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1240:, achieved wider international success than most of the Britpop groups that had preceded them, and were some of the most commercially successful acts of the late 1990s and early 2000s. These bands avoided the Britpop label while still producing music derived from it. Bands that had enjoyed some success during the mid-1990s, but were not really part of the Britpop scene, included the Verve and Radiohead. The music of most bands was guitar based, often mixing elements of British traditional rock (or British trad rock), particularly
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1016:" would have had greater merit. He also noted that he and Blur frontman Damon Albarn – with whom Gallagher had enjoyed multiple musical collaborations during the 2010s – were now friends. Both men have noted that they do not discuss their 1990s rivalry, with Albarn adding, "I value my friendship with Noel because he is one of the only people who went through what I did in the Nineties."
608:" were released around the same time in the spring of 1992. He stated, "f Britpop started anywhere, it was the deluge of acclaim that greeted Suede's first records: all of them audacious, successful and very, very British." Suede were the first of the new crop of guitar-orientated bands to be embraced by the UK music media as Britain's answer to Seattle's grunge sound. Their debut album
1002:" in a deriding of their alleged unoriginality and inability to change. In what was the best week for UK singles sales in a decade, on 20 August, Blur's "Country House" sold 274,000 copies against "Roll with It" by Oasis which sold 216,000, the songs charting at number one and number two, respectively. Blur performed their chart topping single on the BBC's
324:
1008:, with the band's bassist Alex James wearing an 'Oasis' t-shirt. However, in the long run Oasis became more commercially successful than Blur, at home and abroad. In a 2019 interview, Oasis bandleader Noel Gallagher reflected on the chart battle between the two songs, both of which he saw as "shit", and suggested that a chart race between Oasis' "
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height. This, beside a greater willingness to woo the
American press and fans, may have helped a number of them in achieving international success. They have been seen as presenting the image of the rock star as an ordinary person, or "boy-next-door" and their increasingly melodic music was criticised for being bland or derivative.
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Local identity and regional
British accents are common to Britpop groups, as well as references to British places and culture in lyrics and image. Stylistically, Britpop bands use catchy hooks and lyrics that were relevant to young British people of their own generation. Britpop bands conversely
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with
American influences. Post-Britpop bands also used elements from 1970s British rock and pop music. Drawn from across the UK, the themes of their music tended to be less parochially centred on British, English and London life, and more introspective than had been the case with Britpop at its
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as the moment where
Britpop ended; Savage said that while the album "isn't the great disaster that everybody says", he commented that "t was supposed to be the big, big triumphal record" of the period. At the same time, Blur sought to distance themselves from Britpop with their
934:, dubbed "The Battle of Britpop", brought Britpop to the forefront of the British press in 1995. The bands had initially praised each other but over the course of the year antagonisms between the two increased. Spurred on by the media, they became engaged in what the
345:
Though
Britpop has sometimes been viewed as a marketing tool and more of a cultural moment than a distinct musical genre, there are musical conventions and influences the bands grouped under the Britpop term have in common. Britpop bands show elements from the
720:: " timing has been fortuitously perfect. Why? Because, as with baggies and shoegazers, loud, long-haired Americans have just found themselves condemned to the ignominious corner labelled 'yesterday's thing'." The music press also fixated on what the
1080:), with Oasis winning the award. All three bands were also nominated for Best British Group and Best Video, which were won by Oasis. While accepting Best Video (for "Wonderwall"), Oasis taunted Blur by singing the chorus of the latter's "
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continued the fiercely
British nature of its predecessor, and coupled with the death of Nirvana's Kurt Cobain in April of that year British alternative rock became the dominant rock genre in the country. That same year
1264:, also from Glasgow, were one of the first major rock bands to emerge in the post-Britpop era, and have been credited with a major role in disseminating and even creating the subgenre of post-Britpop. From Edinburgh
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denied that the band were associated with the term: "We're not
Britpop, we're universal rock. The media can take the Britpop and stick it as far up the back entry of the country houses as they can take it."
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argued that the term
Britpop had been devalued, ignoring all the cultural aspects that had made the scene so important, with the term becoming a "catch-all" for "any band that played guitars in the 1990s."
862:
It was not until 1994 that
Britpop started to be used by the UK media in relation to contemporary music and events. Bands emerged aligned with the new movement. At the start of 1995, bands including
232:
scene of the early 1990s. Although often seen as a cultural moment rather than a distinct musical genre, its associated bands typically drew inspiration from the
British pop music of the 1960s, the
487:
summed up the attitude in 1993 when after being asked if Blur were an "anti-grunge band" he said, "Well, that's good. If punk was about getting rid of hippies, then I'm getting rid of grunge."
1093:(1997) was highly anticipated. Despite initially attracting positive reviews and selling strongly, the record was soon subjected to strong criticism from music critics, record-buyers and even
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denounced grunge as irrelevant and having nothing to say about their lives. In contrast to the dourness of grunge, Britpop was defined by "youthful exuberance and desire for recognition".
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described these bands, and Gallagher, as sharing "a dewy-eyed love of the 1960s, a spurning of much beyond rock's most basic ingredients, and a belief in the supremacy of 'real music'".
1141:– showed considerably more esoteric influences from the 1960s and 1970s that were uncommon among earlier Britpop acts. In 1997, Radiohead and the Verve released their respective albums
1906:
1436:, seen as a "second wave" of Britpop". These bands have been seen as looking less to music of the 1960s and more to 1970s punk and post-punk, while still being influenced by Britpop.
271:(dubbed "The Battle of Britpop") brought the movement to the forefront of the British press in 1995. While music was the main focus, fashion, art and politics also got involved, with
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1420:, continued to record and enjoy commercial success into the new millennium. The idea of post-Britpop has been extended to include bands originating in the new millennium, including
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were taken as representing the North of England, while Blur represented the South. The event caught the public's imagination and gained mass media attention in national newspapers,
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had worked as a roadie during the Madchester years), was an immediate root of Britpop since its emphasis on good times and catchy songs provided an alternative to the British-based
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1296:(1998) reached number one, but they were unable to make much impact in the US and, after personal problems, broke up at the end of the century. Other Welsh bands included
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has been seen as having "snatched the spirit of the age from those responsible for Britpop". While established acts struggled, attention began to turn to the likes of
263:, known as the "big four" of the movement. The timespan of Britpop is generally considered to be 1993–1997, and its peak years to be 1995–1996. A chart battle between
3521:
1380:, Starsailor and Elbow, with introspective lyrics and even tempos, began to be criticised at the beginning of the new millennium as bland and sterile and the wave of
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were out there, and people were very interested in American music, and there should be some sort of manifesto for the return of Britishness." John Harris wrote in an
282:
During the late 1990s, many Britpop acts began to falter commercially or break up, or otherwise moved towards new genres or styles. Commercially, Britpop lost out to
946:" on the same day. The battle pitted the two bands against each other, with the conflict as much about British class and regional divisions as it was about music.
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1412:, that sprang up in that period were welcomed by the musical press as "the saviours of rock and roll". However, a number of the bands of this era, particularly
1169:, influenced by Britpop acts, particularly Oasis, with more introspective lyrics, were some of the most successful rock acts of the late 1990s and early 2000s.
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The cultural and musical scene in Scotland, dubbed "Cool Caledonia" by some elements of the press, produced a number of successful alternative acts, including
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notably incorporates Britpop influences, aiming to recreate the visual and sonic aesthetics of the Britpop movement. Chinouriri cited bands like Oasis and
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After Britpop the media focused on bands that may have been established acts, but had been overlooked due to focus on the Britpop movement. Bands such as
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559:) and its use as a symbol of pride and nationalism contrasted deeply with the controversy that erupted just a few years before when former Smiths singer
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the previous year. The music press viewed the scene around Camden Town as a musical centre; frequented by groups like Blur, Elastica, and Menswear;
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was the only songwriter he had respect for in the last ten years, and that he felt their music was similar enough that Cobain could have written "
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In the mid-2020s, a new group of artists began drawing inspiration from the energy and iconography of mid-90s Britain. Notable examples include
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and New Labour's efforts to align themselves with the distinctly British cultural resurgence that was underway, as well Britpop artists such as
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660:) that focused on a weekly club called Syndrome in Oxford Street; the bands that met up were a mix of music styles, some would be labelled
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are sometimes advanced as the "godfathers" or "grandfathers" of Britpop, though Davies disputes it. Others similarly labelled include
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performed draped in it. The emphasis on British reference points made it difficult for the genre to achieve success in the US.
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dubbed on the cover of its 12 August issue the "British Heavyweight Championship" with the pending release of Blur's single "
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in January 1997 that "We created a movement: as far as the lineage of British bands goes, there'll always be a place for us
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704:(and at the time in a relationship with Albarn) explained, "Damon and I felt like we were in the thick of it at that point
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2345:"'I had no idea they would be so big' – John Robb on Manchester music, Britpop, and being the first to interview Nirvana"
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The imagery associated with Britpop was equally British and working class. A rise in unabashed maleness, exemplified by
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In spite of the professed disdain for the genres, some elements of both crept into the more enduring facets of Britpop.
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At the beginning of the 2010s, a wave of new bands emerged that combined indie rock with the Britpop of the 1990s.
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on the cover with a Union Flag in the background and the headline "Yanks go home!" The issue included features on
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began to resent American culture and found the need to comment on that culture's influence seeping into Britain.
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that he "didn't like being called Britpop, or pop, or PopBrit, or however you want to put it." Pulp frontman
688:'s new approach was inspired by a tour of the United States in the spring of 1992. During the tour, frontman
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I. Collinson, "Devopop: pop Englishness and post-Britpop guitar bands", in A. Bennett and J. Stratton, eds,
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emerged to colossal sales, it became clear that while Blur had won the battle, Oasis were winning the war."
815:. After terms such as "the New Mod" and "Lion Pop" were used in the press around 1992, journalist (and now
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994:, it was spurred on by jibes thrown back and forth between the two groups, with Oasis dismissing Blur as "
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390:. Regardless, Britpop artists project a sense of reverence for British pop sounds of the past. The Kinks'
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The term "Britpop" arose when the media were drawing on the success of British designers and films, the
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scene of the 1980s and early 1990s were the direct ancestors of the Britpop movement. The influence of
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As Britpop slowed, many acts began to falter and broke up. The sudden popularity of the pop group the
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music scene. The movement brought British alternative rock into the mainstream and formed the larger
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1465:, a 2003 documentary film written and directed by John Dower. Both documentaries include mention of
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1190:, the most commercially successful post-Britpop band, on stage in 2024. Their first three albums –
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664:, while others would go on to be part of Britpop. The dominant musical force of the period was the
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released their debut album, Welcome Home. Later, bands such as Superfood and the Australian band
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and helped make them one of the most popular acts in the world by the time of their second album
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In 2020, with attention turning to all "landfill indie" acts of the 2000s, Mark Beaumont of the
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2635:"'We don't talk about our past': Damon Albarn opens up on close friendship with Noel Gallagher"
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1278:(2002). The first major band to break through from the post-Britpop Welsh rock scene, dubbed "
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programme from 2020, he believed it may have been used in the 1960s, around the time of the
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These acts were followed by a number of bands who shared aspects of their music, including
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2580:"Damon Albarn talks working with Noel Gallagher on new Gorillaz track 'We Got The Power'"
2497:"Blur and Oasis' big Britpop chart battle – the definitive story of what really happened"
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invasion from the United States, which filled the void left in the indie scene by the
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himself for its overproduced and bloated sound. Music critic Jon Savage pinpointed
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became the fastest-selling debut album in the history of the UK. In April 1993,
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became a prominent symbol of the movement (as it had a generation earlier with
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Britpop was partly a reaction to the popularity of Nirvana and the dourness of
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of the 1980s in their music, attitude, and clothing. Specific influences vary:
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Till, Rupert. "In my beautiful neighbourhood: local cults of popular music".
3776:
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2553:"Noel Gallagher and Damon Albarn make history, performing together in London"
1376:) is the most widely played song of the 21st century on UK radio. Bands like
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John Harris (10 April 1993). "A shite sports car and a punk reincarnation".
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states, "Britpop became a major cultural phenomenon". Oasis's second album,
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chimney sweep music", while Blur referred to their opponents as the "Oasis
982:
was making his comeback, tabloids and broadsheets alike went Britpop crazy.
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1811:"Ray Davies: 'I'm not the godfather of Britpop … more a concerned uncle'"
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1122:... We genuinely started to see that world in a slightly different way."
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styles of music. Pre-dating Britpop by four years, Liverpool-based group
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206:
201:, in reaction to the darker lyrical themes and soundscapes of the US-led
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joined the revival, with DMA’s debut album receiving favorable reviews.
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launched an update on Britpop, dubbed “Gritpop,” with their debut album
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from England. The most commercially successful band in the milieu were
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526:) "Noelrock", citing Gallagher's influence on their music. Journalist
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676:, however, took on an Anglocentric aesthetic with their second album
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31:
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All Music Guide to Rock: the Definitive Guide to Rock, Pop, and Soul
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All Music Guide to Rock: the Definitive Guide to Rock, Pop, and Soul
2675:. OfficialCharts.com. 13 October 2018. Retrieved on 7 December 2018.
1204:
730:, a term applied to the more punk-derivative acts such as Elastica,
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3890:
Britpop!: Cool Britannia and the Spectacular Demise of English Rock
2858:
Britpop!: Cool Britannia and the Spectacular Demise of English Rock
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Britpop!: Cool Britannia and the Spectacular Demise of English Rock
1076:, both albums were nominated for Best British Album (as was Pulp's
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Popular Music and the State in the UK: Culture, Trade or Industry?
2819:"The UK's 60 official biggest selling albums of all time revealed"
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in August 2005 as part of Britpop Night, ten years after Blur and
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Britpop was a phenomenon that highlighted bands emerging from the
75:
1318:" is the most widely played song on UK radio in the 21st century.
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in UK chart history. Blur's third album in their 'Life' trilogy,
3598:"Britpop revivalists Viva Brother quietly announce their demise"
2033:"RECORDINGS VIEW; Battle of the Bands: Old Turf, New Combatants"
1907:"40 Greatest One-Album Wonders: 13. The La's, 'The La's' (1990)"
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used the term Britpop in 1993 (though recounting the event in a
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751:, made them arguably the most popular band in the UK in 1994.
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3765:"Mad fer it! The young musicians flying the flag for Britpop"
3739:"Mad fer it! The young musicians flying the flag for Britpop"
2478:
Rock and Roll Cage Match: Music's Greatest Rivalries, Decided
2244:
The British Pop Dandy: Masculinity, Popular Music and Culture
2052:
The Last Party: Britpop, Blair and the Demise of English Rock
1664:"In my beautiful neighbourhood: local cults of popular music"
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also expressed his dislike for the term in an interview with
880:
that March; its first week sales surpassed the record set by
1605:
in 2010, describing it as a "horrible, bitty, sharp sound."
1024:
as "one of the most talented guitarists of his generation."
547:
in general, would be very much part of the Britpop era. The
4409:
3860:"The term 'landfill indie' is nothing but musical snobbery"
2217:"The biggest selling Mercury Prize-winning albums revealed"
650:
were involved in a vibrant social scene in London (dubbed "
339:(right) are sometimes cited as the "godfathers of Britpop".
912:
The UK media extensively covered the chart battle between
1783:
Bennett, Professor Andy; Stratton, Professor Jon (2013).
1062:, sold over four million copies in the UK – becoming the
3277:
3275:
2697:. Note: reader must define "Search" parameter as "Blur".
1566:
Artists of the genre have dismissed the "Britpop" term.
1290:" (1998) reached the top ten in the UK, and whose album
3655:"DMA's review – Britpop revivalists evoke 90s euphoria"
851:, though many of these acts would be grouped under the
3834:"The Top 50 Greatest Landfill Indie Songs of All Time"
874:
scored pop hits. Elastica released their debut album
792:". The album sold over 1.3 million copies in the UK.
1439:
Retrospective documentaries on the movement include
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3809:"Blur – No Distance Left to Run" (2009 documentary)
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which reached number one, and included the single "
644:and helped start the idea of an emerging movement.
247:The most successful bands linked with Britpop were
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49:
803:, and on the mood of optimism with the decline of
592:John Harris has suggested that Britpop began when
421:is common to the majority of Britpop artists. The
3173:(Milwaukee, WI: Backbeat Books, 3rd edn., 2002),
2764:
2762:
835:states he had used the term in the late 1980s in
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3466:
3495:"Britpop Night on BBC Four - Tuesday 16 August"
3413:This Is It-: the First Biography of the Strokes
3328:
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2946:(Edinburgh: Edinburgh University Press, 2004),
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2489:
2487:
2445:"When Blur beat Oasis in the battle of Britpop"
1524:, who explored Britpop influences in her album
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463:as a "founding piece of Britpop's foundation".
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2878:
2876:
2874:
2115:
2113:
2111:
2109:
2107:
2078:. Retrieved on 21 January 2011. Archived from
193:-based music culture movement that emphasised
4425:
3941:
3257:V. Bogdanov, C. Woodstra and S. T. Erlewine,
3215:, 20 January 2003, retrieved 3 December 2010.
3169:V. Bogdanov, C. Woodstra and S. T. Erlewine,
3123:, 26 February 2004, retrieved 2 January 2010.
3045:, 14 February 2004, retrieved 2 January 2010.
2962:
2960:
2933:, 2 September 2002, retrieved 3 January 2010.
2852:
2850:
2848:
2846:
2844:
1272:, produced three top 20 albums, peaking with
510:". By 1996, Oasis's prominence was such that
197:. Musically, Britpop produced bright, catchy
8:
3137:Blerwytirhwng?: the Place of Welsh Pop Music
2673:"The UK's biggest studio albums of all time"
1985:Matthew Caws (May 1996). "Top of the Pops".
1540:reimagines the genre’s aesthetic, featuring
807:'s government, and the rise of the youthful
745:was a moderate success, Blur's third album,
514:termed a number of Britpop bands (including
3913:Live Forever: The Rise and Fall of Brit Pop
3821:"Stephen Merchant interviews Jarvis Cocker"
3131:
3129:
2889:, 19 August 2005, retrieved 2 January 2010.
2660:Live Forever: The Rise and Fall of Brit Pop
2408:Richardson, Andy. "The Battle of Britpop".
2395:Parkes, Taylor. "It's An NW1-derful Life".
2120:Live Forever: The Rise and Fall of Brit Pop
1881:
1879:
1462:Live Forever: The Rise and Fall of Brit Pop
1084:" and changing the lyrics to "shite life".
580:magazine's April 1993 issue – with Suede's
382:had a fondness for arty punk rock, notably
4432:
4418:
4410:
4279:
3948:
3934:
3926:
3903:Harris, John. "Modern Life is Brilliant!"
2913:, 11 April 2008, retrieved 2 January 2010.
2471:
2469:
2467:
2269:"The Battle of Britpop : 25 Years On"
1050:In the months following the chart battle,
46:
3436:(Oxford: Oxford University Press, 2009),
2628:
2626:
986:Billed as the greatest pop rivalry since
3368:(London: Rough Guides, 3rd end., 2003),
3334:"And the most-played song on UK radio is
3093:"Whatever happened to our Rock and Roll"
2984:
2982:
2980:
2752:... there'll always be a place for us".
2705:
2703:
1963:
1961:
1520:features a Union Jack on its cover, and
293:movement, associated with bands such as
3474:Britpop and the English Music Tradition
3209:"Britpop: rock aint what it used to be"
3106:, 2002-12-23, retrieved 6 January 2010.
2991:Britpop and the English Music Tradition
2989:Bennett, Andy and Jon Stratton (2010).
2602:
2600:
2247:. Ashgate Publishing, Ltd. p. 53.
1832:"Paul Weller: A Britpop Titan Lives On"
1786:Britpop and the English Music Tradition
1651:
1314:performing in 2009. Their 2006 single "
1210:best-selling albums in UK chart history
1072:, sold over one million copies. At the
279:aligning themselves with the movement.
2094:"Looking back at the birth of Britpop"
2054:; John Harris; Harper Perennial; 2003.
1657:
1655:
962:Yes, in a week where news leaked that
620:magazine featured Suede's lead singer
286:, while artistically it segued into a
3434:101 Albums That Changed Popular Music
2944:Popular Music Genres: an Introduction
2578:Luke Morgan Britton (23 March 2017).
1459:went head-to-head in the charts, and
859:and indie-dance genres at the time.
799:(sometimes termed "Britart") such as
7:
3712:"Did DMA's Have to Grow Up So Fast?"
2748:Mulvey, John. "We created a movement
831:). However, journalist and musician
782:). In 1995, Pulp released the album
2320:"The Britpop Top 50 with Jo Whiley"
839:magazine to refer to bands such as
774:, including Best British Album for
716:article just before the release of
3811:. YouTube. Retrieved 27 March 2020
3799:. YouTube, Retrieved 27 March 2020
3386:Stephen M. Deusner (1 June 2009),
3261:(Backbeat Books, 3rd edn., 2002),
2884:"Are we in Britpop's second wave?"
2611:. 23 June 2019. 9–10 minutes in.
2031:Simon Reynolds (22 October 1995).
1020:has also described Blur guitarist
25:
3737:Mitchell, Sarah (26 April 2024).
3653:Beaumont, Mark (27 August 2015).
3388:"Coldplay LeftRightLeftRightLeft"
3039:... it's the rebirth of art rock"
2215:Copsey, Rob (17 September 2018).
2192:. The BRIT Awards. Archived from
1625:1990s music in the United Kingdom
1551:What a Devastating Turn of Events
1059:(What's the Story) Morning Glory?
1044:(What's the Story) Morning Glory?
888:declared "Camden is to 1995 what
4637:
4626:
4625:
4392:
4391:
3797:"Noël Gallagher on other genres"
3763:Butchard, Skye (26 April 2024).
3520:Chater, David (16 August 2005).
3338:... Chasing Cars by Snow Patrol"
3156:D. Pride, "Global music pulse",
2829:from the original on 9 July 2016
2617:British Broadcasting Corporation
930:A chart battle between Blur and
652:The Scene That Celebrates Itself
588:– emphasised "Great British pop"
322:
313:
3415:(London: Omnibus Press, 2003),
3376:, pp. 310, 333, 337 and 1003-4.
3160:, 22 Aug 1998, 110 (34), p. 41.
2633:Reilly, Nick (10 August 2018).
2480:. Crown/Archetype. p. 102.
1830:Dye, David (13 February 2007).
1583:stated in the 2009 documentary
1544:and a warped Union Jack cover.
413:Alternative rock acts from the
3823:. BBC. Retrieved 27 March 2020
3629:"Superfood – 'Don't Say That'"
3604:. 4 April 2012. Archived from
3554:"Britpop movie holds première"
3077:"Travis: The boy with no name"
2974:, retrieved, 17 December 2011.
2968:"Travis: The Boy With No Name"
2900:"Label Profile: Independiente"
1864:interview NME February 11 1995
1762:. Da Capo Press. p. 202.
1712:Nick Hasted (18 August 2005).
1691:Michael Dwyer (25 July 2003).
1585:Blur – No Distance Left to Run
770:. Blur won four awards at the
374:, Oasis took inspiration from
1:
4671:Culture of the United Kingdom
3198:, retrieved 17 December 2011.
2695:British Phonographic Industry
2531:"The best of Blur at the BBC"
2155:British Phonographic Industry
2092:Ian Youngs (15 August 2005).
1915:. 10 May 2018. Archived from
1670:. A&C Black. p. 90.
27:1990s UK pop culture movement
3572:"Breaking Out: Viva Brother"
3476:(Aldershot: Ashgate, 2010),
3320:, retrieved 3 December 2010.
3304:, retrieved 3 December 2010.
3139:(Aldershot: Ashgate, 2007),
3058:(Aldershot: Ashgate, 2007),
2807:, retrieved 3 December 2010.
958:wrote about the phenomenon:
3460:, retrieved 3 January 2010.
3288:, retrieved 3 January 2010.
3248:, retrieved 3 January 2010.
3232:, retrieved 7 January 2010.
3083:, retrieved 2 January 2010.
3024:, retrieved 3 January 2010.
2927:"Catatonia – Greatest Hits"
2817:Copsey, Rob (4 July 2016).
2711:"1996 Brit Awards: winners"
2685:BPI Certified Awards Search
1789:. Ashgate Publishing, Ltd.
1693:"The great Britpop swindle"
1630:Music of the United Kingdom
1363:A Rush of Blood to the Head
1199:A Rush of Blood to the Head
760:released their debut album
708:... it occurred to us that
584:on the cover in front of a
386:. and both incarnations of
305:Style, roots and influences
112:Early 1990s, United Kingdom
4717:
4081:Christian alternative rock
3922:. London: Continuum, 2010.
3501:Press Office. 18 July 2005
3314:"Feeder: Comfort in Sound"
2997:. pp. 164, 166, 173.
2070:"British Alternative Rock"
2068:Erlewine, Stephen Thomas.
1999:Kessler, Ted. "Noelrock!"
1326:from Northern Ireland and
1176:
1114:. Albarn explained to the
29:
4621:
4387:
3915:. Passion Pictures, 2004.
3117:"And the bland played on"
2942:S. Borthwick and R. Moy,
2905:14 September 2017 at the
2690:24 September 2009 at the
2430:"Roll with the presses".
2151:"Certified Awards Search"
2122:. Passion Pictures. 2004.
1635:List of Britpop musicians
1370:" (from their 2006 album
1153:, both widely acclaimed.
972:still getting slaughtered
968:preparing nuclear weapons
147:List of Britpop musicians
143:
131:
4364:Independent record label
1106:, assimilating American
1064:fifth best-selling album
1010:Cigarettes & Alcohol
211:British popular cultural
30:Not to be confused with
4696:British styles of music
3892:. Da Capo Press, 2004.
3366:The Rough Guide to Rock
2860:(Da Capo Press, 2004),
2823:Official Charts Company
2221:Official Charts Company
1714:"The summer of Britpop"
1447:programme presented by
1366:(2002). Snow Patrol's "
1342:, Electric Pyramid and
1224:, and new acts such as
1208:(2005) – are among the
1104:self-titled fifth album
904:"The Battle of Britpop"
567:Origins and first years
205:music and the UK's own
4686:1990s in British music
2476:Manning, Sean (2008).
1486:
1319:
1213:
1047:
984:
970:, everyday folks were
927:
896:was to 1989, and what
743:Modern Life Is Rubbish
718:Modern Life is Rubbish
679:Modern Life Is Rubbish
589:
475:
240:of the 1970s, and the
4691:British popular music
4676:1990s fads and trends
2911:Independent on Sunday
2241:Stan Hawkins (2009).
1558:as key inspirations.
1484:
1310:
1268:, more influenced by
1186:
1035:
954:and television news.
911:
797:Young British Artists
574:
498:and once stated that
494:has since championed
469:
4242:New wave of new wave
1758:John Harris (2004).
1742:Elastica interview,
1662:Rupert Till (2010).
1514:, whose debut album
1416:, Stereophonics and
1350:, whose debut album
1293:International Velvet
1036:Oasis playing live.
728:New Wave of New Wave
133:New wave of new wave
4632:Category:Rock music
4508:Paisley Underground
4327:Alternative Airplay
4297:Neue Deutsche Härte
4155:Paisley Underground
4047:Alternative country
3098:11 May 2019 at the
3018:"British Trad Rock"
2786:Harris, pg. 369–70.
2739:Harris, pg. 321–22.
2663:. Bonus interviews.
2450:The Daily Telegraph
2386:Harris, pg. 210–11.
2377:Harris, pg. 203–04.
2196:on 12 November 2011
2082:on 9 December 2010.
1485:DMA's live at Leeds
1110:influences such as
1087:Oasis' third album
457:" was described by
445:and American based
217:, which evoked the
3866:. 1 September 2020
3691:Hills End by DMA's
3608:on 10 January 2019
3035:"Roll over Britpop
2995:Ashgate Publishing
2777:Harris, p. 347–48.
2756:. 11 January 1997.
2721:on 21 October 2012
2607:"Noel Gallagher".
2038:The New York Times
1887:"Explore: Britpop"
1496:Famous First Words
1487:
1320:
1246:the Rolling Stones
1214:
1048:
992:the Rolling Stones
928:
892:was to 1992, what
694:Justine Frischmann
596:'s fourth single "
590:
520:Ocean Colour Scene
476:
437:(for whom Oasis's
425:scene, fronted by
358:of the 1970s, and
4701:Rock music genres
4653:
4652:
4644:Portal:Rock music
4407:
4406:
4354:Independent music
4315:
4314:
4284:Alternative metal
4257:Post-punk revival
4191:Latin alternative
4059:Alternative dance
3909:. 7 January 1995.
3192:"Travis: Singles"
2434:. 26 August 1995.
2412:. 12 August 1995.
2300:. 16 January 2018
1796:978-1-4094-9407-2
1724:on 25 August 2017
1718:Independent.co.uk
1546:Rachel Chinouriri
1441:The Britpop Story
1410:the White Stripes
1386:post-punk revival
1288:Mulder and Scully
1258:the Supernaturals
1236:and particularly
817:BBC Radio 6 Music
811:as leader of the
388:Adam and the Ants
348:British pop music
230:independent music
184:
183:
55:Stylistic origins
36:British pop music
18:Battle of Britpop
16:(Redirected from
4708:
4641:
4629:
4628:
4434:
4427:
4420:
4411:
4395:
4394:
4280:
4184:Industrial metal
3957:Alternative rock
3950:
3943:
3936:
3927:
3876:
3875:
3873:
3871:
3856:
3850:
3849:
3847:
3845:
3840:. 27 August 2020
3830:
3824:
3818:
3812:
3806:
3800:
3794:
3788:
3787:
3785:
3783:
3760:
3754:
3753:
3751:
3749:
3734:
3728:
3727:
3725:
3723:
3708:
3702:
3701:
3700:
3698:
3686:
3680:
3679:
3677:
3675:
3650:
3644:
3643:
3641:
3639:
3624:
3618:
3617:
3615:
3613:
3594:
3588:
3587:
3585:
3583:
3568:
3562:
3561:
3550:
3544:
3543:
3541:
3539:
3530:. Archived from
3517:
3511:
3510:
3508:
3506:
3491:
3485:
3470:
3461:
3451:
3445:
3430:
3424:
3423:, pp. 42 and 45.
3409:
3403:
3401:
3400:
3398:
3383:
3377:
3362:
3356:
3355:
3353:
3351:
3337:
3330:
3321:
3311:
3305:
3295:
3289:
3279:
3270:
3255:
3249:
3239:
3233:
3222:
3216:
3205:
3199:
3188:
3182:
3167:
3161:
3154:
3148:
3133:
3124:
3113:
3107:
3090:
3084:
3073:
3067:
3052:
3046:
3038:
3031:
3025:
3015:
3009:
3008:
2986:
2975:
2966:S. T. Erlewine,
2964:
2955:
2940:
2934:
2923:
2914:
2896:
2890:
2880:
2869:
2854:
2839:
2838:
2836:
2834:
2814:
2808:
2798:
2787:
2784:
2778:
2775:
2769:
2768:Harris, pg. 354.
2766:
2757:
2751:
2746:
2740:
2737:
2731:
2730:
2728:
2726:
2717:. Archived from
2707:
2698:
2682:
2676:
2670:
2664:
2656:
2650:
2649:
2647:
2645:
2630:
2621:
2620:
2604:
2595:
2594:
2592:
2590:
2575:
2569:
2568:
2566:
2564:
2549:
2543:
2542:
2540:
2538:
2527:
2521:
2520:Harris, pg. 235.
2518:
2512:
2511:
2509:
2507:
2493:
2482:
2481:
2473:
2462:
2461:
2459:
2457:
2441:
2435:
2428:
2422:
2421:Harris, pg. 230.
2419:
2413:
2406:
2400:
2393:
2387:
2384:
2378:
2375:
2369:
2368:Harris, pg. 201.
2366:
2360:
2359:
2357:
2355:
2341:
2335:
2334:
2332:
2330:
2316:
2310:
2309:
2307:
2305:
2294:"INTERVIEW: Cud"
2290:
2284:
2283:
2281:
2279:
2265:
2259:
2258:
2238:
2232:
2231:
2229:
2227:
2212:
2206:
2205:
2203:
2201:
2190:"The BRITs 1995"
2186:
2180:
2179:Harris, pg. 178.
2177:
2171:
2170:
2168:
2166:
2157:. Archived from
2147:
2141:
2138:
2132:
2129:
2123:
2117:
2102:
2101:
2089:
2083:
2066:
2055:
2049:
2043:
2042:
2028:
2022:
2021:Harris, pg. 295.
2019:
2013:
2012:Harris, pg. 296.
2010:
2004:
1997:
1991:
1990:
1982:
1976:
1975:
1965:
1956:
1955:
1953:
1951:
1935:
1929:
1928:
1926:
1924:
1903:
1897:
1896:
1883:
1874:
1873:Harris, pg. 385.
1871:
1865:
1855:
1849:
1848:
1846:
1844:
1827:
1821:
1820:
1807:
1801:
1800:
1780:
1774:
1773:
1755:
1749:
1740:
1734:
1733:
1731:
1729:
1720:. Archived from
1709:
1703:
1702:
1688:
1682:
1681:
1659:
1593:Stephen Merchant
1534:’s triple album
1527:Radical Optimism
1286:, whose single "
1121:
1074:1996 Brit Awards
1069:The Great Escape
1028:Peak and decline
1014:Girls & Boys
882:Definitely Maybe
849:Inspiral Carpets
829:British Invasion
780:Definitely Maybe
772:1995 Brit Awards
763:Definitely Maybe
736:These Animal Men
707:
435:Inspiral Carpets
326:
317:
225:of that decade.
221:and the British
219:Swinging Sixties
199:alternative rock
189:was a mid-1990s
152:British Invasion
117:Derivative forms
109:Cultural origins
66:British Invasion
61:Alternative rock
47:
21:
4716:
4715:
4711:
4710:
4709:
4707:
4706:
4705:
4656:
4655:
4654:
4649:
4617:
4541:
4469:
4443:
4438:
4408:
4403:
4383:
4311:
4278:
4213:Neo-psychedelia
4179:Industrial rock
4038:
4031:
3959:
3954:
3880:
3879:
3869:
3867:
3858:
3857:
3853:
3843:
3841:
3832:
3831:
3827:
3819:
3815:
3807:
3803:
3795:
3791:
3781:
3779:
3762:
3761:
3757:
3747:
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3736:
3735:
3731:
3721:
3719:
3710:
3709:
3705:
3696:
3694:
3688:
3687:
3683:
3673:
3671:
3652:
3651:
3647:
3637:
3635:
3626:
3625:
3621:
3611:
3609:
3602:The Independent
3596:
3595:
3591:
3581:
3579:
3570:
3569:
3565:
3560:. 3 March 2003.
3552:
3551:
3547:
3537:
3535:
3534:on 15 June 2011
3522:"Viewing guide"
3519:
3518:
3514:
3504:
3502:
3493:
3492:
3488:
3471:
3464:
3452:
3448:
3431:
3427:
3410:
3406:
3396:
3394:
3385:
3384:
3380:
3363:
3359:
3349:
3347:
3335:
3332:
3331:
3324:
3312:
3308:
3296:
3292:
3282:"Stereophonics"
3280:
3273:
3256:
3252:
3240:
3236:
3223:
3219:
3206:
3202:
3189:
3185:
3168:
3164:
3155:
3151:
3134:
3127:
3114:
3110:
3104:Stylus Magazine
3100:Wayback Machine
3091:
3087:
3074:
3070:
3053:
3049:
3036:
3032:
3028:
3016:
3012:
3005:
2988:
2987:
2978:
2965:
2958:
2941:
2937:
2924:
2917:
2907:Wayback Machine
2897:
2893:
2881:
2872:
2855:
2842:
2832:
2830:
2816:
2815:
2811:
2799:
2790:
2785:
2781:
2776:
2772:
2767:
2760:
2749:
2747:
2743:
2738:
2734:
2724:
2722:
2709:
2708:
2701:
2692:Wayback Machine
2683:
2679:
2671:
2667:
2657:
2653:
2643:
2641:
2632:
2631:
2624:
2606:
2605:
2598:
2588:
2586:
2577:
2576:
2572:
2562:
2560:
2559:. 23 March 2013
2551:
2550:
2546:
2536:
2534:
2529:
2528:
2524:
2519:
2515:
2505:
2503:
2495:
2494:
2485:
2475:
2474:
2465:
2455:
2453:
2443:
2442:
2438:
2429:
2425:
2420:
2416:
2407:
2403:
2399:. 17 June 1995.
2394:
2390:
2385:
2381:
2376:
2372:
2367:
2363:
2353:
2351:
2343:
2342:
2338:
2328:
2326:
2318:
2317:
2313:
2303:
2301:
2292:
2291:
2287:
2277:
2275:
2267:
2266:
2262:
2255:
2240:
2239:
2235:
2225:
2223:
2214:
2213:
2209:
2199:
2197:
2188:
2187:
2183:
2178:
2174:
2164:
2162:
2149:
2148:
2144:
2140:Harris, pg. 79.
2139:
2135:
2131:Harris, pg. 57.
2130:
2126:
2118:
2105:
2091:
2090:
2086:
2067:
2058:
2050:
2046:
2030:
2029:
2025:
2020:
2016:
2011:
2007:
1998:
1994:
1984:
1983:
1979:
1967:
1966:
1959:
1949:
1947:
1937:
1936:
1932:
1922:
1920:
1919:on 30 June 2018
1905:
1904:
1900:
1895:. January 2011.
1885:
1884:
1877:
1872:
1868:
1856:
1852:
1842:
1840:
1829:
1828:
1824:
1819:. 16 July 2015.
1816:TheGuardian.com
1809:
1808:
1804:
1797:
1782:
1781:
1777:
1770:
1757:
1756:
1752:
1741:
1737:
1727:
1725:
1711:
1710:
1706:
1690:
1689:
1685:
1678:
1661:
1660:
1653:
1648:
1621:
1564:
1517:Silence Is Loud
1479:
1477:Britpop revival
1275:The Remote Part
1181:
1175:
1119:
1078:Different Class
1030:
1005:Top of the Pops
996:Chas & Dave
923:ITV News at Ten
906:
845:the Stone Roses
785:Different Class
726:had dubbed the
705:
569:
516:The Boo Radleys
427:the Stone Roses
343:
342:
341:
340:
329:
328:
327:
319:
318:
307:
244:of the 1980s.
43:
40:Britpop (album)
28:
23:
22:
15:
12:
11:
5:
4714:
4712:
4704:
4703:
4698:
4693:
4688:
4683:
4681:1990s in music
4678:
4673:
4668:
4658:
4657:
4651:
4650:
4648:
4647:
4635:
4622:
4619:
4618:
4616:
4615:
4610:
4605:
4600:
4595:
4590:
4585:
4580:
4575:
4570:
4565:
4563:Brill Building
4560:
4555:
4549:
4547:
4546:Related styles
4543:
4542:
4540:
4539:
4534:
4533:
4532:
4527:
4517:
4512:
4511:
4510:
4505:
4495:
4494:
4493:
4483:
4477:
4475:
4471:
4470:
4468:
4467:
4462:
4457:
4451:
4449:
4445:
4444:
4439:
4437:
4436:
4429:
4422:
4414:
4405:
4404:
4402:
4401:
4388:
4385:
4384:
4382:
4381:
4379:Outsider music
4376:
4371:
4366:
4361:
4356:
4351:
4346:
4339:
4334:
4329:
4323:
4321:
4320:Related topics
4317:
4316:
4313:
4312:
4310:
4309:
4304:
4299:
4294:
4288:
4286:
4277:
4276:
4271:
4270:
4269:
4259:
4254:
4249:
4244:
4239:
4238:
4237:
4236:
4235:
4230:
4220:
4210:
4205:
4204:
4203:
4193:
4188:
4187:
4186:
4176:
4175:
4174:
4169:
4164:
4159:
4158:
4157:
4152:
4142:
4132:
4131:
4130:
4120:
4115:
4114:
4113:
4103:
4098:
4093:
4088:
4083:
4078:
4073:
4072:
4071:
4061:
4056:
4055:
4054:
4052:Gothic country
4043:
4041:
4033:
4032:
4030:
4029:
4028:
4027:
4026:
4025:
4015:
4010:
4005:
4000:
3999:
3998:
3993:
3983:
3973:
3967:
3965:
3961:
3960:
3955:
3953:
3952:
3945:
3938:
3930:
3924:
3923:
3916:
3910:
3901:
3888:Harris, John.
3885:
3884:
3878:
3877:
3851:
3825:
3813:
3801:
3789:
3755:
3729:
3716:Popmatters.com
3703:
3681:
3645:
3619:
3589:
3578:. 13 June 2011
3563:
3558:News.bbc.co.uk
3545:
3512:
3486:
3484:, pp. 163–178.
3462:
3446:
3425:
3404:
3378:
3357:
3346:. 17 July 2019
3322:
3306:
3290:
3271:
3250:
3234:
3217:
3213:McNeil Tribune
3200:
3183:
3162:
3149:
3125:
3108:
3085:
3068:
3047:
3026:
3010:
3004:978-0754668053
3003:
2976:
2956:
2935:
2915:
2891:
2870:
2840:
2809:
2788:
2779:
2770:
2758:
2741:
2732:
2699:
2677:
2665:
2651:
2622:
2596:
2570:
2544:
2522:
2513:
2483:
2463:
2436:
2423:
2414:
2401:
2388:
2379:
2370:
2361:
2336:
2311:
2285:
2260:
2253:
2233:
2207:
2181:
2172:
2161:on 4 June 2011
2142:
2133:
2124:
2103:
2084:
2056:
2044:
2023:
2014:
2005:
2003:. 8 June 1996.
1992:
1977:
1957:
1930:
1898:
1875:
1866:
1850:
1822:
1802:
1795:
1775:
1768:
1750:
1748:February 1995.
1735:
1704:
1683:
1676:
1650:
1649:
1647:
1644:
1643:
1642:
1637:
1632:
1627:
1620:
1617:
1602:Chain Reaction
1572:Noel Gallagher
1563:
1560:
1556:The Libertines
1478:
1475:
1430:Arctic Monkeys
1406:the Black Keys
1398:the Libertines
1358:multi-platinum
1260:from Glasgow.
1177:Main article:
1174:
1171:
1157:bands such as
1095:Noel Gallagher
1029:
1026:
1018:Noel Gallagher
1012:" and Blur's "
964:Saddam Hussein
942:" and Oasis' "
905:
902:
900:was to 1993."
821:Stuart Maconie
700:and leader of
696:, formerly of
672:' inactivity.
622:Brett Anderson
582:Brett Anderson
568:
565:
555:bands such as
541:binge drinking
492:Noel Gallagher
455:There She Goes
439:Noel Gallagher
400:Andy Partridge
350:of the 1960s,
333:Andy Partridge
331:
330:
321:
320:
312:
311:
310:
309:
308:
306:
303:
215:Cool Britannia
182:
181:
180:
179:
174:
169:
164:
159:
157:Cool Britannia
154:
149:
141:
140:
136:
135:
129:
128:
124:
123:
118:
114:
113:
110:
106:
105:
104:
103:
98:
93:
88:
83:
78:
73:
68:
63:
56:
52:
51:
26:
24:
14:
13:
10:
9:
6:
4:
3:
2:
4713:
4702:
4699:
4697:
4694:
4692:
4689:
4687:
4684:
4682:
4679:
4677:
4674:
4672:
4669:
4667:
4664:
4663:
4661:
4646:
4645:
4640:
4636:
4634:
4633:
4624:
4623:
4620:
4614:
4611:
4609:
4606:
4604:
4601:
4599:
4596:
4594:
4591:
4589:
4586:
4584:
4581:
4579:
4576:
4574:
4571:
4569:
4566:
4564:
4561:
4559:
4556:
4554:
4551:
4550:
4548:
4544:
4538:
4535:
4531:
4528:
4526:
4523:
4522:
4521:
4518:
4516:
4513:
4509:
4506:
4504:
4503:Dunedin Sound
4501:
4500:
4499:
4496:
4492:
4489:
4488:
4487:
4484:
4482:
4479:
4478:
4476:
4472:
4466:
4463:
4461:
4458:
4456:
4453:
4452:
4450:
4446:
4442:
4435:
4430:
4428:
4423:
4421:
4416:
4415:
4412:
4400:
4399:
4390:
4389:
4386:
4380:
4377:
4375:
4372:
4370:
4367:
4365:
4362:
4360:
4357:
4355:
4352:
4350:
4347:
4345:
4344:
4340:
4338:
4335:
4333:
4330:
4328:
4325:
4324:
4322:
4318:
4308:
4305:
4303:
4300:
4298:
4295:
4293:
4290:
4289:
4287:
4285:
4281:
4275:
4272:
4268:
4265:
4264:
4263:
4260:
4258:
4255:
4253:
4250:
4248:
4245:
4243:
4240:
4234:
4231:
4229:
4226:
4225:
4224:
4221:
4219:
4216:
4215:
4214:
4211:
4209:
4206:
4202:
4199:
4198:
4197:
4194:
4192:
4189:
4185:
4182:
4181:
4180:
4177:
4173:
4170:
4168:
4165:
4163:
4160:
4156:
4153:
4151:
4150:Dunedin Sound
4148:
4147:
4146:
4143:
4141:
4138:
4137:
4136:
4133:
4129:
4126:
4125:
4124:
4121:
4119:
4116:
4112:
4109:
4108:
4107:
4104:
4102:
4099:
4097:
4094:
4092:
4089:
4087:
4084:
4082:
4079:
4077:
4074:
4070:
4067:
4066:
4065:
4062:
4060:
4057:
4053:
4050:
4049:
4048:
4045:
4044:
4042:
4040:
4039:fusion genres
4034:
4024:
4021:
4020:
4019:
4016:
4014:
4011:
4009:
4006:
4004:
4001:
3997:
3994:
3992:
3991:Post-hardcore
3989:
3988:
3987:
3986:Hardcore punk
3984:
3982:
3979:
3978:
3977:
3974:
3972:
3969:
3968:
3966:
3962:
3958:
3951:
3946:
3944:
3939:
3937:
3932:
3931:
3928:
3921:
3917:
3914:
3911:
3908:
3907:
3902:
3899:
3898:0-306-81367-X
3895:
3891:
3887:
3886:
3882:
3881:
3865:
3861:
3855:
3852:
3839:
3835:
3829:
3826:
3822:
3817:
3814:
3810:
3805:
3802:
3798:
3793:
3790:
3778:
3774:
3770:
3766:
3759:
3756:
3744:
3743:GlobalNewsHub
3740:
3733:
3730:
3717:
3713:
3707:
3704:
3693:
3692:
3685:
3682:
3670:
3666:
3662:
3661:
3656:
3649:
3646:
3634:
3630:
3627:Daly, Rhian.
3623:
3620:
3607:
3603:
3599:
3593:
3590:
3577:
3573:
3567:
3564:
3559:
3555:
3549:
3546:
3533:
3529:
3528:
3523:
3516:
3513:
3500:
3496:
3490:
3487:
3483:
3482:0-7546-6805-3
3479:
3475:
3469:
3467:
3463:
3459:
3455:
3450:
3447:
3443:
3442:0-19-537371-5
3439:
3435:
3429:
3426:
3422:
3421:0-7119-9601-6
3418:
3414:
3408:
3405:
3393:
3389:
3382:
3379:
3375:
3374:1-84353-105-4
3371:
3367:
3361:
3358:
3345:
3344:
3339:
3329:
3327:
3323:
3319:
3315:
3310:
3307:
3303:
3299:
3294:
3291:
3287:
3283:
3278:
3276:
3272:
3268:
3267:0-87930-653-X
3264:
3260:
3254:
3251:
3247:
3243:
3238:
3235:
3231:
3227:
3221:
3218:
3214:
3210:
3204:
3201:
3197:
3193:
3187:
3184:
3180:
3179:0-87930-653-X
3176:
3172:
3166:
3163:
3159:
3153:
3150:
3146:
3145:0-7546-5898-8
3142:
3138:
3132:
3130:
3126:
3122:
3118:
3115:A. Petridis,
3112:
3109:
3105:
3101:
3097:
3094:
3089:
3086:
3082:
3078:
3072:
3069:
3065:
3064:0-7546-5373-0
3061:
3057:
3051:
3048:
3044:
3040:
3033:A. Petridis,
3030:
3027:
3023:
3019:
3014:
3011:
3006:
3000:
2996:
2992:
2985:
2983:
2981:
2977:
2973:
2969:
2963:
2961:
2957:
2953:
2952:0-7486-1745-0
2949:
2945:
2939:
2936:
2932:
2928:
2922:
2920:
2916:
2912:
2908:
2904:
2901:
2895:
2892:
2888:
2885:
2879:
2877:
2875:
2871:
2868:, pp. 369–70.
2867:
2866:0-306-81367-X
2863:
2859:
2853:
2851:
2849:
2847:
2845:
2841:
2828:
2824:
2820:
2813:
2810:
2806:
2802:
2797:
2795:
2793:
2789:
2783:
2780:
2774:
2771:
2765:
2763:
2759:
2755:
2745:
2742:
2736:
2733:
2720:
2716:
2712:
2706:
2704:
2700:
2696:
2693:
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2662:
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2640:
2636:
2629:
2627:
2623:
2618:
2614:
2610:
2603:
2601:
2597:
2585:
2581:
2574:
2571:
2558:
2554:
2548:
2545:
2532:
2526:
2523:
2517:
2514:
2502:
2498:
2492:
2490:
2488:
2484:
2479:
2472:
2470:
2468:
2464:
2452:
2451:
2446:
2440:
2437:
2433:
2427:
2424:
2418:
2415:
2411:
2405:
2402:
2398:
2392:
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2383:
2380:
2374:
2371:
2365:
2362:
2350:
2346:
2340:
2337:
2325:
2321:
2315:
2312:
2299:
2298:Shiiineon.com
2295:
2289:
2286:
2274:
2270:
2264:
2261:
2256:
2254:9780754658580
2250:
2246:
2245:
2237:
2234:
2222:
2218:
2211:
2208:
2195:
2191:
2185:
2182:
2176:
2173:
2160:
2156:
2152:
2146:
2143:
2137:
2134:
2128:
2125:
2121:
2116:
2114:
2112:
2110:
2108:
2104:
2099:
2095:
2088:
2085:
2081:
2077:
2076:
2071:
2065:
2063:
2061:
2057:
2053:
2048:
2045:
2040:
2039:
2034:
2027:
2024:
2018:
2015:
2009:
2006:
2002:
1996:
1993:
1988:
1981:
1978:
1973:
1972:
1964:
1962:
1958:
1946:
1945:
1940:
1934:
1931:
1918:
1914:
1913:
1912:Rolling Stone
1908:
1902:
1899:
1894:
1893:
1888:
1882:
1880:
1876:
1870:
1867:
1863:
1862:Marco Pirroni
1859:
1854:
1851:
1839:
1838:
1833:
1826:
1823:
1818:
1817:
1812:
1806:
1803:
1798:
1792:
1788:
1787:
1779:
1776:
1771:
1765:
1761:
1754:
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1746:
1739:
1736:
1723:
1719:
1715:
1708:
1705:
1700:
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1687:
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1679:
1677:9780826432360
1673:
1669:
1665:
1658:
1656:
1652:
1645:
1641:
1638:
1636:
1633:
1631:
1628:
1626:
1623:
1622:
1618:
1616:
1613:
1612:
1606:
1604:
1603:
1598:
1594:
1590:
1589:Jarvis Cocker
1586:
1582:
1578:
1573:
1569:
1561:
1559:
1557:
1553:
1552:
1547:
1543:
1539:
1538:
1533:
1529:
1528:
1523:
1519:
1518:
1513:
1508:
1506:
1502:
1501:All the Young
1498:
1497:
1492:
1483:
1476:
1474:
1472:
1468:
1464:
1463:
1458:
1454:
1450:
1446:
1442:
1437:
1435:
1431:
1427:
1426:Kaiser Chiefs
1423:
1419:
1415:
1411:
1407:
1403:
1399:
1395:
1391:
1387:
1383:
1379:
1375:
1374:
1369:
1365:
1364:
1359:
1355:
1354:
1349:
1345:
1341:
1337:
1333:
1329:
1325:
1317:
1313:
1309:
1305:
1303:
1299:
1298:Stereophonics
1295:
1294:
1289:
1285:
1281:
1277:
1276:
1271:
1267:
1263:
1259:
1254:
1251:
1247:
1243:
1239:
1235:
1231:
1230:Stereophonics
1227:
1223:
1219:
1211:
1207:
1206:
1201:
1200:
1195:
1194:
1189:
1185:
1180:
1172:
1170:
1168:
1164:
1163:Stereophonics
1160:
1156:
1152:
1151:
1146:
1145:
1140:
1136:
1132:
1128:
1123:
1117:
1113:
1109:
1105:
1100:
1096:
1092:
1091:
1085:
1083:
1079:
1075:
1071:
1070:
1065:
1061:
1060:
1055:
1054:
1045:
1041:
1040:
1034:
1027:
1025:
1023:
1019:
1015:
1011:
1007:
1006:
1001:
997:
993:
989:
983:
981:
977:
973:
969:
965:
959:
957:
953:
949:
945:
941:
940:Country House
937:
933:
925:
924:
919:
915:
910:
903:
901:
899:
895:
891:
887:
883:
879:
878:
873:
869:
865:
860:
858:
854:
850:
846:
842:
838:
834:
830:
826:
822:
818:
814:
810:
806:
802:
798:
793:
791:
790:Common People
787:
786:
781:
777:
773:
769:
765:
764:
759:
754:
750:
749:
744:
739:
737:
733:
729:
725:
724:
719:
715:
711:
703:
699:
695:
691:
687:
683:
681:
680:
675:
671:
667:
663:
659:
658:
653:
649:
645:
643:
639:
638:Saint Etienne
635:
631:
627:
623:
619:
618:
613:
612:
607:
603:
599:
595:
587:
583:
579:
578:
573:
566:
564:
562:
558:
554:
550:
546:
542:
538:
537:
531:
529:
525:
521:
517:
513:
509:
505:
501:
497:
493:
488:
486:
482:
473:
468:
464:
462:
461:
460:Rolling Stone
456:
452:
448:
444:
440:
436:
432:
431:Happy Mondays
428:
424:
420:
416:
411:
409:
405:
401:
397:
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389:
385:
381:
377:
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369:
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48:
45:
41:
37:
33:
19:
4642:
4630:
4396:
4374:Lollapalooza
4349:Campus radio
4341:
4274:Slacker rock
4091:Dark cabaret
4086:College rock
4069:Post-Britpop
4063:
3919:
3912:
3904:
3889:
3868:. Retrieved
3863:
3854:
3842:. Retrieved
3837:
3828:
3816:
3804:
3792:
3780:. Retrieved
3769:The Guardian
3768:
3758:
3746:. Retrieved
3742:
3732:
3720:. Retrieved
3718:. 8 May 2018
3715:
3706:
3695:, retrieved
3690:
3684:
3672:. Retrieved
3660:The Guardian
3658:
3648:
3636:. Retrieved
3632:
3622:
3610:. Retrieved
3606:the original
3601:
3592:
3580:. Retrieved
3575:
3566:
3557:
3548:
3536:. Retrieved
3532:the original
3525:
3515:
3503:. Retrieved
3489:
3473:
3457:
3449:
3433:
3428:
3412:
3407:
3395:, retrieved
3391:
3381:
3365:
3364:P. Buckley,
3360:
3348:. Retrieved
3341:
3317:
3309:
3301:
3293:
3285:
3258:
3253:
3245:
3237:
3229:
3220:
3212:
3203:
3195:
3186:
3170:
3165:
3157:
3152:
3136:
3121:The Guardian
3120:
3111:
3103:
3088:
3080:
3075:A. Begrand,
3071:
3055:
3054:M. Cloonan,
3050:
3043:The Guardian
3042:
3029:
3021:
3013:
2990:
2971:
2943:
2938:
2930:
2925:J. Goodden,
2910:
2894:
2886:
2882:S. Dowling,
2857:
2831:. Retrieved
2812:
2804:
2782:
2773:
2753:
2744:
2735:
2725:19 September
2723:. Retrieved
2719:the original
2714:
2680:
2668:
2658:
2654:
2642:. Retrieved
2638:
2609:Reel Stories
2608:
2587:. Retrieved
2583:
2573:
2563:18 September
2561:. Retrieved
2556:
2547:
2537:19 September
2535:. Retrieved
2525:
2516:
2506:18 September
2504:. Retrieved
2500:
2477:
2454:. Retrieved
2448:
2439:
2431:
2426:
2417:
2409:
2404:
2397:Melody Maker
2396:
2391:
2382:
2373:
2364:
2352:. Retrieved
2348:
2339:
2327:. Retrieved
2323:
2314:
2302:. Retrieved
2297:
2288:
2276:. Retrieved
2272:
2263:
2243:
2236:
2226:17 September
2224:. Retrieved
2210:
2198:. Retrieved
2194:the original
2184:
2175:
2163:. Retrieved
2159:the original
2145:
2136:
2127:
2119:
2097:
2087:
2080:the original
2073:
2051:
2047:
2036:
2026:
2017:
2008:
2000:
1995:
1987:Guitar World
1986:
1980:
1969:
1948:. Retrieved
1942:
1933:
1921:. Retrieved
1917:the original
1910:
1901:
1890:
1869:
1853:
1841:. Retrieved
1835:
1825:
1814:
1805:
1785:
1778:
1759:
1753:
1743:
1738:
1726:. Retrieved
1722:the original
1717:
1707:
1696:
1686:
1667:
1609:
1607:
1600:
1584:
1581:Graham Coxon
1565:
1549:
1536:
1525:
1515:
1512:Nia Archives
1509:
1494:
1491:Viva Brother
1488:
1471:Damien Hirst
1460:
1440:
1438:
1388:bands, like
1371:
1368:Chasing Cars
1361:
1356:(2000) went
1351:
1321:
1316:Chasing Cars
1291:
1273:
1255:
1215:
1203:
1197:
1191:
1179:Post-Britpop
1173:Post-Britpop
1155:Post-Britpop
1148:
1142:
1124:
1115:
1098:
1088:
1086:
1077:
1067:
1057:
1051:
1049:
1043:
1042:states, "as
1037:
1022:Graham Coxon
1003:
985:
961:
955:
944:Roll with It
935:
929:
921:
886:Melody Maker
885:
881:
875:
861:
836:
813:Labour Party
801:Damien Hirst
794:
783:
779:
775:
761:
752:
746:
742:
740:
721:
717:
713:
690:Damon Albarn
684:
677:
657:Melody Maker
655:
646:
615:
609:
606:The Drowners
591:
575:
534:
532:
511:
489:
481:Damon Albarn
477:
458:
453:hit single "
412:
344:
288:post-Britpop
281:
246:
227:
186:
185:
139:Other topics
121:Post-Britpop
44:
4588:Post-grunge
4369:Lo-fi music
4128:Post-grunge
4111:Wizard rock
4076:Chamber pop
4023:Gothic rock
3242:"Catatonia"
3224:J. Ankeny,
3190:M. Collar,
3081:Pop matters
2856:J. Harris,
2715:Brits.co.uk
2349:Inews.co.uk
2329:3 September
2304:3 September
2278:3 September
1597:BBC Radio 4
1570:bandleader
1562:Terminology
1449:John Harris
1402:the Strokes
1382:garage rock
1324:Snow Patrol
1312:Snow Patrol
1270:post-grunge
1250:Small Faces
1242:the Beatles
1202:(2002) and
1150:Urban Hymns
1144:OK Computer
1127:Spice Girls
1099:Be Here Now
1090:Be Here Now
988:the Beatles
825:BBC Radio 2
670:Stone Roses
630:the Auteurs
545:lad culture
528:John Harris
504:Kurt Cobain
404:Paul Weller
376:the Beatles
335:(left) and
195:Britishness
86:mod revival
4660:Categories
4613:Yacht rock
4603:Vocal surf
4578:Indie rock
4573:Dance-rock
4558:Beatlesque
4553:Beat music
4530:Skate punk
4498:Jangle pop
4460:Rock music
4448:Influences
4292:Funk metal
4267:Post-metal
4252:Pagan rock
4208:Mangue bit
4196:Madchester
4145:Jangle pop
4140:Indie folk
4135:Indie rock
4037:Styles and
4013:Proto-punk
4008:Noise rock
3996:Riot grrrl
3981:Avant-punk
3971:Jangle pop
3964:Precursors
3538:8 November
3505:8 November
3432:C. Smith,
3411:M. Roach,
3269:, p. 1076.
3226:"Idlewild"
3181:, p. 1157.
2898:S. Birke,
2801:"Coldplay"
2644:19 January
2200:4 December
1769:030681367X
1646:References
1640:Cool Cymru
1579:guitarist
1542:Charli XCX
1467:Tony Blair
1434:Bloc Party
1422:Razorlight
1353:Parachutes
1336:Starsailor
1280:Cool Cymru
1193:Parachutes
980:Mike Tyson
894:Manchester
868:Supergrass
857:Madchester
809:Tony Blair
805:John Major
778:(ahead of
662:shoegazing
586:Union Flag
549:Union Jack
539:magazine,
508:Wonderwall
443:shoegazing
423:Madchester
419:the Smiths
392:Ray Davies
372:Pink Floyd
370:and early
366:drew from
337:Ray Davies
277:New Labour
273:Tony Blair
223:guitar pop
213:movement,
162:Cool Cymru
71:Madchester
4608:Worldbeat
4598:Soft rock
4593:Post-punk
4568:Bubblegum
4537:Power pop
4515:Pop metal
4486:Indie pop
4474:Subgenres
4455:Pop music
4359:Indie pop
4307:Rap metal
4262:Post-rock
4247:Noise pop
4228:Blackgaze
4218:Dream pop
4162:Math rock
4106:Geek rock
4018:Post-punk
3976:Punk rock
3870:7 January
3844:7 January
3777:0261-3077
3722:9 January
3697:9 January
3674:9 January
3669:0261-3077
3638:9 January
3612:9 January
3582:9 January
3527:The Times
3444:, p. 240.
3392:Pitchfork
3207:S. Ross,
3158:Billboard
3147:, p. 190.
3135:S. Hill,
2954:, p. 188.
2931:BBC Wales
2324:Bbc.co.uk
2273:Bbc.co.uk
2098:Bbc.co.uk
1950:19 August
1939:"Britpop"
1843:29 August
1728:25 August
1548:’s album
1394:the Vines
1390:the Hives
1373:Eyes Open
1284:Catatonia
1222:the Verve
1218:Radiohead
1139:Radiohead
1135:the Verve
1131:Radiohead
898:Mr Blobby
833:John Robb
732:S*M*A*S*H
682:(1993).
561:Morrissey
368:the Kinks
360:indie pop
356:punk rock
352:glam rock
242:indie pop
238:punk rock
234:glam rock
172:power pop
127:Subgenres
96:indie pop
91:punk rock
81:glam rock
4520:Pop-punk
4491:Twee pop
4441:Pop rock
4398:Category
4302:Nu metal
4223:Shoegaze
4172:Slowcore
4167:New rave
4096:Dolewave
4003:New wave
3920:Pop Cult
3838:Vice.com
3458:AllMusic
3454:"Travis"
3343:BBC News
3318:AllMusic
3302:AllMusic
3298:"Feeder"
3286:AllMusic
3246:AllMusic
3230:AllMusic
3196:AllMusic
3096:Archived
3066:, p. 21.
3022:AllMusic
2972:AllMusic
2903:Archived
2887:BBC News
2827:Archived
2805:AllMusic
2688:Archived
2075:AllMusic
1944:AllMusic
1892:AllMusic
1858:Adam Ant
1745:The Face
1668:Pop Cult
1619:See also
1522:Dua Lipa
1453:BBC Four
1418:Coldplay
1378:Coldplay
1348:Coldplay
1282:", were
1266:Idlewild
1238:Coldplay
1196:(2000),
1188:Coldplay
1167:Coldplay
1112:Pavement
1082:Parklife
952:tabloids
877:Elastica
872:Menswear
841:the La's
776:Parklife
753:Parklife
748:Parklife
702:Elastica
598:Popscene
451:the La's
408:Adam Ant
380:Elastica
299:Coldplay
284:teen pop
207:shoegaze
167:pop-punk
101:new wave
4666:Britpop
4583:New Pop
4481:Emo pop
4465:Doo-wop
4337:Artists
4233:Nu gaze
4064:Britpop
3883:Sources
3864:Nme.com
3782:31 July
3748:31 July
3397:25 July
3350:17 July
2613:BBC Two
2589:26 July
2584:Nme.com
2557:Nme.com
2501:Nme.com
2456:14 June
2354:23 June
2165:9 April
1698:The Age
1537:Britpop
1532:AG Cook
1332:Embrace
1205:X&Y
890:Seattle
864:Sleeper
710:Nirvana
557:the Who
500:Nirvana
191:British
187:Britpop
50:Britpop
4525:2 Tone
4332:Anorak
4123:Grunge
3896:
3775:
3667:
3480:
3440:
3419:
3372:
3336:
3265:
3177:
3143:
3062:
3037:
3001:
2950:
2864:
2833:12 May
2750:
2251:
1923:11 May
1793:
1766:
1674:
1414:Travis
1302:Feeder
1262:Travis
1234:Feeder
1226:Travis
1159:Travis
1120:
976:Bosnia
837:Sounds
741:While
706:
666:grunge
617:Select
600:" and
577:Select
536:Loaded
472:grunge
447:grunge
378:, and
295:Travis
203:grunge
32:Bitpop
4201:Baggy
4118:Grebo
2533:. BBC
1568:Oasis
1505:DMA's
1457:Oasis
1344:Keane
1340:Doves
1328:Elbow
1108:lo-fi
948:Oasis
932:Oasis
918:Oasis
853:Baggy
758:Oasis
698:Suede
654:" by
634:Denim
626:Suede
611:Suede
602:Suede
474:music
415:indie
291:indie
269:Oasis
257:Suede
249:Oasis
76:baggy
38:, or
3894:ISBN
3872:2021
3846:2021
3784:2024
3773:ISSN
3750:2024
3724:2019
3699:2019
3676:2019
3665:ISSN
3640:2019
3614:2019
3584:2019
3576:Spin
3540:2010
3507:2010
3478:ISBN
3438:ISBN
3417:ISBN
3399:2011
3370:ISBN
3352:2019
3263:ISBN
3175:ISBN
3141:ISBN
3060:ISBN
2999:ISBN
2948:ISBN
2862:ISBN
2835:2018
2727:2019
2646:2021
2591:2017
2565:2019
2539:2019
2508:2019
2458:2019
2356:2019
2331:2020
2306:2020
2280:2020
2249:ISBN
2228:2018
2202:2011
2167:2011
1952:2012
1925:2018
1860:and
1845:2020
1791:ISBN
1764:ISBN
1730:2017
1672:ISBN
1577:Blur
1443:– a
1432:and
1408:and
1300:and
1248:and
1220:and
1165:and
1147:and
1133:and
990:and
978:and
966:was
916:and
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870:and
847:and
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734:and
686:Blur
674:Blur
648:Blur
642:Pulp
640:and
604:'s "
594:Blur
543:and
524:Cast
522:and
496:Ride
485:Blur
433:and
406:and
394:and
384:Wire
364:Blur
354:and
297:and
275:and
267:and
265:Blur
261:Pulp
259:and
253:Blur
236:and
177:Romo
4343:C86
4101:Emo
3906:NME
3633:NME
3499:BBC
2754:NME
2639:NME
2432:NME
2410:NME
2001:NME
1971:NME
1837:NPR
1611:NME
1599:'s
1595:on
1451:on
1445:BBC
1384:or
1116:NME
1053:NME
1039:NME
1000:Quo
974:in
956:NME
936:NME
768:BPI
723:NME
714:NME
553:mod
512:NME
502:'s
483:of
398:'s
396:XTC
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