318:
Gantez, for the second time, went through Saint-André de
Grenoble, where he was received on 28 June 1656 as a regular priest in charge of music but without the title of music master, at the salary of 53
649:
Contains 57 letters, neither dated nor numbered, most of them fictitious but containing numerous allusions to his career or to contemporary musicians. "Letter XLIV" reproduces the dedication of the
559:. Paris : Jacques II de Sanlecque, 1642. 1 vol. in-plano, 2 f. Guillo 2010 no. JS-4. Paris BSG : RĂ©s. V.Fol. 197-2 inv. 240 (2nd piece). The title is pasted against the last page of the
238:
Saints-Innocents. One will hardly be surprised to read that he got along badly with the priests of these two parishes, and that he kept a bitter memory of this Paris episode.
751:
Discours de réception de M. l'abbé Langlois, contenant la revue des maîtres de chapelle et musiciens de la métropole de Rouen, prononcé dans la séance du 28 juin 1850
53:
30:, that is, moving from post to post to earn a living, as many of his 17th century colleagues did. His route can be traced from two types of sources: letters from
731:
Laurent Guillo, "Les éditions musicales imprimées par
Jacques I de Sanlecque, Jacques II de Sanlecque et Marie Manchon, veuve Sanlecque (Paris, c. 1633-1661)",
250:, where he was appointed on 27 June 1643, that Gantez held the longest post in his career. It was there that shortly after his arrival, in 1643, he published
155:
546:, where it is said that Gantez made it heard by the Minime Fathers of the Place Royale, with the help of the best singers of Sainte-Chapelle and Notre-Dame.
523:. Paris: Jacques II de Sanlecque, 1642. 1 vol. in-plano, 20 f. Guillo 2010 no. JS-3, RISM G 333. *Paris BSG : RĂ©s. V.Fol. 197-2 inv. 240 (1st piece).
557:
Votum pro
Ludovico XIII. iustissimo invictissimoq. Franc. et Nav. rege. Authore Annibal Gantez. In concenti SS. Innocentium Sacrae modulationi Moderator
1265:
1104:
Idem, 15 G 452 et 453, after Royer 1937 (p. 248). His letter of leave is inserted in the chapter book, transcribed in Chappée 2003 (p. 287).
413:) reveals the incipits of ten airs likely to have been part of this collection (see the list in Guillo 2010). Perhaps the next tune was also included.
342:, that he had just been put in possession of the mastery of Saint-Étienne d'Auxerre on the day of All Saints Day (1 November) and that he composed a
286:
323:
and 20 sols but on 9 October, he quickly applied for leave of absence to manage his affairs. On 26 January 1657 he requested his leave to settle in
81:
1250:
307:
1270:
150:
224:
1260:
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281:
210:. For Saint-Paul, he claims to have succeeded "by adventure", even though the dedication to abbot des Roches - a close relative of
447:
on 1 November 1661. The edition is attributed to Robert III Ballard according to typographical material. Paris BSG : RĂ©s Vm7.
303:
obviously being silent on the part of his career after 1643, this period can no longer be reconstructed with as much certainty.
140:
694:
Le
Couvent royal de Saint-Maximin en Provence de l'ordre des Frères prêcheurs : ses prieurs, ses annales, ses écrivains...
114:
1255:
254:, a collection of letters that would enduringly establish his posterity, being an irreplaceable testimony to the life of the
219:
184:
164:
Gantez then returned to practise in
Marseille, in an unidentified church. He was probably ordained a priest at that time.
109:
1193:
474:
Missa quatuor vocum Laetamini, authore Annibale Gantez, In concentu Sancti Pauli Parisiorum Sacræ modulationis Moderatore
350:
149:), for a short period of time since he was dismissed one year before the end of his contract, and then moved on to the
135:
47:
Baptism act of Annibal Gantez, 24 December 1607, Cathedral La Major of Marseille (AD Bouches-du-RhĂ´ne : 201 E 11).
798:
Louis Royer, "Les musiciens et la musique à l'ancienne collégiale Saint-André de Grenoble du XVe au XVIIIe siècle",
205:
1173:
365:
is true, he still lived in 1668 or 1669, but we do not know where. His death certificate has not been found yet.
200:
682:. Ensemble Vox cantoris, dir. Jean-Christophe Candau and Marie-Christine Barraut, narrator. 1 CD Psalmus, 2009.
64:
From Marseille to Marseille via Toulon, Grenoble, Rouen, Le Havre, La Châtre, Aurillac, Avignon, and Montauban
728:. Sprimont : Mardaga ; Versailles: Centre de Musique Baroque de Versailles, 2003. 1550 p. in 2 vol.
1161:
781:
358:
855:
AD Bouches-du-Rhône : 201 E 11. Unless otherwise stated, all acts are cited according to Chappée 2003.
1207:
714:, dir. Bernard Dompnier (Clermont-Ferrand: Presses universitaires Blaie-Pascal, 2003), (pp. 271–289).
712:
Maîtrises & chapelles aux XVIIe et XVIIIe siècles : des institutions musicales au service de Dieu
196:
42:
430:
255:
77:
383:. Paris: Jacques I ou Jacques II de Sanlecque, circa 1640-1642 ? 4 vol. in-4. Guillo 2010 n JS-2.
1245:
1235:
663:
For the numbering of "Letters" and useful notes, use the reissue by Ernest Thoinan (Paris, 1878), at
444:
391:
339:
123:, again for a short period from December 1631 to June 1632. In this last position he was replaced by
826:
234:
483:
Paris Maz. : RĂ©s F 1170 K (copy of the dedication, bound with the coats of arms of Le Masle).
398:). The edition is lost but attested by several mentions in booksellers' or collectors' catalogues.
211:
1167:
440:
92:
reveal that he sang on 18 and 21 June 1629 at the Grand Masses. He subsequently went (after his
247:
124:
120:
85:
767:
Jean Lebeuf, "Lettre écrite... au R.P.N. au sujet d'un auteur de Bourgogne très peu connu",
510:
334:
A second time, once again, he went to Auxerre, since he said in the dedication of his song
1179:
838:
585:
230:
89:
642:
Dedication to Pierre de Broc, Bishop of Auxerre with a dedication and foreword entitled
613:
458:
311:
262:
177:
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176:, of good reputation, where he was hired on 15 April 1636 for the annual wages of 200
1229:
1219:
726:
Pierre I Ballard et Robert III Ballard, imprimeurs du roy pour la musique (1599-1673)
664:
354:
173:
27:
1186:
Kyrie for 6 voices by Annibal Gantez (Messe vigilate) in 1643; Ensemble Vox Cantoris
306:
It was in Carcassonne that Gantez first reappeared, enlisted on 26 July 1654 at the
733:
La, la, la... Maistre Henri : mélanges de musicologie offerts à Henri Vanhulst
476:. Paris: Robert III Ballard, 1641. 1 vol. in-2. Guillo 2003 no. 1641-C, RISM G 334.
101:
84:
from 29 March 1628 and at least until July 7, but where he did not stay long. The
882:
AD Seine-maritime : G 2187. Langlois 1850 quotes 21 June but not the source.
754:
594:, composed at Auxerre in 1661 for the birth of the Dauphin (see biography above).
524:
786:
The Polyphonic Mass in France, 1600-1780: The Evidence of the Printed Choirbooks
736:
280:. This benefit could relate to the sanctuary of Sainte-Madeleine located at the
632:
1185:
744:
La musique en Lorraine : étude rétrospective d'après les archives locales
735:(Turnhout : Brepols ; Tours : CESR, 2010), (pp. 257–295).
266:
653:(1641) and "Letter VI" the dedication to Mademoiselle de Saint-GĂ©ran for the
56:. He was the son of Jean Gantez (whose father was a tailor and a native of
349:
The last known trace of Gantez's career is that of master of the chapel of
26:
era. He is undoubtedly one of the most striking examples of a "vicarious"
584:, lost, composed around 1668-1669 (referring to the French expedition of
105:
97:
1036:
719:
Annibal Gantez : contribution Ă la vie musicale en France, au XVIIe
680:
L'épopée d'Annibal Gantez: messe Vigilate for 6 voices (1643) et Lettres
534:
Mass dedicated to Mlle de Saint-GĂ©ran. The dedication is transcribed in
1086:
Transcribed in Vincens 1892 (p. 349). The original is not located.
807:
Mémoires de l'Académie des sciences, lettres et beaux-arts de Marseille
701:
Bouzignac, Moulinié et les musiciens en pays d'Aude, XVIe-XVIIe siècles
23:
423:. Air noted in the manuscript Paris BNF (Mus.) : RES VMA MS 854.
324:
69:
1174:
L'épopée d'Annibal Gantez, Messe Vigilate à 6 voix (1643) et Lettres
320:
22:(24 December 1607 – 1668) was a French composer and singer from the
646:, as well as an ode by Louis-Gabriel Brosse to the author's praise.
549:
Gantez sent a copy to the Cathedral chapter of Troyes in July 1642.
612:
574:
457:
57:
41:
776:
Comparaison de la musique italienne et de la musique française...
844:
791:
Félix Raugel, "La Maîtrise de la cathédrale d'Aix-en-Provence",
1077:
AD Aude : G 71, 29 July 1654, mentioned after Bonnet 1988.
873:
AD Isère : 15 G 450, after Royer 1937 (pp. 247-248).
805:
Charles Vincens, "Rapport sur un manuscrit d'Annibal Gantez",
34:, which he published in 1643, and various archival documents.
195:
In Paris, Gantez held two successive positions: The first at
588:(Crete). Mentioned by Le Cerf 1705, 3rd part, (p. 136).
937:
AD Bouches-du-RhĂ´ne : 2 G 488, f. 202v, 234v and 239r.
1131:
AD Aube : G 1298, f. 513, transcribed in Guillo 2003.
1095:
AD Isère : 15 G 452, after Royer 1937 (p. 248).
467:
d'Annibal Gantez (Paris : J. II de Sanlecque, 1642).
127:. His discharge from St. Peter's Church is mentioned in
108:, then in Avignon where he worked simultaneously at the
891:
AD Vaucluse : A G 443, f. 189r and 192f. See also
295:
Carcassonne, Grenoble, Nevers, Arles, Auxerre and Nancy
291:(Var), but Gantez is not on this house's priory list.
1191:
433:, 1661. 3 vol. 4. Guillo 2003 no. 1661-L, RISM G 335.
764:
Auxerre : Perriquet, 1848. on Internet Archive.
829:, who worked at the same time but moved less often.
621:
by Annibal Gantez (Auxerre : 1643). Paris BNF.
809:, 1888-1892 (Marseille, 1892), (pp. 337–352).
502:Modern edition : Versailles, CMBV, 2009 (see
721:. Thesis in musicology, Paris 4 University, 1994.
976:
974:
631:. Auxerre: Jacques Bouquet, 1643. In-12, 295 p.
600:, lost motet composed before 1643 (mentioned in
1027:The date is given by Lebeuf 1848 (p. 261).
511:Cathédrale Saint-Pierre-et-Saint-Paul of Troyes
788:, Cambridge: Cambridge University Press, 2017.
52:Born in Marseille, Gantez was baptized at the
1162:Annibal Gantez : L'Art, chemin de Vérité
864:AD Bouches-du-RhĂ´ne : 306E-538, f. 1445.
706:Florence Chappée, "Annibal Gantez, auteur de
443:composed on the occasion of the birth of the
151:Notre-Dame-des-Sablons d'Aigues-Mortes church
8:
161:that he was not yet a priest at that time.
427:Patapatapan, ça marchons tous à la guerre
338:, published in 1661 for the birth of the
1198:
818:
793:Bulletin de la société d'étude du XVIIe
660:The work is commented in Lebeuf, 1738.
308:Basilica of Saints Nazarius and Celsus
220:Couvent des Minimes de la place Royale
771:, December 1738, (pp. 2548–2557)
421:Je cherche les nuits les plus sombres
282:Saint-Maximin-la-Sainte-Baume convent
7:
1113:AD Bouches-du-RhĂ´ne: 4 G 80, f. 25v.
955:AD Bouches-du-RhĂ´ne: 4 G 76 f. 250v.
946:See Raugel 1954 (pp. 427-428).
278:Prieur de la Magdaleine en Provance
172:He then moved on to the mastery of
82:collégiale Saint-André de Grenoble
14:
795:21-22 (1954), (pp. 422–432).
248:Saint-Étienne d'Auxerre Cathedral
136:Église Saint-Jacques de Montauban
1266:French composers of sacred music
1213:
1201:
1050:See Lebeuf 1738, (p. 2557).
635:. Reprint Geneva: Minkoff, 1971.
538:. It is quoted several times in
495:. The work is also mentioned in
174:Saint-Sauveur of Aix-en-Provence
134:From there, he went back to the
825:Another significant example is
110:Saint-Pierre d'Avignon Basilica
915:AD Gard: G 1097, see also the
361:'s anecdote about his mass on
1:
1251:17th-century French composers
1140:AD Bouches-du-RhĂ´ne, IV G 78.
1018:See below Ă propos his works.
992:Published separately, in his
802:4 (1937), (pp. 237–273).
774:Jean Le Cerf de la Viéville,
746:. Third edition. Paris: 1886.
509:The chapter registers of the
185:Church of St. Trophime, Arles
121:Notre-Dame des Doms Cathedral
54:Notre-Dame La Major Cathedral
1149:AD Aube : G 1299 f. 45.
778:. Brussel: F. Foppens, 1705.
351:Charles IV, Duke of Lorraine
1271:17th-century male musicians
1122:Jacquot 1886, (p. 91).
1059:Lebeuf 1738 (p. 2557).
644:Advertissement aux chantres
201:Église des Saints-Innocents
1287:
525:Internet Archive read here
16:French composer and singer
1180:L'épopée d'Annibal Gantez
1038:L'Entretien des musiciens
964:He talks about it in his
840:L'Entretien des musiciens
753:. Rouen: A. Peron, 1850.
708:L'Entretien des musiciens
629:L'Entretien des musiciens
619:L'Entretien des musiciens
346:for this royal occasion.
301:L'Entretien des musiciens
276:, Gantez is described as
274:L'Entretien des musiciens
252:L'Entretien des musiciens
183:Gantez then moved to the
168:Aix-en-Provence and Arles
32:L'Entretien des musiciens
1261:French Baroque composers
1241:Musicians from Marseille
800:Humanisme et Renaissance
696:. Marseille : 1880.
229:with musicians from the
928:Lettres XXIV et XXVIII.
572:Domine salvum fac Regem
493:Entretien des musiciens
623:
536:L'Entretien, Lettre VI
497:Lettres XXVII and LIII
469:
390:Dedication to marshal
359:Le Cerf de la Viéville
197:Saint-Paul-Saint-Louis
49:
1256:French male composers
616:
540:L'Entre des musiciens
461:
407:Lettres XII, XIX, XLI
272:On the title page of
258:in the 17th century.
72:(c. 1627-1628, after
68:He first appeared in
45:
782:Jean-Paul Montagnier
392:Charles de Schomberg
199:, the second at the
827:Guillaume Bouzignac
699:Jean-Louis Bonnet,
256:maîtres de chapelle
1170:on Musicologie.org
717:Florence Chappée,
624:
598:Salvum me fac Deus
470:
431:Robert III Ballard
212:Cardinal Richelieu
78:maître de chapelle
50:
1182:on Musebaroque.fr
1068:See Albanès 1880.
769:Mercure de France
749:Pierre Langlois,
633:Gallica read here
125:Sauvaire Intermet
88:registers of the
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742:Albert Jacquot.
724:Laurent Guillo,
703:. BĂ©ziers, 1988.
665:Internet Archive
627:Gantez Annibal,
521:Missa sex vocum
363:Allons en Candie
290:
265:gave him a semi-
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1188:on YouTube.
1040:on Worldcat
1007:Lettre LIII
966:Lettre XLIV
905:Lettre VIII
674:Discography
602:Lettre XXXV
544:Lettre LIII
489:Lettre XLIV
403:L'Entretien
396:Lettre LIII
336:Patapatapan
285: [
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129:Lettre VIII
113: [
1230:Categories
814:References
267:prebendary
235:Notre-Dame
994:Lettre VI
710:(1643)",
429:. Paris,
315:give in.
216:Laetimini
147:Lettre II
102:La Châtre
38:Biography
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542:, as in
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119:and the
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98:Le Havre
1194:Portals
755:Gallica
687:Sources
592:Te Deum
491:of his
344:Te Deum
340:Dauphin
261:Bishop
242:Auxerre
94:Lettres
86:chapter
80:at the
24:Baroque
1220:France
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586:Candia
577:, 4 v.
463:Messe
325:Nevers
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657:mass.
575:motet
563:mass.
355:Nancy
312:canon
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