Knowledge (XXG)

Claude Phillips

Source 📝

768: 569: 152:, writing its first catalogue, and held that post from 1900 until his retirement in 1911 whereupon he was knighted for his service. Phillips was considered one of the most eminent critics in 583: 842: 847: 465: 797: 837: 729: 690: 663: 638: 817: 827: 438: 822: 291:(1925), was published posthumously the following year. The caricature of him was eventually given to the UK through the 812: 852: 807: 287:
for his service shortly afterwards. Phillips died on 9 August 1924 at the age of 78. A collection of his essays,
280: 832: 802: 743: 348: 165: 356: 272:
in 1900. He held that post until his retirement 14 years later. In 1914 he was included in a caricature by
344: 792: 787: 352: 177: 164:
The second son of Robert Abraham Phillips and Helen Levy, Claude Phillips was born at Gloster Villa,
578: 136: 130: 276:
which was part of the Wallace Collection. The humorous painting is called "Le Legende de Joseph".
265: 145: 103: 763: 725: 686: 659: 634: 540: 153: 772: 382: 238: 234: 225: 269: 184:
and was called to the bar in 1883. As a young barrister-at-law, he was often called to
149: 20: 781: 573: 253: 208: 196: 128:(29 January 1846 – 9 August 1924) was a British writer, art historian and critic for 273: 683:
Granville Barker and His Correspondents: A Selection of Letters by Him and To Him
378: 95: 91: 759: 268:
and spent the next three years preparing its catalogue prior to its opening at
588: 568: 284: 633:. Aldershot, UK and Burlington, Vermont: Ashgate Publishing, 2000. (pg. 155) 724:. Aldershot, UK and Burlington, Vermont: Ashgate Publishing, 2005. (pg. 16) 658:. Aldershot, UK and Burlington, Vermont: Ashgate Publishing, 2004. (pg. 39) 191:
Phillips eventually left the legal profession and became a music critic for
181: 292: 261: 230: 173: 141: 140:
and other publications during the late 19th century. He was the first
375:
The Portfolio Monographs on Artistic Subjects with Many Illustrations
242: 169: 156:, and his numerous scholarly and art history books were widely read. 50: 572: This article incorporates text from a publication now in the 204: 185: 99: 551:(1919, with T. W. Roberts, Arthur L. Savage and D. Croal Thomson) 323:
Catalogue of a Collection of Drawings by the late Charles Keene
188:
on business and while there developed an interest in the arts.
369:
Pictures of the Year: The Royal Academy and the New Gallery
260:
in 1897. That same year, Phillips was appointed the first
685:. Detroit: Wayne State University Press, 1986. (pg. 454) 195:
in the late 1880s. From 1885 to 1896, he was the English
746:, Edmund Dulac, 1914, ArtFund.org, accessed April 2010 584:
A Short Biographical Dictionary of English Literature
109: 87: 79: 71: 57: 37: 30: 708:. Vol. 2. Madison: University of Wisconsin, 1977. 722:Ella Hepworth Dixon: The Story of a Modern Woman 458:Masterpieces of French Art in the XVIII century 311:A Century of French Art at the Paris Exhibition 252:After a particularly well-received article on 233:in the field and later wrote several works on 389:The Collection of Pictures at Longford Castle 8: 587:. London: J. M. Dent & Sons – via 365:(1894, with Julia Ady and Frederic Stephens) 295:, a charity that Phillips helped to set up. 716: 714: 650: 648: 646: 625: 623: 621: 613:Letters of Edward Elgar and Other Writings 180:. He originally embarked on a career as a 27: 843:Writers from the London Borough of Camden 739: 737: 473:Great Portrait-Sculpture through the Ages 677: 675: 673: 671: 615:. London: Geoffrey Bles, 1956. (pg. 128) 700: 698: 607: 605: 603: 601: 597: 256:, he became a full-time art critic for 211:publications he wrote for included the 168:on 29 January 1846. He was educated in 7: 848:Writers from the City of Westminster 527:French Art of the Eighteenth Century 446:The Picture Gallery of the Hermitage 413:Titian: A Study of His Life and Work 631:The Selected Letters of W.E. Henley 401:Millais's Works at Burlington House 798:Alumni of the University of London 479:A Portrait of Girolamo del Pacchia 431:The Van Dyck Exhibition at Antwerp 341:The Portfolio: Artistic Monographs 245:. One of his best known books was 14: 769:Works by or about Claude Phillips 439:'Perseus and Andromeda' of Titian 425:Verrocchio, or Leonardo da Vinci? 229:. Phillips became a widely known 567: 497:Two Paintings by Filippino Lippi 335:Venetian Art at the New Gallery 247:The Life of Sir Joshua Reynolds 114:The Life of Sir Joshua Reynolds 395:Frederick Walker and His Works 1: 706:Charles Ricketts and the Dial 176:prior to studying law at the 656:Rodin: The Zola of Sculpture 533:III National Loan Exhibition 838:People of the Victorian era 611:Young, Percy Marshall, ed. 343:(1894, with William Sharp, 317:Punch Drawings and Cartoons 869: 521:The Masterpieces of Greuze 503:The Earlier Work of Titian 279:Phillips was succeeded by 18: 539:Summer exhibition at the 281:Dugald Sutherland MacColl 75:Writer, historian, critic 760:Works by Claude Phillips 654:Mitchell, Claudine, ed. 419:The Later Work of Titian 19:Not to be confused with 704:Quinn, Richard Harold. 818:English art historians 629:Atkinson, Damian, ed. 515:Notes on Palma Vecchio 452:The Wallace Collection 385:and J. Starkie Garner) 345:Dante Gabriel Rossetti 201:Gazette des Beaux-Arts 828:English music critics 485:The Ariosto of Titian 166:Regent's Park, London 744:La Legende de Joseph 579:Cousin, John William 557:(1925, posthumously) 549:Barbizon House, 1919 491:Dramatic Portraiture 178:University of London 823:English art critics 720:Fehlbaum, Valerie. 464:Impressions of the 258:The Daily Telegraph 213:Manchester Guardian 193:The Daily Telegraph 137:Manchester Guardian 131:The Daily Telegraph 126:Sir Claude Phillips 32:Sir Claude Phillips 407:The Work of Titian 305:Randolph Caldecott 266:Wallace Collection 146:Wallace Collection 104:literary criticism 813:English essayists 764:Project Gutenberg 541:Grafton Galleries 466:Bruges Exhibition 363:J. Bastien-Lepage 283:, and received a 154:Victorian Britain 123: 122: 118:The Work of Titan 860: 853:Knights Bachelor 808:English curators 773:Internet Archive 747: 741: 732: 718: 709: 702: 693: 679: 666: 652: 641: 627: 616: 609: 592: 571: 64: 47: 45: 28: 868: 867: 863: 862: 861: 859: 858: 857: 833:English lawyers 803:English writers 778: 777: 756: 751: 750: 742: 735: 719: 712: 703: 696: 680: 669: 653: 644: 628: 619: 610: 599: 577: 564: 509:Antoine Watteau 383:Laurence Binyon 301: 239:Antoine Watteau 235:Joshua Reynolds 226:The Art Journal 217:Magazine of Art 162: 66: 62: 49: 48:29 January 1846 43: 41: 33: 24: 17: 12: 11: 5: 866: 864: 856: 855: 850: 845: 840: 835: 830: 825: 820: 815: 810: 805: 800: 795: 790: 780: 779: 776: 775: 766: 755: 754:External links 752: 749: 748: 733: 710: 694: 681:Salmon, Eric. 667: 642: 617: 596: 595: 594: 593: 563: 560: 559: 558: 555:Emotion in Art 552: 546: 536: 530: 524: 518: 512: 506: 500: 494: 488: 482: 476: 470: 461: 455: 449: 443: 434: 428: 422: 416: 410: 404: 398: 392: 386: 372: 366: 360: 357:P. G. Hamerton 349:F. G. Stephens 338: 332: 326: 320: 314: 308: 300: 297: 289:Emotion in Art 270:Hertford House 207:. Among other 161: 158: 150:Hertford House 121: 120: 111: 107: 106: 89: 85: 84: 81: 77: 76: 73: 69: 68: 65:(aged 78) 59: 55: 54: 39: 35: 34: 31: 21:Claude Phillip 16:English writer 15: 13: 10: 9: 6: 4: 3: 2: 865: 854: 851: 849: 846: 844: 841: 839: 836: 834: 831: 829: 826: 824: 821: 819: 816: 814: 811: 809: 806: 804: 801: 799: 796: 794: 791: 789: 786: 785: 783: 774: 770: 767: 765: 761: 758: 757: 753: 745: 740: 738: 734: 731: 730:0-7546-3877-4 727: 723: 717: 715: 711: 707: 701: 699: 695: 692: 691:0-8143-1754-5 688: 684: 678: 676: 674: 672: 668: 665: 664:0-7546-0904-9 661: 657: 651: 649: 647: 643: 640: 639:1-84014-634-6 636: 632: 626: 624: 622: 618: 614: 608: 606: 604: 602: 598: 590: 586: 585: 580: 575: 574:public domain 570: 566: 565: 561: 556: 553: 550: 547: 544: 542: 537: 534: 531: 528: 525: 522: 519: 516: 513: 510: 507: 504: 501: 498: 495: 492: 489: 486: 483: 480: 477: 474: 471: 468: 467: 462: 459: 456: 453: 450: 447: 444: 441: 440: 435: 432: 429: 426: 423: 420: 417: 414: 411: 408: 405: 402: 399: 396: 393: 390: 387: 384: 380: 376: 373: 370: 367: 364: 361: 358: 354: 353:C. J. Cornish 350: 346: 342: 339: 336: 333: 330: 327: 324: 321: 318: 315: 312: 309: 306: 303: 302: 298: 296: 294: 290: 286: 282: 277: 275: 271: 267: 263: 259: 255: 250: 248: 244: 240: 236: 232: 228: 227: 222: 218: 214: 210: 209:Victorian era 206: 202: 198: 197:correspondent 194: 189: 187: 183: 179: 175: 171: 167: 159: 157: 155: 151: 147: 143: 139: 138: 133: 132: 127: 119: 115: 112: 110:Notable works 108: 105: 101: 97: 93: 90: 86: 82: 78: 74: 70: 61:9 August 1924 60: 56: 52: 40: 36: 29: 26: 22: 721: 705: 682: 655: 630: 612: 582: 554: 548: 538: 532: 526: 520: 514: 508: 502: 496: 490: 484: 478: 472: 463: 457: 451: 445: 436: 430: 424: 418: 412: 406: 400: 394: 388: 377:(1897, with 374: 368: 362: 340: 334: 328: 322: 316: 310: 304: 299:Bibliography 288: 278: 274:Edmund Dulac 257: 251: 246: 224: 220: 216: 212: 200: 192: 190: 163: 135: 129: 125: 124: 117: 113: 63:(1924-08-09) 25: 793:1924 deaths 788:1846 births 379:Lionel Cust 96:art history 92:non-fiction 80:Nationality 782:Categories 589:Wikisource 562:References 285:knighthood 72:Occupation 67:London, UK 44:1846-01-29 329:John Opie 182:solicitor 160:Biography 581:(1910). 293:Art Fund 249:(1894). 199:for the 771:at the 576::  264:of the 231:scholar 221:Academy 174:Germany 144:of the 83:British 728:  689:  662:  637:  545:(1916) 543:, 1916 535:(1914) 529:(1914) 523:(1909) 517:(1907) 511:(1907) 505:(1906) 499:(1906) 493:(1906) 487:(1905) 481:(1905) 475:(1903) 469:(1902) 460:(1901) 454:(1901) 448:(1900) 442:(1900) 433:(1899) 427:(1899) 421:(1898) 415:(1898) 409:(1898) 403:(1898) 397:(1897) 391:(1897) 371:(1895) 337:(1894) 331:(1892) 325:(1891) 319:(1891) 313:(1889) 307:(1886) 262:keeper 243:Titian 219:, the 215:, the 170:France 142:keeper 51:London 254:Rodin 205:Paris 186:Italy 100:essay 88:Genre 726:ISBN 687:ISBN 660:ISBN 635:ISBN 437:The 355:and 241:and 223:and 172:and 58:Died 53:, UK 38:Born 762:at 203:in 148:at 784:: 736:^ 713:^ 697:^ 670:^ 645:^ 620:^ 600:^ 381:, 351:, 347:, 237:, 134:, 116:, 102:, 98:, 94:, 591:. 359:) 46:) 42:( 23:.

Index

Claude Phillip
London
non-fiction
art history
essay
literary criticism
The Daily Telegraph
Manchester Guardian
keeper
Wallace Collection
Hertford House
Victorian Britain
Regent's Park, London
France
Germany
University of London
solicitor
Italy
correspondent
Paris
Victorian era
The Art Journal
scholar
Joshua Reynolds
Antoine Watteau
Titian
Rodin
keeper
Wallace Collection
Hertford House

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.