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589:. Its highly concentrated pigment is similar to traditional gouache, but it is mixed with an acrylic-based binder, unlike traditional gouache, which is mixed with gum arabic. It is water-soluble when wet and dries to a matte, opaque, and water-resistant surface when dry. Acrylic gouache differs from
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is often added. Gouache differs from watercolor in that the particles are typically larger, the ratio of pigment to binder is much higher, and an additional white filler such as chalk—a "body"—may be part of the paint. This makes gouache heavier and more opaque than watercolor, and endows it with
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Later that century, for decorative uses "poster paint" (as it is known in the U.S.), was mass-produced, based on the much cheaper dextrin binder. It was sold in cans or as a powder to be mixed with water. The dextrin replaced older paint types based on
360:. During the twentieth century, gouache began to be specially manufactured in tubes for more refined artistic purposes. Initially, gum arabic was used as a binder but soon cheaper brands were based on dextrin, as is most paint for children.
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that differs from the one it has when wet (lighter tones generally dry darker and darker tones tend to dry lighter), which can make it difficult to match colors over multiple painting sessions. Its quick coverage and total
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paintings. Gouache was typically made by mixing watercolours based on gum arabic with an opaque white pigment. In the nineteenth century, watercolours began to be industrially produced in tubes and a "
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in that it is normally used in an opaque painting style and it can form a superficial layer. Many manufacturers of watercolor paints also produce gouache, and the two can easily be used together.
321:, also refers to paintings using this opaque method. "Guazzo", Italian for "mud", was originally a term applied to the early 16th-century practice of applying
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348:" tube was added to boxes for this purpose. Gouache tends to be used in conjunction with watercolor, and often ink or pencil, in 19th-century paintings.
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197:. When the paint is sold as a paste, e.g. in tubes, the dextrin has usually been mixed with an equal volume of water. To improve the adhesive and
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Gouache paints come in many colors and are usually mixed with water to achieve the desired working properties and to control the opacity when dry.
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Gouache is today much used by commercial artists for works such as posters, illustrations, comics, and for other design work. Most 20th-century
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in that it can be rewetted and dried to a matte finish, and the paint can become infused into its paper support. It is similar to
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245:" is desirable for its speed as the paint layer dries completely by the relatively quick evaporation of the water.
150:. Gouache has a long history, having been used for at least twelve centuries. It is used most consistently by
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During the eighteenth century gouache was often used in a mixed technique, for adding fine details in
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qualities of the paint, as well as the flexibility of the rather brittle paint layer after drying,
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The use of gouache is not restricted to the basic opaque painting techniques using a brush and
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256:. As with all types of paint, gouache has been used on unusual surfaces from Braille paper to
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series is a good example of the technique. A new variation in the formula of the paint is
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are predominantly examples of gouache. The term gouache, derived from the
Italian
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771:"The Minassian Collection of Persian, Mughal, and Indian Miniature Paintings"
680:. Cambridge: Center for Conservation and Technical Studies, Fogg Art Museum.
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313:. Although they are often described as "watercolor", Persian miniatures and
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The alternative term "body color" is sometimes one word "bodycolor".
260:. A variation of traditional application is the method used in the
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Expressive Figure
Drawing: New Materials, Concepts, and Techniques
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with watercolor paint used for the backgrounds. Using gouache as "
189:. Just as in watercolor, the binding agent has traditionally been
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base, which could give a matted effect. In the 18th century in
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726:"Beyond Retinal Titillation: Seeing Red: Blog: Vienna Parreno"
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but since the late nineteenth century cheaper varieties use
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because it contains additives to ensure the matte finish.
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A relatively new variation in the formula of the paint is
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524:, 1909, 38 cm × 25 cm (15 in ×
797:, Viking Adult; 5th revised and updated edition, 1991.
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between 1835 and 1840; watercolour and gouache on paper
226:" paintings take advantage of this, as do the works of
381:, 50.5 cm × 38.5 cm (20 in ×
818:. New York: Watson-Guptill Publications. p. 50.
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795:The Artist's Handbook of Materials and Techniques
377:by Hans Simon Holtzbecker, 1649–1659, gouache on
568:Roman Nyman, stage design for a drama, 1923.
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843:"Bodycolor", thedrawingsite.com, 2009, web:
477:(1887–1932), 31 cm × 42 cm (
703:Water Color, Gouache, and Casein Painting
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293:12th-century Buddhist manuscript, India
237:used it to create an opaque color on a
218:mean that gouache lends itself to more
130:is a water-medium paint consisting of
649:Schilderkunst — materiaal en techniek
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337:was applied to opaque watermedia.
134:, water, a binding agent (usually
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651:. Amerongen: Gaade. p. 113.
297:A form of gouache, with honey or
37:. For the French wine grape, see
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305:. It was also used in European
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550:Léon Bénigni, cover design for
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206:greater reflective qualities.
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301:gum as a binder, was used in
222:techniques than watercolor. "
209:Gouache generally dries to a
181:Gouache paint is similar to
154:for posters, illustrations,
146:. Gouache is designed to be
142:), and sometimes additional
851:Gouache at MSN Encarta-8754
751:The Oxford Companion to Art
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267:(cut collages) created by
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303:Ancient Egyptian painting
158:, and other design work.
30:For the jazz album, see
888:Encyclopædia Britannica
672:Cohn, Marjorie (1977).
307:illuminated manuscripts
891:(11th ed.). 1911.
847:(archived 2012-02-27).
814:Buchman, Bill (2010).
749:Osborne, Harold (ed),
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161:Gouache is similar to
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865:Gouache from the Tate
753:, p. 496, 1970, OUP,
647:Doerner, Max (1977).
522:Young Girl with a Hat
518:Josep Maria Tamburini
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57:Jacob Philipp Hackert
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705:. New York: Studio.
701:Dehn, Adolf (1955).
911:Watercolor painting
853:archived 2009-10-28
411:and the Canal Basin
906:Painting materials
875:Info & history
374:Asphodelus ramosus
311:Persian miniatures
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152:commercial artists
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870:Demo of technique
775:library.brown.edu
434:Une cause célèbre
315:Mughal miniatures
128:opaque watercolor
16:(Redirected from
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452:, 1865–70,
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199:hygroscopic
177:Description
916:Watermedia
900:Categories
780:2020-08-10
759:019866107X
736:2008-07-23
687:0916724069
658:9060178289
629:References
299:tragacanth
274:Blue Nudes
235:animations
191:gum arabic
183:watercolor
171:oil paints
163:watercolor
136:gum arabic
124:body color
18:Bodycolour
538: in)
505: in)
436:, ca.1862
395: in)
379:parchment
354:hide glue
323:oil paint
264:découpées
262:gouaches
258:cardboard
597:See also
456:, Oxford
254:airbrush
837:Sources
711:1192031
574:Estonia
533:⁄
500:⁄
486:⁄
390:⁄
335:gouache
327:tempera
325:over a
285:History
167:acrylic
140:dextrin
115:French:
70:Gouache
35:(album)
33:Gouache
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553:Femina
409:Exeter
342:pastel
331:France
319:guazzo
271:. His
187:opaque
156:comics
148:opaque
65:, 1794
609:Notes
211:value
126:, or
820:ISBN
799:ISBN
755:ISBN
707:OCLC
682:ISBN
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358:size
413:by
356:or
239:cel
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