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landscapes and still lifes, some with allegorical, mythological or narrative themes. Overall, my work has been evenly divided between these different subjects, themes, and modes, and it has, not inappropriately, been identified with the realist, classicist and post-modernist tendencies in the art of this time. I say 'not appropriately' because some of these characteristic aspects of the art do in fact intertwine.
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244:, building form through large shapes in pale-toned values. This way of modeling is distinctly modernist: opaque paint strokes in both the lights and shadows, painted in sharp focus on a large scale in a pared-down environment. This initially placed his work alongside other similarly 'cool' figurative painters such as William Bailey,
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influence." Civitico eventually relocated to New
England to teach at the University of New Hampshire, where he taught noted still life painter Jeanne Duval. In 1987, he moved to Charleston, South Carolina, where he continued to teach privately, mentoring painter Patrick Servedio while actively exhibiting and accepting commissions.
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later described
Civitico as a modern classicist, in search of an allegory both fabulous and real. Civitico's aesthetics echo that description. David Carbone has called his figures "postpainterly," describing their "extreme sculptural tactility," which he theorizes, "hold the key to the expressiveness
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tradition, his subject matter spanned "classic themes of the figure, still life, and landscape." His "gently cubist-inflected" paintings relied on multiple perspectives to develop dialogues between the past and the present, with each illuminating the other in both simple still lifes and imaginative
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Civitico earned a BFA in Fine Arts at Pratt
Institute in 1966. In 1968, he was graduated from Indiana University with an MFA. After graduation, he returned to the Greater New York area to teach first at Princeton, then Temple University where painter Amy Weiskopf credits him for being her "biggest
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This group of drawings, studies, and paintings of female portraits and figures, span nearly forty years and present an almost continuous view of a segment of my work. There have been many other subjects ... male portraits and figures, multi-genre compositions in the landscape and in the interior,
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under
Director Paul Figeroa. A decade later, he was awarded his largest commission for a nine-foot by nine-foot tryptic mural, representing dance, music and theater for the Brooks Center for the Performing Arts, at the Clemson University College of Architecture, Arts and Humanities in Georgia.
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and Bruno
Civitico illuminate a contemporary consciousness with ancient light," he wrote. In 1982, Civitico described his interest"in the reinterpretation of mythological themes and the use of abstraction and simplification," as key elements in his work. The noted critic
276:," and likely accounts for Civitico's decade-long relationship with them, beginning with his first solo exhibition in the early 1970s. He went on to spend much of the next decade exhibiting at San Francisco's Contemporary Realist Gallery, beginning in 1985.
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Civitico is sometimes described as a South
Carolina artist because he spent the second half of his life there. But he was the only child of Italian-speaking parents, and born in Italy. He also strongly identified with Italian art, a preference
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The
Schoelkopf Gallery's "interest in figurative painting that incorporated elements of allegory, myth, fantasy, and dreams," The Smithsonian Archives explains in its finding aide"is evinced in files relating to artists such as
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The recipient of several honors, awards and fellowships, Civitico was a recipient of the 1990 Ingram-Merrill
Foundation Grant. In 1981, he won the Louis Comfort Tiffany Foundation Painting Prize, in 1980 he was awarded a
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critic James R. Mellow recognized when he wrote, in 1973, that
Civitico's work "hark back to Poussin and the Italian Renaissance masters in his landscape and allegorical paintings." A former student of the painter
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264:," he writes "the nude figures occupy a truly lyrical space," which he then contrasted to other "big, finished nudes" in the show, he considered "strained and artificial."
127:(September 1, 1942 – June 1, 2019) was an Italian-born American painter, draughtsman and teacher. He is widely considered to be "a major player in the development of
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Ingram-Merrill
Foundation Grant, Louis Comfort Tiffany Foundation Painting Prize, National Endowment for the Arts Fellowship, Guggenheim Foundation Fellowship
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James Gardner observed in 2008. "He conceives them as someone who had grown up in the vicinity of the full-bodied classicism of the Renaissance and of
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region of northwestern Italy. His family emigrated to the United States when he was nine, moving first to Minnesota and then to Paterson, New Jersey.
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But critic Frederick Turner had already analyzed Civitico's relationship to the past more than a decade earlier."Classical realist painters such as
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of his work," and which evolved from an early sympathy for "the closely observed perceptual representation of
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219:. There is an implicit comfort in, and respect for, these ancient traditions, such as you see in the art of
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196:, Civitico shared his fascination with figuration and myth, both rare interests in an era dominated by
785:, 1960-1990. Gibbes Museum of Art, Charleston, SC and Bayly Art Museum, Charlottesville, VA (catalog)
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207:"It is possible to find an equally strong Italian element in works, whether still-life or figural,"
1218:"OC Contemporary Gallery — Gallery - Studio - Design — Contemporary Art Gallery in San Clemente, CA"
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at the University of Virginia Charlottesville for the 1977 oil on canvas "Death of Eudamidas."
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Landscape Painting 1960-1990: The Italian Tradition in American Art. Gibbs Museum of Art.
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New Hampshire State Council on the Arts. 1989. "In Unexpected Places." Concord, NH.
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The Frick Collection: Archives Directory for the History of Collecting in America
832:"Figure Drawings Over 40 Years: Works by Bruno Civitico - the Bo Bartlett Center"
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North American Women Artists of the Twentieth Century: A Biographical Dictionary.
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Cooper, James F. 1993. "The Will to Beauty, Henri Matisse to Bruno Civitico."
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Between Perception & Invention: Three Generations of Figurative Artists.
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Civitico was born in 1942 in the municipality of Dignano D'Istria in the
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1990. The Italian Tradition in Contemporary American Landscape Painting
774:"An Introduction to Baldassarre Orsini's Saggio Sulla Pintura," 1995.
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Mac Masters Gallery, University of South Carolina, Columbia, SC, 2000.
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Between Earth and Heaven, New Classical Movements in the Art of Today
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Between Earth and Heaven, New Classical Movements in the Art of Today
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Routledge: Garland Reference Library of the Humanities (Book 1219),
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Landscape Painting 1960-1990, The Italian Tradition in American Art
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Contemporary Realist Gallery, San Francisco, CA, 1992, 1988, 1985.
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Realisti Americani. Galleria Il Fante di Spade, Rome, Italy, 1969
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Manchester Institute of Arts and Sciences, Manchester, NH, 1987.
252:." Carbone's reference to "tactile" expressiveness is echoed by
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Carolina Arts: A Publication Covering the Arts in the Carolinas
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Contemporary Realist Gallery, San Francisco, CA, 1992 (catalog)
506:. Bo Bartlett Center, Columbus State University, Georgia, 2018.
500:. The Brooks Center for the Performing Arts, Clemson, GA, 2000.
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Morris Museum, GA and Gibbes Museum of Art, SC, 1994 (catalog)
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Robert Schoelkopf Gallery, New York, NY, 1983, 80, 78, 76, 73.
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1115:"Archives Directory for the History of Collecting in America"
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Smithsonian Institution: Smithsonian Online Virtual Archives
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University of Virginia Art Museum, Charlottesville, VA, 2005
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Post Modernism: The New Classicism in Art and Architecture.
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Post Modernism: The New Classicism in Art and Architecture
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Indiana University, Bloomington, MFA; Pratt Institute, BFA
838:. 2020. Archived from the original on September 19, 2020
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Artists Who Look Back: Spirituality in Contemporary Art.
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The Italian Tradition in Contemporary Landscape Painting
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In 2000, prior to the opening of a retrospective called
928:"Vividly Told Contemporary Southern Narrative Painting"
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Civitico is known for painting in "styles ranging from
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Laderman, Gabriel. "An Analysis of Recent Paintings."
1096:"Robert Schoelkopf Gallery Records - Contents - SOVA"
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Sharon Arts Center, Peterborough, NH, 2005 (catalog)
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John Simon Guggenheim Memorial Foundation Fellowship
1257:For a wide aggregation of the artist's work, visit
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663:Mann, James. 1995. "The Mastery of Bruno Civitico,
534:Vassar College Art Gallery, Poughkeepsie, NY, 1969
131:," and "one of the most important artists of the
856:: CS1 maint: bot: original URL status unknown (
750:. Ostend, Belgium: Museum of Modern Art Catalog.
734:Aesthetics and Modernity: Essays by Agnes Heller
552:. De Cordova Museum, Lincoln, MA, 1976 (catalog)
540:The New York Cultural Center, New York, NY, 1972
574:. Robert Schoelkopf Gallery, New York, NY, 1983
951:"What, Exactly, is a "South Carolina Artist"?"
596:Vividly Told, Contemporary Narrative Painting.
676:Heller, Jules and Nancy G. Heller, ed. 1997.
610:. Museum of Modern Art, Ostend, Belgium, 2000
604:Museo Italo Americano, SF, CA, 1998 (catalog)
504:Figure Drawings Over 40 Years: Bruno Civitico
8:
1192:"Jeanne Duval - Artists - Spanierman Modern"
1137:"ULAN: Full Record Display (Getty Research)"
488:College of Charleston, Charleston, SC, 1995.
757:. Ann Arbor, Michigan: UMI Research Press.
558:Bayly Art Museum, Charlottesville, VA, 1978
519:Bard College, Annandale-on-Hudson, NY, 1969
491:Gibbes Museum of Art, Charleston, SC, 1995.
438:. Unsourced material may be challenged and
355:. Unsourced material may be challenged and
1248:for the early color screenprint "Emigres."
1071:"Morgan Russell, the Synchrornist Pioneer"
498:Opening Reception: Performing Arts Tryptic
223:and, more recently, in Bruno Civitico and
18:
1222:OC Contemporary Gallery - Studio - Design
580:. Boise Museum, Boise, ID, 1987 (catalog)
458:Learn how and when to remove this message
392:Fellowship and, in 1979, he received the
375:Learn how and when to remove this message
279:In 1990, Civitico curated the exhibition
16:Italian-born American painter (1942–2019)
970:"Civitico and Appel Art at 2 Galleries"
812:Agar, Eunice (1982). "Bruno Civitico".
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949:Gilkerson, Mary Bentz (Nov 11, 2011).
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632:Agar, Eunice. 1982. "Bruno Civitico."
175:Bruno Civitico: Portraits and Figures,
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886:"Bruno Civitico: American Classicism"
546:. MOMA, Penthouse, New York, NY, 1972
528:Fischbach Gallery, New York, NY, 1969
177:Civitico described his work this way:
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1001:"Muse, Mitigator, And Modern Master"
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436:adding citations to reliable sources
353:adding citations to reliable sources
1164:Groff, Larry (September 13, 2011).
755:American Realist Painting 1945-1980
736:. 2010. New York: Lexington Books,
1285:American people of Italian descent
1246:Fine Arts Museums of San Francisco
910:"McMaster Gallery - November 2000"
479:The Gallery, Portsmouth, NH, 1987.
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1305:Artists from Paterson, New Jersey
1069:Hilton, Kramer (March 20, 1976).
1027:"The Birth of Natural Classicism"
999:Gardner, James (March 11, 2008).
968:Mellow, James R. (Feb 3, 1973).
955:Free Times: The Post and Courier
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578:Modern Myths: Classical Renewal
556:Toward a Renewal of Classicism.
390:National Endowment for the Arts
84:Neoclassical Figurative Revival
1365:21st-century American painters
1310:American neoclassical painters
1295:20th-century American painters
636:Vol. 46 Issue 476, p. 42.
117:https://www.brunocivitico.com/
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1290:21st-century American artists
708:New York: St Martin's Press.
590:New American Figure Painting.
262:Group of Bathers in Landscape
1335:American still life painters
1135:J. Paul Getty Trust (2004).
1113:Morse, Leigh (May 5, 2020).
517:Varieties of Figurative Art.
1320:American landscape painters
1252:Bayly Art Museum Collection
1141:Union List of Artists Names
656:Lucie-Smith, Edward. 1999.
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1330:American portrait painters
1216:Servedio, Patrick (2017).
1025:Frederick, Turner (1996).
58:Charleston, South Carolina
1315:American realist painters
790:American Artists Magazine
746:Van den Busche, W. 2000.
634:American Artist Magazine.
154:, to a highly individual
1300:Painters from New Jersey
1261:under the artist's name.
1044:Jencks, Charles (1987).
814:American Artist Magazine
884:Carbone, David (2019).
776:American Arts Quarterly
706:What is Post Modernism?
704:Jencks, Charles. 1986.
690:Jencks, Charles. 1987.
668:American Arts Quarterly
646:Hollander, John. 1990.
641:American Arts Quarterly
544:Contemporary Landscapes
836:The Bo Bartlett Center
722:Pincus-Witen, Robert.
526:Direct Representation.
256:critic Hilton Kramer.
184:
1345:Neoclassical painters
1259:Google's image search
1048:. New York: Rizzoli.
620:Aspects of Influence,
566:Allan Frumkin Gallery
308:Academic affiliations
302:Friuli-Venezia Giulia
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36:Friuli-Venezia Giulia
1170:Painting Perceptions
1031:The Wilson Quarterly
932:Exhibition Catalogue
753:Ward, John L. 1989.
568:, New York, NY, 1981
538:The Realist Revival.
432:improve this section
349:improve this section
289:Gibbes Museum of Art
285:Spoleto Festival USA
1340:Still life painters
732:Rundell, John, ed.
694:New York: Rizzoli.
572:Still Life Painting
283:at the prestigious
200:and other forms of
138:revival movement."
1075:The New York Times
974:The New York Times
562:Narrative Painting
221:Giorgio de Chirico
209:The New York Sun's
161:." Working in the
148:perceptual realism
1360:Landscape artists
1196:Spanierman Modern
729:(November review)
511:Group exhibitions
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242:Philip Pearlstein
217:Bolognese Academy
213:Annibale Carracci
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92:Modern Classicism
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