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65:). He was in the habit of keeping his own schedule at the risk of offending customers – Houbraken relates a moment when a patron came to his house for a viewing and he claimed he "wasn't at home". The patron was so insulted that when Gael came to him with the finished painting, he claimed he was now "not at home" and refused payment.
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An apprenticeship to
Wouwerman was never found in the archives during the period under review, but he shows strong influence by Haarlem colleagues. He has a large oeuvre that is somewhat monotonous.
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by 1642. His latest known dated painting is from 1679, but his paintings are rarely dated. He is listed as dead in a list of guild members by
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in 1702. He moved from
Haarlem to Amsterdam sometime between the years 1661 and 1673, where he remained until his death.
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De archiefbescheiden van het St. Lukasgilde te
Haarlem 1497-1798, Hessel Miedema, 1980,
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According to the RKD, he painted
Italianate landscapes and was prominent in the
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De groote schouburgh der
Nederlantsche konstschilders en schilderessen
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Peasants by a cottage with a horse stalling, ca 1650-1660
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53:. According to Houbraken, he was a pupil of
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57:, who painted many battle pieces and
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115:Digital library for Dutch literature
16:Dutch Golden Age painter (1630-1698)
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190:Dutch Golden Age painters
70:Haarlem Guild of St. Luke
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200:Painters from Haarlem
103:Barent Gael Biography
74:Vincent van der Vinne
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195:Dutch male painters
41:landscape painter.
113:, courtesy of the
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55:Philips Wouwerman
49:Gael was born in
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111:Arnold Houbraken
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63:pleisterplaatsen
39:Dutch Golden Age
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37:– 1698) was a
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180:1630s births
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185:1698 deaths
161:Barent Gael
147:Barent Gael
35: 1630
28:Barent Gael
174:Categories
109:(1718) by
100:(in Dutch)
87:References
45:Biography
61:(Dutch:
149:in the
78:Laurens
76:'s son
51:Haarlem
165:Artnet
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127:ISBN
163:on
151:RKD
105:in
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32:c.
30:(
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