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s reviewer called the work the "most thoroughly human composition Martha Graham has yet presented." He continued, "The Group worked admirably. The young dancers caught the spirit and moved with it in the slow phrases as well as the more exciting, swifter movements, never more sure, more positive...Of
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received the score late on the evening before the premiere and worked much of the following day rewriting orchestration. The dancers were up until early morning hours fitting new costumes to replace an earlier set Graham had discarded. The morning of the performance they arrived at the theater for
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it may be said, nothing was more evident than a buoyant optimism in youth, on the rebirth of all that is strong and urgent, racing through the course which is all living."
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The house was sold out long before curtain time, a first for the Graham troupe, and filled with notables from New York's theater world. Audience members included
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lighting rehearsals and more sewing. Bird described Graham as "sick with worry" the dance would be "a complete fiasco."
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critic wrote it "has somewhat never recaptured the tremendous lift and excitement of its first performance."
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Bonnie Bird, who appeared in the initial performance, told her biographer that the night before
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Frontiers: The Life and Times of Bonnie Bird, American Modern Dancer and Dance
Educator
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s debut had been filled with anxiety for the company. Graham's musical director
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41:. The ballet was performed by Martha Graham and Group, the forerunner to the
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The critic Henry
Gilfond described the choreography in his review for
219:"Martha Graham, Guild Theatre, November 10, 1935 (concert program)"
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Gilfond, Henry (March 1935). "The Dance
Observer". Vol. II.
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Course: One in Red; Three in Green; Two in Blue; Two in Red
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In the debut performance, Graham appeared in the solo
282:(Hardcover ed.). Routledge. pp. 66–68.
251:Performing Arts Encyclopedia, Library of Congress
223:Performing Arts Encyclopedia, Library of Congress
247:"Course (Ballet choreographed by Martha Graham)"
197:, created 13 years later, as a sister dance to
29:. The piece sometimes appeared on programs as
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33:. It premiered on February 10, 1935, at the
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132:A year after the premier,
191:Some Graham scholars see
329:Ballets by Martha Graham
73:and Dorothy Bird danced
324:1935 ballet premieres
194:Diversion of Angels
134:The New York Times
116:Critical reception
94:The Dance Observer
61:, Lil Liandre and
49:Structure and cast
170:George Balanchine
158:Katherine Cornell
81:and Lily Melman,
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25:to music by
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256:19 February
228:19 February
166:Noël Coward
150:Louis Horst
106:Two in Blue
75:Two in Blue
59:Bonnie Bird
318:Categories
205:References
186:Sally Rand
110:Two in Red
98:One in Red
83:Two in Red
65:performed
55:One in Red
146:Course'
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199:Course
127:Course
87:Course
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284:ISBN
258:2016
230:2016
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