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the hyperfunctionality leads to the dysfunction in the story. Quotes were used extensively to illustrate that the language of the novel employs plain, mechanical terms for the parts of the automobile and proper, medical language for human sex organs and acts. The story is interpreted as showing a merger between technology, sexuality, and death, and he further argued that by pointing out
Vaughan's character takes and keeps photos of the car crashes and the mutilated bodies involved. Baudrillard stated that there is no moral judgment about the events within the novel but that Ballard himself intended it as a warning against a cultural trend.
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433:. How everything uses everybody. And yet it is not a hopeless vision." On Ballard's legacy, she writes: "In Ballard's work there is always this mix of futuristic dread and excitement, a sweet spot where dystopia and utopia converge. For we cannot say we haven't got precisely what we dreamed of, what we always wanted, so badly."
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in which he declared it "the first great novel of the universe of simulation". He made note of how the fetish in the story conflates the functionality of the automobiles with that of the human body and how the characters' injuries and the damage to the vehicles are used as equivalent signs. To him,
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The story is told through the eyes of narrator James
Ballard, named after the author himself, but it centers on the sinister figure of Dr. Robert Vaughan, a former TV scientist turned "nightmare angel of the highways". James meets Vaughan after being injured in a car crash near
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was a "cautionary tale", a view that he would later regret, asserting that it is in fact "a psychopathic hymn. But it is a psychopathic hymn which has a point". Likewise, Ballard previously characterized it a science fiction novel, a position he would later take back.
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is the first pornographic novel based on technology. In a sense, pornography is the most political form of fiction, dealing with how we use and exploit each other in the most urgent and ruthless way. Needless to say, the ultimate role of
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I have used the car not only as a sexual image, but as a total metaphor for man's life in today's society. As such the novel has a political role quite apart from its sexual content, but I would still like to think that
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contains the famous
Ballard quote about his reasons for writing the book, "I wanted to rub the human face in its own vomit. I wanted to force it to look in the mirror."
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is cautionary, a warning against that brutal, erotic and overlit realm that beckons more and more persuasively to us from the margins of the technological landscape.
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The novel was released to divided critical reception, with many reviewers horrified by its provocative content. It was adapted into a controversial
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Canton, James; Cleary, Helen; Kramer, Ann; Laxby, Robin; Loxley, Diana; Ripley, Esther; Todd, Megan; Shaghar, Hila; Valente, Alex (2016).
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who become sexually aroused by staging and participating in car accidents, inspired by the famous crashes of celebrities.
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has been difficult to characterize as a novel. At some points in his career, Ballard claimed that
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returned the verdict "This author is beyond psychiatric help. Do Not
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Bradshaw, Peter; Sudjic, Deyan; Simpson, Dave; Sinclair, Iain; Lawson, Mark (20 April 2009).
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appeared as a passenger and car-crash victim. Ballard later developed the idea, resulting in
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Taylor, Brett (October–November 2009). "The
Forgotten Crash: Nightmare Angel".
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277:(Add MS 88938/3/8). Scanned extracts from Ballard's drafts are included in
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contains songs that have
Ballardian themes, such as "No-one Driving".
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to be one of
Ballard's best and most challenging works. Reassessing
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is, hands-down, the most repulsive book I've yet to come across."
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The novel received divided reviews when originally published. One
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JonathanRosenbaum.com » Blog
Archive » Sex Drive
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822:"How JG Ballard cast his shadow right across the arts"
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The
Complete Short Stories of J. G. Ballard: Volume 2
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The
Complete Short Stories of J. G. Ballard: Volume 1
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620:Baxter, John (8 September 2011). "34, The Nasty".
213:, first published in 1973 with cover designed by
33:Cover of first edition (hardcover) by Bill Botten
668:"'Death and the Machine: J. G. Ballard's Crash'"
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1317:The Best Short Stories of J. G. Ballard
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1581:Obscenity controversies in literature
1301:Low-Flying Aircraft and Other Stories
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1213:The Voices of Time and Other Stories
453:" was inspired by the novel as was "
269:The Papers of J. G. Ballard at the
217:. It follows a group of car-crash
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1546:British novels adapted into films
578:Ballard, J. G. (5 October 2001).
1394:A User's Guide to the Millennium
1186:Why I Want to Fuck Ronald Reagan
828:– via www.theguardian.com.
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727:Halford, Macy (20 April 2009).
685:10.17851/2317-2096.27.1.161-180
465:' song "Mausoleum" from 1994's
288:directed a short film entitled
279:Crash: The Collector's Edition,
1626:Novels with transgender themes
1591:Fiction about sexual addiction
1440:When Dinosaurs Ruled the Earth
607:Crash: The Collector's Edition
273:include two revised drafts of
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1293:Chronopolis and Other Stories
209:is a novel by English author
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374:The story can be classed as
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1586:Literature about pedophilia
1536:Bisexuality-related fiction
1516:1973 science fiction novels
1237:The 4-Dimensional Nightmare
989:The Unlimited Dream Company
16:1973 novel by J. G. Ballard
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226:1996 film of the same name
1349:Memories of the Space Age
1309:The Best of J. G. Ballard
594:– via Google Books.
437:References in popular art
431:everybody uses everything
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1596:Fiction about casual sex
1571:Novels about necrophilia
1333:Myths of the Near Future
704:Simulacra and Simulation
396:was equally horrified: "
367:Simulacra and Simulation
1636:Novels about technology
1611:Science fiction erotica
1576:Novels by J. G. Ballard
1472:The Atrocity Exhibition
957:The Atrocity Exhibition
605:Beckett, Chris (2017).
299:The Atrocity Exhibition
182:The Atrocity Exhibition
172:PZ4.B1893 Cp PR6052.A46
1631:Novels with gay themes
1095:The Concentration City
874:at the British Library
870:5 October 2016 at the
666:Groppo, Pedro (2017).
485:Other film adaptations
463:Manic Street Preachers
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292:based on a chapter in
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1521:Novels about adultery
1029:The Kindness of Women
925:The Wind from Nowhere
360:wrote an analysis of
65:transgressive fiction
1566:Psychological novels
1229:Passport to Eternity
457:," a 1983 single by
249:celebrities such as
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1551:Jonathan Cape books
1511:1973 British novels
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1137:Studio 5, The Stars
1037:Rushing to Paradise
1013:The Day of Creation
551:The Literature Book
281:ed. Chris Beckett.
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1341:The Voices of Time
1277:The Day of Forever
1261:The Overloaded Man
1253:The Impossible Man
1245:The Terminal Beach
1179:The Day of Forever
1123:The Voices of Time
766:The New York Times
653:2012-01-31 at the
527:Autassassinophilia
393:The New York Times
388:publisher's reader
382:Critical reception
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1456:Empire of the Sun
1402:Extreme Metaphors
1325:The Venus Hunters
1269:The Disaster Area
1061:Millennium People
1005:Empire of the Sun
949:The Crystal World
941:The Burning World
933:The Drowned World
713:978-0-472-09521-6
702:(1994). "Crash".
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1130:Chronopolis
427:existential
419:Zadie Smith
319:Throughout
265:Development
215:Bill Botten
1505:Categories
1221:Billennium
1158:Billennium
533:References
499:Zoe Beloff
447:The Normal
255:James Dean
219:fetishists
1488:High-Rise
1357:War Fever
1165:Minus One
981:High-Rise
908:Works by
800:0261-3077
741:0028-792X
478:Metamatic
475:'s album
473:John Foxx
421:wrote, "C
284:In 1971,
247:Hollywood
160:823/.9/14
112:paperback
108:Hardcover
90:June 1973
75:Publisher
69:dystopian
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868:Archived
746:1 August
651:Archived
626:Hachette
505:See also
376:dystopic
336:—
296:'s book
236:Synopsis
49:Language
805:31 July
771:31 July
762:"Crash"
672:Aletria
493:called
106:Print (
52:English
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1483:(2002)
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1448:Crash!
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425:is an
290:Crash!
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39:Author
22:Crash
1464:Crash
965:Crash
864:Crash
581:Crash
491:Crash
442:Music
409:Crash
405:Crash
398:Crash
362:Crash
351:Crash
347:Crash
340:Crash
331:Crash
326:Crash
321:Crash
308:Crash
275:Crash
206:Crash
119:Pages
57:Genre
807:2019
796:ISSN
773:2019
748:2019
737:ISSN
708:ISBN
630:ISBN
586:ISBN
559:ISBN
423:rash
253:and
141:OCLC
128:ISBN
110:and
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411:in
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228:by
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