Knowledge (XXG)

David von Krafft

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in Saxony with the King. This realistic but forceful image of the King broke with current conventions for royal portraiture and Krafft adapted the type inherited from Swartz and produced numerous copies from 1707 and 1717. When Charles XII had his residence in Lund in 1717, Krafft again got the
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Krafft's later portraits of Charles, which are among the most well-known and reproduced, show the King in the simpler attire he adopted during the campaigns: bareheaded and wearing a simple blue uniform, except for subtle details similar to that of the other soldiers in the army. In this case,
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Krafft's image was dependent on a type of portrait that had been developed in accordance with the directions of Charles himself, and first established with the 1706-07 portrait by the artist Johan David Swartz (1678-1729), a former student of Krafft who had been present in the camp at
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for a journey to Italy through Denmark and Germany. The purpose was first to visit the various princely courts to paint the Queen's relatives to supplement her portrait collection, and later to continue to Italy for further studies. He arrived in Italy in 1687, spent a year in
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David Klöcker Ehrenstrahl had been born in Hamburg and settled in Sweden in the 1650s, where he was successful as a painter primarily of portraits of members of the royal house and the aristocracy. He was ennobled in 1674, receiving the surname Ehrenstrahl.
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chance to paint him live. As with the earlier portrait, based on the Altranstädt painting by Swartz, the Lund portrait was produced in many copies by Krafft and his followers.
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Krafft also painted many of King Charles's generals. Besides his many portraits which were the major portion of his production, Krafft painted a large altarpiece for
287: 491: 476: 171: 69:. Krafft was called to Sweden in 1675 by Ehrenstrahl, as his assistant and apprentice. Ehrenstrahl also became his teacher in the art of painting. 200: 471: 461: 178: 332: 65:. Krafft became an orphan at an early age. His parents' names are not known but his mother was a sister of the Swedish court painter 223: 466: 496: 486: 207: 66: 50: 77: 481: 192: 145: 109: 23: 456: 451: 34: 402: 336: 310: 264: 140: 113: 133: 121: 445: 380: 358: 105: 49:(1655 – 20 September 1724), was a German-Swedish painter, the nephew and student of 128:
His largest painting is the Hildebrand family portrait from 1713 at Nynäs Manor, (
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Makt & Vardag. Hur man styrde, levde och tänkte under svensk stormaktstid
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Ericsson, Peter, "Bilden av suveränen", in: Stellan Dahlgren et al. (ed),
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in 1694. He finally returned to Stockholm and his uncle's studio in 1696.
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After Ehrenstrahl's death in 1698, Krafft was appointed his successor as
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and his successor (in 1698) as painter to the Swedish Royal Court.
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Altarpiece inserted in the columns at Kalmar Cathedral (1712)
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Index


Charles XII
portrait

David Klöcker Ehrenstrahl
Hamburg
David Klöcker Ehrenstrahl
Ulrika Eleonora the Elder
Venice
Rome
Bologna
Vienna
Paris
court painter
Charles XII of Sweden
Hedvig Eleonora
Altranstädt
Södermanland
Kalmar Cathedral
Descent from the Cross
Queen Hedvig Eleonora
Hedvig Eleonora
Hedvig Sophia
Hedvig Sophia
King Stanisław I Leszczyński of Poland
Stanisław I Leszczyński
Queen Ulrika Eleanora
Ulrika Eleanora
Equestrian portrait of Charles XII

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