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114:, who collaborated on several artistic Catholic churches after World War II, was also involved in the project. At the age of 77, Matisse began the project and spent more than four years working on the chapel, its architecture, stained-glass windows, interior murals and ceramics, liturgical furnishings, and the priests' vestments. While Matisse had been baptized a
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entered the
Dominican convent in Vence, a nearby town, and became Sister Jacques-Marie. Matisse eventually bought a home at Vence, not far from the convent where the young nun was stationed. She visited him and told him of the plans, the Dominicans had to build a chapel beside the girls' high school which they operated in Vence.
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For the walls, Matisse designed three murals to be made by painting white tiles with black paint and then firing the large sections of tile. Each tile measures 12 in.. Matisse was so crippled with ailments by this time that he could only work from a wheelchair, and he had a long stick with a brush
239:, and then Taking the Body of Jesus Down. The center panel has a straight vertical and horizontal composition, while the two surrounding stations have strong diagonal lines leading to the head of Jesus on the cross. The French artist Jean Vincent de Crozals served Matisse as model for the Christ.
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and underwent surgery. During the long recovery, he was particularly helped by a young part-time nurse, Monique
Bourgeois, who had answered his advertisement seeking "a young and pretty nurse". Matisse asked her to pose for him, which she did for several drawings and paintings. In 1943, Bourgeois
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The chapel is built on a hillside and is entered by descending a flight of stairs, and turning to the right. The chapel is in an L shape, with the longer portion directly inside the door. The altar is placed at an angle where the two legs of the L join. The chapel is 15 meters long by 6 meters
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There is a small gift shop associated with the chapel; income goes to support the nuns and the chapel. There are also two doors in carved wood, designed by
Matisse, for the confessionals. Along the hallway to the gift shop are photos of Matisse designing the chapel. There are also some of
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On the side wall there are abstract images of flowers and an image of the
Madonna and Child, all created in black outlines on the white tiles. Rather than clasping the child to herself, as she is usually depicted, Matisse chose to show Mary offering her son to the world.
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On the back wall of the chapel there are traditional 14 stations of the cross. Although the 14 stations are usually depicted individually, Matisse incorporated all of them on one wall in one cohesive composition. The series begins at the bottom left as
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It houses a number of
Matisse original works and was regarded by Matisse as his "masterpiece". While the simple white exterior has drawn mixed reviews from casual observers, some regard it as one of the great religious structures of the 20th century.
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There are three sets of stained-glass windows, upon which
Matisse spent a great deal of time. All three sets make use of just three colors: an intense yellow for the sun, an intense green for vegetation and cactus forms, and a vivid blue for the
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and condemned. The stations follow Jesus' progress carrying the cross. At the top in the center are the three most powerful images – The
Raising of the Cross with Jesus' body nailed to it, the actual
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and by tradition founder of the practice of the rosary for
Catholics. He was a 13th-century wandering preacher from Spain. His followers wear a white garment, or habit, with a white
259:'s new museum of modern religious art. The nuns made copies of five of the sets of vestments, including chasubles, maniples, stoles, and chalice veils, and sent them to Rome.
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wide. The longer/larger segment is for the students or townspeople; the shorter section was for the nuns who lived and taught at the school. Both sides face the altar.
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Maquettes for the vestments, as well as for a number never realized, were made by
Matisse on brown wrapping paper and black construction paper. They can be seen in the
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Matisse designed the priests' vestments for the chapel, using the traditional ecclesiastical colors of the religious seasons: purple, black, rose, green, and red.
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She asked
Matisse if he would help with the design of the chapel. He had never done anything like it, but Matisse agreed to help, beginning in 1947. Father
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The outside of the chapel is white. The top of the roof is decorated with a blue-and-white zigzag pattern and carries an elaborate metal cross with a bell.
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strapped to his arm and pieces of construction paper placed on the wall. He then drew the images, which were transferred to tiles by skilled craftsmen.
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The story of the friendship and collaboration of Matisse and Sister Jacques Marie is related in her 1992 book,
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hanging straight down the front. Simple but powerful lines was created by Matisse to depict the saint.
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The altar is made of warm brown stone, chosen for its resemblance to the color of bread and the
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The high school has been closed and only a few elderly nuns still live there.
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Couturier, Marie-Alain; Rayssiguier, Louis-Bertrand.
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Matisse's original sketches for the Stations and vestments.
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Henri Matisse: The Vence Chapel, The Archive of a Creation
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Photographs of the interior and exterior of the building
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Matisse's Designs for the Chapel of the Rosary at Vence
504:(1956), France: Catholic University of America.
490: (2013). United Kingdom: Harry N. Abrams.
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Chapel in Vence, France, designed by Henri Y Matisse
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The Last Works of Henri Matisse: Large Cut Gouaches
175:. The two windows beside the altar are named the
424:Seligny, Marie-Thérèse Pulvenis de (2013-12-10).
94:In 1941, Matisse, who lived most of the year in
31:The Matisse Chapel. The entrance is at the left.
486:Pulvenis de Seligny, Marie-Thérèse.
375:"French Professor Directs "Model for Matisse""
251:requested that the nuns send the vestments to
137:. Sister Jacques Marie died in 2004, aged 84.
635:A Glimpse of Notre-Dame in the Late Afternoon
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511:(1961). United States: Doubleday.
481:The Vence Chapel: The Archive of a Creation
196:Behind the altar there is a large image of
731:The Dessert: Harmony in Red (The Red Room)
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985:Young Woman in White on a Red Background
427:Matisse. Vence: The Chapel of the Rosary
483:(1999). Italy: Skira Editore.
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1001:Deux fillettes, fond jaune et rouge
969:Annelies, White Tulips and Anemones
453:Matisse à Vence – L'olivier du Rêve
123:Henri Matisse: La Chapelle de Vence
707:Self-Portrait in a Striped T-shirt
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1285:Roman Catholic chapels in France
488:Vence: The Chapel of the Rosary.
162:Stained-glass windows by Matisse
1087:Goldfish paintings and etchings
1033:Black Leaf on Green Background
723:Blue Nude (Souvenir de Biskra)
373:Valyo, Cheryl (30 June 2003).
300:List of works by Henri Matisse
133:) and in the 2003 documentary
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537:, from the Musée Matisse Nice
399:Billot, Marcel, ed. (1999).
326:(6 ed.). Archived from
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45:Chapelle du Rosaire de Vence
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507:Wheeler, Monroe.
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910:Odalisque with Raised Arms
171:, the Riviera sky and the
74:. It was dedicated to the
886:The Painter and His Model
790:Still Life with Geraniums
643:Luxury, Calm and Pleasure
349:"Henri Matisse 1869–1954"
324:The Columbia Encyclopedia
945:Purple Robe and Anemones
619:Landscape, the Pink Wall
500:Kuhn, Mary C.
451:Nelck, Annelies (1998).
1025:The Sorrows of the King
66:located in the town of
953:Woman in a Purple Coat
755:Portrait of Greta Moll
683:Landscape at Collioure
627:Academy Study of a Man
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862:Woman on a High Stool
747:Bathers with a Turtle
379:Carnegie Mellon Today
221:Stations of the cross
112:Marie-Alain Couturier
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1261:43.72750°N 7.11278°E
1112:Chapel of the Rosary
822:Zorah on the Terrace
455:. pp. 154–158.
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1225:An Essay on Matisse
1165:Lydia Delectorskaya
699:The Young Sailor II
691:Le bonheur de vivre
430:. Harry N. Abrams.
23:The Matisse Chapel.
1228:(1996 documentary)
961:La Blouse Roumaine
878:Bathers by a River
870:The Yellow Curtain
854:View of Notre-Dame
230:is brought before
202:Order of Preachers
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1017:Beasts of the Sea
1009:The Plum Blossoms
993:The Knife Thrower
830:Window at Tangier
675:View of Collioure
437:978-1-907533-60-0
255:to be put in the
243:Sets of vestments
200:, founder of the
169:Mediterranean Sea
135:Model for Matisse
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1264: /
1132:(1947 book)
1089:(1912–1929)
1083:(1909–1930)
1041:La Négresse
929:1930s–1950s
849:(1912–1913)
809:(1908–1912)
766:1910s–1920s
630:(1900-1901)
603:1890s–1900s
351:. MyStudios
237:Crucifixion
150:Furnishings
1279:Categories
1249:43°43′39″N
1155:(grandson)
1094:Blue Nudes
410:8881184028
334:2006-07-31
306:References
131:2909767000
90:Background
1192:Le Cateau
1173:(teacher)
1121:Art books
1049:The Snail
403:. Skira.
384:18 August
355:18 August
156:Eucharist
1252:7°6′46″E
1057:The Boat
814:Goldfish
289:See also
206:scapular
116:Catholic
61:Catholic
39:Sideview
1219:Fauvism
1212:Related
1181:Museums
1167:(model)
1105:Chapels
549:, from
257:Vatican
173:Madonna
70:on the
55:or the
1140:People
1097:(1952)
1072:Series
1060:(1953)
1052:(1953)
1044:(1952)
1036:(1952)
1028:(1952)
1020:(1950)
1012:(1948)
1004:(1947)
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956:(1937)
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940:(1932)
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232:Pilate
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104:cancer
100:France
64:chapel
49:Rosary
1149:(son)
782:Music
774:Dance
595:Works
280:Paris
228:Jesus
68:Vence
1202:Nice
1129:Jazz
977:Asia
551:MOMA
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