102:, which had been founded by Napoleon's decree in 1807 to revive Lyon's silk industry. He was dismissed in 1823 after a 13-year appointment, replaced by his gifted pupil Augustin Thierrat (1789–1870). His temperament probably put him in conflict with the school's administration; he was known for his stubbornness, and some contemporaries viewed him as egotistical, a characterization that remained throughout his life. He set up his own studio in Lyon, giving private instruction, and continued to make art for the last two decades of his life. He died in Lyon at the age of 89.
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125:(1819). He completed the painting while still professor at the École des Beaux-Arts. The work's detailed depictions of blossoms recall the Dutch flower painters of two centuries earlier, but the items accompanying the flowers suggest no ordinary still life. The skeletal shark's head and the seashells are at first incongruous, but show that Berjon has adapted his style to the era of the
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64:, to the son of a butcher, and he first studied drawing with the local sculptor Antoine-Michel Perrache (1726–1779). His early history is not clear; according to his uncorroborated biographer J. Gaubin, he may have studied medicine or a religious vocation, learning flower painting during his
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By the time of his return to Lyon in 1810, his reputation had increased, and he became the professor of flower design at the newly established
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and designer, among the most important flower painters of 19th-century France. He worked in a variety of media including
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Southgate, M. Therese (January 24–31, 2007). "Still Life With
Flowers, Shells, a Shark's Head, and Petrifications".
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95:(1750–1817), a portraitist. Living in Paris for 17 years, he exhibited at the Salon at least five times.
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87:. He visited Paris often in the early 1790s and moved there in 1794, becoming a friend of
261:. New York; Detroit: The Metropolitan Museum of Art; The Detroit Institute of Arts. 1975.
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Rishel, Joseph J. (1982). "A Lyonnais Flower Piece by
Antoine Berjon (1754-1843)".
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Still Life With
Flowers, Shells, a Shark's Head, and Petrifications
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Still Life With
Flowers, Shells, a Shark's Head, and Petrifications
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Bouquet of Lilies and Roses in a Basket
Resting on a Chiffonier
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in Lyon's important silk industry until its collapse with the
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Berjon's paintings from the 1780s are untraced. In 1791, the
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Berjon was born in St Pierre de Vaise, a commune near
187:. Oxford University Press. Retrieved August 30, 2007.
258:French painting 1774-1830: the Age of Revolution
91:(1759–1832), a painter of miniatures, and of
37:(17 May 1754 – 24 October 1843) was a French
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312:Academic staff of the École des Beaux-Arts
199:(336). Philadelphia Museum of Art: 16–24.
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121:One of Berjon's important works is his
16:French painter and designer (1754–1843)
83:accepted four of his works, including
145:J. Halévy with his Brother and Sister
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183:Mitchell, Peter. "Berjon, Antoine."
193:Philadelphia Museum of Art Bulletin
68:. He went to work as a designer of
117:(1819), Philadelphia Museum Of Art
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322:18th-century French male artists
317:19th-century French male artists
85:Still Life of Peaches and Grapes
89:Jean-Baptiste Jacques Augustin
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287:19th-century French painters
277:18th-century French painters
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302:French still life painters
93:Claude-Jean-Baptiste Hoin
26:image of Berjon's pastel
234:10.1001/jama.297.4.340
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282:French male painters
139:(1814), held by the
100:École des Beaux-Arts
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171:Southgate (2007).
74:French Revolution
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185:Grove Art Online
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250:Further reading
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35:Antoine Berjon
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297:1843 deaths
292:1754 births
263:(see index)
81:Paris Salon
51:watercolour
271:Categories
228:(4): 340.
151:References
24:Gray-scale
66:novitiate
242:17244821
147:(1820).
70:textiles
213:3795280
178:Sources
39:painter
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141:Louvre
53:, and
47:pastel
209:JSTOR
238:PMID
222:JAMA
62:Lyon
230:doi
226:297
201:doi
106:Art
55:ink
43:oil
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