Knowledge (XXG)

Concerto for Horn and Hardart

Source 📝

41:
but where one instrument, the hardart, uses different devices, such as plucked strings, blown whistles and popped balloons, to produce each note in its range. The name "hardart" and the name of the concerto is a play on the name of proprietors
58:
without telling Schickele, who had to transpose at sight during the performance. As with other works that Schickele attributed to P. D. Q. Bach, "beneath the satire one finds very sound technique and invention in the music."
407: 127: 567: 50:. Like the automat, the hardart had small windows in the front where the musician had to insert coins to remove implements needed to strike or otherwise play the devices that produced the notes. The composer 597: 641: 634: 655: 417: 547: 242: 257: 690: 427: 122:
that shows off the abilities of the hardart. The third movement, a minuet ("with cream and sugar"), ends with the bursting of the balloons on the hardart.
750: 587: 517: 322: 711: 527: 497: 156: 611: 383: 218: 577: 537: 184: 54:, a classmate of Schickele's, helped build the actual instrument; Glass and the others tasked with building the hardart made it a 557: 115: 755: 457: 447: 356: 307: 745: 467: 376: 507: 437: 107: 680: 620: 144: 103: 740: 477: 55: 369: 341: 487: 311: 236: 224: 214: 180: 111: 43: 258:"Philip Glass' first lessons: Behind the scenes at Juilliard with a soon-to-be modern master" 210: 662: 95: 717: 26: 281: 734: 392: 30: 132: 51: 648: 114:
which, as Schickele notes, have no relationship to the initial theme. It quotes
99: 347: 139: 83: 71: 228: 87: 38: 119: 47: 568:
The Short-Tempered Clavier and other dysfunctional works for keyboard
79: 34: 128:
Peter Schickele Presents an Evening with P. D. Q. Bach (1807–1742)?
361: 159:, the advertising slogan adopted by Horn & Hardart in 1924. 365: 642:
Grand Serenade for an Awful Lot of Winds and Percussion
125:
The concert was released on Schickele's first album,
635:
Echo Sonata for Two Unfriendly Groups of Instruments
282:"Peter Schickele - The Classical Music Guide Forums" 712:
The Definitive Biography of P.D.Q. Bach, 1807–1742?
703: 672: 610: 399: 138:A portion of the cadenza was sampled by the group 656:Pervertimento for Bagpipes, Bicycle and Balloons 131:(1965), with Schickele playing the Hardart and 548:Music for an Awful Lot of Winds and Percussion 46:, who pioneered the North American use of the 377: 179:. Westport, Connecticut: Praeger. p. 5. 8: 691:P. D. Q. Bach in Houston: We Have a Problem! 428:Report from Hoople: P. D. Q. Bach on the Air 352:(audio, with a 3 minute spoken introduction) 384: 370: 362: 323:"Jurassic 5 "Monkey Bars" – P. D. Q. Bach 241:: CS1 maint: location missing publisher ( 102:, though with numerous mishaps. It quotes 588:The Ill-Conceived P. D. Q. Bach Anthology 303: 301: 142:in the song "Monkey Bars" on their album 518:1712 Overture and Other Musical Assaults 528:Oedipus Tex and Other Choral Calamities 167: 308:"Concerto for Horn and Hardart, S. 27" 234: 7: 578:The Dreaded P. D. Q. Bach Collection 498:Music You Can't Get Out of Your Head 177:Peter Schickele – A Bio-Bibliography 207:Words Without Music : A Memoir 14: 538:WTWP Classical Talkity-Talk Radio 193:The Many Lives of Peter Schickele 751:Experimental musical instruments 310:, work details and description, 65:The piece is in three movements: 558:Two Pianos Are Better Than One 116:Piano Concerto No. 21 (Mozart) 29:composing under the pseudonym 1: 628:Concerto for Horn and Hardart 408:An Evening with P. D. Q. Bach 350:Concerto for Horn and Hardart 325:Concerto for Horn and Hardart 22:Concerto for Horn and Hardart 256:Glass, Philip (2015-04-13). 155:on the hardart is Latin for 16:Composition by P. D. Q. Bach 772: 458:The Intimate P. D. Q. Bach 448:The Wurst of P. D. Q. Bach 468:Portrait of P. D. Q. Bach 110:. The second is a set of 598:The Jekyll and Hyde Tour 508:A Little Nightmare Music 37:of the classical double 681:The Abduction of Figaro 621:The Abduction of Figaro 286:classicalmusicguide.com 104:Wolfgang Amadeus Mozart 478:Black Forest Bluegrass 205:Glass, Philip (2015). 157:"Less Work for Mother" 118:. It concludes with a 56:transposing instrument 25:, S. 27, is a work of 191:citing Jean Oelrich, 175:Ravas, Tommy (2004). 488:Liebeslieder Polkas 76:Tema con variazione 418:An Hysteric Return 312:Carl Fischer Music 209:. London. p.  153:Minor Labor Matris 44:Horn & Hardart 756:1965 compositions 728: 727: 721: 696: 686: 603: 593: 583: 573: 563: 553: 543: 533: 523: 513: 503: 493: 483: 473: 463: 453: 443: 433: 423: 413: 220:978-0-571-32373-9 763: 746:Musical parodies 715: 694: 684: 663:The Stoned Guest 601: 591: 581: 571: 561: 551: 541: 531: 521: 511: 501: 491: 481: 471: 461: 451: 441: 438:The Stoned Guest 431: 421: 411: 386: 379: 372: 363: 353: 330: 329:, whosampled.com 320: 314: 305: 296: 295: 293: 292: 278: 272: 271: 269: 268: 253: 247: 246: 240: 232: 202: 196: 190: 172: 151:The inscription 33:. The work is a 771: 770: 766: 765: 764: 762: 761: 760: 731: 730: 729: 724: 718:Peter Schickele 699: 668: 606: 395: 390: 348: 344:, schickele.com 338: 333: 321: 317: 306: 299: 290: 288: 280: 279: 275: 266: 264: 255: 254: 250: 233: 221: 204: 203: 199: 187: 174: 173: 169: 165: 145:Quality Control 108:Symphony No. 29 92: 62: 27:Peter Schickele 17: 12: 11: 5: 769: 767: 759: 758: 753: 748: 743: 733: 732: 726: 725: 723: 722: 707: 705: 701: 700: 698: 697: 687: 676: 674: 670: 669: 667: 666: 659: 652: 645: 638: 631: 624: 616: 614: 608: 607: 605: 604: 594: 584: 574: 564: 554: 544: 534: 524: 514: 504: 494: 484: 474: 464: 454: 444: 434: 424: 414: 403: 401: 397: 396: 391: 389: 388: 381: 374: 366: 360: 359: 345: 337: 336:External links 334: 332: 331: 315: 297: 273: 248: 219: 197: 185: 166: 164: 161: 91: 90: 77: 74: 67: 15: 13: 10: 9: 6: 4: 3: 2: 768: 757: 754: 752: 749: 747: 744: 742: 741:P. D. Q. Bach 739: 738: 736: 719: 714: 713: 709: 708: 706: 702: 693: 692: 688: 683: 682: 678: 677: 675: 671: 665: 664: 660: 658: 657: 653: 651: 650: 646: 644: 643: 639: 637: 636: 632: 630: 629: 625: 623: 622: 618: 617: 615: 613: 609: 600: 599: 595: 590: 589: 585: 580: 579: 575: 570: 569: 565: 560: 559: 555: 550: 549: 545: 540: 539: 535: 530: 529: 525: 520: 519: 515: 510: 509: 505: 500: 499: 495: 490: 489: 485: 480: 479: 475: 470: 469: 465: 460: 459: 455: 450: 449: 445: 440: 439: 435: 430: 429: 425: 420: 419: 415: 410: 409: 405: 404: 402: 398: 394: 393:P. D. Q. Bach 387: 382: 380: 375: 373: 368: 367: 364: 358: 354: 351: 346: 343: 340: 339: 335: 328: 326: 319: 316: 313: 309: 304: 302: 298: 287: 283: 277: 274: 263: 259: 252: 249: 244: 238: 230: 226: 222: 216: 212: 208: 201: 198: 194: 188: 186:9780313320705 182: 178: 171: 168: 162: 160: 158: 154: 149: 147: 146: 141: 136: 134: 130: 129: 123: 121: 117: 113: 109: 105: 101: 97: 89: 85: 81: 78: 75: 73: 69: 68: 66: 63: 60: 57: 53: 49: 45: 40: 36: 32: 31:P. D. Q. Bach 28: 24: 23: 710: 689: 679: 661: 654: 647: 640: 633: 627: 626: 619: 612:Compositions 596: 586: 576: 566: 556: 546: 536: 526: 516: 506: 496: 486: 476: 466: 456: 446: 436: 426: 416: 406: 349: 342:Work details 324: 318: 289:. Retrieved 285: 276: 265:. Retrieved 261: 251: 206: 200: 192: 176: 170: 152: 150: 143: 137: 135:conducting. 133:Jorge Mester 126: 124: 93: 70:Allegro con 64: 61: 52:Philip Glass 21: 20: 18: 673:Videos/DVDs 649:Oedipus Tex 100:sonata form 735:Categories 716:(1976, by 291:2024-01-19 267:2024-01-19 163:References 140:Jurassic 5 112:variations 94:The first 237:cite book 229:908632624 327:, S. 27" 96:movement 88:Zucchero 80:Menuetto 39:concerto 357:YouTube 195:, p. 17 120:cadenza 48:automat 695:(2006) 685:(1984) 602:(2007) 592:(1998) 582:(1996) 572:(1995) 562:(1994) 552:(1992) 542:(1991) 532:(1990) 522:(1989) 512:(1983) 502:(1982) 492:(1980) 482:(1979) 472:(1977) 462:(1974) 452:(1971) 442:(1970) 432:(1967) 422:(1966) 412:(1965) 400:Albums 227:  217:  183:  98:is in 72:brillo 35:parody 704:Books 262:Salon 84:Panna 243:link 225:OCLC 215:ISBN 181:ISBN 82:con 19:The 355:on 106:'s 737:: 300:^ 284:. 260:. 239:}} 235:{{ 223:. 213:. 211:84 148:. 86:e 720:) 385:e 378:t 371:v 294:. 270:. 245:) 231:. 189:,

Index

Peter Schickele
P. D. Q. Bach
parody
concerto
Horn & Hardart
automat
Philip Glass
transposing instrument
brillo
Menuetto
Panna
Zucchero
movement
sonata form
Wolfgang Amadeus Mozart
Symphony No. 29
variations
Piano Concerto No. 21 (Mozart)
cadenza
Peter Schickele Presents an Evening with P. D. Q. Bach (1807–1742)?
Jorge Mester
Jurassic 5
Quality Control
"Less Work for Mother"
ISBN
9780313320705
84
ISBN
978-0-571-32373-9
OCLC

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.