Knowledge (XXG)

Benang: From the Heart

Source đź“ť

490:"For writing his second novel Benang Kim Scott conducted research for five years, tracing his family history through welfare files and from a diversity of sources. He confirmed that the novel was "inspired by research into his family and my growing awareness of the context of that family history". The novel is hence an imaginative blend of fact and fiction and archival documentation to explore in historical and emotional terms the shameful history of the White treatment of Australian aboriginal people without didacticism and bitterness or moral propaganda. It makes compelling reading, as it is a moving depiction of cultural oppression and the resilience of the 272:, and finding how one can return to their own culture. The novel presents how difficult it is to form a working history of a population who had been historically uprooted from their past. Benang follows Harley, a young man who has gone through the process of "breeding out the colour", as he pieces together his family history through documentation, such as photograph and his grandfather's notes, as well as memories and experiences. Harley and his family have undergone a process of colonial scientific experimentation called "breeding of the colour" which separated individuals from their 338: 418:
Captions to the photographs; full-blood, half-caste (first cross), quadroon, octoroon. There was a page of various fractions, possible permutations growing more and more convoluted. Of course, in the language of such mathematics it is simple; from the whole to the partial and back again. This much
240:
One of the main contexts in the novel deals with the process of "breeding out the colour". This was a process in which children were forcibly removed from their homes and assimilated into the white Australian society. These children were forced to "breed" with white Australians in order to lessen the
470:
I offer these words, especially, to those of you I embarrass, and who turn away from the shame of seeing me; or perhaps it is because your eyes smart as the wind blows the smoke a little toward you, and you hear something like a million million many-sized hearts beating, and whispering of the waves,
429:
There were a couple of family trees inscribed on the flyleaf. Trees? Father, they were sharply roll diagrams. My name is finished eat one. On another page there was a third, fourth. All leading to me. ? Routed in the margins of those diagrams, and I was sowing my own. Books everywhere, with
448:
Following branches of my family tree, I discovered a series of white men who—because they married Nyoongar woman and claimed their children—were exceptional. But their children grew in a climate of denial and shame that made it difficult for even a strong spirit to express itself. And there were
423:
Breeding Up. In the third or fourth generation no sign of native origin is apparent. The repetition of the boarding school process and careful breeding ... after two or three generations the advance should be so great that families should be living like the rest of the
398:
Raised to carry on one heritage, and ignore another, I find myself wishing to reverse that upbringing, not only for the sake of my children, but also for my ancestors, and for their children in turn. And therefore, inevitably, most especially, for myself. (Page 19/21)
256:
website, "The notion that the absorption or assimilation of some Aboriginal people into the European population is a form of genocide had gone around academic and leftist political circles long before Wilson's enquiry but gained enormous impetus from it",
516:, in the way the narrator speaks through his memories or stream of memories and facts. It is difficult to find what the narrator is going for but upon further reading all the memories, thoughts and emotions presenting in this novel finally come together. 245:, was a key player in this process and he believed that it would work. This process occurred due to the government's inability to classify mixed children for the government system, as well as their fear of what mixing would do for the society. 40: 241:
appearance of the Aboriginal in them. It was believed that through this continuous process that eventually there would be no trace of Aboriginal in the future generations. Chief Protector of Aborigines in Western Australia,
452:
Searching the archives I have come across photographs of ancestors which have been withdrawn from collections, presumably because evidence of a too-dark baby has embarrassed some descendant or other. (Page
436:
I understood that much effort had gone into arriving at me. At someone like me. I was intended as a product of a long and considered process which my grandfather had brought to a conclusion. (Page 28/30)
285:
Ernest Soloman Scat - Harley's paternal grandfather and scientist. His Experiments include the focus of "breeding out the color" from mixed children to form "first white man".
459:
The birth of even an unsuccessfully first-white-man-born-in-family-line has required a lot of death, a lot of space, a lot of emptiness. All of which I have had in abundance.
506:, factual information, history and memories. All of these help compose the complex and sometimes confusing narration of Benang. Writing styles can be compared to the novel 439:
It appeared that in the little family history my grandfather had bequeathed options had disappeared. It seems an inexorable process, this one of we becoming I. (Page 31/33)
561: 456:
Benang? Consider the spelling of hard-of-hearing and ignorant scribes: Benang, Pinyan; Winnery, Wyonin. The same people. We are of the same people. (Page 103/105)
751: 1661: 538: 1676: 675: 664: 394:
And it was in the subsequent search for the biological family of one of my girlfriends that so much trouble began, and led me to reconsider who I am.
1666: 503: 252:
are the mixed (Australian Aboriginal and white Australian) children who were forcibly removed from their homes and families. According to the
136: 642: 430:
strips of paper protruding from them like dry and shriveled tongues. The need for both biological and social absorption. Dilute the strain.
870: 744: 724: 1656: 977: 1681: 1379: 930: 1629: 858: 737: 551: 532: 415:. There were families grouped according to skin colour. And, sudden enough to startle me, my own image. (Page 25-26/27-28) 1605: 1367: 502:, one could see that the narration could be seen as unreliable. Narration and writing style used are similar to that of 442:
Whatever the confusions of my genealogy, there seems little doubt my grandfather intended to be my creator. (Page 32/34)
158: 348: 1671: 1040: 384:
As reluctant as I am to face it, I may be the successful end of a long line of failures. Or is it the other way round?
1546: 1403: 1272: 947: 887: 1551: 1080: 846: 445:
Perhaps, perhaps it is not so much a question of the colour of the skin as the colour of the mind... (Page 48/50)
1558: 601: 581: 1277: 942: 576: 526: 1510: 1427: 1289: 1170: 1092: 1057: 1033: 1016: 982: 918: 863: 799: 596: 212: 1534: 1486: 1052: 834: 586: 273: 269: 827: 1522: 1372: 1241: 1229: 1104: 875: 822: 760: 571: 208: 1563: 1503: 1498: 1415: 989: 1575: 1474: 1296: 591: 253: 249: 463:
Sandy One was no white man. Just as I am no white man, despite the look of me...(Page 494/496)
1634: 1260: 1224: 1165: 1075: 556: 143: 131: 1319: 1265: 1150: 1143: 1138: 1131: 894: 224: 169: 63: 1617: 1598: 1391: 1384: 1348: 1236: 1200: 1028: 935: 923: 882: 508: 83: 1539: 1439: 1432: 1408: 1396: 1253: 1248: 1099: 1021: 1004: 965: 787: 719: 1650: 1622: 1610: 1462: 1420: 1126: 1087: 911: 839: 792: 780: 513: 300:
Daniel Coolman - Twin #1 who is Harley's maternal great-grandfather and cousin to the
242: 1570: 1527: 1467: 1205: 1155: 1009: 906: 804: 775: 621: 1491: 1343: 1324: 1301: 1212: 1188: 994: 970: 899: 851: 229: 694: 1444: 1360: 1355: 1284: 1217: 1119: 653: 1593: 1515: 1479: 1336: 1193: 1045: 680: 482: 219: 215: 115: 104: 53: 1114: 566: 491: 150: 39: 729: 17: 1331: 494:
people from the time of first contact with the White colonial power."
73: 407:. There were portraits arranged in pairs; one a snapshot labeled 733: 331: 248:
It was originally claimed that Australia was uninhabited. The
144: 471:
leaves, grasses... We are still here, Benang. (Page 495/497)
467:
Yes, I am something of a curiosity—even for my own people.
170: 363: 359: 355: 297:
Harriette Coolman - Harley's maternal great-grandmother
419:
was clear; I was a fraction of what I might have been.
317:
Constable (Sergeant) Hall - Father figure to Kathleen
29:
1999 novel by Indigenous Australian author Kim Scott
1585: 1454: 1311: 1180: 1067: 957: 814: 767: 190: 180: 168: 156: 142: 130: 122: 110: 100: 90: 79: 69: 59: 49: 695:"Austlit — Miles Franklin Literary Award (1957-)" 449:other children those same fathers did not claim. 562:Declaration on the Rights of Indigenous Peoples 320:Sandy One Mason - White great-great-grandfather 388:So... So, by way of introduction, here I come: 745: 358:. Consider transferring direct quotations to 288:Harley Scat - The main character of the novel 8: 433:'Well, old man, f*** me white.' (Page 27/29) 32: 752: 738: 730: 411:, the other a studio photograph captioned 38: 31: 539:Western Australian Premier's Book Awards 613: 390:The first white man born. (Page 10/12) 323:Fanny - Nyoogar great-great-grandmother 676:"Literary Review: Identity narratives" 349:too many or overly lengthy quotations 7: 403:Various people, all classifiable as 314:Jack Chatalong - Kathleen's Brother 1662:Miles Franklin Award-winning works 294:Kathleen Chatalong - Jack's sister 25: 1677:Indigenous Australian literature 336: 1667:Novels set in Western Australia 978:The Unknown Industrial Prisoner 622:"Austlit — Benang by Kim Scott" 291:Auber Neville - Ernest's Cousin 1249:The Hand That Signed the Paper 931:Three Cheers for the Paraclete 529:, Creative Prose, 2001: winner 1: 1630:Chai Time at Cinnamon Gardens 859:The Cupboard Under the Stairs 552:2000 in Australian literature 541:, Fiction Award, 1999: winner 533:Miles Franklin Literary Award 1368:Journey to the Stone Country 222:. The award was shared with 1041:Swords and Crowns and Rings 328:Passages, Quotes and Themes 308:Will Coolman - Daniel's son 1698: 1404:The Ballad of Desmond Kale 1273:The Glade Within the Grove 871:Careful, He Might Hear You 486:, K. Kunhikrishnan wrote: 413:Identical with above child 847:The Well Dressed Explorer 725:Publisher's reading notes 311:Patrick Coolman - Twin #2 37: 602:White Stolen Generations 582:Moseley Royal Commission 480:Reviewing the novel for 356:summarize the quotations 943:Clean Straw for Nothing 527:Kate Challis RAKA Award 504:stream of consciousness 1657:1999 Australian novels 1511:All the Birds, Singing 1428:The Time We Have Taken 1017:Poor Fellow My Country 919:Bring Larks and Heroes 597:White Australia policy 304:Chatalongs (Irishman) 276:families and origins. 204:Benang: From the Heart 176:PR9619.3.S373 B46 1999 1682:Fremantle Press books 1535:Black Rock White City 1053:A Woman of the Future 835:Riders in the Chariot 587:Our Generation (film) 274:Indigenous Australian 270:cultural assimilation 1523:The Eye of the Sheep 876:Sumner Locke Elliott 761:Miles Franklin Award 572:History of Australia 535:, 2000: joint winner 209:Miles Franklin Award 1564:Michelle de Kretser 1504:Michelle de Kretser 1499:Questions of Travel 44:First edition cover 34: 1672:Stolen Generations 1576:Melissa Lucashenko 1475:That Deadman Dance 828:Elizabeth O'Conner 665:Stolen Generations 643:Stolen Generations 592:Stolen Generations 254:Stolen Generations 250:Stolen Generations 211:-winning novel by 185:True Country  1644: 1643: 1635:Shankari Chandran 1261:Highways to a War 1225:The Ancestor Game 1166:Oscar and Lucinda 1076:The Impersonators 557:Cultural genocide 381: 380: 200: 199: 137:978-1-86368-240-4 101:Publication place 16:(Redirected from 1689: 1559:The Life to Come 1552:Josephine Wilson 1266:Christopher Koch 1151:Dancing on Coral 1144:Elizabeth Jolley 1132:Christopher Koch 1081:Jessica Anderson 895:The Slow Natives 754: 747: 740: 731: 707: 706: 704: 702: 691: 685: 684:, April 06, 2003 673: 667: 662: 656: 651: 645: 640: 634: 633: 631: 629: 618: 376: 373: 367: 340: 339: 332: 268:is about forced 236:Context of Novel 191:Followed by 181:Preceded by 172: 146: 92:Publication date 42: 35: 21: 1697: 1696: 1692: 1691: 1690: 1688: 1687: 1686: 1647: 1646: 1645: 1640: 1618:Bodies of Light 1599:Tara June Winch 1581: 1450: 1392:The White Earth 1385:Shirley Hazzard 1349:Frank Moorhouse 1307: 1237:The Grisly Wife 1201:The Great World 1176: 1161:No award (1988) 1110:No award (1983) 1063: 1029:The Glass Canoe 1000:No award (1973) 953: 948:George Johnston 936:Thomas Keneally 924:Thomas Keneally 888:George Johnston 883:My Brother Jack 810: 763: 758: 716: 711: 710: 700: 698: 693: 692: 688: 674: 670: 663: 659: 652: 648: 641: 637: 627: 625: 620: 619: 615: 610: 548: 522: 478: 409:As I found them 389: 377: 371: 368: 362:or excerpts to 353: 341: 337: 330: 282: 263: 238: 161: 111:Media type 93: 84:Fremantle Press 45: 30: 23: 22: 15: 12: 11: 5: 1695: 1693: 1685: 1684: 1679: 1674: 1669: 1664: 1659: 1649: 1648: 1642: 1641: 1639: 1638: 1626: 1614: 1602: 1589: 1587: 1583: 1582: 1580: 1579: 1567: 1555: 1543: 1531: 1519: 1507: 1495: 1483: 1471: 1458: 1456: 1452: 1451: 1449: 1448: 1436: 1433:Steven Carroll 1424: 1412: 1409:Roger McDonald 1400: 1397:Andrew McGahan 1388: 1380:The Great Fire 1376: 1364: 1352: 1340: 1328: 1315: 1313: 1309: 1308: 1306: 1305: 1293: 1281: 1269: 1257: 1254:Helen Darville 1245: 1233: 1221: 1209: 1197: 1184: 1182: 1178: 1177: 1175: 1174: 1162: 1159: 1147: 1135: 1123: 1111: 1108: 1100:Just Relations 1096: 1084: 1071: 1069: 1065: 1064: 1062: 1061: 1049: 1037: 1025: 1022:Xavier Herbert 1013: 1005:The Mango Tree 1001: 998: 986: 974: 966:A Horse of Air 961: 959: 955: 954: 952: 951: 939: 927: 915: 903: 891: 879: 867: 855: 843: 831: 818: 816: 812: 811: 809: 808: 800:The Big Fellow 796: 788:To the Islands 784: 771: 769: 765: 764: 759: 757: 756: 749: 742: 734: 728: 727: 722: 720:Middlemiss.org 715: 714:External links 712: 709: 708: 686: 668: 657: 654:COLOURED FOLK. 646: 635: 612: 611: 609: 606: 605: 604: 599: 594: 589: 584: 579: 574: 569: 564: 559: 554: 547: 544: 543: 542: 536: 530: 521: 518: 496: 495: 477: 474: 473: 472: 468: 461: 460: 457: 454: 450: 446: 443: 440: 437: 434: 431: 427: 420: 416: 396: 395: 386: 385: 379: 378: 344: 342: 335: 329: 326: 325: 324: 321: 318: 315: 312: 309: 302: 301: 298: 295: 292: 289: 286: 281: 278: 262: 259: 237: 234: 198: 197: 192: 188: 187: 182: 178: 177: 174: 166: 165: 162: 157: 154: 153: 148: 140: 139: 134: 128: 127: 124: 120: 119: 112: 108: 107: 102: 98: 97: 94: 91: 88: 87: 81: 77: 76: 71: 67: 66: 61: 57: 56: 51: 47: 46: 43: 28: 24: 14: 13: 10: 9: 6: 4: 3: 2: 1694: 1683: 1680: 1678: 1675: 1673: 1670: 1668: 1665: 1663: 1660: 1658: 1655: 1654: 1652: 1636: 1632: 1631: 1627: 1624: 1623:Jennifer Down 1620: 1619: 1615: 1612: 1611:Amanda Lohrey 1608: 1607: 1606:The Labyrinth 1603: 1600: 1596: 1595: 1591: 1590: 1588: 1584: 1577: 1573: 1572: 1568: 1565: 1561: 1560: 1556: 1553: 1549: 1548: 1544: 1541: 1537: 1536: 1532: 1529: 1525: 1524: 1520: 1517: 1513: 1512: 1508: 1505: 1501: 1500: 1496: 1493: 1489: 1488: 1487:All That I Am 1484: 1481: 1477: 1476: 1472: 1469: 1465: 1464: 1460: 1459: 1457: 1453: 1446: 1442: 1441: 1437: 1434: 1430: 1429: 1425: 1422: 1421:Alexis Wright 1418: 1417: 1413: 1410: 1406: 1405: 1401: 1398: 1394: 1393: 1389: 1386: 1382: 1381: 1377: 1374: 1370: 1369: 1365: 1362: 1358: 1357: 1353: 1350: 1346: 1345: 1341: 1338: 1334: 1333: 1329: 1326: 1322: 1321: 1317: 1316: 1314: 1310: 1303: 1299: 1298: 1294: 1291: 1287: 1286: 1282: 1279: 1275: 1274: 1270: 1267: 1263: 1262: 1258: 1255: 1251: 1250: 1246: 1243: 1239: 1238: 1234: 1231: 1227: 1226: 1222: 1219: 1215: 1214: 1210: 1207: 1203: 1202: 1198: 1195: 1191: 1190: 1186: 1185: 1183: 1179: 1172: 1168: 1167: 1163: 1160: 1157: 1153: 1152: 1148: 1145: 1141: 1140: 1136: 1133: 1129: 1128: 1127:The Doubleman 1124: 1121: 1117: 1116: 1112: 1109: 1106: 1102: 1101: 1097: 1094: 1090: 1089: 1085: 1082: 1078: 1077: 1073: 1072: 1070: 1066: 1059: 1058:David Ireland 1055: 1054: 1050: 1047: 1043: 1042: 1038: 1035: 1034:David Ireland 1031: 1030: 1026: 1023: 1019: 1018: 1014: 1011: 1007: 1006: 1002: 999: 996: 992: 991: 987: 984: 983:David Ireland 980: 979: 975: 972: 968: 967: 963: 962: 960: 956: 949: 945: 944: 940: 937: 933: 932: 928: 925: 921: 920: 916: 913: 912:Peter Mathers 909: 908: 904: 901: 897: 896: 892: 889: 885: 884: 880: 877: 873: 872: 868: 865: 864:George Turner 861: 860: 856: 853: 849: 848: 844: 841: 840:Patrick White 837: 836: 832: 829: 825: 824: 820: 819: 817: 813: 806: 802: 801: 797: 794: 793:Randolph Stow 790: 789: 785: 782: 781:Patrick White 778: 777: 773: 772: 770: 766: 762: 755: 750: 748: 743: 741: 736: 735: 732: 726: 723: 721: 718: 717: 713: 696: 690: 687: 683: 682: 677: 672: 669: 666: 661: 658: 655: 650: 647: 644: 639: 636: 623: 617: 614: 607: 603: 600: 598: 595: 593: 590: 588: 585: 583: 580: 578: 575: 573: 570: 568: 565: 563: 560: 558: 555: 553: 550: 549: 545: 540: 537: 534: 531: 528: 524: 523: 519: 517: 515: 514:Toni Morrison 511: 510: 505: 501: 493: 489: 488: 487: 485: 484: 475: 469: 466: 465: 464: 458: 455: 451: 447: 444: 441: 438: 435: 432: 428: 425: 421: 417: 414: 410: 406: 402: 401: 400: 393: 392: 391: 383: 382: 375: 365: 361: 357: 351: 350: 345:This article 343: 334: 333: 327: 322: 319: 316: 313: 310: 307: 306: 305: 299: 296: 293: 290: 287: 284: 283: 279: 277: 275: 271: 267: 260: 258: 255: 251: 246: 244: 243:A. O. Neville 235: 233: 231: 227: 226: 221: 217: 214: 210: 206: 205: 196: 193: 189: 186: 183: 179: 175: 173: 171:LC Class 167: 163: 160: 159:Dewey Decimal 155: 152: 149: 147: 141: 138: 135: 133: 129: 125: 121: 117: 113: 109: 106: 103: 99: 95: 89: 85: 82: 78: 75: 72: 68: 65: 62: 58: 55: 52: 48: 41: 36: 27: 19: 1628: 1616: 1604: 1592: 1586:2020–present 1571:Too Much Lip 1569: 1557: 1545: 1540:A. S. Patrić 1533: 1528:Sofie Laguna 1521: 1509: 1497: 1485: 1473: 1468:Peter Temple 1461: 1438: 1426: 1414: 1402: 1390: 1378: 1366: 1354: 1342: 1330: 1318: 1295: 1283: 1278:David Foster 1271: 1259: 1247: 1235: 1223: 1211: 1206:David Malouf 1199: 1187: 1164: 1156:Glenda Adams 1149: 1137: 1125: 1113: 1098: 1086: 1074: 1051: 1039: 1027: 1015: 1010:Ronald McKie 1003: 988: 976: 964: 941: 929: 917: 905: 893: 881: 869: 857: 845: 833: 823:The Irishman 821: 805:Vance Palmer 798: 786: 774: 701:21 September 699:. Retrieved 689: 679: 671: 660: 649: 638: 626:. Retrieved 616: 577:History wars 507: 499: 497: 481: 479: 462: 426:(Page 26/28) 422: 412: 408: 404: 397: 387: 369: 354:Please help 346: 303: 265: 264: 261:Plot summary 247: 239: 223: 203: 202: 201: 194: 184: 26: 1547:Extinctions 1492:Anna Funder 1416:Carpentaria 1373:Alex Miller 1344:Dark Palace 1325:Thea Astley 1302:Murray Bail 1290:Peter Carey 1242:Rodney Hall 1230:Alex Miller 1213:Cloudstreet 1189:Oceana Fine 1171:Peter Carey 1105:Rodney Hall 1093:Peter Carey 995:Thea Astley 990:The Acolyte 971:Dal Stivens 900:Thea Astley 852:Thea Astley 230:Thea Astley 164:823/.914 21 86:, Australia 1651:Categories 1445:Tim Winton 1361:Tim Winton 1356:Dirt Music 1297:Eucalyptus 1285:Jack Maggs 1218:Tim Winton 1120:Tim Winton 628:5 December 608:References 424:community. 405:Aboriginal 372:March 2023 364:Wikisource 280:Characters 216:Australian 213:Indigenous 207:is a 1999 195:Lost  1594:The Yield 1516:Evie Wyld 1480:Kim Scott 1455:2010–2019 1337:Kim Scott 1312:2000–2009 1194:Tom Flood 1181:1990–1999 1068:1980–1989 1046:Ruth Park 958:1970–1979 815:1960–1969 768:1957–1959 697:. Austlit 681:The Hindu 624:. Austlit 483:The Hindu 360:Wikiquote 347:contains 220:Kim Scott 116:Paperback 105:Australia 80:Publisher 54:Kim Scott 1320:Drylands 1139:The Well 1115:Shallows 567:Genocide 546:See also 498:Reading 492:Nyoongar 225:Drylands 151:41877548 60:Language 509:Beloved 476:Reviews 218:author 114:Print ( 64:English 33:Benang 1637:(2023) 1625:(2022) 1613:(2021) 1601:(2020) 1578:(2019) 1566:(2018) 1554:(2017) 1542:(2016) 1530:(2015) 1518:(2014) 1506:(2013) 1494:(2012) 1482:(2011) 1470:(2010) 1447:(2009) 1440:Breath 1435:(2008) 1423:(2007) 1411:(2006) 1399:(2005) 1387:(2004) 1375:(2003) 1363:(2002) 1351:(2001) 1339:(2000) 1332:Benang 1327:(2000) 1304:(1999) 1292:(1998) 1280:(1997) 1268:(1996) 1256:(1995) 1244:(1994) 1232:(1993) 1220:(1992) 1208:(1991) 1196:(1990) 1173:(1989) 1158:(1987) 1146:(1986) 1134:(1985) 1122:(1984) 1107:(1982) 1095:(1981) 1083:(1980) 1060:(1979) 1048:(1978) 1036:(1977) 1024:(1976) 1012:(1974) 997:(1972) 985:(1971) 973:(1970) 950:(1969) 938:(1968) 926:(1967) 914:(1966) 902:(1965) 890:(1964) 878:(1963) 866:(1962) 854:(1962) 842:(1961) 830:(1960) 807:(1959) 795:(1958) 783:(1957) 520:Awards 500:Benang 453:97/99) 266:Benang 126:497 pp 50:Author 18:Benang 1463:Truth 1088:Bliss 123:Pages 74:Novel 70:Genre 907:Trap 776:Voss 703:2023 630:2023 525:The 145:OCLC 132:ISBN 96:1999 1633:by 1621:by 1609:by 1597:by 1574:by 1562:by 1550:by 1538:by 1526:by 1514:by 1502:by 1490:by 1478:by 1466:by 1443:by 1431:by 1419:by 1407:by 1395:by 1383:by 1371:by 1359:by 1347:by 1335:by 1323:by 1300:by 1288:by 1276:by 1264:by 1252:by 1240:by 1228:by 1216:by 1204:by 1192:by 1169:by 1154:by 1142:by 1130:by 1118:by 1103:by 1091:by 1079:by 1056:by 1044:by 1032:by 1020:by 1008:by 993:by 981:by 969:by 946:by 934:by 922:by 910:by 898:by 886:by 874:by 862:by 850:by 838:by 826:by 803:by 791:by 779:by 512:by 228:by 1653:: 678:, 232:. 753:e 746:t 739:v 705:. 632:. 374:) 370:( 366:. 352:. 118:) 20:)

Index

Benang

Kim Scott
English
Novel
Fremantle Press
Australia
Paperback
ISBN
978-1-86368-240-4
OCLC
41877548
Dewey Decimal
LC Class
Miles Franklin Award
Indigenous
Australian
Kim Scott
Drylands
Thea Astley
A. O. Neville
Stolen Generations
Stolen Generations
cultural assimilation
Indigenous Australian
too many or overly lengthy quotations
summarize the quotations
Wikiquote
Wikisource
The Hindu

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.

↑