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By Grand Central Station I Sat Down and Wept

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365: 27: 153:, London. Their affair lasted 18 years; Smart bore four of the 15 children Barker had by four different women. In the novel, her multiple pregnancies are reduced to one and other details of the affair are omitted. The narrator's lover is barely described, as Smart focuses on her own experience and feelings, which was rare for the 273:, from "the desire that no daughter of mine should ever be in a position to be able to write BY GRAND CENTRAL STATION I SAT DOWN AND WEPT, exquisite prose though it might contain. (BY GRAND CENTRAL STATION I TORE OFF HIS BALLS would be more like it, I should hope.)" 229:, Ingrid Norton stated "the power of emotion to transform one’s perspective on the world is the theme of this wildly poetic novel", calling it "a howl of a book, shot through with vivid imagery and ecstatic language, alternately exasperating and invigorating". 236:
were printed on its initial publication in 1945, and it did not achieve popularity at its initial release. Smart's mother, Louise, led a successful campaign with government officials to have its
240:. She bought up as many copies as she could find of those that made their way into the country and had them burned. Barker himself, in a letter to Smart, described the novel as " 172:, to have their first child, Georgina, while continuing to write the book. Barker tried to visit her, but Smart's family ensured that he was turned back at the border for " 181: 188:, she sailed to England to join Barker, where she gave birth to their second child, Christopher. She completed the novel while working for the 91: 189: 552: 409: 494: 547: 438: 26: 618: 598: 541: 353:
The album 'Humber Dogger Forties' by John Mouse contains a track called 'By Cardiff Central Station I Sat Down and Wept'.
628: 633: 623: 556: 480: 326: 237: 130: 127: 37: 613: 608: 571:"Anarchist Surrealism & Canadian Apocalyptic Modernism: Allusive Political Praxis in Elizabeth Smart’s 185: 456: 225: 134: 603: 378: 286: 150: 535: 208:), contains words denoting exalted or intensified states (grandeur, centrality, weeping), and 98: 86: 383: 333: 177: 169: 585:
documentary by Laura Barton, on the relationship between Elizabeth Smart and George Barker
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described the novel as "one of the half-dozen masterpieces of poetic prose in the world".
173: 241: 201: 165: 133:(1913–1986). The work was inspired by Smart's passionate affair with the British poet 592: 370: 274: 262: 252: 248: 154: 292: 270: 257: 247:
The book was reissued in 1966 by Panther Books, with an introduction by the critic
180:, to support herself, her daughter, and her writing by working as a file clerk for 123: 346:
duo, Heavy Bell (made up of Matt Peters and Tom Keenan) released an album titled
340:, which includes the track "Love, Stuff and Nonsense", credited as Smart's work. 582: 350:(2018), which they called "a paean to the novel: a song of praise and triumph". 343: 307: 570: 364: 360: 296: 266: 579: 319: 213: 285:
The novel remains in print. It is widely regarded as a classic of women's
265:
blasted by lightning” but later wrote privately to her friend, the critic
217: 209: 205: 105: 306:(1991), an hour-long documentary of the writer, written and directed by 302:
Excerpts from the novel, and other of the author's writings, feature in
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In 1941, after becoming pregnant, Smart returned to Canada, settling in
561: 508: 216:("By the waters of Babylon we lay down and wept ...") which indicates 119: 543:
By Grand Central Station I Sat Down and Wept: The Novel as a Poem
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The novel has been referenced many times by the British singer
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The title, as a foretaste of Smart's poetic techniques, uses
99: 495:"Ashley Hutchings: By Gloucester Docks, I Sat Down and Wept" 481:"Ashley Hutchings: By Gloucester Docks I Sat Down and Wept" 439:"A Year with Short Novels: Elizabeth Smart, Queen of Sheba" 157:
of that day. Barker documented the affair in his own novel
269:, that it inspired her to found the feminist publisher 145:
Smart discovered Barker's poetry—specifically his poem
410:"The poems and punch-ups of By Grand Central Station" 97: 85: 77: 69: 59: 51: 43: 33: 403: 401: 399: 573:By Grand Central Station I Sat Down And Wept" 220:significance for the novel's subject matter. 20:By Grand Central Station I Sat Down and Wept 8: 234:By Grand Central Station I Sat Down and Wept 115:By Grand Central Station I Sat Down and Wept 19: 329:in the song "On Tooting Broadway Station". 304:Elizabeth Smart: On The Side of the Angels 25: 18: 192:, which fired her after its publication. 433: 431: 395: 338:By Gloucester Docks I Sat Down and Wept 555:at Literary Manuscripts Collection of 149:—in the late 1930s in Better Books on 16:Prose poetry novel by Elizabeth Smart 7: 553:Elizabeth Smart: Manuscript Gallery 437:Norton, Ingrid (October 1, 2010). 325:The title was adapted by the band 14: 363: 408:Barton, Laura (March 6, 2013). 299:, but this remains unproduced. 184:. In 1943, in the midst of the 548:Studies in Canadian Literature 1: 455:Schiff, Amanda (2008-12-02). 538:at The Literary Encyclopedia 251:. At that time the novelist 238:publication banned in Canada 557:Library and Archives Canada 327:The Kitchens of Distinction 650: 332:The title was adapted by 314:References in other media 24: 564:By Grand Central Station 348:By Grand Central Station 457:"Laura Lamson Obituary" 255:praised the novel in a 155:male-centric literature 546:by Alice Van Wart, in 186:Battle of the Atlantic 619:Novels about writers 599:1945 Canadian novels 443:Open Letters Monthly 287:Modernist literature 232:Just 2000 copies of 226:Open Letters Monthly 629:Feminist literature 580:"Rhymes of Passion" 196:Style and reception 190:Ministry of Defence 182:the British embassy 141:Genesis and writing 21: 634:Virago Press books 624:Literary modernism 151:Charing Cross Road 497:. 8 January 2014. 242:a Catherine wheel 111: 110: 92:978-0-586-09039-8 70:Publication place 641: 576:by James Gifford 523: 522: 520: 519: 505: 499: 498: 491: 485: 484: 477: 471: 470: 468: 467: 452: 446: 435: 426: 425: 423: 421: 405: 384:New Apocalyptics 379:Nouveau rĂ©alisme 373: 368: 367: 334:Ashley Hutchings 261:review as “like 223:In an essay for 178:Washington, D.C. 176:." She moved to 170:British Columbia 159:The Dead Seagull 101: 61:Publication date 29: 22: 649: 648: 644: 643: 642: 640: 639: 638: 589: 588: 532: 527: 526: 517: 515: 507: 506: 502: 493: 492: 488: 479: 478: 474: 465: 463: 454: 453: 449: 436: 429: 419: 417: 407: 406: 397: 392: 369: 362: 359: 316: 283: 204:(it is largely 198: 174:moral turpitude 143: 131:Elizabeth Smart 128:Canadian author 78:Media type 62: 55:Editions Poetry 38:Elizabeth Smart 17: 12: 11: 5: 647: 645: 637: 636: 631: 626: 621: 616: 614:Censored books 611: 609:Canadian poems 606: 601: 591: 590: 587: 586: 577: 568: 559: 550: 539: 531: 530:External links 528: 525: 524: 500: 486: 472: 447: 427: 394: 393: 391: 388: 387: 386: 381: 375: 374: 358: 355: 336:for his album 315: 312: 282: 279: 197: 194: 166:Pender Harbour 142: 139: 137:(1913–1991). 109: 108: 103: 95: 94: 89: 83: 82: 79: 75: 74: 71: 67: 66: 63: 60: 57: 56: 53: 49: 48: 45: 41: 40: 35: 31: 30: 15: 13: 10: 9: 6: 4: 3: 2: 646: 635: 632: 630: 627: 625: 622: 620: 617: 615: 612: 610: 607: 605: 602: 600: 597: 596: 594: 584: 581: 578: 575: 574: 569: 567:by Heavy Bell 566: 565: 560: 558: 554: 551: 549: 545: 544: 540: 537: 534: 533: 529: 514: 510: 504: 501: 496: 490: 487: 482: 476: 473: 462: 458: 451: 448: 444: 440: 434: 432: 428: 415: 411: 404: 402: 400: 396: 389: 385: 382: 380: 377: 376: 372: 371:Novels portal 366: 361: 356: 354: 351: 349: 345: 341: 339: 335: 330: 328: 323: 321: 313: 311: 309: 305: 300: 298: 295:authored the 294: 290: 288: 280: 278: 276: 275:Brigid Brophy 272: 268: 264: 263:Madame Bovary 260: 259: 254: 253:Angela Carter 250: 249:Brigid Brophy 245: 243: 239: 235: 230: 228: 227: 221: 219: 215: 211: 207: 203: 195: 193: 191: 187: 183: 179: 175: 171: 167: 162: 160: 156: 152: 148: 140: 138: 136: 135:George Barker 132: 129: 125: 121: 117: 116: 107: 104: 102: 96: 93: 90: 88: 84: 80: 76: 72: 68: 64: 58: 54: 50: 46: 42: 39: 36: 32: 28: 23: 572: 563: 542: 516:. Retrieved 512: 503: 489: 475: 464:. Retrieved 461:The Guardian 460: 450: 442: 420:September 8, 418:. Retrieved 414:The Guardian 413: 352: 347: 342: 337: 331: 324: 317: 303: 301: 293:Laura Lamson 291: 284: 271:Virago Press 256: 246: 244:of a book." 233: 231: 224: 222: 218:metaphorical 199: 163: 158: 146: 144: 124:prose poetry 114: 113: 112: 583:BBC Radio 4 536:Book review 344:Chamber pop 308:Maya Gallus 604:1945 poems 593:Categories 518:2019-03-11 513:Heavy Bell 466:2008-12-03 390:References 297:screenplay 267:Lorna Sage 206:anapaestic 118:is a 1945 320:Morrissey 214:Psalm 137 52:Publisher 416:. London 357:See also 258:Guardian 161:(1950). 147:Daedalus 106:26314482 44:Language 562:Album: 509:"About" 210:alludes 126:by the 47:English 281:Legacy 73:Canada 34:Author 202:metre 120:novel 81:Print 422:2019 100:OCLC 87:ISBN 65:1945 322:. 289:. 212:to 122:in 595:: 511:. 459:. 441:. 430:^ 412:. 398:^ 310:. 168:, 521:. 483:. 469:. 445:. 424:.

Index


Elizabeth Smart
ISBN
978-0-586-09039-8
OCLC
26314482
novel
prose poetry
Canadian author
Elizabeth Smart
George Barker
Charing Cross Road
male-centric literature
Pender Harbour
British Columbia
moral turpitude
Washington, D.C.
the British embassy
Battle of the Atlantic
Ministry of Defence
metre
anapaestic
alludes
Psalm 137
metaphorical
Open Letters Monthly
publication banned in Canada
a Catherine wheel
Brigid Brophy
Angela Carter

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