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159:, where the cable itself is made up of cables, such as a three-cable plait made of strands that are themselves 2-cable plaits. In such cases, the "inner" cables sometimes go their separate ways, forming beautiful, complex patterns such as the branches of a tree. Another interesting effect is to have one cable "pierce" another cable, rather than having it pass over or under the other.
140:. This narrow gauge should be considered when changing from the cable stitch to another type of knitted fabric. If the number of stitches is not reduced, the second knitted fabric may flare out or pucker, due to its larger gauge. Thus, ribbed cuffs on an aran sweater may not contract around the wrist or waist, as would normally be expected. Conversely, stitches may need to be
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for storage while the stitches passing in front (or behind) are knitted. The former stitches are then transferred back to the original needle or knitted from the cable needle itself. Rather than use a cable needle, some knitters prefer to use a large safety pin or, for a single stitch, simply hold it
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of cables, a kind of ribbing made of cables where the individual cable strands can be exchanged freely. A typical example is a set of parallel two-cable plaits in which, every so often, the two cables of each plait separate, going left and right and integrating themselves in the neighbouring cables.
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A cable pattern is like a set of serpentine or wave-like cables, each one meandering around its own center line. A vast variety of cable patterns can be invented by changing the number of cables, the separations of their center lines, the amplitudes of their waves (i.e., how far they wander from
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Two cables should cross each other completely in a single row because making an intermediate crossing row of fewer stitches look good is very difficult. For example, where a pair of three-stitch-wide cables cross, all three stitches of one should cross over the three of the other cable.
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Many patterns made with cables do not have a rope-like quality. For example, a deep honeycomb pattern can be made by adjacent serpentines, first touching the neighbor on the left then the neighbor on the right. Other common patterns include a "Y"-like shape (and its inverse) and a
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Cables are often used to make braid patterns. Usually, the cables themselves are with a knit stitch while the background is done in purl. As the number of cables increases, the number of crossing patterns increases, as described by the
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Cable direction can have a left or right slant. Holding stitches to the front of the work on the cable needle creates a cable cross to the left. Holding the stitches to the back of the work will create a slant to the right.
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their center line), the shape of the waves (e.g., sinusoidal versus triangular), and the relative position of the crests and troughs of each wave (e.g., one wave crests as another is crossing its center line).
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A one-cable serpentine is simply a cable that moves sinusoidally left and right as it progresses. Higher-order braids are often made with such serpentines crossing over and under each other.
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A two-cable braid can look like a rope, if the cables always cross in the same way (e.g., left over right). Alternatively, it can look like two serpentines, one on top of the other.
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A three-cable braid is usually a simple plait (as often seen styled in long hair), but can also be made to look like the links in a chain, or as three independent serpentines.
180:. Various visual effects are also possible by shifting the center lines of the undulating cables, or by changing the space between the cables, making them denser or more open.
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in their fingers while knitting the other stitch(es). Cabling is typically done only when working on the right side of the fabric, i.e., every other row. This creates a
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and surrounded with reverse stocking; this causes the cables to stand out against a receding background. But any combination will do; for example, a background
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Cable knitting usually produces a fabric that is less flexible and more dense than typical knitting, having a much narrower
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Norah
Gaughan's knitted cable sourcebook : a breakthrough guide to knitting with cables and designing your own
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In the process, the right-going cable of one plait crosses the left-going cable of its neighbour, forming an "X".
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New cable patterns can also be inspired by pictures, scenes from nature, Celtic knotwork, and even the
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to maintain the gauge when changing from another knitted fabric such as stocking to a cable pattern.
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in the regions bounded by cables often looks striking. Another visually intriguing effect is
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stitches. For example, given four stitches appearing on the needle in the order
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The seven-cable braid is rarely used, possibly because it is very wide.
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Many consider cable knitting to reach its heights in the
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A four-cable braid allows for several crossing patterns.
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The stitches crossing behind are transferred to a small
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in which textures of crossing layers are achieved by
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Irish Cable
Knitting Aran: Volume One and Volume Two
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334:Cables Untangled: An Exploration of Cable Knitting
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352:, updated ed. (2002). Sixth and Spring Books.
195:The five-cable braid is sometimes called the
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340:Reader's Digest Complete Guide to Needlework
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350:Vogue Knitting: The Ultimate Knitting Book
69:Learn how and when to remove this message
32:This article includes a list of general
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443:List of yarns for crochet and knitting
206:The six-cable braid is also called a
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133:, which helps the fabric to relax.
38:it lacks sufficient corresponding
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376:, Irish Cable Knitting (2009) on
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1041:The Knitting Guild Association
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240:In some cases, one can form a
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1036:World Wide Knit in Public Day
1021:Revolutionary Knitting Circle
1031:UK Hand Knitting Association
321:Hiatt, June Hemmons (1988).
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599:Stockinette/Stocking stitch
344:Reader's Digest Association
147:Cables are usually done in
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323:The Principles of Knitting
1087:List of knitting stitches
877:Complete garment knitting
332:Leapman, Melissa (2006).
882:Fully fashioned knitting
1123:Stitches (textile arts)
53:more precise citations.
1082:Knitting abbreviations
955:Stephanie Pearl-McPhee
902:William Lee (inventor)
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1057:Basic knitted fabrics
197:Celtic princess braid
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980:Elizabeth Zimmermann
805:Three needle bindoff
790:Slip-stitch knitting
710:Drop-stitch knitting
327:Simon & Schuster
770:Picking up stitches
675:Binding/Casting off
537:Patons and Baldwins
522:Eisaku Noro Company
433:Knitting needle cap
421:Tools and materials
373:How to cable stitch
230:double helix of DNA
765:Medallion knitting
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178:braid group
153:seed stitch
51:introducing
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920:Sam Barsky
700:Casting on
690:Buttonhole
648:Techniques
614:Dip stitch
501:Variegated
274:References
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856:Fair Isle
810:Thrumming
785:Short row
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639:Yarn over
578:Norwegian
306:938991279
258:pattern.
98:permuting
1118:Knitting
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861:Intarsia
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592:Stitches
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553:Circular
414:Knitting
370:(Video)
342:(1979).
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825:Weaving
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750:Hemming
568:English
496:Novelty
486:Eyelash
378:YouTube
242:lattice
112:Methods
47:improve
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820:Twined
730:Gather
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680:Bobble
604:Garter
546:Styles
481:Bouclé
474:styles
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36:, but
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775:Pleat
735:Gauge
142:added
138:gauge
846:Aran
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760:Lace
583:Warp
573:Flat
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472:Yarn
302:OCLC
292:ISBN
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