Knowledge (XXG)

Bulkington (character)

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148:– "the land seemed scorching to his feet". Ishmael sees a parallel and a paradox: A favorable wind drives a ship toward the warmth and safety of its home port, but when a gale drives it to destruction on the shore, the ship must avoid the seeming warmth and safety of home to put on all sail to seek safety in the "landless sea". Bulkington, says Ishmael, should recognize that, likewise, the soul must keep to the "open independence" of her sea. "But as in landlessness alone resides highest truth, shoreless, indefinite as God – so better is it to perish in that howling infinite, than be ingloriously dashed upon the lee, even if that were safety!" Ishmael foretells Bulkington's death by drowning: "Up from the spray of thy ocean-perishing – straight up, leaps thy 244:, he took Bulkington's role as Ishmael's companion, or "sleeping partner". His implied role as "truth-seeker" was given to Starbuck. Hayford offers no guess for why Melville did not remove Bulkington entirely, "beyond the humdrum one that Melville, like lesser writers, found it hard to throw away good words he had written". 201:
Critics have long speculated that Bulkington was introduced in an early draft but was no longer needed when Melville changed his concept of the novel from a whaling adventure to a metaphysical tale focused on Ahab's quest. The second version needed a different sort of character to contrast with Ahab,
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one, so far as this narrative is concerned)", that he will give a "little description of him". Bulkington is tall, with "noble shoulders", muscular, with a face that is "deeply brown and burnt", while his voice indicates that he was a Southerner. He slips away and is soon missed by his shipmates, who
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One critic speculates that Melville chose not to revise chapter 3, "The Spouter-Inn", to remove Bulkington, but to add a chapter apotheosizing him as a character who, "though absent, represents his own artistic strivings for truth and independence of thought in the face of forces that would conspire
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can hardly be doubted". Delbanco argues that Bulkington seems destined to play a major role in the book for he has "dignity, bearing, refinement", which make him Melville's first candidate to resist Ahab. Instead, Melville gives that role to a lesser man, Starbuck, who recognizes Ahab's madness but
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Bulkington does not appear again until Chapter 23, "The Lee Shore", and does not appear after it. Ishmael calls the chapter the "stoneless grave of Bulkington", since in it he announces Bulkington will die, and, because it is so short, a "six inch chapter" (in fact, 361 words). Since Bulkington had
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postulated that Bulkington was the novel's "true Promethean hero," but one who could not play an important role because such a hero would have to resist Ahab, the novel's "false" Prometheus. He must disappear because "if he had been more a part of the story it would have been inevitable that he
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speculates as part of a larger argument that Bulkington is one of a group of "unnecessary duplicates", one who was left "vestigial" when Melville changed the relation between the characters. Hayford speculates that when Melville added the character
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writes that Bulkington is a "natural aristocrat – an almost cartoonish paragon of manly virtue", the "democratic leader who commands respect out of trust and comradely love". Critics see resemblances to historical or mythological figures, such as
99:
Critics and scholars, however, have paid attention to his role. Some see Bulkington as representing a historical or contemporary figure, or take his early appearance and then disappearance to bolster the theory that Melville
96:. Bulkington is referred to only by his last name and appears only twice, briefly in Chapter 3, "The Spouter Inn", and then in Chapter 23, "The Lee Shore", a short chapter of several hundred words devoted entirely to him. 130:
celebrate their return from three years at sea. Bulkington stands aloof but Ishmael says "this man interested me at once; and since the sea-gods had ordained that he should soon become my shipmate (though but a
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is on the south side of the Flask Glacier and west of Bildad Peak, a series of features that the United Kingdom Antarctic Place-names Committee named after characters from
220:", says Delbanco, "is impossible since no manuscript or notes survive. But that he changed his ideas about who should lead and who should resist aboard the 193:
should do what Starbuck can only try to do: oppose the command of Ahab and save the ship". But he is also the heroic American, the "hope of the world".
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does not have Bulkington's strength to challenge him. "But why leave him in the book at all?", Delbanco asks. His own answer is that long before
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Bulkington's striking physical appearance and the poetic force and thematic resonance of Chapter 23 have intrigued critics.
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s first mate. Melville, some scholars speculate, then inserted Chapter 23 to explain Bulkington's disappearance.
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Scholars and critics offer other answers to the question of why he appeared so briefly. The literary critic
470:"'Oh, God! to think Man ever comes too near his Home!': Thomas Hood's Poem 'The Lee Shore' as a Source for 1130: 908: 900: 884: 876: 837: 615: 597: 173:(1775–1851), one of the many references in the novel to that painter of sea scenes and storms, and to 144:, guiding it from the harbor. Bulkington, he muses, is driven to sea just as a ship is driven to the 986: 781: 178: 1021: 818: 725: 525: 493: 456: 421: 335: 311: 124: 140:
just returned from four years at sea, Ishmael is amazed to see him standing at the helm of the
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Cowan, S. A. (1967). "In Praise of Self-Reliance: The Role of Bulkington in
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Sattelmeyer, Robert (2003). "'Shanties of Chapters and Essays': Rewriting
489: 452: 287: 185:" in the quest for truth, and the preference for philosophical realities. 786: 241: 166: 104:
and Bulkington became unnecessary when Melville expanded his conception.
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Morrell, Sascha (2017). "'The Town-Ho's Story,' Bulkington, and
380:. Kent State, OH: Kent State University Press. pp. 128–161. 721: 384:
Hayford, Harrison With a foreword by Hershel Parker (2003).
372:(1978). "Unnecessary Duplicates: A Key to the Writing of 408:
Hollister, Michael (1989), "Melville's Gam With Poe In
292:, Myth, and Classical Moralism: Bulkington as Hercules" 607: 605: 123:
In Chapter 3, "The Spouter Inn", the crew of the ship
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Chapter 23 may represent the virtues of 651: 611: 567:Savage Eye: Melville and the Visual Arts 703: 639: 589: 563:"Bulkington, Turner, and the Lee Shore" 196: 24: 675: 663: 439:s 'Darker Thread' of Labor Tension". 260:The Dream of the Great American Novel 7: 627: 197:In Melville's process of composition 102:composed the novel in several stages 1029:Bart Simpson's Treehouse of Horror 308:10.1111/j.1750-1849.2003.tb00062.x 14: 279:Herman Melville: A Critical Study 202:a character who turned out to be 169:, the Greek god, or a tribute to 944:Hakugei: Legend of the Moby Dick 569:, Kent State University Press, 404:(New York: Norton, ): pp 39–63. 565:, in Sten, Christopher (ed.), 281:. New York: Macmillan Company. 277:Chase, Richard Volney (1949). 1: 1176:Male characters in literature 1078:Moby Dick and Mighty Mightor 1036:The Call of the Wretched Sea 352:Melville: His World and Work 561:Wallace, Robert W. (1991), 376:". In Pullin, Faith (ed.). 1192: 1125:Green Shadows, White Whale 468:O’Hara, Robert J. (2016), 1050:Dopey Dick the Pink Whale 32: 16:Character from the novel 843:Fast-Fish and Loose-Fish 706:, p. 47, 51-52, 54. 537:Spanos, William (1995), 1171:Characters in Moby-Dick 1148:In the Heart of the Sea 1140:In the Heart of the Sea 596:U.S. Geological Survey 412:: Bulkington And Pym", 378:New Studies in Melville 286:Cook, Jonathan (2003), 53:In-universe information 936:Moby Dick - Rehearsed 522:10.1353/esq.2010.0030 490:10.1353/lvn.2016.0026 453:10.1353/lvn.2017.0012 414:Studies in the Novel 386:Melville's Prisoners 979:Moby Dick—Rehearsed 400:; Herman Melville, 354:. New York: Knopf. 328:American Literature 156:Critical discussion 22:Fictional character 1022:Age of the Dragons 896:(1971; unfinished) 692:Sattelmeyer (2003) 540:The Errant Art of 86:is a character in 1158: 1157: 1094: 1093: 598:Antarctica Detail 370:Hayford, Harrison 81: 80: 1183: 858: 831:special subjects 742: 735: 728: 719: 707: 701: 695: 689: 683: 673: 667: 661: 655: 652:Hollister (1989) 649: 643: 637: 631: 625: 619: 609: 600: 594: 579: 557: 533: 500: 464: 438: 428: 399: 381: 365: 348:Delbanco, Andrew 343: 318: 282: 273: 237:Harrison Hayford 212: 133:sleeping-partner 25: 1191: 1190: 1186: 1185: 1184: 1182: 1181: 1180: 1161: 1160: 1159: 1154: 1090: 1043:Capitaine Achab 1009: 966: 915: 847: 830: 824: 806: 758: 749:Herman Melville 746: 716: 711: 710: 702: 698: 690: 686: 674: 670: 662: 658: 650: 646: 638: 634: 626: 622: 612:Delbanco (2005) 610: 603: 595: 591: 586: 577: 560: 555: 536: 503: 467: 436: 431: 407: 396: 383: 368: 362: 346: 321: 285: 276: 271: 255:Buell, Lawrence 253: 250: 210: 199: 175:Edgar Allan Poe 171:J. M. W. Turner 162:Andrew Delbanco 158: 121: 109:Bulkington Pass 88:Herman Melville 47:Herman Melville 23: 20: 12: 11: 5: 1189: 1187: 1179: 1178: 1173: 1163: 1162: 1156: 1155: 1153: 1152: 1144: 1136: 1128: 1121: 1113: 1108: 1106:Moby Dick Coin 1102: 1100: 1096: 1095: 1092: 1091: 1089: 1088: 1081: 1074: 1067: 1060: 1053: 1046: 1039: 1032: 1025: 1017: 1015: 1011: 1010: 1008: 1007: 1006:(2019 musical) 999: 991: 990:(1990 musical) 983: 974: 972: 968: 967: 965: 964: 956: 948: 940: 932: 923: 921: 917: 916: 914: 913: 905: 897: 889: 881: 873: 864: 862: 855: 849: 848: 846: 845: 840: 834: 832: 826: 825: 823: 822: 814: 812: 808: 807: 805: 804: 799: 794: 789: 784: 779: 774: 768: 766: 760: 759: 747: 745: 744: 737: 730: 722: 715: 714:External links 712: 709: 708: 704:Hayford (1978) 696: 694:, p. 217. 684: 668: 656: 644: 640:Wallace (1991) 632: 620: 601: 588: 587: 585: 582: 581: 580: 575: 558: 553: 534: 516:(4): 213–247. 501: 465: 429: 405: 394: 366: 360: 344: 334:(4): 547–556. 319: 283: 274: 269: 249: 246: 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811:Ships 584:Notes 526:S2CID 494:S2CID 457:S2CID 437:' 422:JSTOR 336:JSTOR 312:S2CID 227:Freud 211:' 861:Film 571:ISBN 549:ISBN 390:ISBN 356:ISBN 265:ISBN 125:USS 107:The 61:Male 802:Pip 751:'s 518:doi 508:". 486:doi 449:doi 326:". 304:doi 152:!" 1167:: 680:59 604:^ 524:. 514:49 512:. 492:, 482:18 480:, 476:, 455:. 445:19 443:. 418:21 416:, 332:38 330:. 310:, 298:, 294:, 206:, 115:. 1073:" 1069:" 741:e 734:t 727:v 682:. 666:. 654:. 618:. 532:. 520:: 488:: 474:" 463:. 451:: 398:. 364:. 342:. 306:: 300:5 288:" 181:"

Index

Moby-Dick
Herman Melville
Herman Melville
Moby-Dick
composed the novel in several stages
Bulkington Pass
USS Grampus
sleeping-partner
lee shore
apotheosis
Andrew Delbanco
Hercules
J. M. W. Turner
Edgar Allan Poe
Emersonian
self-reliance
Richard Chase
Starbuck
Freud
Harrison Hayford
Queequeg
Buell, Lawrence
The Dream of the Great American Novel
ISBN
9780674051157
"Moby-Dick, Myth, and Classical Moralism: Bulkington as Hercules"
doi
10.1111/j.1750-1849.2003.tb00062.x
S2CID
144798023

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