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had to try and get the people's attention from the stage. They often had a backdrop to show a general location. Some scholars debate the immense stigma and hatred generated by these troupes. This could have played a part in deterring people from performing in the street due to this stigma. This
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troupes, but when it was they often took advantage of it. Communities often made ways to aid these troupes in finding places to perform, converting private homes and
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100:. When the troupes went to Europe, they used what theatres they could find and would also try to build new ones to continue aiding the art.
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500 years of theatre history : from the Brown-Forman
Classics in Context Festival at Actors Theatre of Louisville
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The art of commedia : a study in the
Commedia dell'Arte 1560-1620 with special reference to the visual records
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Johnson, Eugene (2000). "Jacopo
Sansovino, Giacomo Torelli, and the Theatricality of the Piazzetta in Venice".
230:
Toughy, Thomas (2009). "Herculean
Ferrara: Ercole d'Este (1471-1505) and the Invention of Ducal Capital".
71:
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Johnson, Eugene (2005). "The
Architecture of Italian Theatre around the Time of William Shakespeare".
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The
Renaissance Theartre: Texts, Performance, Design, Aldershore UK: Cambridge University Press.
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Ferguson, Ronnie (1999). "Venues and
Staging in Ruzante's Theatre: A Practitioners Experience".
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Oreglia, Giacomo (1968) The
Commedia dell'arte, Levett F Edwards (tr.), New York: Hill and Wang
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Pallen, Thomas (1999) Vasari on
Theatre. Carbondale, US: Southern Illinois University Press.
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There were several indoor stages to choose from. With the rise in popularity of
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Henke, Robert (2002). "Performance and
Literature in the Commedia dell'Arte".
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Transitional Exchange in Early Modern Theatre, Burlington, US: Ashgate
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began in the 16th century. When it began, it was performed outside in
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French Theatre in the Neo-Classical Era 1550-1789 by William Howarth
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Henke, Robert (2008). "Border Crossing in the Commedia dell'Arte".
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Outdoor stages were utilized by dramatizing the daily lives, where
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Posner, Donald (1977) "Jacques Callot and the Dances Called
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Commedia dell'arte performance : context and contents
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1540-1750. Cambridge, UK: Cambridge University Press.
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Carbondale, US: Southern Illinois University Press.
197:Journal of the Society of Architectural Historians
383:Dixon, Michael Bigelow; Smith, Val (2000-01-01).
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92:. This new technology was not available to all
318:Chaffee, Judith; Crick, Olly (February 2017).
321:The Routledge companion to Commedia dell'Arte
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265:Pallen, Thomas (1999). "Vasari on Theatre".
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