566:
512:
399:
437:
90:. Berio gives precise instructions in the score for the location of the performers and percussion instruments on stage. Throughout the course of the work the singer moves backwards as if receding into the ensemble. She is also required to perform on specific percussion instruments such as
444:
70:
Berio explores similar sound textures while limiting himself exclusively to acoustic means. The work was commissioned by the Fromm
Foundation, with a dedication in the score to Mrs Olga Koussevitsky.
250:
540:
598:
186:
588:
569:
204:
111:
86:(the text from the first two poems being repeated with a different setting). In this way to form of the composition itself expresses a
156:
511:
133:
398:
179:
593:
438:
The
Modification and Instrumentation of a Famous Hornpipe as a Merry and Altogether Sincere Homage to Uncle Alfred
476:
320:
66:
in which Berio deconstructed
Berberian's voice through the use of innovative electronic manipulation. Throughout
603:
494:
62:
451:
288:
172:
518:
281:
469:
386:
274:
256:
226:
152:
501:
393:
219:
419:
405:
57:
91:
39:
582:
244:
195:
54:
31:
412:
366:
354:
545:
535:
362:
350:
342:
338:
358:
346:
334:
99:
79:
551:
327:
28:
42:, including the poems "Stinging", "Riverly Is a Flower", and "N(o)w".
24:
is a composition for female voice, harp and two percussionists by the
302:
95:
87:
25:
164:
168:
445:
Quattro versioni originali della "Ritirata notturna di Madrid"
60:. The work followed by two years the landmark composition
528:
486:
461:
429:
378:
312:
266:
236:
211:
151:by Elliot Schwartz and Daniel Godfrey (1993), (
180:
8:
541:Studio di fonologia musicale di Radio Milano
139:", by Jeffrey Oliver (Retrieved 4 May 2016)
53:was written for Berio's wife, the American
187:
173:
165:
122:
128:
126:
251:Concerto for Two Pianos and Orchestra
112:List of compositions by Luciano Berio
7:
14:
599:Songs with instrumental ensemble
565:
564:
510:
397:
38:is a setting of three poems by
1:
589:Compositions by Luciano Berio
16:Composition by Luciano Berio
620:
46:Context of the composition
562:
477:Requiem of Reconciliation
202:
495:Thema (Omaggio a Joyce)
98:, and various kinds of
78:Berio follows an ABCBA
63:Thema (Omaggio a Joyce)
74:Musical style and form
519:Recital I (for Cathy)
470:A Garland for Dr. K.
205:List of compositions
555:(completed in 2002)
487:Other compositions
313:Instrumental music
34:. Written in 1960
594:1960 compositions
576:
575:
371:
321:Cinque variazioni
227:Cronaca del luogo
611:
568:
567:
529:Related articles
514:
401:
331:
237:Orchestral works
220:Un re in ascolto
189:
182:
175:
166:
160:
149:Music Since 1945
146:
140:
130:
619:
618:
614:
613:
612:
610:
609:
608:
579:
578:
577:
572:
558:
524:
482:
457:
425:
420:Cries of London
374:
308:
262:
232:
207:
198:
193:
163:
147:
143:
137:, Luciano Berio
131:
124:
120:
108:
76:
58:Cathy Berberian
48:
17:
12:
11:
5:
617:
615:
607:
606:
604:E. E. Cummings
601:
596:
591:
581:
580:
574:
573:
563:
560:
559:
557:
556:
548:
543:
538:
532:
530:
526:
525:
523:
522:
515:
505:
498:
490:
488:
484:
483:
481:
480:
473:
465:
463:
462:Collaborations
459:
458:
456:
455:
452:Op. 120, No. 1
448:
441:
433:
431:
427:
426:
424:
423:
416:
409:
402:
390:
382:
380:
376:
375:
373:
372:
324:
316:
314:
310:
309:
307:
306:
299:
292:
285:
278:
270:
268:
264:
263:
261:
260:
253:
248:
240:
238:
234:
233:
231:
230:
223:
215:
213:
209:
208:
203:
200:
199:
194:
192:
191:
184:
177:
169:
162:
161:
141:
121:
119:
116:
115:
114:
107:
104:
92:finger cymbals
75:
72:
47:
44:
40:E. E. Cummings
15:
13:
10:
9:
6:
4:
3:
2:
616:
605:
602:
600:
597:
595:
592:
590:
587:
586:
584:
571:
561:
554:
553:
549:
547:
544:
542:
539:
537:
534:
533:
531:
527:
521:
520:
516:
513:
509:
508:Laborintus II
506:
504:
503:
499:
497:
496:
492:
491:
489:
485:
479:
478:
474:
472:
471:
467:
466:
464:
460:
454:
453:
449:
447:
446:
442:
440:
439:
435:
434:
432:
428:
422:
421:
417:
415:
414:
410:
408:
407:
403:
400:
396:
395:
391:
389:
388:
384:
383:
381:
377:
369:
368:
364:
360:
356:
352:
348:
344:
340:
336:
330:
329:
325:
323:
322:
318:
317:
315:
311:
305:
304:
300:
298:
297:
293:
291:
290:
286:
284:
283:
282:Chamber Music
279:
277:
276:
272:
271:
269:
267:Chamber music
265:
259:
258:
254:
252:
249:
247:
246:
242:
241:
239:
235:
229:
228:
224:
222:
221:
217:
216:
214:
210:
206:
201:
197:
196:Luciano Berio
190:
185:
183:
178:
176:
171:
170:
167:
158:
157:0-02-873040-2
154:
150:
145:
142:
138:
136:
129:
127:
123:
117:
113:
110:
109:
105:
103:
101:
97:
93:
89:
85:
81:
73:
71:
69:
65:
64:
59:
56:
55:mezzo-soprano
52:
45:
43:
41:
37:
33:
32:Luciano Berio
30:
27:
23:
22:
550:
517:
507:
500:
493:
475:
468:
450:
443:
436:
430:Arrangements
418:
411:
404:
392:
385:
333:
326:
319:
301:
295:
294:
287:
280:
273:
255:
243:
225:
218:
148:
144:
134:
83:
77:
67:
61:
50:
49:
35:
20:
19:
18:
546:Tempo Reale
536:Polystylism
379:Vocal music
289:Différences
212:Stage works
583:Categories
387:Folk Songs
118:References
275:Due pezzi
257:Rendering
80:arch form
570:Category
552:Turandot
502:Epifanie
394:Sinfonia
328:Sequenza
106:See also
29:composer
406:A-Ronne
296:Circles
135:Circles
84:Circles
68:Circles
51:Circles
36:Circles
26:Italian
21:Circles
303:Kol-Od
155:
100:chimes
96:claves
88:circle
245:Nones
413:Coro
153:ISBN
367:XII
355:VII
82:in
585::
365:,
363:XI
361:,
357:,
353:,
351:VI
349:,
345:,
343:IV
341:,
339:II
337:,
125:^
102:.
94:,
370:)
359:X
347:V
335:I
332:(
188:e
181:t
174:v
159:)
132:"
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.