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329:. This reconciliation of ideas was presented at the III Conference of Architects and Civil Engineers of Rome in 1883 in a document later to be known as the "Prima Carta del Restauro" or the Charter of Restoration. This inaugural charter provided a set of principles for the restoration and conservation of monuments. In his 1893 set of dialogues on historic monuments, he develops this into eight points to be taken into consideration in the restoration of historical monuments:
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The concern was for maintaining authenticity in terms of the identification of original materials. At the same time, the intention was to promote a "scientific" attitude toward restoration. Boito's principles were well accepted and inspired modern legislation on restoration of historical monuments
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Registration and description with photographs of the different phases of restoration. This register should remain in the monument or in a nearby public place. This requirement may be substituted by publication of this
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and serves as a rest home for retired musicians, and as a memorial for the composer, who is buried in the crypt of the chapel there. In the early 1900s, Boito helped shape
Italian laws protecting historical monuments.
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His agitation against the
Austrian domination of Venice pressured him to leave, despite his position as adjunct professor at the Academy. In Florence he begins to write for the journal
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During his extensive work restoring ancient buildings, he tried to reconcile the conflicting views of his contemporaries on architectural restoration, notably those of
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Exhibition in a nearby place of any material parts of a historical building that were removed during the process of restoration.
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Boito was born in Rome, the son of an
Italian painter of miniatures. His mother was of Polish ancestry. He studied in
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Boito is perhaps most famous for his restoration of the Church and
Campanile of Santi Maria e Donato at
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Suppression of moldings and decorative elements in new fabric placed in a historical building.
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Inscription of the date (or a conventional symbol) on new fabric in a historical building.
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Italian architect and engineer, and a noted art critic, art historian and novelist
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Dizionario degli
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Descriptive epigraph of the restoration work done attached to the monument.
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and then, later, in 2002 into a more sexually disturbing adaptation by
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The differentiation in building materials between the new and the old.
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in Milan. In Milan, he published for a number of journals, including
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Boito also wrote several collections of short stories, including a
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In 1860, he was named professor of
Superior Architecture at the
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which was built 1895 - 99. It was financed by the composer
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was memorably adapted for the screen by
Italian director
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665:19th-century Italian short story writers
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670:19th-century Italian male writers
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477:Tinto Brass
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308:Politecnico
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187:Nationality
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146:1836-10-30
69:newspapers
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412:Gallarate
385:Gallarate
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264:Biography
520:See also
513:Falstaff
484:Un corpo
456:Berenice
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191:Italian
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