50:). She lived there with her friends and fellow courtesans Alessandra Fiorentina, Brigida, and Beatrice Ferrarese. Among them Camilla seems, from her letters, to have assumed the role of matriarch of this unusual family. Camilla and her companions could nevertheless enjoy a house decorated by the painter
57:
Camilla was renowned for her beauty, musical and literary skills. She wrote letters to her friend
Francesco del Nero (1487-1563), who was Filippo Strozzi's brother-in-law and close business associate, complaining about her mistreatment at her lover's hands.
462:"The Courtezan (La Cortigiana), Act II, The Works of Aretino, Act Second, Translated into English from the original Italian, with a critical and biographical essay by Samuel Putnam, Illustrations by The Marquis de Bayros in Two Volumes, by Samuel Putnam"
85:. “Camilla Pisana's letters seek to persuade their readers of the writer's self-worth by employing the culturally designated language of courtly compliment, suitably phrased.”
61:“When this pleasant, though somewhat unconventional, household was dissolved after Strozzi lost interest in it, the girls went on to Rome, where from the rank of
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She is known in literary history for the 33 letters she sent to
Strozzi between 1516 and 1517. Her letters, together with those of
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156:"Camilla Pisana, la perfetta moglie?: tentativi di affermazione personale di una cortigiana del Rinascimento"
81:, are among the few and most important non-poetic writings that have come down to us from a courtesan of the
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269:"Review of A Corresponding Renaissance: Letters Written by Italian Women, 1375–1650, Kaborycha Lisa"
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22:(probably from Pisa - fl. 1515) was an Italian courtesan, known as a letter writer and poet.
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and
Cassola for which we may assume that Verdelot and Festa supplied the music.
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Italian Women
Writers from the Renaissance to the Present: Revising the Canon
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Bibliotechina grassoccia: capricci e curiositĂ letterarie inedite o rare
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It is also possible that this is the same
Camilla Pisana mentioned by
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Camilla, Filippo's mistress, was able to write poetry in the style of
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Freewomen, Patriarchal
Authority, and the Accusation of Prostitution
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Einstein, Alfred. The
Italian Madrigal. 3 vols. Translated by
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Camilla Pisana became one of four courtesans installed by
42:, where they served Strozzi and his friends, including
414:"The Courtesan's Arts: Cross-Cultural Perspectives"
336:. Princeton, NJ: Princeton University Press, 1949.
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346:Orlando, Filippo; Baccini, Giuseppe (1891).
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16:Italian courtesan, letter writer and poet
449:. University of Cincinnati. p. 41.
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443:Yellig, Catherine L. (26 April 2007).
412:Cardamone, Donna G. (November 2007).
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446:Rethinking the Renaissance Courtesan
193:Budin, Stephanie Lynn (2021-05-30).
497:16th-century Italian women writers
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369:. Penn State Press. p. 73.
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363:Marotti, Maria (2010-11-01).
352:(in Italian). pp. 32–37.
517:16th-century letter writers
396:by Giuseppe Gangemi in the
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492:16th-century Italian poets
128:Ragionamento dello Zoppino
65:they soon sank to that of
226:by Silvia Moretti in the
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399:Enciclopedia Treccani
273:Renaissance Quarterly
229:Enciclopedia Treccani
154:Pucci, Paolo (2011).
44:Duke Lorenzo d'Urbino
67:cortigiane piacevoli
48:Catherine de' Medici
507:Italian women poets
326:Alexander H. Krappe
267:Crabb, Ann (2016).
220:Francesco del Nero
83:Italian Renaissance
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126:(1534) and in the
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418:Music and Letters
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330:Roger H. Sessions
242:Kaborycha, Lisa.
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134:References
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293:0034-4338
172:0021-3020
26:Biography
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111:—
40:Florence
402:, 1978
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160:Italica
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