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her minute and meticulous brushwork paradoxically reveals a profoundly creative, gestural, and "calligraphically expressive" quality drawn from her daily calligraphy routine. Through her hypnotic, obsessive endurance, and execution both painstaking and nuanced, one senses the loving power of nature itself as it crafts animate life from inanimate matter. Her work has been described by critic
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for her efforts and commitment to alternative education and research. The curriculum was designed to engage students in critical and creative thinking through studies of different perspectives through the eyes of artists, arts critics, and professionals whose work is related to critical and creative thinking, such as experts working in art, dance, filmmaking and media.
136:. He described the work as “arguably the largest ink painting ever made, the artist expresses a communion with both nature and traditions. Situated in the discourse on today’s artistic practice, this is truly a work of contemporary art, which employs traditional Chinese aesthetics to enrich the definition and language of contemporary artistic expressions.”
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is the most impressive in Bingyi's series of land and weather works. Made in
Jiangxi Province's Longhu mountains, one of the most sacred sites in China, the painting registers the effects of wind, sun, humidity, air pressure, and terrain with ink and water on bespoke xuan paper. Installed again
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Bingyi is also known for launching the Lizard
Institute in Beijing, which focuses on the research and nurturing of creativity. She has offered free education to students from top institutions internationally. Caixin Magazine journalist Li Hong describes Bingyi as “A New Kind of Modern Arts Educator”
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In 2019, Bingyi created “The Time Tower” in the city of
Nanjing. The "Time Tower" is a 15-meter-high tower-shaped showpiece consisting of 28 huge screens constructed at the city of Nanjing. Various digital images and videos were projected onto the 28 screens, offering unique sensory experiences for
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In 2018, Bingyi re-created an ink waterfall at Emei mountain. The 200-meter-long painting descended from the top of the mountain and ran down the watercourse where the original waterfall had ceased to flow. The Emei Ink
Waterfall became the central installation of Bingyi's 2018 solo exhibition “The
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In 2020, Bingyi launched her "Grand Song and Sacred Temple" projects in Xiuwu, Henan province. This project includes her grand installation, concert in
Taihang Mountains, her grand ink painting installation inside of the famous Reception Hall at Philadelphia Museum of Art, her performance entitled
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became an internet sensation. Working with the conditions of suspension, gravity, land, and wind, she bombarded an airfield with 20-kilogram (44 lb) oil-and-ink "bombs"—500 kilograms of material in total—launched from a helicopter. The resulting monumental canvas, a record of the performance
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tradition yet manages to also work in different media and domains such as urban planning, film-making, poetry-writing and multi-media installations. At the other end of her wide-ranging practice, Bingyi explores the microscopic origins of organic life in intimate, small-format paintings, in which
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Bingyi is best known for her enormous-scale ink paintings in which she works, over months or years, with the environmental conditions of a specific site, to capture a reality-scaled record of the climatic and topological forces shaping a natural or urban landscape. She is also known for her "ink
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as "epic" in scale. After working as an archeologist and art historian, Bingyi began showing her paintings in 2007. Bingyi's first large ink painting installation, 18 by 23 meters, opened at
Chicago's Smart Museum of Art in 2011, in an exhibition curated by
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visitors. Bingyi named “The Time Tower” a “light architecture”, which combines spatial and sensory experiences into the beauty of information flow. On the same day, Bingyi opened her 1000-meter installation in
Shenzhen, entitled "The Skin of the Ocean".
198:"Calling the Soul: the Taihang Rhapsody" at PMA and her poetic documentary film entitled 2020. Bingyi's revival of Song Shanshui paintings has been perceived as the most grandiose and most cross-culture/medium of her generation.
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In
October 2013, Bingyi occupied the center of Toronto's city hall to create an 1,800-square-meter ink painting over the course of a twelve-hour outdoor public performance entitled
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in 2001 and a
Doctorate in Art History from Yale University in 2005. Her dissertation entitled "Rereading Mawangdui, From Chu to Han" was ranked the sixth most read dissertation by
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was a highlight of the art fair and was centrally featured in a variety of media outlets, including being selected as one of the top fifteen booths by Artsy.
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and event, was installed at the center of the airport. In early 2014 Bingyi created an 18 by 22 meter ink painting/installation work entitled
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Since 2015, Bingyi has concentrated on a film project documenting the disappearance of
Beijing's hutongs. Her narrative film trilogy
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Guest, Luise (1 September 2018). "(In)visible ink: Outsiders at the Yaji, the ink installations of Bingyi and Tao Aimin".
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bomb" Shanshui paintings using forces such as helicopters. She is one of the most provocative painters within the
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295:"Department of Homeland Security Exec's Dissertation on Globalization Tops ProQuest's Best-Selling Dissertations"
190:, Canada, China, Germany, South Korea, Spain, Turkey, and the United States. Her work was included in the 7th
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702:"Beijing- and Los Angeles-based artist Bingyi performs at PMA as a part of "Oneness: Nature & Connect"
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Hong, Yu (3 January 2020). "'Time Tower' shines at Nanjing Youth Olympic Lighting Art Festival 2020".
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in a different manner for the Encounters public program of Art Basel Hong Kong 2016,
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774:"Participated in the 2024 Jerusalem Biennale | Bingyi: Emei Mountains"
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556:"Whenever there's Art Basel, there's the seductive Encounters Sector"
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Contemporary ©hinese art : a history : 1970s>2000s
325:"Between Heaven And Earth: Bingyi's Meditative Ink Paintings"
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Majid, Amjad. "Seeing the Unseen World: The Art of Bingyi".
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will premier at the Los Angeles County Museum of Art.
684:"Bingyi: "The Eyes of Chaos Remaking the Song Palace""
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Impossible Landscapes” at the Ink Studio in Beijing.
607:"A New Kind of Modern Arts Educator - Caixin Global"
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Wu, Hung (July–August 2011). "On Bingyi's Cascade".
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352:"Jonathan Goodman on Bingyi Huang at Max Protetch"
186:Bingyi's artwork has been exhibited in Australia,
143:. Less than three months later, she created
842:Yale Graduate School of Arts and Sciences alumni
475:"What to do in Toronto: Nuit Blanche with Kids"
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778:2024 Jerusalem Biennale | Museum on the Seam
439:: CS1 maint: numeric names: authors list (
382:"Solo Show: Bingyi Huang – Seamlessly Lost"
81:born 1975), is a Chinese artist, curator,
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216:She Turned a Yuan Temple into Her Home
113:amongst 70,000 dissertations in 2006.
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235:List of Chinese contemporary artists
141:Metamorphosis: To the Non-earthlings
554:The Typewriter (17 February 2017).
494:Journal of Contemporary Chinese Art
807:21st-century Chinese women artists
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350:Goodman, Jonathan (March 2008).
202:Films with material about Bingyi
407:Wu Hung, (1945- ...). (2014).
101:Bingyi received her B.A. from
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574:"Bingyi Emei Waterfall Video"
827:Mount Holyoke College alumni
817:Chinese contemporary artists
812:21st-century Chinese artists
748:Bingyi Huang at Max Protetch
473:Farr, Jen (2 October 2014).
209:The Enduring Passion for Ink
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724:Philadelphia Museum of Art
688:Philadelphia Museum of Art
706:The Philadelphia Inquirer
222:Meet the artists | Bingyi
212:(2013) by Britta Erickson
506:10.1386/jcca.5.2-3.175_1
105:in 1998, her M. A. from
837:Chinese women activists
720:"Performance by Bingyi"
411:. Thames & Hudson.
852:Chinese women painters
760:Bingyi's at ArtNet.com
743:Bingyi's official site
87:architectural designer
593:People’s Daily Online
293:Taylor, Tina (2006).
269:"Bingyi 冰逸 biography"
103:Mount Holyoke College
822:Artists from Beijing
753:5 March 2016 at the
690:. 30 September 2022.
611:www.caixinglobal.com
362:on 14 September 2008
218:(2015) by Yitiao App
224:(2024) by Art Basel
331:. 28 November 2013
832:Chinese activists
479:TorontoMomNow.com
418:978-0-500-23920-9
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797:1975 births
664:(in German)
616:28 February
560:ArtMagazine
462:: Number 4.
54:Nationality
791:Categories
578:Ink Studio
392:7 December
366:7 December
309:7 December
273:Ink Studio
241:References
74:(Chinese:
522:192808981
514:2051-7041
435:cite book
427:918692574
299:DataTimes
97:Education
751:Archived
668:15 March
642:15 March
633:"Bingyi"
543:(6): 22.
229:See also
124:shanshui
111:ProQuest
65:Painting
335:9 March
278:9 March
188:Belgium
134:Wu Hung
83:scholar
57:Chinese
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388:. 2009
154:Wanwu.
149:Epoché
145:Epoché
72:Bingyi
25:Bingyi
518:S2CID
181:Ruins
162:Wanwu
157:Wanwu
670:2018
644:2018
618:2020
510:ISSN
441:link
423:OCLC
413:ISBN
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